Triumph of the Egg, and Other Stories

Chapter 7

Chapter 74,486 wordsPublic domain

They walked together along the street a half dozen blocks to where she got aboard her car. The factory was in a place called South Chicago and as they went along evening was coming on. The streets were lined with small unpainted frame houses and dirty faced children ran screaming in the dusty roadway. They crossed over a bridge. Two abandoned coal barges lay rotting in the stream.

He went by her side walking heavily and striving to conceal his hands. He had scrubbed them carefully before leaving the factory but they seemed to him like heavy dirty pieces of waste matter hanging at his side. Their walking together happened but a few times and during one summer. "It's hot," he said. He never spoke to her of anything but the weather. "It's hot," he said. "I think it may rain."

She dreamed of the lover who would some time come, a tall fair young man, a rich man owning houses and lands. The workingman who walked beside her had nothing to do with her conception of love. She walked with him, stayed at the office until the others had gone to walk unobserved with him because of his eyes, because of the eager thing in his eyes that was at the same time humble, that bowed down to her. In his presence there was no danger, could be no danger. He would never attempt to approach too closely, to touch her with his hands. She was safe with him.

In his apartment in the evening the man sat under the electric light with his wife and his mother-in-law. In the next room his two children were asleep. In a short time his wife would have another child. He had been with her to a picture show and in a short time they would get into bed together.

He would lie awake thinking, would hear the creaking of the springs of a bed where, in another room, his mother-in-law was crawling between the sheets. Life was too intimate. He would lie awake eager, expectant --expecting, what?

Nothing. Presently one of the children would cry. It wanted to get out of bed and sit on the po-po. Nothing strange or unusual or lovely would or could happen. Life was too close, intimate. Nothing that could happen in the apartment could in any way stir him; the things his wife might say, her occasional half-hearted outbursts of passion, the goodness of his mother-in-law who did the work of a servant without pay--

He sat in the apartment under the electric light pretending to read a newspaper--thinking. He looked at his hands. They were large, shapeless, a working-man's hands.

The figure of the girl from Iowa walked about the room. With her he went out of the apartment and walked in silence through miles of streets. It was not necessary to say words. He walked with her by a sea, along the crest of a mountain. The night was clear and silent and the stars shone. She also was a star. It was not necessary to say words.

Her eyes were like stars and her lips were like soft hills rising out of dim, star lit plains. "She is unattainable, she is far off like the stars," he thought. "She is unattainable like the stars but unlike the stars she breathes, she lives, like myself she has being."

One evening, some six weeks ago, the man who worked as foreman in the bicycle factory killed his wife and he is now in the courts being tried for murder. Every day the newspapers are filled with the story. On the evening of the murder he had taken his wife as usual to a picture show and they started home at nine. In Thirty-second Street, at a corner near their apartment building, the figure of a man darted suddenly out of an alleyway and then darted back again. The incident may have put the idea of killing his wife into the man's head.

They got to the entrance to the apartment building and stepped into a dark hallway. Then quite suddenly and apparently without thought the man took a knife out of his pocket. "Suppose that man who darted into the alleyway had intended to kill us," he thought. Opening the knife he whirled about and struck at his wife. He struck twice, a dozen times-- madly. There was a scream and his wife's body fell.

The janitor had neglected to light the gas in the lower hallway. Afterwards, the foreman, decided, that was the reason he did it, that and the fact that the dark slinking figure of a man darted out of an alleyway and then darted back again. "Surely," he told himself, "I could never have done it had the gas been lighted."

He stood in the hallway thinking. His wife was dead and with her had died her unborn child. There was a sound of doors opening in the apartments above. For several minutes nothing happened. His wife and her unborn child were dead--that was all.

He ran upstairs thinking quickly. In the darkness on the lower stairway he had put the knife back into his pocket and, as it turned out later, there was no blood on his hands or on his clothes. The knife he later washed carefully in the bathroom, when the excitement had died down a little. He told everyone the same story. "There has been a holdup," he explained. "A man came slinking out of an alleyway and followed me and my wife home. He followed us into the hallway of the building and there was no light. The janitor has neglected to light the gas." Well--there had been a struggle and in the darkness his wife had been killed. He could not tell how it had happened. "There was no light. The janitor has neglected to light the gas," he kept saying.

For a day or two they did not question him specially and he had time to get rid of the knife. He took a long walk and threw it away into the river in South Chicago where the two abandoned coal barges lay rotting under the bridge, the bridge he had crossed when on the summer evenings he walked to the street car with the girl who was virginal and pure, who was far off and unattainable, like a star and yet not like a star.

And then he was arrested and right away he confessed--told everything. He said he did not know why he killed his wife and was careful to say nothing of the girl at the office. The newspapers tried to discover the motive for the crime. They are still trying. Someone had seen him on the few evenings when he walked with the girl and she was dragged into the affair and had her picture printed in the papers. That has been annoying for her as of course she has been able to prove she had nothing to do with the man.

* * * * *

Yesterday morning a heavy fog lay over our village here at the edge of the city and I went for a long walk in the early morning. As I returned out of the lowlands into our hill country I met the old man whose family has so many and such strange ramifications. For a time he walked beside me holding the little dog in his arms. It was cold and the dog whined and shivered. In the fog the old man's face was indistinct. It moved slowly back and forth with the fog banks of the upper air and with the tops of trees. He spoke of the man who has killed his wife and whose name is being shouted in the pages of the city newspapers that come to our village each morning. As he walked beside me he launched into a long tale concerning a life he and his brother, who has now become a murderer, once lived together. "He is my brother," he said over and over, shaking his head. He seemed afraid I would not believe. There was a fact that must be established. "We were boys together that man and I," he began again. "You see we played together in a barn back of our father's house. Our father went away to sea in a ship. That is the way our names became confused. You understand that. We have different names, but we are brothers. We had the same father. We played together in a barn back of our father's house. For hours we lay together in the hay in the barn and it was warm there."

In the fog the slender body of the old man became like a little gnarled tree. Then it became a thing suspended in air. It swung back and forth like a body hanging on the gallows. The face beseeched me to believe the story the lips were trying to tell. In my mind everything concerning the relationship of men and women became confused, a muddle. The spirit of the man who had killed his wife came into the body of the little old man there by the roadside.

It was striving to tell me the story it would never be able to tell in the court room in the city, in the presence of the judge. The whole story of mankind's loneliness, of the effort to reach out to unattainable beauty tried to get itself expressed from the lips of a mumbling old man, crazed with loneliness, who stood by the side of a country road on a foggy morning holding a little dog in his arms.

The arms of the old man held the dog so closely that it began to whine with pain. A sort of convulsion shook his body. The soul seemed striving to wrench itself out of the body, to fly away through the fog, down across the plain to the city, to the singer, the politician, the millionaire, the murderer, to its brothers, cousins, sisters, down in the city. The intensity of the old man's desire was terrible and in sympathy my body began to tremble. His arms tightened about the body of the little dog so that it cried with pain. I stepped forward and tore the arms away and the dog fell to the ground and lay whining. No doubt it had been injured. Perhaps ribs had been crushed. The old man stared at the dog lying at his feet as in the hallway of the apartment building the worker from the bicycle factory had stared at his dead wife. "We are brothers," he said again. "We have different names but we are brothers. Our father you understand went off to sea."

* * * * *

I am sitting in my house in the country and it rains. Before my eyes the hills fall suddenly away and there are the flat plains and beyond the plains the city. An hour ago the old man of the house in the forest went past my door and the little dog was not with him. It may be that as we talked in the fog he crushed the life out of his companion. It may be that the dog like the workman's wife and her unborn child is now dead. The leaves of the trees that line the road before my window are falling like rain--the yellow, red and golden leaves fall straight down, heavily. The rain beat them brutally down. They are denied a last golden flash across the sky. In October leaves should be carried away, out over the plains, in a wind. They should go dancing away.

THE DOOR OF THE TRAP

Winifred Walker understood some things clearly enough. She understood that when a man is put behind iron bars he is in prison. Marriage was marriage to her.

It was that to her husband Hugh Walker, too, as he found out. Still he didn't understand. It might have been better had he understood, then he might at least have found himself. He didn't. After his marriage five or six years passed like shadows of wind blown trees playing on a wall. He was in a drugged, silent state. In the morning and evening every day he saw his wife. Occasionally something happened within him and he kissed her. Three children were born. He taught mathematics in the little college at Union Valley, Illinois, and waited.

For what? He began to ask himself that question. It came to him at first faintly like an echo. Then it became an insistent question. "I want answering," the question seemed to say. "Stop fooling along. Give your attention to me."

Hugh walked through the streets of the Illinois town. "Well, I'm married. I have children," he muttered.

He went home to his own house. He did not have to live within his income from the little college, and so the house was rather large and comfortably furnished. There was a negro woman who took care of the children and another who cooked and did the housework. One of the women was in the habit of crooning low soft negro songs. Sometimes Hugh stopped at the house door and listened. He could see through the glass in the door into the room where his family was gathered. Two children played with blocks on the floor. His wife sat sewing. The old negress sat in a rocking chair with his youngest child, a baby, in her arms. The whole room seemed under the spell of the crooning voice. Hugh fell under the spell. He waited in silence. The voice carried him far away somewhere, into forests, along the edges of swamps. There was nothing very definite about his thinking. He would have given a good deal to be able to be definite.

He went inside the house. "Well, here I am," his mind seemed to say, "here I am. This is my house, these are my children."

He looked at his wife Winifred. She had grown a little plump since their marriage. "Perhaps it is the mother in her coming out, she has had three children," he thought.

The crooning old negro woman went away, taking the youngest child with her. He and Winifred held a fragmentary conversation. "Have you been well to-day, dear?" she asked. "Yes," he answered.

If the two older children were intent on their play his chain of thought was not broken. His wife never broke it as the children did when they came running to pull and tear at him. Throughout the early evening, after the children went to bed, the surface of the shell of him was not broken at all. A brother college professor and his wife came in or he and Winifred went to a neighbor's house. There was talk. Even when he and Winifred were alone together in the house there was talk. "The shutters are becoming loose," she said. The house was an old one and had green shutters. They were continually coming loose and at night blew back and forth on their hinges making a loud banging noise.

Hugh made some remark. He said he would see a carpenter about the shutters. Then his mind began playing away, out of his wife's presence, out of the house, in another sphere. "I am a house and my shutters are loose," his mind said. He thought of himself as a living thing inside a shell, trying to break out. To avoid distracting conversation he got a book and pretended to read. When his wife had also begun to read he watched her closely, intently. Her nose was so and so and her eyes so and so. She had a little habit with her hands. When she became lost in the pages of a book the hand crept up to her cheek, touched it and then was put down again. Her hair was not in very good order. Since her marriage and the coming of the children she had not taken good care of her body. When she read her body slumped down in the chair. It became bag-like. She was one whose race had been run.

Hugh's mind played all about the figure of his wife but did not really approach the woman who sat before him. It was so with his children. Sometimes, just for a moment, they were living things to him, things as alive as his own body. Then for long periods they seemed to go far away like the crooning voice of the negress.

It was odd that the negress was always real enough. He felt an understanding existed between himself and the negress. She was outside his life. He could look at her as at a tree. Sometimes in the evening when she had been putting the children to bed in the upper part of the house and when he sat with a book in his hand pretending to read, the old black woman came softly through the room, going toward the kitchen. She did not look at Winifred, but at Hugh. He thought there was a strange, soft light in her old eyes. "I understand you, my son," her eyes seemed to say.

Hugh was determined to get his life cleaned up if he could manage it. "All right, then," he said, as though speaking to a third person in the room. He was quite sure there was a third person there and that the third person was within himself, inside his body. He addressed the third person.

"Well, there is this woman, this person I married, she has the air of something accomplished," he said, as though speaking aloud. Sometimes it almost seemed to him he had spoken aloud and he looked quickly and sharply at his wife. She continued reading, lost in her book. "That may be it," he went on. "She has had these children. They are accomplished facts to her. They came out of her body, not out of mine. Her body has done something. Now it rests. If she is becoming a little bag-like, that's all right."

He got up and making some trivial excuse got out of the room and out of the house. In his youth and young manhood the long periods of walking straight ahead through the country, that had come upon him like visitations of some recurring disease, had helped. Walking solved nothing. It only tired his body, but when his body was tired he could sleep. After many days of walking and sleeping something occurred. The reality of life was in some queer way re-established in his mind. Some little thing happened. A man walking in the road before him threw a stone at a dog that ran barking out of a farm-house. It was evening perhaps, and he walked in a country of low hills. Suddenly he came out upon the top of one of the hills. Before him the road dipped down into darkness but to the west, across fields, there was a farm-house. The sun had gone down, but a faint glow lit the western horizon. A. woman came out of the farmhouse and went toward a barn. He could not see her figure distinctly. She seemed to be carrying something, no doubt a milk pail; she was going to a barn to milk a cow.

The man in the road who had thrown the stone at the farm dog had turned and seen Hugh in the road behind him. He was a little ashamed of having been afraid of the dog. For a moment he seemed about to wait and speak to Hugh, and then was overcome with confusion and hurried away. He was a middle-aged man, but quite suddenly and unexpectedly he looked like a boy.

As for the farm woman, dimly seen going toward a distant barn, she also stopped and looked toward him. It was impossible she should have seen him. She was dressed in white and he could see her but dimly against the blackish green of the trees of an orchard behind her. Still she stood looking and seemed to look directly into his eyes. He had a queer sensation of her having been lifted by an unseen hand and brought to him. It seemed to him he knew all about her life, all about the life of the man who had thrown the stone at the dog.

In his youth, when life had stepped out of his grasp, Hugh had walked and walked until several such things had occurred and then suddenly he was all right again and could again work and live among men.

After his marriage and after such an evening at home he started walking rapidly as soon as he left the house. As quickly as possible he got out of town and struck out along a road that led over the rolling prairie. "Well, I can't walk for days and days as I did once," he thought. "There are certain facts in life and I must face facts. Winifred, my wife, is a fact, and my children are facts. I must get my fingers on facts. I must live by them and with them. It's the way lives are lived."

Hugh got out of town and on to a road that ran between cornfields. He was an athletic looking man and wore loose fitting clothes. He went along distraught and puzzled. In a way he felt like a man capable of taking a man's place in life and in another way he didn't at all.

The country spread out, wide, in all directions. It was always night when he walked thus and he could not see, but the realization of distances was always with him. "Everything goes on and on but I stand still," he thought. He had been a professor in the little college for six years. Young men and women had come into a room and he had taught them. It was nothing. Words and figures had been played with. An effort had been made to arouse minds.

For what?

There was the old question, always coming back, always wanting answering as a little animal wants food. Hugh gave up trying to answer. He walked rapidly, trying to grow physically tired. He made his mind attend to little things in the effort to forget distances. One night he got out of the road and walked completely around a cornfield. He counted the stalks in each hill of corn and computed the number of stalks in a whole field. "It should yield twelve hundred bushels of corn, that field," he said to himself dumbly, as though it mattered to him. He pulled a little handful of cornsilk out of the top of an ear of corn and played with it. He tried to fashion himself a yellow moustache. "I'd be quite a fellow with a trim yellow moustache," he thought.

One day in his class-room Hugh suddenly began to look with new interest at his pupils. A young girl attracted his attention. She sat beside the son of a Union Valley merchant and the young man was writing something on the back of a book. She looked at it and then turned her head away. The young man waited.

It was winter and the merchant's son had asked the girl to go with him to a skating party. Hugh, however, did not know that. He felt suddenly old. When he asked the girl a question she was confused. Her voice trembled.

When the class was dismissed an amazing thing happened. He asked the merchant's son to stay for a moment and, when the two were alone together in the room, he grew suddenly and furiously angry. His voice was, however, cold and steady. "Young man," he said, "you do not come into this room to write on the back of a book and waste your time. If I see anything of the kind again I'll do something you don't expect. I'll throw you out through a window, that's what I'll do."

Hugh made a gesture and the young man went away, white and silent. Hugh felt miserable. For several days he thought about the girl who had quite accidentally attracted his attention. "I'll get acquainted with her. I'll find out about her," he thought.

It was not an unusual thing for professors in the college at Union Valley to take students home to their houses. Hugh decided he would take the girl to his home. He thought about it several days and late one afternoon saw her going down the college hill ahead of him.

The girl's name was Mary Cochran and she had come to the school but a few months before from a place called Huntersburg, Illinois, no doubt just such another place as Union Valley. He knew nothing of her except that her father was dead, her mother too, perhaps. He walked rapidly down the hill to overtake her. "Miss Cochran," he called, and was surprised to find that his voice trembled a little. "What am I so eager about?" he asked himself. A new life began in Hugh Walker's house. It was good for the man to have some one there who did not belong to him, and Winifred Walker and the children accepted the presence of the girl. Winifred urged her to come again. She did come several times a week.

To Mary Cochran it was comforting to be in the presence of a family of children. On winter afternoons she took Hugh's two sons and a sled and went to a small hill near the house. Shouts arose. Mary Cochran pulled the sled up the hill and the children followed. Then they all came tearing down together.

The girl, developing rapidly into womanhood, looked upon Hugh Walker as something that stood completely outside her own life. She and the man who had become suddenly and intensely interested in her had little to say to each other and Winifred seemed to have accepted her without question as an addition to the household. Often in the afternoon when the two negro women were busy she went away leaving the two older children in Mary's charge.

It was late afternoon and perhaps Hugh had walked home with Mary from the college. In the spring he worked in the neglected garden. It had been plowed and planted, but he took a hoe and rake and puttered about. The children played about the house with the college girl. Hugh did not look at them but at her. "She is one of the world of people with whom I live and with whom I am supposed to work here," he thought. "Unlike Winifred and these children she does not belong to me. I could go to her now, touch her fingers, look at her and then go away and never see her again."