Valeria, the Martyr of the Catacombs: A Tale of Early Christian Life in Rome
CHAPTER XVIII
THE MIDNIGHT PLOT.
The scene of our story is now transferred to the Palace of the Emperor Galerius, one of the most sumptuous of the group of marble buildings which crowned the Palatine Hill. It is the hour of midnight; and in one of the most private chambers of the palace a secret conspiracy is in progress, which has for its object the destruction of the Christians--especially of those high in rank and influence. The lamps in the aula and vestibule burned dimly, and, in iron sockets along the outside of the palace walls, flared and smoked torches made of tow covered with a coating of clay or plaster.[33]
Fausta, the mother of Galerius, and Furca, the high-priest of Cybele, were already conferring upon their secret plot. With them was Black Juba, who had just returned from gathering, at "the witching hour of night," upon the unhallowed ground set apart for the burning of the dead, certain baleful plants--wolf's bane, bitter briony, and aconite--which she used in wicked spells and incantations. In her native Nubia she had an evil reputation as a sorceress, and in Rome she still carried on by stealth her nefarious art. It was hinted, indeed, in the palace, that by her subtle, deadly potions she fulfilled her own prophecies of ill against the objects of the hatred of her employers.
"'Tis certain," hissed through her teeth the spiteful old Fausta, while murder gleamed from her sloe-black eyes, "that Galerius will not include in the Imperial rescript that painted doll, Valeria. She exerts unbounded fascination over him. It must be the spell of her false religion."
"The spell of her beauty and grace, rather," answered Furca, with a grin.
"What! Are you duped by her wiles, too?" asked Fausta, with bitterness.
"No; I hate her all the more," said the priest; "but I cannot close my eyes to what every one sees."
"It is something that I, at least, do not see," muttered the withered crone, whose own harsh features seemed the very incarnation of hatred and cruelty. "If we cannot get rid of her under the decree," she went on, "we can, at least, in a surer but more perilous way. Cunning Juba, here, has access to her person; and by her skilled decoctions can make her beauty waste, and her life flicker to extinction, like a lamp unreplenished with oil."
"Yes, Juba has learned, in the old land of the Nile, some of the dark secrets of Egypt," whispered, with bated breath, the dusky African. "But it is very perilous to use them. The palace is full of suspicion; and that new favourite, Callirhoƫ,--how I hate her!--keeps watch over her mistress like the wild gazelle of the desert over its mate. It will take much gold to pay for the risk."
"Gold thou shalt have to thy heart's content, if thou do but rid me of that cockatrice, who has usurped my place in my son's affections," hissed the wicked woman, who still felt a fierce, tiger-like love for the soldier-son whom she had trained up like a tiger cub. And Juba retired, to await further orders.
"But if she die thus," said Furca, with a malignant gleam in his eyes, "she dies alone. What we want is to have her drag others down with her--her mother, Prisca; that haughty Adauctus, who holds himself so high, and the rest of the accursed Christian brood."
"Yes, that is what we want, if it can be done," said Fausta; "but I fear it is impossible. You do not know how headstrong Galerius is in his own way; and the more he is opposed, the fiercer he is."
"Here comes Naso," said the arch priest. "He hates the Christians, if he does not love the gods. We will hear his counsel."
"Welcome, good Naso," exclaimed Fausta, as the Prefect of the city was ushered into the room. "We need your advice in the matter of this edict against the Christians: how we may use it as a net to snare the higher game of the palace and the Imperial household."
"We must be wary as the weasel, sleepless as the basilisk, deadly as the aspic," said Naso, sententiously.
"Just what I have been saying," remarked Furca.
"Methinks we must employ the aspic's secret sting, rather than the public edict."
"I declare for the edict," exclaimed with energy the truculent Naso. "Let its thunders smite the loftiest as well as the lowly. It will carry greater terror, and make the ruin of the Christian party more complete. What is the use of lopping off the twigs, when the trunk and main branches are unscathed? I possess proof that will doom Adauctus, the senator Aurelius, and others who stand higher still. The Christians to the lions--every one, say I."
"And so say I," ejaculated Furca, with malicious fervour; "but her Excellency thinks that Galerius will interpose to protect one who stands near the throne, though she be the chief encouragement of the Christian vermin that crawl at her feet."
"Madam, he dare not," exclaimed Naso, with his characteristic gesture of clenching his hand as if grasping his sword. "His own crown would stand in peril if beneath its shadow he would protect traitors to the State and enemies of the gods, however high their station."
"As head of the State," interjected the priest, "he is the champion of the gods, and bound to avenge their insulted majesty."
"You know not what he would dare," replied Fausta. "He would defy both gods and men, if he took the whim."
"An accusation will be made before me," said Naso, "which not even the Emperors can over-look, against the Imperial Consort, Valeria, for intriguing with the Christians and bringing their priests to Rome, and conniving at their crimes against the State. We will see whether the majesty of the Empire or the beauty of a painted butterfly weighs the heavier in the scales."
"I will second in private what your accusation demands in public," said the implacable Fausta. "Methinks I could die content if I might only trample that minion under my feet."
"And I," said Furca, "will menace him with the wrath of the gods if he refuse to avenge their wrongs."
"Between us all," added Naso, "it will go hard if we do not crush the Christian vermin, even beneath the shadow of the throne."
FOOTNOTES:
[33] Such torch-holders may still be seen on the walls of the Palazzo Strozzi and in Florence and elsewhere. Torches of the sort we have described were purchased by the writer at Pozzuoli, near Naples.