Part 15

_Colour a Normal Product of Organization._--This outline sketch of the nature of colour in the animal world, however imperfect, will at least serve to show us how numerous and varied are the causes which perpetually tend to the production of colour in animal tissues. If we consider, that in order to produce white, all the rays which fall upon an object must be reflected in the same proportions as they exist in solar light--whereas, if rays of any one or more kinds are absorbed or neutralised, the resultant reflected light will be coloured; and that this colour may be infinitely varied according to the proportions in which different rays are reflected or absorbed--we should expect that white would be, as it really is, comparatively rare and exceptional in nature. The same observation will apply to black, which arises from the absorption of all the different rays. Many of the complex substances which exist in animals and plants are subject to changes of colour under the influence of light, heat, or chemical change, and we know that chemical changes are continually occurring during the physiological processes of development and growth. We also find that every external character is subject to minute changes, which are generally perceptible to us in closely allied species; and we can therefore have no doubt that the extension and thickness of the transparent lamellæ, and the fineness of the striæ or rugosities of the integuments, must be undergoing constant minute changes; and these changes will very frequently produce changes of colour. These considerations render it probable that colour is a normal and even necessary result of the complex structure of animals and plants; and that those parts of an organism which are undergoing continual development and adaptation to new conditions, and are also continually subject to the action of light and heat, will be the parts in which changes of colour will most frequently appear. Now there is little doubt that the external changes of animals and plants in adaptation to the environment are much more numerous than the internal changes; as seen in the varied character of the integuments and appendages of animals--hair, horns, scales, feathers, &c. &c.--and in plants, the leaves, bark, flowers, and fruit, with their various modifications--as compared with the great uniformity in the texture and composition of their internal tissues; and this accords with the uniformity of the tints of blood, muscle, nerve, and bone throughout extensive groups, as compared with the great diversity of colour of their external organs. It seems a fair conclusion that colour _per se_ may be considered to be normal, and to need no special accounting for; while the absence of colour (that is, either _white_ or _black_), or the prevalence of certain colours to the constant exclusion of others, must be traced, like other modifications in the economy of living things, to the needs of the species. Or, looking at it in another aspect, we may say, that amid the constant variations of animals and plants colour is ever tending to vary and to appear where it is absent; and that natural selection is constantly eliminating such tints as are injurious to the species, or preserving and intensifying such as are useful.

This view is in accordance with the well-known fact, of colours which rarely or never appear in the species in a state of nature, continually occurring among domesticated animals and cultivated plants; showing us that the capacity to develop colour is ever present, so that almost any required tint can be produced which may, under changed conditions, be useful, in however small a degree.

Let us now see how these principles will enable us to understand and explain the varied phenomena of colour in nature, taking them in the order of our functional classification of colours.

_Theory of Protective Colours._--We have seen that obscure or protective tints in their infinitely varied degrees are present in every part of the animal kingdom, whole families or genera being often thus coloured. Now the various brown, earthy, ashy, and other neutral tints are those which would be most readily produced, because they are due to an irregular mixture of many kinds of rays; while pure tints require either rays of one kind only, or definite mixtures in proper proportions of two or more kinds of rays. This is well exemplified by the comparative difficulty of producing definite pure tints by the mixture of two or more pigments; while a haphazard mixture of a number of these will be almost sure to produce browns, olives, or other neutral or dingy colours. An indefinite or irregular absorption of some rays and reflection of others would, therefore, produce obscure tints; while pure and vivid colours would require a perfectly definite absorption of one portion of the coloured rays, leaving the remainder to produce the true complementary colour. This being the case we may expect these brown tints to occur when the need of protection is very slight or even when it does not exist at all; always supposing that bright colours are not in any way useful to the species. But whenever a pure colour is protective,--as green in tropical forests or white among arctic snows, there is no difficulty in producing it, by natural selection acting on the innumerable slight variations of tint which are ever occurring. Such variations may, as we have seen, be produced in a great variety of ways; either by chemical changes in the secretions, or by molecular changes in surface structure; and may be brought about by change of food, by the photographic action of light, or by the normal process of generative variation. Protective colours therefore, however curious and complex they may be in certain cases, offer no real difficulties.

_Theory of Warning Colours._--These differ greatly from the last class, inasmuch as they present us with a variety of brilliant hues, often of the greatest purity, and combined in striking contrasts and conspicuous patterns. Their use depends upon their boldness and visibility, not on the presence of any one colour; hence we find among these groups some of the most exquisitely-coloured objects in nature. Many of the uneatable caterpillars are strikingly beautiful; while the Danaidæ, Heliconidæ, and protected groups of Papilionidæ, comprise a series of butterflies of the most brilliant and contrasted colours. The bright colours of many of the sea-anemones and sea-slugs will probably be found to be in this sense protective, serving as a warning of their uneatableness. On our theory none of these colours offer any difficulty. Conspicuousness being useful, every variation tending to brighter and purer colours was selected; the result being the beautiful variety and contrast we find.

_Imitative Warning Colours:--The Theory of Mimicry._--We now come to those groups which gain protection solely by being mistaken for some of these brilliantly coloured but uneatable creatures, and here a difficulty really exists, and to many minds is so great as to be insuperable. It will be well therefore to endeavour to explain how the resemblance in question may have been brought about.

The most difficult case, and the one which may be taken as a type of the whole class, is that of the genus Leptalis (a group of South American butterflies allied to our common white and yellow kinds), many of the larger species of which are still white or yellow, and which are all eatable by birds and other insectivorous creatures. But there are also a number of species of Leptalis, which are brilliantly red, yellow, and black, and which, band for band and spot for spot, resemble some one of the Danaidæ or Heliconidæ which inhabit the same district and which are nauseous and uneatable. Now the usual difficulty is, that a slight approach to one of these protected butterflies would be of no use, while a greater sudden variation is not admissible on the theory of gradual change by indefinite slight variations. This objection depends almost wholly on the supposition that, when the first steps towards mimicry occurred, the South American Danaidæ were what they are now; while the ancestors of the Leptalides were like the ordinary white or yellow Pieridæ to which they are allied. But the danaioid butterflies of South America are so immensely numerous and so greatly varied, not only in colour but in structure, that we may be sure they are of vast antiquity and have undergone great modification. A large number of them, however, are still of comparatively plain colours, often rendered extremely elegant by the delicate transparency of the wing membrane, but otherwise not at all conspicuous. Many have only dusky or purplish bands or spots; others have patches of reddish or yellowish brown--perhaps the commonest colour among butterflies; while a considerable number are tinged or spotted with yellow, also a very common colour, and one especially characteristic of the Pieridæ, the family to which Leptalis belongs. We may therefore reasonably suppose that in the early stages of the development of the Danaidæ, when they first began to acquire those nauseous secretions which are now their protection, their colours were somewhat plain; either dusky with paler bands and spots, or yellowish with dark borders, and sometimes with reddish bands or spots. At this time they had probably shorter wings and a more rapid flight, just like the other unprotected families of butterflies. But as soon as they became decidedly unpalatable to any of their enemies, it would be an advantage to them to be readily distinguished from all the eatable kinds; and as butterflies were no doubt already very varied in colour, while all probably had wings adapted for rather quick or jerking flight, the best distinction might have been found in outline and habits; whence would arise the preservation of those varieties whose longer wings, bodies, and antennæ, as well as their slower flight, rendered them noticeable--characters which now distinguish the whole group in every part of the world.

Now it would be at this stage, that some of the weaker-flying Pieridæ which happened to resemble some of the Danaidæ around them in their yellow and dusky tints and in the general outline of their wings, would be sometimes mistaken for them by the common enemy, and would thus gain an advantage in the struggle for existence. Admitting this one step to be made, and all the rest must inevitably follow from simple variation and survival of the fittest. So soon as the nauseous butterfly varied in form or colour to such an extent that the corresponding eatable butterfly no longer closely resembled it, the latter would be exposed to attacks, and only those variations would be preserved which kept up the resemblance. At the same time we may well suppose the enemies to become more acute and able to detect smaller differences than at first. This would lead to the destruction of all adverse variations, and thus keep up in continually increasing complexity the outward mimicry which now so amazes us. During the long ages in which this process has been going on, and the Danaidæ have been acquiring those specialities of colour which aid in their preservation, many a _Leptalis_ may have become extinct from not varying sufficiently in the right direction and at the right time to keep up a protective resemblance to its neighbour; and this well accords with the comparatively small number of cases of true mimicry, as compared with the frequency of those protective resemblances to vegetable or inorganic objects whose forms are less definite and colours less changeable. About a dozen other genera of butterflies and moths mimic the Danaidæ in various parts of the world, and exactly the same explanation will apply to all of them. They represent those species of each group which, at the time when the Danaidæ first acquired their protective secretions, happened outwardly to resemble some of them, and which have, by concurrent variation aided by a rigid selection, been able to keep up that resemblance to the present day.[19]

[19] For fuller information on this subject the reader should consult Mr. Bates’s original paper, “Contributions to an Insect-fauna of the Amazon Valley,” in _Transactions of the Linnean Society_, vol. xxiii. p. 495; Mr. Trimen’s paper in vol. xxvi. p. 497; the author’s essay on “Mimicry,” &c., already referred to; and in the absence of collections of butterflies, the plates of Heliconidæ and Leptalidæ, in Hewitson’s _Exotic Butterflies_, and Felder’s _Voyage of the “Novara,”_ may be examined.

_Theory of Sexual Colours._--In Mr. Darwin’s celebrated work, _The Descent of Man and Selection in Relation to Sex_, he has treated of sexual colour in combination with other sexual characters, and has arrived at the conclusion that all or almost all the colours of the higher animals (including among these insects and all vertebrates) are due to voluntary or conscious sexual selection; and that diversity of colour in the sexes is due, primarily, to the transmission of colour-variations either to one sex only or to both sexes; the difference depending on some unknown law, and not being due to natural selection.

I have long held this portion of Mr. Darwin’s theory to be erroneous; and have argued that the primary cause of sexual diversity of colour was the need of protection, repressing in the female those bright colours which are normally produced in both sexes by general laws; and I have attempted to explain many of the more difficult cases on this principle. (“A Theory of Birds’ Nests,” in _Contributions, &c._, p. 231.) As I have since given much thought to this subject, and have arrived at some views which appear to me to be of considerable importance, it will be well to sketch briefly the theory I now hold, and afterwards show its application to some of the detailed cases adduced in Mr. Darwin’s work.

The very frequent superiority of the male bird or insect in brightness or intensity of colour, even when the general coloration is the same in both sexes, now seems to me to be, primarily, due to the greater vigour and activity and the higher vitality of the male. The colours of an animal usually fade during disease or weakness, while robust health and vigour adds to their intensity. This is a most important and suggestive fact, and one that appears to hold universally. In all quadrupeds a “dull coat” is indicative of ill-health or low condition; while a glossy coat and sparkling eye are the invariable accompaniments of health and energy. The same rule applies to the feathers of birds, whose colours are only seen in their purity during perfect health; and a similar phenomenon occurs even among insects, for the bright hues of caterpillars begin to fade as soon as they become inactive preparatory to undergoing their transformation. Even in the vegetable kingdom we see the same thing; for the tints of foliage are deepest, and the colours of flowers and fruits richest, on those plants which are in the most healthy and vigorous condition.

This intensity of coloration becomes most developed in the male during the breeding season, when the vitality is at a maximum. It is also very general in those cases in which the male is smaller than the female, as in the hawks and in most butterflies and moths. The same phenomena occur, though in a less marked degree, among mammalia. Whenever there is a difference of colour between the sexes the male is the darker or more strongly marked, and the difference of intensity is most visible during the breeding season (_Descent of Man_, p. 533). Numerous cases among domestic animals also prove, that there is an inherent tendency in the male to special developments of dermal appendages and colour, quite independently of sexual or any other form of selection. Thus,--“the hump on the male zebu cattle of India, the tail of fat-tailed rams, the arched outline of the forehead in the males of several breeds of sheep, and the mane, the long hairs on the hind legs, and the dew-lap of the male of the Berbura goat,”--are all adduced by Mr. Darwin as instances of characters peculiar to the male, yet not derived from any parent ancestral form. Among domestic pigeons the character of the different breeds is often most strongly manifested in the male birds; the wattles of the carriers and the eye-wattles of the barbs are largest in the males, and male pouters distend their crops to a much greater extent than do the females, while the cock fantails often have a greater number of tail-feathers than the females. There are also some varieties of pigeons of which the males are striped or spotted with black while the females are never so spotted (_Animals and Plants under Domestication_, I. 161); yet in the parent stock of these pigeons there are no differences between the sexes either of plumage or colour, and artificial selection has not been applied to produce them.

The greater intensity of coloration in the male--which may be termed the normal sexual difference, would be further developed by the combats of the males for the possession of the females. The most vigorous and energetic usually being able to rear most offspring, intensity of colour, if dependent on, or correlated with vigour, would tend to increase. But as differences of colour depend upon minute chemical or structural differences in the organism, increasing vigour acting unequally on different portions of the integument, and often producing at the same time abnormal developments of hair, horns, scales, feathers, &c., would almost necessarily lead also to variable distribution of colour, and thus to the production of new tints and markings. These acquired colours would, as Mr. Darwin has shown, be transmitted to both sexes or to one only, according as they first appeared at an early age, or in adults of one sex; and thus we may account for some of the most marked differences in this respect. With the exception of butterflies, the sexes are almost alike in the great majority of insects. The same is the case in mammals and reptiles; while the chief departure from the rule occurs in birds, though even here in very many cases the law of sexual likeness prevails. But in all cases where the increasing development of colour became disadvantageous to the female, it would be checked by natural selection; and thus produce those numerous instances of protective colouring in the female only, which occur in these two groups, birds and butterflies.

_Colour as a Means of Recognition._--There is also, I believe, a very important purpose and use of the varied colours of the higher animals, in the facility it affords for recognition by the sexes or by the young of the same species; and it is this use which probably fixes and determines the coloration in many cases. When differences in size and form are very slight, colour affords the only means of recognition at a distance, or while in motion; and such a distinctive character must therefore be of especial value to flying insects which are continually in motion, and encounter each other, as it were, by accident. This view offers us an explanation of the curious fact, that among butterflies the females of closely-allied species in the same locality sometimes differ considerably, while the males are much alike; for, as the males are the swiftest and by far the highest fliers, and seek out the females, it would evidently be advantageous for them to be able to recognise their true partners at some distance off. This peculiarity occurs with many species of _Papilio_, _Diadema_, _Adolias_, and _Colias_; and these are all genera, the males of which are strong on the wing and mount high in the air. In birds such marked differences of colour are not required, owing to their higher organization and more perfect senses, which render recognition easy by means of a combination of very slight differential characters.

This principle may perhaps, however, account for some anomalies of coloration among the higher animals. Thus, while admitting that the hare and the rabbit are coloured protectively, Mr. Darwin remarks that the latter while running to its burrow, is made conspicuous to the sportsman, and no doubt to all beasts of prey, by its upturned white tail. But this very conspicuousness while running away, may be useful as a signal and guide to the young, who are thus enabled to escape danger by following the older rabbits, directly and without hesitation, to the safety of the burrow; and this may be the more important from the semi-nocturnal habits of the animal. If this explanation is correct, and it certainly seems probable, it may serve as a warning of how impossible it is, without exact knowledge of the habits of an animal and a full consideration of all the circumstances, to decide that any particular coloration cannot be protective or in any way useful. Mr. Darwin himself is not free from such assumptions. Thus, he says:--“The zebra is conspicuously striped, and stripes cannot afford any protection on the open plains of South Africa.” But the zebra is a very swift animal, and, when in herds, by no means void of means of defence. The stripes therefore _may_ be of use by enabling stragglers to distinguish their fellows at a distance, and they _may_ be even protective when the animal is at rest among herbage--the only time when it would need protective colouring. Until the habits of the zebra have been observed with special reference to these points, it is surely somewhat hasty to declare that the stripes “cannot afford any protection.”

_Colour Proportionate to Integumentary Development._--The wonderful display and endless variety of colour in which butterflies and birds so far exceed all other animals, seems primarily due to the excessive development and endless variations of the integumentary structures. No insects have such widely-expanded wings in proportion to their bodies as butterflies and moths; in none do the wings vary so much in size and form, and in none are they clothed with such a beautiful and highly-organized coating of scales. According to the general principles of the production of colour already explained, these long-continued expansions of membranes and developments of surface structures, must have led to numerous colour-changes; which have been sometimes checked, sometimes fixed and utilised, sometimes intensified, by natural selection, according to the needs of the animal. In birds, too, we have the wonderful clothing of plumage--the most highly organized, the most varied, and the most expanded of all dermal appendages. The endless processes of growth and change during the development of feathers, and the enormous extent of this delicately-organized surface, must have been highly favourable to the production of varied colour-effects; which, when not injurious, have been merely fixed for purposes of specific identification, but have often been modified or suppressed whenever different tints were needed for purposes of protection.