Category: Essays, Letters & Speeches

Vision and Design

This book contains a selection from my writings on Art extending over a period of twenty years. Some essays have never before been published in England; and I have also added a good deal of new matter and made slight corrections throughout. In the laborious work of hunting up...

Chapters

4. Part 4

So far it has been unnecessary even to consider whether the objects of the Victorian period are works of art or not; all that is necessary is that they should have some margin o...

18. Part 18

as it were, just out of reach of appetite--makes Renoir to me, personally, a peculiarly difficult artist. My taste for exotic artists such as Cosima Tura and his kin amounts at...

3. Part 3

Yet another point about the emotions of the imaginative life--since they require no responsive action we can give them a new valuation. In real life we must to some extent culti...

15. Part 15

In spite of all the attacks of critics, in spite of the development of emphasis and high flavour in modern romantic landscape, which might well have spoilt us for his cool simpl...

11. Part 11

In the year 1298 Giotto entered into a contract with Cardinal Stefaneschi to execute for him the mosaic of the “Navicella,” now in the porch of S. Peter’s. We have in this the f...

6. Part 6

It is probable that in many directions we should extend mechanical operations immensely, that such things as the actual construction of buildings, the mere laying and placing of...

16. Part 16

When the first Post-Impressionist Exhibition was held in these Galleries two years ago the English public became for the first time fully aware of the existence of a new movemen...

2. Part 2

It remains to be considered whether the life of the past fifty years has shown any such violent reorientation as we have found in the history of modern art. If we look back to t...

19. Part 19

I have certainly tried to make my judgment as objective as possible, but the critic must work with the only instrument he possesses--namely, his own sensibility with all its per...

12. Part 12

There is evidence in these frescoes of an artistic quality which we could scarcely have believed possible, and yet, as it is most evident in those parts which are least damaged,...

13. Part 13

do with what he actually accomplishes; that the fundamental quality of his work seems to come out unconsciously as a by-product of his conscious activity. And so it was in Uccel...

5. Part 5

I would not wish to appear to blame the plutocrat. He has often honestly done his best for art; the trouble is not of his making more than of the artist’s, and the misunderstand...

9. Part 9

One of the features of early Mohammedan art is the vitality of its floral and geometrical ornament, the system of which is uniformly spread throughout the Mohammedan world. The...

10. Part 10

It would be wearisome to go in detail through all these works; it will suffice to say that in certain marked peculiarities they all agree with one another and with the Crucifixi...

7. Part 7

“The paintings are remarkable not only for the realism exhibited by so many, but also for a freedom from the limitation to delineation in profile which characterises for the mos...

17. Part 17

I come now to the Rembrandts, of which there are several good examples. Rembrandt always intrigues one by the multiplicity and diversity of his gifts and the struggle between hi...

20. Part 20

But one could easily point to pictures where the two sets of emotions seem to run so parallel that the idea that they reinforce one another is inevitably aroused. We might take,...

8. Part 8

In looking at the artistic remains of so remote and strange a civilisation one sometimes wonders how far one can trust one’s æsthetic appreciation to interpret truly the feeling...

14. Part 14

That the artists are excited--never more so--is no wonder, for here is an old master who is not merely modern, but actually appears a good many steps ahead of us, turning back t...

1. Part 1

This book contains a selection from my writings on Art extending over a period of twenty years. Some essays have never before been published in England; and I have also added a...

21. Part 21

[46] It is not impossible that Claude got the hint for such a treatment as this from the impressionist efforts of Græco-Roman painters. That he studied such works we know from a...