Useful Knowledge: Volume 1. Minerals Or, a familiar account of the various productions of nature

Part 15

Chapter 154,146 wordsPublic domain

The ductility and tenacity of this metal, particularly when alloyed with copper, are extremely remarkable, and are fully proved by the great extent to which a very small quantity of it may be beaten into leaves, or drawn into wire. Leaves of gold may be beaten so thin, that a single grain may be made into fifty─six leaves, each an inch square. These leaves are only 1/282000 of an inch thick; and the gold leaf which is used to cover silver wire is but the twelfth part of that thickness. An ounce of gold upon silver wire is capable of being extended more than 1,300 miles in length: and sixteen ounces of gold, which, in the form of a cube, would not measure more than an inch and a quarter on each side, will completely gild a silver wire in length sufficient to compass the whole earth like a hoop.

Gold is beaten into leaves upon a smooth block of marble, fitted into the middle of a wooden frame about two feet square, in such manner that the surfaces of the marble and of the frame are exactly level. On three of the sides there is a high ledge; and the front, which is open, has a flap of leather attached to it, which the man who beats the gold uses as an apron for preserving the fragments that fall off. In this process there are three kinds of animal membranes used, some of which are laid between the leaves to prevent their uniting together, and others over them to defend them from being injured by the hammer. The exterior cover is of parchment. For interlaying with the gold, the smoothest and closest vellum that can be procured is first used; and, when the gold becomes thinner, this is exchanged for much finer skin, made of the entrails of oxen, prepared for this express purpose, and hence called _gold beater’s skin_. After the leaf has been beaten to a sufficient degree of thinness, it is taken up by a cane instrument, and thrown flat upon a leathern cushion, where it is cut to a proper size with a square frame of cane, or wood edged with cane. These pieces are then fitted into books of twenty─five leaves each, the paper of which has been well smoothed, and rubbed with red bole (127), to prevent them from sticking. The leaves are about three inches square, and the gold of each book weighs somewhat more than four grains and a half.

It was anciently the custom to beat gold into thin plates, and to gild the walls of apartments, the surfaces of dishes, drinking utensils, and other articles, by covering them with such. But this was not only an expensive, but it must have been a most clumsy mode of ornament. The present modes of gilding are very different. When wood is to be gilded, the surface is first smeared with an adhesive kind of oil, or with a kind of glue called size; and the gold leaf, above mentioned, is then spread upon it by a tuft of cotton or other soft substance.

The _gilding of iron or copper_ is performed by cleaning and polishing its surface, and then heating it till it has a blue colour. When this has been done, a layer of gold leaf is put on, slightly burnished down, and exposed to a gentle fire. It is usual, in common work, to place three such layers, or four at the most, each consisting of a single leaf. The heating is repeated at each layer, and last of all the work is burnished. For gilding in _or moulu_, as it is denominated by the French, an amalgam consisting of ten parts of mercury and one part of gold is used. This is spread upon the metal, and is afterwards exposed to the action of a fire sufficiently strong to evaporate the mercury and leave the gold behind. The gilding in _or moulu_ is much more solid and permanent than that by the former method.

When gilding is pale and dirty, it may be revived by means of what is called _gilding wax_, a composition of yellow wax, bole (127), verdigris (230), and alum.

A very beautiful gilding upon metals, and particularly upon silver, is effected by soaking clean linen rags in a solution of gold made by aqua regia (207). The rags are dried and burnt; and the ashes are carefully preserved. These ashes are used by taking a sound cork, moistening it with a little water, dipping it into the ashes, and then rubbing strongly a portion of them on the surface of the silver, which should be perfectly clean and bright. By this simple and economical process, it will be covered with an extremely thin coating of gold, the colour and brilliancy of which may be heightened by burnishing. The ornaments upon snuff─boxes, fans, and various kinds of trinkets, are merely thin plates of silver, gilded in this manner.

The _edges of tea─cups_, and other similar articles, may be gilded, though not in a very durable manner, by applying a thin coat of amber varnish (224), and then placing leaf─gold upon it. When the varnish is dry, the gold is to be burnished.

Gold, in a state of solution, is sometimes used for staining marble, ivory, ornamental feathers, and other articles, a purple─red colour, which cannot be effaced. By chemical processes an oxide (21) is obtained from this metal, which is employed for giving those beautiful shades of lilac, rose colour, red and purple, which we observe in glass and porcelain.

A _gold powder for painting_ may be made by uniting one part of gold with eight parts of mercury (228), and afterwards evaporating the latter by heat.

The article denominated _gold wire_ is generally silver wire gilded, very little wire being made entirely of gold. Its uses are chiefly for embroidery and filagree work. _Gold thread_ consists of flatted silver gilt wire, laid over a thread of yellow silk, by twisting it in a machine with iron bobbins. It is of this, and not of gold, that the article called _gold lace_ is made. The Chinese, instead of flatted wire, use slips of gilt paper, which they interweave in their stuffs, and twist upon silk threads.

228. _MERCURY, in its native state, is called quicksilver, and is found in small globules of shining, silvery appearance, scattered through different kinds of stones, clay, and ores. It is nearly fourteen times heavier than water._

_The principal ore of mercury, and that from which the metal is chiefly obtained, is_ cinnabar. _This is of red colour, and consists of mercury mineralized with sulphur. It is sometimes found in a massive state, sometimes in grains, and sometimes crystallized; and chiefly among rocks of the coal formation._

The most productive mines of cinnabar are in the palatinate of Germany, at Idria in Carniola, and at Almaden in Spain. Those of Idria are supposed to be more valuable than any of the others. Their first discovery, which was somewhat more than three hundred years ago, was made in a very extraordinary manner. This part of the country was then much inhabited by coopers; and one of the men, on retiring from work in the evening, placed a new tub under a dropping spring, to try if it would hold water; and, when he came in the morning, he found it so heavy that he could scarcely move it. Examining into the cause of this extraordinary circumstance, the man observed that it was owing to a shining and ponderous fluid which was at the bottom. The affair was noised abroad, and a society of persons was formed to search further, and discover the mine from which this quicksilver had flowed. Such was their success that the reigning Duke of Austria paid them a compensation for the discovery, and took the mine into his own possession. The greatest perpendicular depth of this mine is now more than 830 feet. It is descended by buckets, or by ladders placed obliquely in a zigzag direction. In some parts of the mine the pure metal flows in small streams, so that in six hours a man has been known to collect more than thirty─six pounds weight of it. In other parts it is found in a multitude of little drops, either in ores or in clay. The whole produce of the mine is said to exceed a hundred tons weight of mercury per annum.

It has been asserted that, several years ago, in digging out clay for the foundation of a house opposite to the King’s Arms inn, in the street called Hyde─hill, in Berwick─upon─Tweed, a quantity of native mercury was discovered. The clay, when dug out, lay for some time in the place to which it was conveyed; and the mercury was observed to exude from the small fissures or cracks that were formed as it dried. It is said that, several years afterwards, in making some alteration in the yard of the same house, the workmen penetrated into the same bed of clay; and that it then appeared to be impregnated with native mercury, which ran out in small globules.

Mercury is sometimes imported into Europe from Peru, and from the East Indies.

The mode of extracting it from _cinnabar_ is said to be by mixing this ore either with pounded chalk, or with half its weight of iron filings, and distilling it in a stoneware retort. By this process the sulphur combines with the iron, and the mercury, in a state of purity, passes into the receiver.

When pure or native mercury occurs in mixture with other substances, these are stamped or ground into a coarse powder. Water is poured upon them; they are briskly stirred until the water becomes thick and turbid, and then are left to settle. This operation is repeated till the water runs off perfectly clear. The substance at the bottom, which is principally mercury, is then put into large iron retorts and the metal is obtained, free from all extraneous matters, by distillation.

It is the singular property of this metal, which has no other alliance whatever with silver than its appearance, to be capable of division, by the least effort, into an indefinite number of particles, each of which assumes a spherical form; and to be always in a fluid state in the common temperature of our atmosphere. Even during the most intense frost, it still retains its fluidity. By the effect, however, of extreme cold artificially produced, mercury becomes a solid metal, and in this state may be beaten with a hammer and extended without breaking; but care must be taken that it does not touch the fingers, as it would blister them and cause unpleasant sores, in the same manner as any burning substance.

Mercury has been known from the remotest ages; and it was employed by the ancients in gilding, and in the operations of separating gold and silver from their ores, in the same manner as at present. Being the heaviest of all fluids of which we have any knowledge, and not congealing in the temperature of our climate, it has been preferred, before all others, for barometers, as a measure of the weight of the atmosphere. And, as heat dilates mercury similarly to other fluids, it is likewise made into thermometers. Mercury is sometimes used in medicine in its pure metallic state.

The combinations of mercury with other metals are termed _amalgams_. That of mercury and gold is formed so readily, that if gold be dipped into mercury, its surface immediately becomes as white as silver. An amalgam of mercury and gold is employed for the gilding, and of mercury and silver for the silvering of metals.

Mercury and tin combined together form the substance that is used for the _silvering of looking─glasses_. The process is as follows: A quantity of tin─foil, equal in size to the glass, is evenly placed on a flat stone or table; and mercury, in which some tin has been dissolved, is poured upon it, and spread with a feather, or bunch of cloth, until its union has covered every part. A plate of glass is then cautiously slided upon it, from one end to the other, in such manner that part of the redundant mercury is driven off, or swept away before its edge. The remainder is now united to the tin. The glass is then loaded with weights all over, so as to press out still more of the mercury. By inclining the table, this remaining mercury becomes discharged; and, in a few hours, the rest of the tin─foil and mercury adhere so firmly to the glass, that the weight may be removed without any danger of its falling. About two ounces of mercury are requisite for covering, in this manner, three square feet of glass.

By means of mercury a _fulminating powder_ is made, which, when struck with a hammer on an anvil or flat iron, such as is used by laundresses, explodes with a stunning and disagreeable report, and with such force as to indent both the anvil and the hammer. Four or five grains are as much of this powder as ought to be used for such experiments. Its force is much greater than that of gunpowder, but does not extend so far. Hence it is a substance which might be rendered of great use in the blasting of rocks.

_Corrosive sublimate_ is an extremely poisonous preparation from mercury. Among other uses, it is employed by dyers as a mordant to fix their colours. From certain proportions of corrosive sublimate rubbed together, until they are perfectly incorporated, is formed _calomel_; a salt which, of late years, has been extensively and most usefully employed in medicine.

A valuable red colour or pigment called _vermilion_, or _artificial cinnabar_, which was as well known to the ancients as it is to the moderns, is usually formed of three parts of mercury and one of sulphur, melted together, heated to redness, and then sublimated out of contact of the air. The manufacture of vermilion was long kept a secret by the Dutch; and it is stated that, before the late war, nearly 50,000 pounds weight of it were annually made, in three furnaces, by four workmen, near Amsterdam. Native cinnabar is sometimes used for the same purpose; but the artificial kind is preferred on account of the purity and brightness of its colour.

229. _SILVER is a white, brilliant, sonorous, and ductile metal, somewhat more than ten times heavier than water._

_It is found in different states. Of these the principal is denominated_ native silver, _from its being nearly in a state of purity. Native silver sometimes occurs in small lumps, sometimes in a crystallized form, and sometimes in leaves, threads, or wire. In many instances the latter are so connected with each other as to resemble the branches of trees, in which case the ore is called_ dendritic. _There are also several_ ores of silver, _in which this metal is combined with lead, antimony, arsenic, sulphur, and other substances._

The silver that is produced from the mines of Potosi, in South America, is of the dendritic kind; and is considered by the Spaniards as the purest that is known. A range of mountains near Potosi, about twenty miles in circumference, is said to be perforated by more than 300 shafts, or openings of mines, and to produce, in the whole, from 30,000 to 40,000 dollars’ worth of ore per week. The annual produce of the silver mines in America has been estimated at near 2,400,000_l._ sterling.

Silver is also found in several parts of Europe; and, some years ago, there were mines of this metal, worked to a great extent, at Konigsberg in Norway. These were discovered in 1623, and they were found so profitable, that in 1751 forty─one shafts and twelve veins were wrought there; and 3,500 officers, artificers, and labourers, were employed. The perpendicular depth of the principal shaft was more than 750 feet. Specimens of native silver are not uncommon from some of the copper─mines of Cornwall; and, many years ago, a vein of silver ore was, for a short time, wrought with considerable advantage in the parish of Alva, Stirlingshire, Scotland. It is said that from 40,000_l._ to 50,000_l._ worth of silver was obtained from it before the repository was exhausted. We are informed that a mass of capillary native silver was found, in veins traversing the blue─coloured limestone of Isla, one of the Western Islands of Scotland. Great quantities of silver are extracted from lead. There was lately melted in one refining house in London 50,000_l._ worth of this metal, from lead of the Beralston mines in Devonshire.

Different methods are employed, in different countries, to extract silver from its ore. In Mexico and Peru the mineral is pounded, roasted, washed, and then mixed with mercury in vessels filled with water; a mill being employed for the more perfectly agitating and mingling them. By this process the silver combines with the mercury. The alloy thus obtained, after undergoing some further processes, is submitted to the action of heat, by which the mercury passes off in a state of vapour, leaving the silver behind. The silver is then melted and cast into bars or ingots. In other countries, after the earthy matters are cleared from the silver ore by pounding and washing, the remainder is melted with lead: which, by a subsequent process, is separated, and leaves the silver alone and pure.

This metal ranks next in value to gold. Like gold, it is coined into money, and is manufactured into various kinds of utensils, such as goblets, vases, spoons, and dishes, which have the general appellation of _silver plate_. For all these purposes it is alloyed with copper, which does not affect its whiteness, and is not easily detected, unless it be in too great proportion: the intention of this is to render it harder than it would otherwise be, and thereby the better to adapt it to receive fine and sharp impressions on being cast. Our _standard silver_ is composed of somewhat more than 12¼ parts of pure metal and one part of copper; and the metal of this standard is used, both for silver plate, and in the coinage. The mark or stamp which is given to it at Goldsmiths’ Hall is similar to that which has been explained for sterling gold.

After platina (226) and gold (227), silver is considered the most unchangeable of all metals. The air does not easily act upon its surface in such manner as to injure it; but, when long exposed to the atmosphere, especially in frequented or smoky places, it acquires a covering or rust of dark brown colour, which, on examination, is found to be what chemists denominate _sulphuret of silver_. The fumes of sulphur and other inflammable substances blacken silver. Various powders have been contrived with a view to restore to plate its original lustre; but these should be used with caution, as some of them are very injurious.

Silver is nearly as ductile as gold. It may be beaten into leaves so thin that a single grain in weight will cover a space of more than fifty─one inches; and it may be drawn into wire much finer than a human hair, indeed so fine that a single grain of silver has, in this form, been extended nearly to the length of 400 feet. It is this wire gilded that has the name of gold wire; and what is denominated _gold lace_ (227) is but flatted silver thread gilt, twisted round silk, and woven.

The _plating_ of copper with silver is a very useful operation, and is thus performed. Plates of silver are bound with iron wire, upon small ingots of copper. The quantity generally allowed is one ounce of silver to twelve ounces of copper. The surface of the plate of silver is made not quite so large as that of the copper; and upon the edges of the copper, which are not covered by the silver, a little borax (204) is put. By exposing the whole to a strong heat, the borax melts; and, in melting, contributes to fuse that part of the silver to which it is contiguous, and to attach it, in that state, to the copper. The ingot, with its silver plate, is then rolled between steel rollers moved by machinery, till it is of proper thickness. It is afterwards cut into such sizes and to such shapes as may be required for use. An ounce of silver is thus often rolled out into a surface of three square feet, having its thickness, upon the copper, not more than the three─thousandth part of an inch. Hence we ought not to be surprised at the silver being soon worn from the sharp edges of plated goods. To prevent this, it is customary, with the best articles, to have all the edges, and the parts liable to be worn, formed, to a considerable thickness, of silver.

What is called _French plate_ is made by heating copper, or more frequently, brass, to a certain degree, then applying leaf─silver to the surface, and strongly rubbing it with a burnisher. The durability of this plating depends of course on the number of leaves which are applied on a given surface. For ornaments that are not much used ten leaves may be sufficient; but a hundred will not last long, if the metal be exposed to frequent handling or washing.

Besides the above, there are various modes of _silvering_ metal articles, or, as it is called, _washing_ them with silver. All these are performed by different chemical preparations of this metal.

The article denominated _shell─silver_, used by painters, is prepared, by carefully grinding silver─leaf, with a little honey or gum water upon a slab, or in a mortar, and separating the honey or gum by means of water. When this is washed away, the silver may be put on paper, or kept in shells, for use. When it is to be used, it must again be diluted with gum water.

The application of silver─leaf for the silvering of paper or wood is similar to that of gold─leaf (227).

Silver, dissolved in aqua fortis (nitric acid, 30), yields crystals, which, afterwards melted in crucibles, form that grey mass usually called _lunar caustic_, and by chemists _nitrat of silver_. This preparation is of considerable use in surgical cases, being employed to keep down fungous or proud flesh, in wounds and ulcers, and also for the consuming of warts, small wens, and other excrescences upon the skin. It is likewise, though a most violent medicine, sometimes given internally, but in very small doses, to persons subject to epileptic fits. The liquid in which the silver is dissolved becomes excessively caustic. It gives to the skin, the hair, and almost all animal substances, an indelible black colour. Hence it is often used as a specific for dyeing the human hair. No person, however, would employ it for this purpose, who was acquainted with its injurious qualities, not only to the hair itself, but also to the skin, if permitted to come in contact with it.

The article called _indelible_, or _permanent marking ink_, for marking linen, and other wearing apparel, is formed by dissolving, in a glass mortar, two drachms of nitrat of silver, in six drachms of pure water, and then adding to them two drachms, by measure, of thick gum water. This is the ink for writing on the linen.—In another vessel dissolve half an ounce of salt of tartar, or of the subcarbonat of soda, of commerce, in four ounces of water; and add to the solution half an ounce, by measure, of thick gum water. This forms the preparatory liquor. With this the linen is to be thoroughly wetted at the part intended to be marked. The linen is to be dried, and then to be written upon by a clean pen dipped in the marking ink. The letters will at first be pale, but by exposure to light and heat, they will soon become black; and be so permanently fixed, that no washing nor bleaching can efface them.

The attention of the curious has of late been turned to a very extraordinary compound called _fulminating silver_, which explodes without heat, and with even the slightest degree of friction. Of this compound little _fulminating balls_ have been made. These are globules of thin glass, each somewhat larger than a pea, and containing a grain or two of fulminating silver. After the silver is put in, it is secured by a piece of soft paper, pasted over the ball, so as completely to cover it. These balls explode by merely crushing them under the heel of the shoe. What are called _fulminating bombs_ are similar balls, but of the size of hazel nuts. No one should attempt to explode these by crushing them with the shoe, as their explosive effect is so violent as sometimes to prove injurious.