Chapter 5
The furtive and stealthy manners of the catbird contrast strongly with the frank, open manners of the thrushes. Its cousin the brown thrasher goes skulking about in much the same way, flirting from bush to bush like a culprit escaping from justice. But he does love to sing from the April tree-tops where all the world may see and hear, if said world does not come too near. In the South and West the thrasher also nests in the vicinity of houses, but in New York and New England we must look for him in remote, bushy fields. I do not know of any bad traits that go with the thrasher's air of suspicion and secrecy, but I do know of one that goes with the catbird's--I have seen her perch on the rim of another bird's nest and deliberately devour the eggs. But only once. Whether or not she frequently does this, I have no evidence. If she does, she is doubtless so sly about it that she escapes observation.
I welcomed the catbird, though she is not so attractive a neighbor as the wood thrush. She has none of the wood thrush's dignity and grace. She skulks and slinks away like a culprit, while the wood thrush stands up before you or perches upon a limb, and turns his spotted waistcoat toward you in the most open and trusting manner. In fact, few birds have such good manners as the wood thrush, and few have so much the manner of a Paul Pry and eavesdropper as the catbird. The flight of the wood thrush across the lawn is such a picture of grace and harmony, it is music to the eye. The catbird seems saying, "There, there! I told you so, pretty figure, pretty figure you make!" But the courteous thrush (just here I heard the excited calls of robins and the hoarse, angry caw of a crow, and rushed out hatless to see a fish crow fly away from the maple in front of the Study, pursued by a mob of screeching robins. He took refuge in the spruces above the house where the collected robins abused him from surrounding branches. On my appearance he flew away, and the robins dispersed)--but the courteous thrush, I say, invites the good-breeding in you which he himself shows. The thrush never has the air of a culprit, while the catbird seldom has any other air. But I welcome them both. One shall stand for the harmony and repose of bird life, and the other for its restlessness and curiosity. The songs and the manners of birds correspond. The catbird, the brown thrasher, and the mockingbird are all theatrical in their manners--full of gestures of tail and wings, and their songs all imply an audience, while the serene melody of the thrushes is in keeping with the grace and poise of their behavior.
V
A MIDSUMMER IDYL
As I sit here of a midsummer day, in front of the wide-open doors of a big hay-barn, busy with my pen, and look out upon broad meadows where my farmer neighbor is busy with his haymaking, I idly contrast his harvest with mine. I have to admit that he succeeds with his better than I do with mine, though he can make hay only while the sun shines, while I can reap and cure my light fancies nearly as well in the shade as in the sun. Yet his crop is the surer and of more certain value to mankind. But I have this advantage over him--I might make literature out of his haymaking, or might reap his fields after him, and gather a harvest he never dreamed of. What does Emerson say?
One harvest from the field Homeward bring the oxen strong; A second crop thine acres yield, Which I gather in a song.
But the poet, like the farmer, can reap only where he has sown, and if Emerson had not scattered his own heart in the fields his Muse would not reap much there. Song is not one of the instruments with which I gather my harvest, but long ago, as a farm boy, in haymaking, and in driving the cows to and from the pasture, I planted myself there, and whatever comes back to me now from that source is honestly my own. The second crop which I gather is not much more tangible than that which the poet gathers, but the farmer as little suspects its existence as he does that of the poet. I can use what he would gladly reject. His daisies, his buttercups, his orange hawkweed, his yarrow, his meadow-rue, serve my purpose better than they do his. They look better on the printed page than they do in the haymow. Yes, and his timothy and clover have their literary uses, and his new-mown hay may perfume a line in poetry. When one of our poets writes, "wild carrot blooms nod round his quiet bed," he makes better use of this weed than the farmers can.
Certainly a midsummer day in the country, with all its sights and sounds, its singing birds, its skimming swallows, its grazing or ruminating cattle, its drifting cloud-shadows, its grassy perfumes from the meadows and the hillsides, and the farmer with his men and teams busy with the harvest, has material for the literary artist. A good hay day is a good day for the writer and the poet, because it has a certain crispness and pureness; it is positive; it is rich in sunshine; there is a potency in the blue sky which you feel; the high barometer raises your spirits; your thoughts ripen as the hay cures. You can sit in a circle of shade beneath a tree in the fields, or in front of the open hay-barn doors, as I do, and feel the fruition and satisfaction of nature all about you. The brimming meadows seem fairly to purr as the breezes stroke them; the trees rustle their myriad leaves as if in gladness; the many-colored butterflies dance by; the steel blue of the swallows' backs glistens in the sun as they skim the fields; and the mellow boom of the passing bumble-bee but enhances the sense of repose and contentment that pervades the air. The hay cures; the oats and corn deepen their hue; the delicious fragrance of the last wild strawberries is on the breeze; your mental skies are lucid, and life has the midsummer fullness and charm.
As I linger here I note the oft-repeated song of the scarlet tanager in the maple woods that crown a hill above me, and in the loft overhead two broods of swallows are chattering and lining up their light-colored breasts on the rims of their nests, or trying their newly fledged wings while clinging to its sides. The only ominous and unwelcome sound is the call of the cuckoo, which I hear and have heard at nearly all hours for many days, and which surely bodes rain. The countryman who first named this bird the "rain crow" hit the mark. The cuckoo is a devourer of worms and caterpillars, and why he should be interested in rain is hard to see. The tree-toad calls before and during a shower, mainly, I think, because he likes to have his back wet, but why a well-dressed bird like the cuckoo should become a prophet of the rain is a mystery, unless the rain and the shadows are congenial to the gloomy mood in which he usually seems to be. He is the least sprightly and cheery of our birds, and the part of doleful prophet in our bird drama suits him well.
A high barometer is best for the haymakers and it is best for the human spirits. When the smoke goes straight up, one's thoughts are more likely to soar also, and revel in the higher air. The persons who do not like to get up in the morning till the day has been well sunned and aired evidently thrive best on a high barometer. Such days do seem better ventilated, and our lungs take in fuller draughts of air. How curious it is that the air should seem heavy to us when it is light, and light when it is heavy! On those sultry, muggy days when it is an effort to move, and the grasshopper is a burden, the air is light, and we are in the trough of the vast atmospheric wave; while we are on its crest, and are buoyed up both in mind and in body, on the crisp, bright days when the air seems to offer us no resistance. We know that the heavier salt sea-water buoys us up more than the fresh river or pond water, but we do not feel in the same way the lift of the high barometric wave. Even the rough, tough-coated maple-trees in spring are quickly susceptible to these atmospheric changes. The farmer knows that he needs sunshine and crisp air to make maple-sugar as well as to make hay. Let the high blue-domed day with its dry northwest breezes change to a warmer, overcast, humid day from the south, and the flow of sap lessens at once. It would seem as if the trees had nerves on the outside of their dry bark, they respond to the change so quickly. There is no sap without warmth, and yet warmth, without any memory of the frost, stops the flow.
The more the air presses upon us the lighter we feel, and the less it presses upon us the more "logy" we feel. Climb to the top of a mountain ten thousand feet high, and you breathe and move with an effort. The air is light, water boils at a low temperature, and our lungs and muscles seem inadequate to perform their usual functions. There is a kind of pressure that exhilarates us, and an absence of pressure that depresses us.
The pressure of congenial tasks, of worthy work, sets one up, while the idle, the unemployed, has a deficiency of hæmoglobin in his blood. The Lord pity the unemployed man, and pity the man so over-employed that the pressure upon him is like that upon one who works in a tunnel filled with compressed air.
Haying in this pastoral region is the first act in the drama of the harvest, and one likes to see it well staged, as it is to-day--the high blue dome, the rank, dark foliage of the trees, the daisies still white in the sun, the buttercups gilding the pastures and hill-slopes, the clover shedding its perfume, the timothy shaking out its little clouds of pollen as the sickle-bar strikes it, most of the song-birds still vocal, and the tide of summer standing poised at its full. Very soon it will begin to ebb, the stalks of the meadow grasses will become dry and harsh, the clover will fade, the girlish daisies will become coarse and matronly, the birds will sing fitfully or cease altogether, the pastures will turn brown, and the haymakers will find the hay half cured as it stands waiting for them in the meadows.
What a wonderful thing is the grass, so common, so abundant, so various, a green summer snow that softens the outlines of the landscape, that makes a carpet for the foot, that brings a hush to the fields, and that furnishes food to so many and such various creatures! More than the grazing animals live upon the grass. All our cereals--wheat, barley, rye, rice, oats, corn--belong to the great family of the grasses.
Grass is the nap of the fields; it is the undergarment of the hills. It gives us the meadow, a feature in the northern landscape so common that we cease to remark it, but which we miss at once when we enter a tropical or semi-tropical country. In Cuba and Jamaica and Hawaii I saw no meadows and no pastures, no grazing cattle, none of the genial, mellow look which our landscape presents. Harshness, rawness, aridity, are the prevailing notes.
From my barn-door outlook I behold meadows with their boundary line of stone fences that are like lakes and reservoirs of timothy and clover. They are full to the brim, they ripple and rock in the breeze, the green inundation seems about to overwhelm its boundaries, all the surface inequalities of the land are wiped out, the small rocks and stones are hidden, the woodchucks make their roads through it, immersed like dolphins in the sea. What a picture of the plenty and the flowing beneficence of our temperate zone it all presents! Nature in her kinder, gentler moods, dreaming of the tranquil herds and the bursting barns. Surely the vast army of the grass hath its victories, for the most part noiseless, peace-yielding victories that gladden the eye and tranquillize the heart.
The meadow presents a pleasing picture before it is invaded by the haymakers, and a varied and animated one after it is thus invaded; the mowing-machine sending a shudder ahead of it through the grass, the hay-tedder kicking up the green locks like a giant, many-legged grasshopper, the horserake gathering the cured hay into windrows, the white-sleeved men with their forks pitching it into cocks, and, lastly, the huge, soft-cheeked loads of hay, towering above the teams that draw them, brushing against the bar-ways and the lower branches of the trees along their course, slowly winding their way toward the barn. Then the great mows of hay, or the shapely stacks in the fields, and the battle is won. Milk and cream are stored up in well-cured hay, and when the snow of winter fills the meadows as grass fills them in summer, the tranquil cow can still rest and ruminate in contentment.
As the swallows sweep out and in near my head they give out an angry "Sleet, sleet," as if my presence had suddenly become offensive to them. I know what makes the change in their temper. The young are leaving their nests, and at such eventful times the parent birds are always nervous and anxious. When any of our birds launch a family into the world they would rather not have spectators, and you are pretty sure to be abused if you intrude upon the scene. The swallow can put a good deal of sharp emphasis into that "Sleet, sleet," though she is not armed to make any of her threats good. Who knows that all will go well with them when they first make the plunge into space with their untried wings? A careful parent should keep the coast clear.
They have been testing their wings for several days, clinging to the sides of the nest and beating the wings rapidly. And now comes the crucial moment of letting go and attempting actual flight. Several of them have already done it, and I see them resting on the dead limbs of a plum-tree across the road. But more are to follow, and parental anxiety is still rife. I shall be sorry when the spacious hayloft becomes silent. That affectionate "Wit, wit" and that contented and caressing squeaking and chattering give me a sense of winged companionship. The old barn is the abode of friendly and delicate spirits, and the sight of them and the sound of them surely bring a suggestion of poetry and romance to these familiar scenes.
Is not the swallow one of the oldest and dearest of birds? Known to the poets and sages and prophets of all peoples! So infantile, so helpless and awkward upon the earth, so graceful and masterful on the wing, the child and darling of the summer air, reaping its invisible harvest in the fields of space as if it dined on the sunbeams, touching no earthly food, drinking and bathing and mating on the wing, swiftly, tirelessly coursing the long day through, a thought on wings, a lyric in the shape of a bird! Only in the free fields of the summer air could it have got that steel-blue of the wings and that warm tan of the breast. Of course I refer to the barn swallow. The cliff swallow seems less a child of the sky and sun, probably because its sheen and glow are less, and its shape and motions less arrowy. More varied in color, its hues yet lack the intensity, and its flight the swiftness, of those of its brother of the haylofts. The tree swallows and the bank swallows are pleasing, but they are much more local and restricted in their ranges than the barn-frequenters. As a farm boy I did not know them at all, but the barn swallows the summer always brought.
After all, there is but one swallow; the others are particular kinds that we specify. How curious that men should ever have got the notion that this airy, fairy creature, this playmate of the sunbeams, spends the winter hibernating in the mud of ponds and marshes, the bedfellow of newts and frogs and turtles! It is an Old-World legend, born of the blindness and superstition of earlier times. One knows that the rain of the rainbow may be gathered at one's feet in a mud-puddle, but the fleeting spectrum of the bow is not a thing of life. Yet one would as soon think of digging up a rainbow in the mud as a swallow. The swallow follows the sun, and in August is off for the equatorial regions, where it hibernates on the wing, buried in tropical sunshine.
Well, this brilliant day is a good day for the swallows, a good day for the haymakers, and a good day for him who sits before his open barn door and weaves his facts and midsummer fancies into this slight literary fabric.
VI
NEAR VIEWS OF WILD LIFE
The wild life around us is usually so unobtrusive and goes its own way so quietly and furtively that we miss much of it unless we cultivate an interest in it. A person must be interested in it, to paraphrase a line of Wordsworth's, ere to him it will seem worthy of his interest. One thing is linked to another or gives a clue to another. There is no surer way to find birds' nests than to go berrying or fishing. In the blackberry or raspberry bushes you may find the bush sparrow's nest or the indigobird's nest. Once while fishing a trout-stream I missed my fish, and my hook caught on a branch over my head. When I pulled the branch down, there, deftly saddled upon it, was a hummingbird's nest. I unwittingly caught more than I missed. On another occasion I stumbled upon the nest of the water accentor which I had never before found; on still another, upon the nest of the winter wren, a marvel of mossy softness and delicacy hidden under a mossy log.
Along trout-streams with overhanging or shelving ledges the fisherman often sees the nest of the phœbe-bird, which does not cease to please for the hundredth time, because of its fitness and exquisite artistry. On the newly sawn timbers of your porch or woodshed it is far less pleasing, because the bird's art, born of rocky ledges, only serves in the new environment to make its nest conspicuous.
Sitting in my barn-door study I see a vesper sparrow fly up and alight on the telephone wire with nesting-material in her beak. I keep my eye upon her. In a moment she drops down to the grassy and weedy bank of the roadside in front of me and disappears. A few moments later I have her secret--a nest in a little recess in the bank. That straw gave the finishing touch. She kept her place on the nest until she had deposited her first egg on June 24th, probably for her second brood this season. Some young vespers flitting about farther up the road are presumably her first brood. Each day thereafter for four consecutive days she added an egg. Incubation soon began and on the 10th of July the young were out, the little sprawling, skinny things looking, as a city girl said when she first beheld newly-hatched birds in a nest, as if they were mildewed.
These ground-builders among the birds, taking their chances in the great common of the open fields, at the mercy of all their enemies every hour--the hoofs of grazing cattle, prowling skunks, foxes, weasels, coons by night, and crows and hawks by day--what bird-lover does not experience a little thrill when in his walk he comes upon one of their nests? He has found a thing of art among the unkempt and the disorderly; he has found a thing of life and love amid the cold and the insensate. Yet all so artless and natural! Every shred and straw of it serves a purpose; it fairly warms and vivifies the little niche in which it is placed. What a center of solicitude and forethought.
Not many yards below the vesper's nest, on the other side of the road, is a junco's nest. You may know the junco's nest from that of any other ground-builder by its being more elaborate and more perfectly hidden. The nest is tucked far under the mossy and weedy bank, and only a nest-hunter passing along the road, with "eye practiced like a blind man's touch" and with juncos in mind, would have seen it. A little screen of leaves of the hawkweed permits only the rim of one edge of the nest to be seen. Not till I stooped down and reached forth my hand did the mother bird come fluttering out and go down the road with drooping wings and spread tail, the white quills of the latter fairly lighting up the whole performance.
A very shy and artful bird is the junco. I had had brief glimpses of the male many times about the place. The morning I found the nest I had seen one male spitefully pursuing another male along the top of the stone wall opposite, which fact, paralleled in a human case, would afford a hint for detectives to work on. The junco is evidently a very successful bird. The swarms of them that one sees in the late fall and in the early winter going south is good evidence of this. They usually precede the white-throats north in the spring, but a few linger and breed in the high altitude of the Catskills.
When the sun shines hot the sparrow in front of my door makes herself into a sunshade to protect her nestlings. She pants with the heat, and her young pant too; they would probably perish were not the direct rays of the sun kept from them. Another vesper sparrow's nest yonder in the hill pasture, from which we flushed the bird in our walk, might be considered in danger from a large herd of dairy cows, but it is wisely placed in view of such a contingency. It is at the foot of a stalk of Canada thistle about a foot and a half high, and where, for a few square yards, the grazing is very poor. I do not think that the chances are one in fifty that the hoof of a cow will find it. I do not suppose that the problem presented itself to the bird as it does to me, but her instinct was as sure a guide as my reason is to me--or a surer one.
The vesper sparrow was thus happily named by a New England bird-lover, Wilson Flagg, an old-fashioned writer on our birds, fifty or more years ago. I believe the bird was called the grass finch by our earlier writers. It haunts the hilly pastures and roadsides in the Catskill region. It is often called the road-runner, from its habit of running along the road ahead when one is driving or walking--a very different bird, however, from the road-runner of the Western States. The vesper is larger than the song sparrow, of a lighter gray and russet, and does not frequent our gardens and orchards as does the latter. In color it suggests the European skylark; the two lateral white quills in its tail enhance this impression. One season a stray skylark, probably from Long Island or some other place where larks had been liberated, appeared in a broad, low meadow near me, and not finding his own kind paid court to a female vesper sparrow. He pursued her diligently and no doubt pestered her dreadfully. She fled from him precipitately and seemed much embarrassed by the attentions of the distinguished-looking foreigner.
When the young of any species appear, the solicitude and watchfulness of the mother bird are greatly increased. Although my near neighbor the vesper sparrow in front of my door has had proof of my harmless character now for several weeks and, one would think, must know that her precious secret is safe with me, yet, when she comes with food in her beak while I am at my desk ten or eleven yards away, she maneuvers around for a minute or two, flying up to the telephone wire or a few yards up or down the road, and finally approaches the nest with much hesitation and suspicion, lest I see her in the act. When she comes again and again and again, she is filled with the same apprehension.
After a night of heavy but warm rain two of the half-fledged young were lying on the ground in front of the nest, dead. There were no murderous marks upon them, and the secret of the tragedy I could not divine.
What automatons these wild creatures are, apparently so wise on some occasions and so absurd on others! This vesper sparrow in bringing food to her young, going through the same tactics over and over, learns no more than a machine would. But, of course, the bird does not think; hence the folly of her behavior to a being that does. The wisdom of nature, which is so unerring under certain conditions, becomes to us sheer folly under changed conditions.