Part 5

There was a noble "Collegiate Church of St. Quentin" near this Hôtel de Ville, considered by architects to be a splendid example of French Gothic of the twelfth to the fifteenth centuries. This was unfortunately so shut in by small buildings as to make a study of it difficult. Its choir, nave, and portal, and its really vast height, formed unusual features, and added to these wonders were the beautiful triforium and terminal windows of the principal transept (there were two of these, "very rare in a Gothic church," says Hare).

The oldest part of the church was easily discovered between these transepts. There were seven absidal chapels; in that of St. Roch was the incised tombstone of "Mahaus Patrelatte," dated 1272.

Under the choir were crypts said to have been of the ninth century, and in one of these was a stone sarcophagus of St. Quentin and SS. Victorious and Gentianus, who were St. Quentin's companions in martyrdom. The west portal of the church was formerly adorned with a large number of statues, vestiges of which were plainly visible. A statue of Quentin Delatour, a famous draftsman in crayon of the eighteenth century, a native of the town, stood before the church; it was by Lauglet the sculptor, and of considerable merit. A collection of Delatour's crayon drawings were in the small museum in the rue du Petit-Origny....

Unfortunate St. Quentin, now once more in ashes, and this time so completely obliterated that nothing remains on the hill but some blackened ragged piles of masonry, was besieged by Philip II in 1558, when war broke out between Picardy and Flanders.

"Philip II had landed there with an army of forty-seven thousand men, of whom seven thousand were English. Never did any great sovereign and great politician provoke and maintain for long such important wars without conducting them in some other fashion than from the recesses of his cabinet and without ever having exposed his life on the field of battle. The Spanish army was under the orders of Emmanuel-Philibert, Duke of Savoy, a young warrior of thirty, who had won the confidence of Charles V. He led it to the siege of St. Quentin, a place considered one of the bulwarks of the kingdom.

"Philip II remained at some leagues' distance in the environs. Henry II was ill prepared for so serious an attack; his army, which was scarcely 20,000 strong, mustered near Laon under orders of the Duke of Nevers, Governor of Champagne; at the end of July, 1557, it hurried into Picardy, under the command of the Constable de Montmorency, who was supported by Admiral de Coligny, his nephew, by the Duke of Enghien, by the Prince of Condé, by the Duke of Montpensier, and by nearly all the great lords and the valiant warriors of France. They soon saw that St. Quentin was in a deplorable state of defense; the fortifications were old and badly kept up; soldiers and munitions of war, as well as victuals were all equally deficient. Coligny did not hesitate, however; he threw himself into the place on the 2nd of August during the night with a small corps of 700 men and Saint Remy, a skillful engineer, who had already distinguished himself in the defense of Metz. The Admiral packed off the useless mouths, repaired the walls at the points principally threatened, and reanimated the failing courage of the inhabitants.

"The Constable and his army came within hail of the place; and d'Andelot, Coligny's brother, managed with great difficulty to get 450 men into it.

"On the 10th of August the battle was begun between the two armies. The Constable affected to despise the Duke of Savoy's youth: 'I will soon show him,' said he, 'a move of an old soldier.'

"The French army, being very inferior in numbers, was for a moment on the point of being surrounded. The Prince of Condë sent the Constable warning. 'I was serving in the field,' answered Montmorency, 'before the Prince of Condé came into the world; I have good hopes of still giving him lessons in the art of war for some years to come.'

"The valor of the Constable and his comrades-in-arms could not save them from the consequences of their stubborn recklessness, and their numerical inferiority; the battalions of Gascon infantry closed their ranks, with pikes to the front, and made a heroic resistance, but all in vain, against repeated charges of the Spanish cavalry; and the defeat was total.

"More than 3,000 men were killed; the number of prisoners amounted to double this figure; and the Constable, left upon the field with his thigh shattered by a cannon ball, fell into the hands of the Spaniards, as was also the case with the Dukes of Longueville and Montpensier, la Rochefoucauld, d'Aubigné, etc.... The Duke of Enghien, Viscount de Turenne and a multitude of others, many great names amidst a host of obscure, fell in the fight. The Duke of Nevers and the Prince of Condé, sword in hand, reached La Fère with the remnants of their army. Coligny remained alone at St. Quentin with those who survived of his little garrison, and a hundred and twenty arquebusiers whom the Duke of Nevers threw into the place at a loss of three times as many. Coligny held out for a fortnight longer, behind walls that were in ruins and were assailed by a victorious army. At length, on the 27th of August, the enemy entered St. Quentin in shoals.

"The Admiral, who was still going about the streets with a few men to make head against them, found himself hemmed in on all sides, and did what he could to fall into the hands of a Spaniard, preferring rather to await on the spot the common fate than to incur by flight any shame or reproach. They took him prisoner, after having set him to rest a while at the foot of the ramparts, and took him away to their camp, where as he entered, he met Captain Alonzo de Cazieres, commandant of the old bands of Spanish infantry; when up came the Duke of Savoy, who ordered the said Cazieres to take the Admiral to his tent." *

* Commentaire de François de Rabutin sur les Guerres entre Henri II., roi de France, et Charles Quint, empereur. Vol. I, p. 95, in the Petitot Collection.

"D'Andelot, the Admiral's brother, succeeded in escaping across the marshes. Being thus master of St. Quentin, Philip II, after having attempted to put a stop to the carnage and plunder, expelled from the town, which was half in ashes, the inhabitants who had survived, and the small adjacent fortresses of Ham and Catalet did not hesitate long before surrendering. Five years later, in 1557, after the battle and capture of St. Quentin, France was in a fit of stupor; Paris believed the enemy to be already beneath her walls; many of the burgesses were packing up and flying--some to Orleans, some to Bourges, some still further." * And now once more history repeats itself in the sacking and burning of this quaint town, in the retreat of the invader of 1914-5 after three years of agony endured by its people. "God makes no account of centuries, and a great deal is required before the most certain and most salutary truths get their place and their rights in the minds and communities of men," says Guizot, quaintly, and thus dismisses the record of Henry II: "On the 29th of June, 1559, a brilliant tournament was celebrated in lists erected at the end of the street of Saint Antoine, almost at the foot of the Bastile. Henry II, the Queen, and the whole court had been present at it for three days."

* Guizot's "Histoire de France." Vol. Ill, p. 204.

"The entertainment was drawing to a close. The King, who had run several tilts 'like a sturdy and skillful Cavalier,' wished to break yet another lance, and bade the Count de Montgomery, captain of the guards, to run against him. Montgomery excused himself; but the King insisted. The tilt took place. The two jousters, on meeting, broke their lances skilfully; but Montgomery forgot to drop at once, according to usage, the fragment remaining in his hand; he unintentionally struck the King's helmet and raised the visor, and a splinter of wood entered Henry's eye; he fell forward upon his horse's neck."

All the appliances of art were useless; the brain had been pierced. Henry II languished for eleven days and expired on the tenth of July, 1559, aged forty years and some months. "An insignificant man and a reign without splendor, though fraught with facts pregnant of grave consequences," concludes the historian.

The fame of Henry Martin, noted as an historian, who died in 1883, was commemorated by a bronze statue "such as the chimes and the great bell of the Collegiate erected before the Lycée," a rather handsome building in the Rue du Palais de Justice. Before leaving St. Quentin in April, 1917, the invaders shipped this statue to Germany, it is announced in the German press, and melted it up at the gun works with other scrap metal, "such as the chimes and the great bell of the Collegiate Church of St. Quentin."

A few miles to the northeast on the river Oise was the small town of Guise, most picturesquely situated, and commanded by an ancient castle, or chateau, as these ruins are sometimes styled, which dated from the sixteenth century, and was occupied by a few soldiers as a sort of garrison. In this château in troublous times the nuns of the Guise, and those of the neighboring nunneries as well, took refuge. There was here, too, a most famous chapter of monks, but the nuns were of greater renown. These threw off the severe rules of St. Benedict in the twelfth century, and becoming "chanoinesses," lived apart with the utmost comfort, their abbess bearing a scepter rather than a cross. Endowed by successive ducal rulers, this chapter became one of the most illustrious of the province. "Its abbess, always chosen from a family of the most exalted rank, exercised almost sovereign authority over the domain, and furthermore in virtue of a document from the Emperor Rudolph (1290), bore the title of Princess of the Holy Empire. She was elected only by the united voice of the chapter, and went to Rome to receive consecration from the Pope himself in the Lateran. To him she is said to have offered in sign of homage, every three years, a white horse and a piece of purple velvet; and when after many years the Pope remitted this tax, she bore, in all solemn processions, a red silk banner sprinkled with gold and silver buds in remembrance of it. A double handed sword was carried before her in processions. She had the right of granting liberty to prisoners. In the choir of the cathedral she sat upon a throne placed upon a carpet of crimson velvet ornamented with gold leaves, and upon fête days she held 'grand-couvert,' as was the custom with sovereigns. The chapter counted sixty-four abbesses, of whom the last in line was Louise-Adelaide de Bourbon-Condé." *

* Brantôme, Paris, 1822. Vol. I.

Considering its part in history, it is surprising how little interest was taken in Guise of late years. In 1339 the English, under John of Hainault, burned the town, but were unable to conquer the castle, owing to the courageous resistance of the small body of warriors who were commanded by the noble lady of its absent lord, the daughter of John of Hainault himself. In the curious old crypt were the tombs of several abbesses, and the shrine contained the relics of SS. Romaric, Arnat, and Idulphe, which the nuns brought with them in the tenth century from the old church on the hill. On one of the streets were ancient houses with stone arcades.

Guise was the birthplace of Camille Desmoulins, the revolutionary. Near the town, which was busy and prosperous, with a population of eight thousand or so, there was a sort of workmen's colony upon the communistic plan, and included a "phalanstère," or common dwelling place for the members, upon the Fourier plan, founded by some philanthropist. As far as we could judge superficially it was successful, and it is said the chance visitor was always welcomed most cordially by the members who happened to be present.

These inoffensive people have been shipped away, no one now seems to be able to say just where, and the little town, gutted by fire, has ceased to exist save in the memory of those who once knew its charm.

A few miles southwest of St. Quentin, on the river Somme, was a small town named Ham, which had, however, nothing in common with that excellent viand. Here was a famous château of the tenth century, of the Comtes de Vermondais. In 1374 it passed to the Coucy family, and then to the Comtes of St. Pol, from whom it came by marriage to the house of Bourbon-Vendôme. This great stronghold had a donjon, the walls of which were thirty-five feet thick, and the room inside it was one hundred and ten feet broad, and the same number of feet high. In shape it was a rectangle, flanked at each corner by a round tower, and with square towers on the north and west. Rising from a canal on the northeast angle was a huge round tower, named the Tour de Connétable, built by Louis de Luxembourg in 1490. Emblazoned on the stone over the portal was the motto of the founder: "Mon Myeulx" (My Best). The walls of this tower were said to have been of enormous thickness. The figures varied so much that I omit all of them, but from the appearance of the tower one might believe even the most exaggerated statements.

Its lower apartment was a vast hall of hexagonal shape, the vaulting of which was Gothic in style, and we were shown some curious arched spaces, said to be intended for furnaces or magazines to be blown up and thus destroy the castle in case of its capture. There was a great "Salle de Gardes," where the soldiers slept and ate in time of siege, and this contained an enormous fireplace, a well of considerable depth, and an oven where bread had been baked. Above this vast room was the "Chambre de Conseil," lighted by a single large window, and furnished with stone benches below it. Here Jeanne d'Arc was imprisoned by Jean of Luxembourg, and many other notables languished in the dungeons from the time of the Revolution down to the time of the capture of Prince Louis Napoléon, in August, 1840, at Boulogne, and from which he escaped disguised as a workman on the morning of May 22, 1846. He took refuge at St. Quentin, went thence to Belgium, and finally reached England.

Like all of the other great castles in the region occupied by the invaders, Ham was blown up before the German army "victoriously" retreated to the now celebrated "Hindenburg" line, in April, 1917.

VALLENCIENNES

|THE town of lace," wrote William of Orange to the Estates on the 13th of April, 1677, "is lost to us. We are very sorry to be obliged to tell your High Mightinesses that it has not pleased God to bless on this occasion the arms of the State under our guidance." And then fell also to the troops of Louis XIV the towns of Cambrai, St. Omer, and the defense of Lorraine.

But there is now no lace made in Valenciennes. The larger part of the population of twenty-eight thousand worked in the iron foundries and the great machine shops surrounding the town, from which clouds of soft coal smoke rose, reminding one of our own Pittsburgh, but with the addition of much quaint antiquity, which was now (1910) unhappily rapidly disappearing through lack of interest on the part of not only the inhabitants but the authorities, whom one would think alive to their value as an attraction to the town.

Formerly strongly fortified and most powerful, this quaint semi-Flemish town, which was now given over thus to prosaic manufacture, was situated at the junction of the rivers Scheldt and Rhondelle. There were huge, ugly sugar factories as well as iron mills, indeed,'tis said that nearly all the sugar used in France was produced here.

Like all Flemish towns, Valenciennes had a good deal of drunkenness to contend with on the part of its working people, but I must confess I saw little of it.

It is said that Valentinian I, Roman Emperor, gave name to the town, which was at first the capital of a small independent principality. Later it passed into the hands of the Counts of Hainault; suffered and resisted sieges by Margaret of Hainault in 1254; by Louis XI, in 1477; by Turenne, in 1656; and by the Spaniards in the seventeenth century; and by Scherer in 1794. Since the treaty of Nymegen in 1678 it has belonged to France.

A great many celebrated men were born at Valenciennes, and all about the statue of Froissart their effigies are arranged in a series of medallions. Among these are Antoine, Louis and François Watteau, Pujol, the painters, Lemaire and Carpeaux, the sculptors, and Charles, Sire de Lannoy and Viceroy of Naples--all natives of the little town. Madame d'Epinay, the author, also was born here.

Valenciennes had a most attractive and picturesque square, which occupied the former glacis of the ancient fortifications demolished about twenty years ago, and there was a handsome street, called the Rue de Ferrand, upon which was the "Lycée," formerly a Jesuit college, and the Ecole des Beaux Arts, in which was a museum of natural history, containing a fine collection of minerals of which the townspeople were inordinately proud. They quite ignored the value of a splendid collection of MSS., numbering nearly a thousand examples of mediaeval workmanship, contained in the Municipal Library, occupying part of the old Jesuit college. The custode wrung his hands in despair at the indifference of the authorities to its importance, and became positively and alarmingly affectionate over me when I showed enthusiasm for some of the specimens, so that I had to place myself behind one of the cases where he could not well reach me while I examined the illuminations. There was a fine statue of Antoine Watteau, the painter, by the sculptor Carpeaux, with four figures grouped about it representing Italian comedy. (This statue, I am informed, was shipped to Germany by the invaders in 1916, to be melted up and cast into cannon. An irreparable loss, as it was considered one of the finest examples of the work of Carpeaux.)

In the Square was the ancient Church of St. Géry, a remarkable example of Gothic workmanship dating from the thirteenth century, and much studied and valued by architects. In its choir were fine wood carvings illustrating events in the life of St. Norbert, who was the founder of the Præmonstratensian order. The handsome and noteworthy Place d'Armes contained some most quaint and ancient timber dwellings, which were dated variously during the seventeenth century, and in an astonishingly fine state of preservation. But by far the most interesting building in Valenciennes was the Hôtel de Ville, which though lately restored (1868), dated from the seventeenth century, the period of the Spanish occupation. The façade was quite imposing, consisting of a row of Doric columns, upholding a row of Ionic columns, which supported a number of caryatides and a sort of open gallery above. Carpeaux designed the sculptures ornamenting the pediment, which represented the Defense of Valenciennes.

Corner of Grand' Place: Valenciennes

This building was occupied by the Musée of Paintings and Sculpture, which was really one of the most important and extensive collections in France of examples of the Flemish school of painting. Here I saw in 1910 a large number of beautiful original drawings, and a collection of Flemish tapestries of incalculable value. There were nine or ten rooms devoted to the Flemish masters, and to mention only a few of the treasures they contained, I note here: "Hell-fire"; Breughel, Toil Devoured by Usury; Jordaens, Twelfth Night; Van Balen, Rope of Europa; P. A. da Cortona, Herodias; Seghers, St. Eloi and the Virgin; Neets, the younger, Church Interior; Vinckboons, Forest; Van Aelst, Still Life; Van Mieris, Pan and Syrinx; Al. Adriensis, Fish Merchant; Van Goyen, Landscape; "Velvet" Breughel, Landscape; Van de Velde, Sea Piece; Van Oost, Adoration of the Shepherds; Pourbus (younger), Marie de Medicis; Brouwer, Tavern Scene; Wouverman, Hunters; Teniers, Interior of Grotto; Rubens, Descent from the Cross; Guido (?), St. Peter; Metsys, Banker and His Wife.

The fate of this remarkable collection of Flemish and Spanish paintings is at present shrouded in mystery. It is said, and denied variously, that they were removed to Paris before the German army arrived. I understand from reports in the newspapers, which may or may not be authentic, that this old Hôtel de Ville was entirely destroyed by British shells early in the war, and that the venerable Maison du Prévost, built during the Spanish invasion, and the old timbered and slated houses at the corner of the Grand' Place, one of them occupied by the "Café Modeste," have been entirely destroyed. But at present (May, 1917) Valenciennes is behind the curtain of mystery drawn over its miseries by the Germans.

This little town played a small part in the peace of Cambrai, called the "Ladies' peace," in honor of the Princesses who while at Valenciennes had negotiated it there between Charles V and Francis I. "Two women, Francis I's mother and Charles V's aunt, Louise of Savoy, and Margaret of Austria, had the real negotiation of it; they had both of them acquired the good sense and the moderation which come from experience of affairs and from the difficulties in life; they did not seek to give one another mutual surprises and to play off one another reciprocally. They resided in two contiguous houses, between which they caused a communication to be made from the inside, and they conducted the negotiation with so much discretion that the petty Italian princes who were interested in it did not know the results of it until peace was concluded on the 5th of August, 1529.... These women, though morally different and of very unequal social status, both had minds of a rare order, trained to recognize political necessities and not to attempt any but possible successes. They did not long survive their work; Margaret of Austria died on the 1st of December, 1530, and Louise of Savoy on the 22nd of September, 1531." *

* Guizot's "France," Vol. Ill, p. 94.

This peace lasted until 1536; incessantly troubled, however, by far from pacific symptoms, proceedings and preparations, but it was certainly a monument to the skill of these two princesses. Charles V, on his way through the kingdom, after passing a week at Paris, pushed on to Valenciennes, the first town in his Flemish dominions, where he rested in state. When his eyes rested upon all the wealth and cheerful industry that surrounded him here, he said (according to Brantôme), "There is not in this world any greatness such as that of a King of France."

Valenciennes, when I saw it before the outbreak of the great war in 1914, was a rather sleepy little town given over to most prosaic manufactures. There was little evident picturesqueness; most of the ancient buildings had given way to stupid looking stucco covered houses. In vain did my Lady Anne seek the lace makers; they were not to be found--if they existed. There were no bric-a-brac or antique shops, either, wherein one might browse, but there was a quaint and most comfortable hotel, presided over by a garrulous landlord whose (artful) innocence and unworldliness quite took us in, and whose bill, when presented, proved to be fifty per cent more than we had reckoned upon.