Vasari on technique

CHAPTER IV. (XI.)

Chapter 11152 wordsPublic domain

How Models for large and small Bronze Figures are made, with the Moulds for casting them and their Armatures of iron; and how they are cast in metal and in three sorts of Bronze; and how after they are cast they are chased and refined; and how, if they lack pieces that did not come out in the cast, these are grafted and joined in the same bronze, 158

§ 55. _The Full-sized Model for Bronze_ (158). § 56. _The Piece-Mould in Plaster_ (158). § 57. _The Construction of the Core_ (159). § 58. _The Piece-Mould lined with a Skin of Wax_ (160). § 59. _This Skin of Wax applied over the Core_ (160). § 60. _The fire-resisting Envelope applied over the Wax_ (161). § 61. _The External Armature_ (162). § 62. _The Vents_ (162). § 63. _The Wax melted out_ (162). § 64. _The Mould in the Casting-pit_ (163). § 65. _The Composition of the Bronze_ (163). § 66. _Making up Imperfections_ (164). § 67. _A simpler Method of Casting small Figures and Reliefs_ (165). § 68. _Chasing the Cast and Colouring the Bronze_ (165). § 69. _Modern Tours de Force in small Castings_ (166).