Two Burlesques of Lord Chesterfield's Letters. The Graces (1774), The Fine Gentleman's Etiquette (1776)

Part 3

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[11] You should dress like a man of the great world.

[12] Always in the fashion, and your cloaths well put on.

[13] What success with the Graces.

[14] The great art of pleasing.

[15] The amiable, the every thing.

FINIS.

William Andrews Clark Memorial Library: University of California

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_Two Burlesques of Chesterfield_ (1774, 1776). Selected, with an introduction, by Sidney Gulick. Richard Savage, _An Author to be Let_ (1732). Introduction by James Sutherland. William Herbert, Third Earl of Pembroke. _Poems_ (1660). Introduction by Gaby Onderwyzer. Francis Hutcheson, _Reflections on Laughter_ (1729). Introduction by Scott Elledge. _Eighteenth-Century Newspaper Essays on the Theatre._ Selected, with an introduction, by John Loftis. [Peter Whalley] _An Essay on the Manner of Writing History_ (1746). Introduction by Keith Stewart. _Sawney and Colley_ [1742] and other Pope pamphlets. Edited, with an introduction, by W. Powell Jones. Henry Fuseli, _Remarks on the Writings and Conduct of J. J. Rousseau_ (1767). Introduction by Karl S. Guthke. [Charles Croke] _Fortune's Uncertainty_ (1667). Introduction by William Matthews.

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Transcriber's Notes

A. "The Graces"

On p. 2, extra quotation mark deleted in the phrase "speak distinctly and gracefully" in footnote 1.

On page 7, "observe e'm all" has been amended to "observe 'em all".

On p. 21 The redundant double quotation mark after "_grandure_," has been deleted.

B. "The Fine Gentleman's Etiquette"

These typos have been amended:

On p. 7, "supprose" has been amended to "suppose".

On p. 20, "you hand" has been amended to "your hand".

This poem makes much use of quotation marks. It is not always certain that they have been put in the correct place, but they have been left unchanged.

In "The Fine Gentleman's Etiquette", there are two sets of footnotes. One set, which contains references to Chesterfield's Letters, is anchored with lower-case alphabetic characters, and placed after the relevant paragraph. The second set is anchored with Arabic numerals and placed at the end of the poem.

In footnote 4 the word "days" had "s" printed in reverse. This is now printed the right way round.