Category: Plays/Films/Dramas

Two Dramatizations from Vergil: I. Dido—the Phœnecian Queen; II. The Fall of Troy

Early morning; the open square before the temple of Juno on a height near Carthage. In the distance (see cut, 1, 2, 3) appear mountains, and at their foot lies the city, clustered about the harbor where ships are riding at anchor. The effect of elevation is increased by the un...

Chapters

1. ACT I. SCENE 1

Early morning; the open square before the temple of Juno on a height near Carthage. In the distance (see cut, 1, 2, 3) appear mountains, and at their foot lies the city, cluster...

7. ACT III. SCENE 1

The temple of Jupiter Ammon in Libya. In the center of the stage an altar (1), raised high from the level of the stage by four broad steps (2). Pillars of barbaric form and deco...

15. SCENE 2

Enter Trojan shepherds, dragging in a man bound with thongs. They approach the king. The bystanders jibe at and mock the captive. The unknown stands as if bewildered and distrau...

10. ACT IV. SCENE 3

‘T is eve; ‘t is night; a holy quiet broods O’er the mute world—winds, waters are at peace; The beasts lie couch’d amid unstirring woods, The fishes slumber in the sounds and se...

23. ACT III. SCENE 1

The _atrium_ in the palace of Æneas. The aged Anchises lies prone upon the couch. Creüsa, Ascanius, and other members of the household are huddled together in the same room, lis...

4. ACT II. SCENE 1

Dido’s chamber. At the left, in front, is a shrine (1). An antique bust with an inscription above it, visible in the light from the glowing censer, indicates that it is sacred t...

3. ACT I. SCENE 3

A banquet hall in Dido’s palace. Across the back of the stage is a colonnade (2), raised above the level of the hall. Through the columns there is a view (1) out over the moonli...

8. ACT IV. SCENE 1

Dido’s chamber as in Act II. Scene 1. Anna sits in the foreground, spinning. The old nurse, Barce, is bustling about, hanging up her mistress’ brilliant robes, which she has cas...

5. ACT II. SCENE 2

A fragrant nook on Mount Ida. Across the stage at the first wing a low, broad marble wall (1), forming one end of a colonnade which leads back to an arch (2), through which the...

2. ACT I. SCENE 2

A place in the deep, green forest. Ferns and flowers strew the ground and the sunlight falls through the branches in flecks of gold. In the foreground are two great moss-grown r...

18. ACT II. SCENE 1

O light of Troy, O prop of Trojan hopes, What slow delays have held thee from our sight, O long awaited one? Whence com’st thou here? We see thee now, with hardships overborne,...

19. SCENE 2

O comrades, O ye hearts most brave in vain, If you have steadfast minds to follow one On desperate deeds intent, you see our case: The gods, who long have buttressed up our stat...

9. ACT IV. SCENE 2

Dido is pacing the room with fierce energy. She goes to the window from time to time, then renews her fierce walking to and fro. Suddenly she presses her hand to her head as if...

22. SCENE 5

Shall this, the common scourge of friend and foe, Unscathed, behold her native land again? Her husband, home, her sire and children see? Shall she as conquering queen go proudly...

21. SCENE 4

Priam’s palace from within. All is confusion and terror. Women rush from room to room, with disheveled hair streaming, and with cries of wild despair. A crowded mass of men are...

6. ACT II. SCENE 3

A forest scene. Huge trees and moss-grown rocks. Across the back, a cliff in the face of which at the last wing on the left is the opening to a mighty cavern. Through the trees...

13. ACT IV. SCENE 3 Chorus of Maidens

Illustrious Troy! renown’d in every clime Through the long records of succeeding time; Who saw protecting gods from heaven descend Full oft, thy royal bulwarks to defend. Though...

26. SCENE 4

A deserted street in Troy, lit up fitfully by smoldering fires. Æneas enters, peering through the gloom on all sides, and calling loudly upon the name of his wife. Suddenly a sh...

14. ACT I. SCENE 1

The plain in front of Troy; the city walls; the sea; and, in the distance, Tenedos. Morning, without the gates. Joyful crowds of men, women, and children pour through the open d...

17. SCENE 4

They hastily enlarge the gate, attach ropes to the horse, and put rollers under its feet, many willing hands lay hold of the ropes and pull the horse along. Boys and girls dance...

25. SCENE 3

At the ancient temple of Ceres without the walls. The fugitives come straggling in in various bands, a motley array, Æneas and his immediate followers among the rest. Æneas watc...

20. SCENE 3

At Priam’s palace (viewed from without), desperately attacked by Greeks and defended by Trojans. (_a_) The assailants attempt by scaling ladders to mount to the flat, turreted r...

24. SCENE 2

16. SCENE 3

The Trojans are entirely satisfied with this explanation and treat Sinon with respectful consideration. At this juncture, two huge serpents come up out of the sea, and, while th...

27. SCENE 5

The gray dawn breaks; Mount Ida looms dimly in the distance; the exiles a weary, discouraged band of men, women, and children, take their way out into the unknown world.

12. ACT I. SCENE 3

11. ACT I. SCENE 1