CHAPTER II
EDWARD CASPAR
The days when the parish priest knew the secrets of every family within his cure have long gone by, never to return.
His place in the last generation has been taken to a great extent by the family doctor, who in his turn perhaps will give way to the psycho-therapist in the generation to come.
Mr. Trupp had not been long in Beachbourne before he began to know something of the inner histories of many of the families about him. Those shrewd eyes of his, peering short-sightedly through pince-nez as he rolled about the steep streets of Old Town, or drove in his hooded gig along the broad esplanades of New, allowed little to escape them. Moreover he was a man of singular discretion; and his fellow citizens, men alike and women, learned soon to trust him and never had cause to regret their confidence.
It was quite in the early days of his residence in the little township on the hill that the young surgeon received a letter from Mr. Caspar, the famous railway contractor, asking him to look after--_my boy, Ned, who has seen good to pitch his tent on your accursed Downs--heaven knows why_.
Hans Caspar owed his immense success in life as much to his habit of almost brutal directness as to anything, save perhaps his equally brutal energy.
A Governor of the Whitechapel Hospital, and a regular attendant at the Board-meetings, he knew the young surgeon well, believed in him, and did not hesitate to tell the naked truth about his son.
_He's not a scamp_, he wrote. _Nobody could say that of Ned. He's got no enemies but himself. You know his trouble. His address is 60, Rectory Walk. Look him up. He won't come to you--shy as a roe-deer. But once you're established connection he'll love you like a dog. I've told him I'm sending you_.
In a postscript he added,
_I'll foot the bill. I keep the boy mighty short. It's the one thing I can do to help him_.
Mr. Trupp, in those days none too busy, went....
The Manor, a solid Queen Anne house, fronted on to the street opposite the black-timbered _Star_, where of old pilgrims who had landed from the continent at Pevensey would, after a visit to Holy Well in Coombe-in-the-Cliff under Beau-nez, pass their first night before taking the green-way that led along the top of the Downs to the _Lamb_ at Aldwoldston on the road to the shrine of good St. Richard-de-la-Wych at Chichester.
Mr. Trupp, muffled to the chin--for even in those days he was cultivating the cold which he was to cherish to the end--climbed Church Street, little changed for centuries, passed the massive-towered St. Michael's on the Kneb, and turned to the left at Billing's Corner. Here at once were evidences of the change that had driven Squire Caryll to forsake the home of his fathers and retreat westward to the valley of the Ruther before the onrush of those he called the barbarians.
"They've squeezed me out, the ----!" the old man said with tears in his eyes. "But, by God, I've made em pay!"
The Manor farm had been cut up into building lots; the Moot, as the land under the Kneb crowned by the parish-church was still called, would shortly follow suit; and Saffrons Croft, with its glory of great elms that stood like a noble tapestry between the Downs and the sea, was being turned by a progressive Town Council into a public park.
At the back of Church Street old and new met and clashed unhappily; a walnut peeping amid houses, an ancient fig tree prisoned in a back yard, a length of grim flint wall patching red brick.
Here a row of substantial blue-slated houses, larger than cottages, less pretentious than villas, each with its tiny garden characteristic of its occupant, stood at right angle to the Downs and looked across open ground to Beech-hangar and the spur which hides Beau-nez from view. A white house across the way, standing apart in pharisaic aloofness amid a gloom of unhappy-seeming trees, told that this was Rectory Walk. At the end of the Walk a new road set a boundary to the town. Beyond the road a dark crescent-sea of cultivated land washed the foot of the Downs which rose here steep as a green curtain, shutting off with radiant darkness the wonder-world that lay beyond in the light of setting suns.
No. 60 was almost opposite the Rectory.
Mr. Trupp, as he entered the gate, remarked that in the upper window of the house there was a chocolate coloured card, on which was printed in deep grooved silver letters the word _Apartments_.
A woman opened to him, but kept the door upon the chain. Through the crack he glanced at her, and saw at once that but for her hardness she would have been beautiful, while even in her hardness there was something of the quality of a sword.
"Is Mr. Caspar in?" he asked.
"Yes," she answered.
Whether the woman was surly or suspicious, he wasn't sure; but she undid the chain.
"Will you step inside?" she said, thawing ever so little. "Mr. Trupp, isn't it?"
She stood back to let him pass. Her blue overall, falling straight to her feet, showed the fine lines of her figure; her eyes met his straight as the point of a lance and much the colour of one; her lips were fine almost to cruelty, her nose fine; she was fine all through as an aristocrat, if her accent and manner were those of a small shop-keeper; and her colouring was of finest porcelain.
She showed him into the room upon the right.
The room was unusual. There was little furniture in it, and that little exquisite; no carpet, but a lovely Persian rug lay before the fire. All round the walls and half-way up them, were oak book-shelves with glass doors of a pattern new to Mr. Trupp, but designed he was sure in Germany. On the top of one of them was a Jacobean tankard with a crest upon it; in the bow a broad writing-table with the new roll-top. On the brown wall were two pictures, both familiar to the young surgeon who was interested in Art and knew something of it: Botticelli's _Primavera_ and a perfect print of young Peter Lely's famous _Cavalier_--Raoul Beauregard, the long-faced languorous first Earl Ravenwood, who died so beautifully in his master's arms at Naseby.
"I had rather lost my crown," the stricken monarch had remarked, so we all as children read in our nursery histories.
"Sire," the wounded man had answered. "You are losing little. I am gaining all...."
As Mr. Trupp entered, a very tall man, smoking by the fireside, put down a volume of Swinburne, and rose. He was as unusual as the room in which he lived. Young though he was, he had a soft brown beard that suited his weak and charming face and served partially to hide an uncertain mouth and chin. It was noon, but he was wearing slippers and a quilted dressing gown, with the arms of a famous Cambridge College worked in silk on the breast-pocket. Certainly he was hardly the type you expected to find in the little room of a tiny house in a backwater of a seaside resort.
His long face had something of the contour of a sheep, and something of a sheep's expression. In a flash of recognition Mr. Trupp glanced from it to that of the love-locked cavalier on the wall above his head. Edward Caspar too had those unforgettable eyes--shy, fugitive, and above all far too sensitive. He had, moreover, the delightful ease of manner of one who has been bred at the most ancient of public schools and universities and has responded to the somewhat stagnant atmosphere of those old-world treasuries of dignity and peace. But a less shrewd eye than Mr. Trupp's would have detected behind the apparent assurance a complete lack of self-confidence.
"My father tut--tut--told me you were going to be kind enough to lul--lul--look me up," the young man said with a stutter in the perfect intonation of his kind. "It's good of you to come."
"Just looked in for a chat," growled Mr. Trupp, unusually shy for some reason.
The two young men talked awhile at random--of the Hospital, of Mr. Caspar Senior and the Grand Northern Railway, of Beachbourne, old and new, its origin, growth, and prospects.
Then conversation flagged.
Edward Caspar, it was clear, was trying to say something and found it difficult. He stood before the fire, wrapping his dressing-gown about him, and moving elephant-wise from one foot to the other. His brow puckered; his face wrought; his eyes were on the floor.
Mr. Trupp, intuitive and sympathetic as few would have believed, gave him every chance and mute encouragement.
At last the thing came out.
"You know what my tut--tut--trouble is," said the young man, over-riding obstacles with motions of the head. "I find it hard to keep off it." He nodded to the writing-desk on which stood a soda-water syphon and a glass.
"We must see what can be done," the other answered. "You're young. You've got life before you. It's worth making a fight."
The young man showed himself troubled and eager as a child.
"D'you think there's hup--hup--hope for me?" he asked.
"Every hope," replied Mr. Trupp with the gruff cheerfulness that so often surprised his patients. "You're honest with yourself. That's the main thing. First thing we must do is to find you a job."
The other stared into the fire.
"I've got a job," he said at last reluctantly.
"What's that?"
Edward Caspar answered after a pause and much facial emotion.
"I'm writing a book on the Philosophy of M--Mysticism." He wound himself up and his speech flowed more freely. "It'll take me my lifetime. Professor Zweibrucker of Leipzig is helping me. That's why I've settled here. At least," he corrected, stumbling once again, "that's one reason why. To be quiet and near the Public Library."
Mr. Trupp nodded.
"It's the best in the South of England bar Brighton," he said. "And it'll beat that soon." He rose to go.
"Does that woman look after you properly?" he asked.
The young man's colour changed; and the momentary glow of enthusiasm roused in him as he touched on his work vanished. Edward Caspar was too weak or too honest to make a good conspirator.
He became self-conscious, and blinked rapidly as he stared at the fire.
"What--wow--woman's that?" he asked in a flustered way.
"Your landlady."
The other's face wrought. His stammer possessed him. He flapped about like a wounded bird in a tumult of fear and pain.
"What?" he said. "She?--She's all right."
He did not show his visitor to the door. Mr. Trupp noticed it and wondered: for his host's manners were obviously perfect both by nature and tradition.
In the passage was the woman who had admitted him, feigning to dust. She opened the door for him as he wound himself elaborately up in his muffler.
"D'you let lodgings?" he asked.
Those steel blue eyes of hers were on him challenging and armed for resistance.
"He's my lodger."
"Yes," said Mr. Trupp. "But have you other rooms? I see your card's up."
"Sometimes."
"Because my patients ask me now and then if I can recommend them lodgings."
The woman was clearly resentful rather than grateful.
Mr. Trupp, amused, pursued his mild persecution with the glee of the tormenting male.
"Let me see. What's your name?"
For a second the woman hesitated--baffled it seemed and fighting. Then she said with a note of obvious relief as of one who has overcome a difficulty.
"Anne, I believe."
"Thank you, Mrs. Anne, I'll remember."
He rolled on his way chuckling to himself.
The woman watched his back suspiciously from the door.
Then she retired, not into the kitchen, but into her lodger's sitting-room.
"Your father's spy," she said tartly.
"Nonsense, nonsense," the young man answered with the desperate exasperation of the neurotic. "My f--father's not like that."