Chapter 2

But there was one phase of all this which interested Peter immensely. Were there on sale in St. Louis any bits of jade, silks, needlework, porcelains, basketry or figurines of true Chinese origin? He was far more interested in this than in the social and economic sides of the lives of the Chinese, and was constantly urging Dick to take him here, there and everywhere in order that he might see for himself what of these amazing wonders were locally extant, leading Dick in the process a merry chase and a dog's life. Dick was compelled to persuade nearly all of his boasted friends to produce all they had to show. Once, I recall, a collection of rare Chinese porcelains being shown at the local museum of art, there was nothing for it but that Dick must get one or more of his Oriental friends to interpret this, that and the other symbol in connection with this, that and the other vase--things which put him to no end of trouble and which led to nothing, for among all the local Chinese there was not one who knew anything about it, although they, Dick included, were not honest enough to admit it.

"You know, Dreiser," Peter said to me one day with the most delicious gleam of semi-malicious, semi-tender humor, "I am really doing all this just to torture Dick. He doesn't know a damned thing about it and neither do these Chinese, but it's fun to haul 'em out there and make 'em sweat. The museum sells an illustrated monograph covering all this, you know, with pictures of the genuinely historic pieces and explanations of the various symbols in so far as they are known, but Dick doesn't know that, and he's lying awake nights trying to find out what they're all about. I like to see his expression and that of those chinks when they examine those things." He subsided with a low chuckle all the more disturbing because it was so obviously the product of well-grounded knowledge.

Another phase of this same humor related to the grand artistic, social and other forms of life to which Dick was hoping to ascend via marriage and which led him, because of a kind of anticipatory eagerness, into all sorts of exaggerations of dress, manners, speech, style in writing or drawing, and I know not what else. He had, as I have said, a "studio" in Broadway, an ordinary large, square upper chamber of an old residence turned commercial but which Dick had decorated in the most, to him, recherché or _different_ manner possible. In Dick's gilding imagination it was packed with the rarest and most carefully selected things, odd bits of furniture, objects of art, pictures, books--things which the ordinary antique shop provides in plenty but which to Dick, having been reared in Bloomington, Illinois, were of the utmost artistic import. He had vaulting ambitions and pretensions, literary and otherwise, having by now composed various rondeaus, triolets, quatrains, sonnets, in addition to a number of short stories over which he had literally slaved and which, being rejected by many editors, were kept lying idly and inconsequentially and seemingly inconspicuously about his place--the more to astonish the poor unsophisticated "outsider." Besides it gave him the opportunity of posing as misunderstood, neglected, depressed, as becomes all great artists, poets, and thinkers.

His great scheme or dream, however, was that of marriage to an heiress, one of those very material and bovine daughters of the new rich in the West end, and to this end he was bending all his artistic thought, writing, dressing, dreaming the thing he wished. I myself had a marked tendency in this direction, although from another point of view, and speaking from mine purely, there was this difference between us: Dick being an artist, rather remote and disdainful in manner and decidedly handsome as well as poetic and better positioned than I, as I fancied, was certain to achieve this gilded and crystal state, whereas I, not being handsome nor an artist nor sufficiently poetic perhaps, could scarcely aspire to so gorgeous a goal. Often, as around dinnertime he ambled from the office arrayed in the latest mode--dark blue suit, patent leather boots, a dark, round soft felt hat, loose tie blowing idly about his neck, a thin cane in his hand--I was already almost convinced that the anticipated end was at hand, this very evening perhaps, and that I should never see him more except as the husband of a very rich girl, never be permitted even to speak to him save as an almost forgotten friend, and in passing! Even now perhaps he was on his way to her, whereas I, poor oaf that I was, was moiling here over some trucky work. Would my ship never come in? my great day never arrive? my turn? Unkind heaven!

As for Peter he was the sort of person who could swiftly detect, understand and even sympathize with a point of view of this kind the while he must laugh at it and his mind be busy with some plan of making a fol-de-rol use of it. One day he came into the city-room where I was working and bending over my desk fairly bursting with suppressed humor announced, "Gee, Dreiser, I've just thought of a delicious trick to play on Dick! Oh, Lord!" and he stopped and surveyed me with beady eyes the while his round little body seemed to fairly swell with pent-up laughter. "It's too rich! Oh, if it just works out Dick'll be sore! Wait'll I tell you," he went on. "You know how crazy he is about rich young heiresses? You know how he's always 'dressing up' and talking and writing about marrying one of those girls in the West end?" (Dick was forever composing a short story in which some lorn but perfect and great artist was thus being received via love, the story being read to us nights in his studio.) "That's all bluff, that talk of his of visiting in those big houses out there. All he does is to dress up every night as though he were going to a ball, and walk out that way and moon around. Well, listen. Here's the idea. We'll go over to Mermod & Jaccards to-morrow and get a few sheets of their best monogrammed paper, sample sheets. Then we'll get up a letter and sign it with the most romantic name we can think of--Juanita or Cyrene or Doris--and explain who she is, the daughter of a millionaire living out there, and that she's been strictly brought up but that in spite of all that she's seen his name in the paper at the bottom of his pictures and wants to meet him, see? Then we'll have her suggest that he come out to the west gate of, say, Portland Place at seven o'clock and meet her. We'll have her describe herself, see, young and beautiful, and some attractive costume she's to wear, and we'll kill him. He'll fall hard. Then we'll happen by there at the exact time when he's waiting, and detain him, urge him to come into the park with us or to dinner. We'll look our worst so he'll be ashamed of us. He'll squirm and get wild, but we'll hang on and spoil the date for him, see? We'll insist in the letter that he must be alone, see, because she's timid and afraid of being recognized. My God, he'll be crazy! He'll think we've ruined his life--oh, ho, ho!" and he fairly writhed with inward joy.

The thing worked. It was cruel in its way, but when has man ever grieved over the humorous ills of others? The paper was secured, the letter written by a friend of Peter's in a nearby real estate office, after the most careful deliberation as to wording on our part. Extreme youth, beauty and a great mansion were all hinted at. The fascination of Dick as a romantic figure was touched upon. He would know her by a green silk scarf about her waist, for it was spring, the ideal season. Seven o'clock was the hour. She could give him only a moment or two then--but later--and she gave no address!

The letter was mailed in the West end, as was meet and proper, and in due season arrived at the office. Peter, working at the next easel, observed him, as he told me, out of the corner of his eye.

"You should have seen him, Dreiser," he exclaimed, hunting me up about an hour after the letter arrived. "Oh, ho! Say, you know I believe he thinks it's the real thing. It seemed to make him a little sick. He tried to appear nonchalant, but a little later he got his hat and went out, over to Deck's," a nearby saloon, "for a drink, for I followed him. He's all fussed up. Wait'll we heave into view that night! I'm going to get myself up like a joke, a hobo. I'll disgrace him. Oh, Lord, he'll be crazy! He'll think we've ruined his life, scared her off. There's no address. He can't do a thing. Oh, ho, ho, ho!"

On the appointed day--and it was a delicious afternoon and evening, aflame with sun and in May--Dick left off his work at three p.m., as Peter came and told me, and departed, and then we went to make our toilets. At six we met, took a car and stepped down not more than a short block from the point of meeting. I shall never forget the sweetness of the air, the something of sadness in the thought of love, even in this form. The sun was singing its evensong, as were the birds. But Peter--blessings or curses upon him!--was arrayed as only he could array himself when he wished to look absolutely disconcerting--more like an unwashed, uncombed tramp who had been sleeping out for weeks, than anything else. His hair was over his eyes and ears, his face and hands dirty, his shoes ditto. He had even blackened one tooth slightly. He had on a collarless shirt, and yet he was jaunty withal and carried a cane, if you please, assuming, as he always could and in the most aggravating way, to be totally unconscious of the figure he cut. At one angle of his multiplex character the man must have been a born actor.

We waited a block away, concealed by a few trees, and at the exact hour Dick appeared, hopeful and eager no doubt, and walking and looking almost all that he hoped--delicate, pale, artistic. The new straw hat! The pale green "artists'" shirt! His black, wide-buckled belt! The cane! The dark-brown low shoes! The boutonnière! He was plainly ready for any fate, his great moment.

And then, before he could get the feeling that his admirer might not be coming, we descended upon him in all our wretched nonchalance and unworthiness--out of hell, as it were. We were most brisk, familiar, affectionate. It was so fortunate to meet him so, so accidentally and peradventure. The night was so fine. We were out for a stroll in the park, to eat afterward. He must come along.

I saw him look at Peter in that hat and no collar, and wilt. It was too much. Such a friend--such friends (for on Peter's advice I was looking as ill as I might, an easy matter)! No, he couldn't come. He was waiting for some friends. We must excuse him.

But Peter was not to be so easily shaken off. He launched into the most brisk and serious conversation. He began his badger game by asking about some work upon which Dick had been engaged before he left the office, some order, how he was getting along with it, when it would be done; and, when Dick evaded and then attempted to dismiss the subject, took up another and began to expatiate on it, some work he himself was doing, something that had developed in connection with it. He asked inane questions, complimented Dick on his looks, began to tease him about some girl. And poor Dick--his nervousness, his despair almost, the sense of the waning of his opportunity! It was cruel. He was becoming more and more restless, looking about more and more wearily and anxiously and wishing to go or for us to go. He was horribly unhappy. Finally, after ten or fifteen minutes had gone and various girls had crossed the plaza in various directions, as well as carriages and saddle-horses--each one carrying his heiress, no doubt!--he seemed to summon all his courage and did his best to dispose of us. "You two'll have to excuse me," he exclaimed almost wildly. "I can't wait." Those golden moments! She could not approach! "My people aren't coming, I guess. I'll have to be going on."

He smiled weakly and made off, Peter half following and urging him to come back. Then, since he would not, we stood there on the exact spot of the rendezvous gazing smirkily after him. Then we went into the park a few paces and sat on a bench in full view, talking--or Peter was--most volubly. He was really choking with laughter. A little later, at seven-thirty, we went cackling into the park, only to return in five minutes as though we had changed our minds and were coming out--and saw Dick bustling off at our approach. It was sad really. There was an element of the tragic in it. But not to Peter. He was all laughter, all but apoplectic gayety. "Oh, by George!" he choked. "This is too much! Oh, ho! This is great! his poor heiress! And he came back! Har! Har! Har!"

"Peter, you dog," I said, "aren't you ashamed of yourself, to rub it in this way?"

"Not a bit, not a bit!" he insisted most enthusiastically. "Do him good. Why shouldn't he suffer? He'll get over it. He's always bluffing about his heiresses. Now he's lost a real one. Har! Har! Har!" and he fairly choked, and for days and weeks and months he laughed, but he never told. He merely chortled at his desk, and if any one asked him what he was laughing about, even Dick, he would reply, "Oh, something--a joke I played on a fellow once."

If Dick ever guessed he never indicated as much. But that lost romance! That faded dream!

Not so long after this, the following winter, I left St. Louis and did not see Peter for several years, during which time I drifted through various cities to New York. We kept up a more or less desultory correspondence which resulted eventually in his contributing to a paper of which I had charge in New York, and later, in part at least I am sure, in his coming there. I noticed one thing, that although Peter had no fixed idea as to what he wished to be--being able to draw, write, engrave, carve and what not--he was in no way troubled about it. "I don't see just what it is that I am to do best," he said to me once. "It may be that I will wind up as a painter or writer or collector--I can't tell yet. I want to study, and meantime I'm making a living--that's all I want now. I want to live, and I am living, in my way."

Some men are masters of cities, or perhaps better, of all the elements which enter into the making of them, and Peter was one. I think sometimes that he was born a writer of great force and charm, only as yet he had not found himself. I have known many writers, many geniuses even, but not one his superior in intellect and romantic response to life. He was a poet, thinker, artist, philosopher and master of prose, as a posthumous volume ("Wolf, the Autobiography of a Cave Dweller") amply proves, but he was not ready then to fully express himself, and it troubled him not at all. He loved life's every facet, was gay and helpful to himself and others, and yet always with an eye for the undercurrent of human misery, error and tragedy as well as comedy. Immediately upon coming to New York he began to examine and grasp it in a large way, its museums, public buildings, geography, politics, but after a very little while decided suddenly that he did not belong there and without a by-your-leave, although once more we had fallen into each other's ways, he departed without a word, and I did not hear from him for months. Temporarily at least he felt that he had to obtain more experience in a lesser field, and lost no time in so doing. The next I knew he was connected, at a comfortable salary, with the then dominant paper of Philadelphia.

It was after he had established himself very firmly in Philadelphia that we two finally began to understand each other fully, to sympathize really with each other's point of view as opposed to the more or less gay and casual nature of our earlier friendship. Also here perhaps, more than before, we felt the binding influence of having worked together in the West. It was here that I first noticed the ease with which he took hold of a city, the many-sidedness of his peculiar character which led him to reflect so many angles of it, which a less varied temperament would never have touched upon. For, first of all, wherever he happened to be, he was intensely interested in the age and history of his city, its buildings and graveyards and tombstones which pointed to its past life, then its present physical appearance, the chief characteristics of the region in which it lay, its rivers, lakes, parks and adjacent places and spots of interest (what rambles we took!), as well as its newest and finest things architecturally. Nor did any one ever take a keener interest in the current intellectual resources of a city--any city in which he happened to be--its museums, libraries, old bookstores, newspapers, magazines, and I know not what else. It was he who first took me into Leary's bookstore in Philadelphia, descanting with his usual gusto on its merits. Then and lastly he was keenly and wisely interested in various currents of local politics, society and finance, although he always considered the first a low mess, an arrangement or adjustment of many necessary things among the lower orders. He seemed to know or sense in some occult way everything that was going on in those various realms. His mind was so full and rich that merely to be with him was a delight. He gushed like a fountain, and yet not polemically, of all he knew, heard, felt, suspected. His thoughts were so rich at times that to me they were more like a mosaic of variegated and richly colored stones and jewels. I felt always as though I were in the presence of a great personage, not one who was reserved or pompous but a loose bubbling temperament, wise beyond his years or day, and so truly great that perhaps because of the intensity and immense variety of his interests he would never shine in a world in which the most intensive specialization, and that of a purely commercial character, was the grand rôle.

And yet I always felt that perhaps he might. He attracted people of all grades so easily and warmly. His mind leaped from one interest to another almost too swiftly, and yet the average man understood and liked him. While in a way he contemned their mental states as limited or bigoted, he enjoyed the conditions under which they lived, seemed to wish to immerse himself in them. And yet nearly all his thoughts were, from their point of view perhaps, dangerous. Among his friends he was always talking freely, honestly, of things which the average man could not or would not discuss, dismissing as trash illusion, lies or the cunning work of self-seeking propagandists, most of the things currently accepted as true.

He was constantly commenting on the amazing dullness of man, his prejudices, the astonishing manner in which he seized upon and clung savagely or pathetically to the most ridiculous interpretations of life. He was also forever noting that crass chance which wrecks so many of our dreams and lives,--its fierce brutalities, its seemingly inane indifference to wondrous things,--but never in a depressed or morbid spirit; merely as a matter of the curious, as it were. But if any one chanced to contradict him he was likely to prove liquid fire. At the same time he was forever reading, reading, reading--history, archæology, ethnology, geology, travel, medicine, biography, and descanting on the wonders and idiosyncrasies of man and nature which they revealed. He was never tired of talking of the intellectual and social conditions that ruled in Greece and Rome from 600 B.C. on, the philosophies, the travels, the art, the simple, natural pagan view of things, and regretting that they were no more. He grieved at times, I think, that he had not been of that world, might not have seen it, or, failing that, might not see all the shards of those extinct civilizations. There was something loving and sad in the manner in which at times, in one museum and another, he would examine ancient art designs, those of the Egyptians, Greeks and Romans, their public and private house plans, their statues, book rolls, inscriptions, flambeaux, boats, swords, chariots. Carthage, Rome, Greece, Phoenicia--their colonies, art and trade stuffs, their foods, pleasures and worships--how he raved! A book like Thaïs, Salammbo, Sonica, Quo Vadis, touched him to the quick.

At the same time, and odd as it may seem, he was seemingly in intimate contact with a circle of friends that rather astonished me by its catholicity. It included, for instance, and quite naïvely, real estate dealers, clerks, a bank cashier or two, some man who had a leather shop or cigar factory in the downtown section, a drummer, a printer, two or three newspaper artists and reporters--a list too long to catalogue here and seemingly not interesting, at least not inspiring to look at or live in contact with. Yet his relations with all of these were of a warm, genial, helpful, homely character, quite intimate. He used them as one might a mulch in which to grow things, or in other words he took them on their own ground; a thing which I could never quite understand, being more or less aloof myself and yet wishing always to be able so to do, to take life, as he did.

For he desired, and secured, their good will and drew them to him. He took a simple, natural pleasure in the kinds of things they were able to do, as well as the kinds of things he could do. With these, then, and a type of girl who might not be classed above the clerk or manicure class, he and they managed to eke out a social life, the outstanding phases of which were dances, "parties," dinners at one simple home and another, flirting, boating, and fishing expeditions in season, evenings out at restaurants or the theater, and I know not what else. He could sing (a very fair baritone), play the piano, cornet, flute, banjo, mandolin and guitar, but always insisted that his favorite instruments were the jews'-harp, the French harp (mouth organ) and a comb with a piece of paper over it, against which he would blow with fierce energy, making the most outrageous sounds, until stopped. At any "party" he was always talking, jumping about, dancing, cooking something--fudge, taffy, a rarebit, and insisting in the most mock-serious manner that all the details be left strictly to him. "Now just cut out of this, all of you, and leave this to your Uncle Dudley. Who's doing this? All I want is sugar, chocolate, a pot, a big spoon, and I'll show you the best fudge you ever ate." Then he would don an apron or towel and go to work in a manner which would rob any gathering of a sense of stiffness and induce a naturalness most intriguing, calculated to enhance the general pleasure an hundredfold.

Yes, Peter woke people up. He could convey or spread a sense of ease and good nature and give and take among all. Wise as he was and not so good-looking, he was still attractive to girls, very much so, and by no means unconscious of their beauty. He could always, and easily, break down their reserve, and was soon apparently on terms of absolute friendship, exchanging all sorts of small gossip and news with them about this, that and the other person about whom they knew. Indeed he was such a general favorite and so seemingly impartial that it was hard to say how he came close to any, and yet he did. At odd tête-à-tête moments he was always making confessions as to "nights" or "afternoons." "My God, Dreiser, I've found a peach! I can't tell you--but oh, wonderful! Just what I need. This world's a healthy old place, eh? Let's have another drink, what?" and he would order a stein or a half-schoppen of light German beer and pour it down, grinning like a gargoyle.