Tramping on Life An Autobiographical Narrative
Chapter 24
Randall served great hilarity to the party by trying to breed his gelded horse to his mare ... the mare kicked and squealed, indignant at the cheat, looking back, flattening her ears, and showing the vicious whites of her eyes. Several times the infuriated beast's heels whished an inch or so from Randall's head, as he forced the gelding to advance and mount. We rolled on the grass, laughing ... myself included.
Then all stripped to the buff for a swim in the stream ... a treacherous place where the bottom was at times but two or three feet from the surface, and the mud, soft and semi-liquid for five feet more. And there were snags, and broken beer and whiskey bottles all over the bottom where it was decent and gravelly.
Bill, with his solemn dundreary whiskers, leaped high in the air like a frog, kicking his legs and yelling drunkenly as he took off.
"Look out, Bill," I shouted, "it's nothing but mud there!"
But Bill didn't heed me. He hit with a swish and a thud instead of a splash, and didn't come up.
We put out in our rickety boat.
By that luck that favours the drunkard and fool, we laid hold on Bill's feet sticking out, just under the water. We tugged mightily and brought him forth, turned into a black man by the ooze ... otherwise, unharmed.
* * * * *
It was not till two hours after midnight that they whisked away townward and left me alone, so that the graciousness of silence could enfold me again. I looked forward to a week's peace, before they descended on the camp again. But I had a premonition that there was to be no peace for me there. For Randall had said to me before he drove away....
"You know Pete Willets? Well, he's liable to come here for a few days, during the week ... a nice quiet fellow though ... won't disturb you."
The thought of another visitor did disturb me. Though I knew Pete Willets as a quiet, gentle shoemaker in whom seemed no guile, I wanted to be alone to think and read and write.
Wednesday noon Pete Willets drove up, accompanied by a grubby Woman whom at first glance I did not relish.
"Hello, Johnnie, Frank said we could use the shack for a day or two."
"Forever, as far as I'm concerned," I answered, beginning to tie up my books in a huge bundle as big as a peddler's pack, and as heavy.
Impatiently tying the horse to a post, they were in the shack and immediately prone on my bunk.
As I shouldered my load their murmuring voices full of amorous desire stung me like a gadfly. I hurried off toward Laurel, angry at life.
I explained to Randall why I had left his camp so soon. He was gravely concerned.
"I didn't tell Willets he could have my shack to take Gracie there. This is a bit too thick."
"Who's Gracie?"
"--a bad lot ... a girl that's been on the turf since she was in knee skirts--as long as I've known her. He loves her. She can twist him around her little finger. She's going to get him into something bad some day. He'll do anything she wants. And she's capable of putting him up to anything."
"Willets is weak, when it comes to women ... don't drink much ... a hard worker ... everybody likes him....
"Did you ever notice his limp ... only slight ... scarcely noticeable, isn't it?... he's a corking mechanic as well as shoemaker ... mighty clever ... now for instance, you wouldn't ever have known, unless I told you, that his left leg is made of wood?"
"I wouldn't even suspect it."
"--lost his left leg when he was a brakeman ... made that wooden leg for himself ... it works so smoothly that he's thinking of taking out a patent on it."
"Why does a woman take to a man with a wooden leg?"
"--makes good money ... and he has a way about him with the girls ... he goes about so quietly. He's so gentle and considerate ... acts, but doesn't say much, you know! that's what they like!"
"--damned sorry for his wife and two kids, though; when Willets comes to town again I'm not going to let him have my shack any more ... might be some trouble ... divorce or something."
There was trouble and very shortly. In a month Willets had poisoned his wife ... with rough-on-rats ... and the quiet little shoemaker went to the penitentiary for life ... a life-time of shoe-making.
* * * * *
I rented a tent and pitched it on an island in the middle of the Kaw, or Kansas River. There I was alone. I rented a boat to take out my possessions.
I lived naked till I grew brown all over. I studied and read and wrote to my full desire, there in the grateful silence of trees and waters--a solitude broken only by an occasional train streaming its white trail of smoke as it whistled and raced round the curve of shining track toward Laurel.
I read Josephus entirely through, haltingly, line by line, in the Greek. I read all the books the "stack" at the university could afford me on New Testament life and times, in preparation for my play on Judas.
My only companions were a flock of tiny mud-hens with their dainty proud little rooster. I heard them talking in bird-language, saw them paddling with diminutive gravity up and down in the mud, on the island mud-bank just beneath the high place on which my tent was pitched.
When I grew lonesome for company, human company, I swam ashore, my clothes tied on top of my head to keep them dry, and, dressing, walked into Laurel. Where I lounged about for the day on the streets, or in the stores, or in the livery stables ... I knew everybody and everybody knew me, and we had some fine times, talking.
I had access to the local Carnegie Library as well as to the university "stack".
My food did not cost me above a dollar a week. For I went on a whole wheat diet, and threw my frying pan away.
I was the tramp, as ever, only I was stationary.
* * * * *
The opening days of the fall term came round again. Summer weather, hot and belated, lingered on. I was now more native to the river than to life in a four-walled room and on street pavements.
I debated seriously whether I should return to classes, or just keep on studying as I was, staying in my tent, and taking books out at the two libraries. I knew that they'd allow me to continue drawing out books at the university, even though I attended classes no longer--Professor Langworth would see to that.
Also, most of the professors would whisper "good riddance" to themselves. I camped at their gates too closely with questions. I never accepted anything as granted. The "good sports" among them welcomed this attitude of mine, especially the younger bunch of them--who several times invited me to affairs of theirs, behind closed blinds, where good wine was poured, and we enjoyed fine times together....
I was invited on condition that I would not let the student-body know of these _sub rosa fiestas_. Which were dignified and unblameworthy ... only, wine and beer went around till a human mellowness and conversational glow was reached.
* * * * *
A trifling incident renewed my resolve to continue as a student regularly enrolled....
Though considered a freak and nut, I was generally liked among the students, and liked most of them in turn....
They used frequently to say--"'s too bad Johnnie Gregory won't act like the rest of the world, he's such a likeable chap...."
As the boys came back to school I went about renewing acquaintances.
The afternoon of the day of the "trifling incident" I was returning from a long visit to Jack Travers and the Sig-Kappas.
It was about ten o'clock when I reached the river-bank opposite my island. There was a brilliant moon up. If daylight could be silver-coloured it was day.
I stood naked on the water's edge, ready to wade out for my swim back to my island. My clothes were trussed securely, for dryness, on my head.
A rustling, a slight clearing of the throat, halted me.
I glanced through a vista of bushes.
There sat a girl in the full moonlight. She had a light easel before her. She was trying to paint, evidently, the effects of the moon on the landscape and the river. Painters have since told me that it is impossible to do that. It is too dark to see the colours. Nevertheless the girl was trying.
I stopped statue-still to find if I had been seen. When assured that I had not, I slowly squatted down, and, naked as I was, crept closer, hiding behind a screen of bushes. And I fastened my eyes on her, and forgot who I was. For the moon made her appear almost as plain as day. And she was very beautiful. And I was caught in a sudden trap of love again.
Here, I held no doubt, was my Ideal. I could not distinguish the colour of her hair. But she was maiden and slenderly wonderful.
I lay flat, hoping that she would not hear my breath as she calmly painted. My heart beat so hard it seemed to shake the ground beneath me.
She, too, was original, what the world would call "eccentric" ... out here, three miles from town, with the hours verging toward midnight ... seated on the river bank, trying to capture the glory of the moon on canvas.
But, unusual as her action was, there was nothing mad about her mode of dressing ... her white middy blouse, edged with blue ... her flowing tie ... her dainty, blue serge skirt and dainty shoes.
I lay there, happy in being near her, the unknown.
After a long time she rose ... gave a sigh ... brushed her hand over her hair.
Fascination held me close as she stooped over ... began leisurely to untie her shoes ... set them, removed, aside, toe to toe and heel to heel, equal, as if for mathematical exactness ... paused a moment ... lifted her skirts, drew off her garters with a circular downward sweep ... drew down her stockings....
She sat with her stockings off, stuffed into her shoes,--her skirt up to her hips, gazing meditatively at her naked legs held straight before her.
I was close enough to hear her breathing--or so keen in my aroused senses that I thought I heard it. She wiggled her toes to herself as she meditated.
She paused as if hesitating to go on with her undressing. A twig snapped. She came to her knees and looked about, startled, then subsided again, tranquil and sure of her solitude.
* * * * *
She stood in the moonlight, naked. My gaze grew fat with pleasure as it fed on her nakedness....
She stepped down to the water's edge, dabbling her outstretched toes in the flow.
Ankle-deep, she stood and stooped. She scooped up water and dashed it over her breasts. She rose erect a moment and gazed idly about.
Then, binding her hair in a careful knot, she went in with a plunge and I saw that she could swim well.
My heart shook and thundered so that its pulse pervaded all my body with its violence. I held in curb a mad, almost irresistible impulse to rush in after her, crying out that I was a poet ... that this was the true romance ... that we must throw aside the conventions ... that no one would ever know.
Then I thought of my skinniness and ugliness in comparison with her slight but perfect beauty. And I knew that it would repel her. And I held still in utter shame, not being good-looking enough to join her in the river.
I lay prone, almost fainting, dizzy, not having the strength to creep away, as I now considered I must do.
I saw her return and watched her as she slowly resumed her clothes, piece by leisurely piece. She folded her camp stool, packed her small easel in a case and started off toward town.
Shouldn't I now intercept her, explain who I was, and offer to escort her along the tracks back to town? For it was surely dangerous for her to come so far into the night, alone. There were tramps ... and the stray criminal negro from the Bottoms ... God knows what else, in her path!
But my timidity let her pass on alone.
I needed the coolness of the water about me, as I swam out to my tent. I forgot my clothes on my head and they soused in the water as I swam. All night I tossed, sleepless. I lay delirious with remembrance of her ... imagined myself with her as I lay there, and whispered terms of love and endearment into the dark.
Who was she? One thing I knew--she must be a student, and an art student under Professor Grant in the Fine Arts Department.
This was the incident that decided me to enroll again as regular student, and to fold my tent, leave my solitary island, and return to town ... where I sought out Frank Randall, and he again offered me the room I had given up. And he gave me work as his bookkeeper, several hours of the day ... which work I undertook to perform in return for my room. In addition he gave me two dollars a week extra.
* * * * *
One afternoon soon after my enrollment, I met Ally Merton coming down hill.
"Well, here I am, as I said I'd be," said he.
He was, as usual, dressed to perfection--not a minute ahead of the style, not a minute behind ... gentle-voiced and deferential, learning to be everywhere without being noticed anywhere.
"I see you're still eccentric in dress ... sandals ... shirt open at the neck ... denim too ... cheap brown socks ... corduroys...."
"Yes, but look," I jested in reply, "I wear a tie ... and the ends pull exactly even. That's the one thing you taught me about correct dressing that I'll never forget."
"If I could only persuade you, Johnnie, of the importance of little things, of putting one's best foot forward ... of personal appearance ... why create an initial prejudice in the minds of people you meet, that you'll afterward have to waste valuable time in trying to remove?"
"Where are you putting up, Ally?"
"At the Phi Nus" (the bunch that went in the most for style and society) "I'm a Phi Nu, keep in touch with me, Johnnie."
"Keep in touch with me," was Merton's stock phrase....
"Mr. Mackworth asked me particularly to look you up, and 'take care of' you ... you made a hit with him ... but he's very much concerned about you--thinks you're too wild and erratic."
* * * * *
The tinshop was a noisy place, as I have said before. It was as uproarious as a boiler factory. All day long there was hammering, banging, and pounding below ... but I was growing used to it ... as you do to everything which must be.
Keeping Randall's books occupied a couple of hours each morning or afternoon, whenever I chose. All the rest of the day I had free....
* * * * *
I had almost come to the conclusion that the girl I had seen in the moonlight had been an apparition conjured up by my own imagination, when I glimpsed her, one afternoon, walking toward Hewitt Hall, where the art classes held session, in the upper rooms. I followed the girl, a long way behind. I saw her go in through the door to a class where already a group of students sat about with easels, painting from a girl-model ... fully clothed ... for painting from the nude was not allowed. They had threshed that proposition out long before, Professor Grant explained to me, once,--and the faculty had decided, in solemn conclave, that the farmers throughout the state were not yet prepared for that step....
I sought Grant's friendship. He had studied in the Julian Academy at Paris, in his youth. He invited me to his house for tea, often; where I met many of his students, but never, as I had hoped, the girl of the moonlight....
But by careful and guarded inquiry I found out who she was ... a girl from the central portion of the state, named Vanna Andrews.
When Grant asked me to pose for his class, sandals, open shirt, corduroys, and all ... I agreed ... almost too eagerly ... he would pay me twenty-five cents an hour.
My first day Vanna was not there. On the second, she came ... late ... her tiny, white face, crowned with its dark head of hair ... "a star in a jet-black cloud," I phrased, to myself. She sailed straight in like a ship.
When she had settled herself,--beginning to draw, she appraised me coolly, impartially, for a moment ... took my dimensions for her paper, pencil held at arm's length....
Slowly, though I fought it back, a red wave of confusion surged over my face and neck. I turned as red as ochre. I grew warm with perspiration of embarrassment. I gazed fixedly out through the window....
"You're getting out of position," warned Professor Grant.
Vanna still observed me with steadfast, large, blue eyes. She started her sketch with a few, first, swift lines.
"Excuse me," I rose, "I feel rather ill." I posed, "I've been up all night drinking strong coffee and writing poems," I continued, my voice rising in insincere, noisy falsetto.
"Step down a minute and rest, then, Mr. Gregory," advised Professor Grant, puzzled, a grimace of distaste on his face.
"Isn't he silly," I overheard a girl student whisper to a loud-dressed boy, whose easiness of manner with the female students I hated and envied him for....
I resumed my pose. I blushed no more. I endured the cool, level, impersonal glances of the girl I had fallen in love with....
"The model's a little wooden, don't you think, professor?" she observed, to tease me, perhaps. She could not help but sense the cause of my agitation. But then she was used to creating a stir among men. Her beauty perturbed almost the entire male student body.
* * * * *
I noticed that her particular chum was a very homely girl. I straightway found charms in this girl that no one had ever found before. And Alice and I became friends. And, while posing, I came before the time, because she, I discovered, was always beforehand, touching up her work.
Alice was a stupid, clumsy girl, but she adored Vanna and liked nothing better than to talk about her chum and room-mate. She took care of Vanna as one would take care of a helpless baby.
"Vanna is a genius, if there ever was one ... she doesn't know her hands from her feet in practical affairs ... but she's wonderful ... all the boys," and Alice sighed with as much envy as her nature would allow--"all the boys are just crazy about her ... but she isn't in love with any of them!"
My heart gave a great bound of hope at these last words.
"Professor Grant's students--about two-thirds of them--have enrolled in his classes, because she's there."
And then I went cold with jealousy and with despair ... one so popular could never _see_ me ... if it were only later, when my fame as a poet had come!
* * * * *
"Vanna has to be waited on hand and foot. I don't mind though," continued Alice, "I hang up her clothes for her ... make her bed ... sweep and dust our rooms ... it makes me happy to wait on anything so beautiful!" and the face of the homely girl glowed with joy....
* * * * *
I was poor and miserable. I bent my head forward, forgetful of my determination to walk erect and proud, with a pride I did not possess.
Langworth was coming behind me. He slapped me on the back. I whirled, full of resentment. But changed the look to a smile when I perceived who it was....
"Why, Johnnie, what's the matter? you're walking like an old man. Brace up. Is anything wrong?"
"No, I was just thinking."
* * * * *
The first cold blasts of winter howled down upon us. No snow yet, but winds that rushed about the buildings on the hill, full of icy rain, and with a pushing strength like the shoulders of invisible giants out of the fourth dimension ... we men kept on the sidewalks when we could ... but the winds blew the girls off into the half-hardened mud, and, at times, were so violent, that the girls could not extricate themselves, but they stood still, waiting for help, their skirts whirling up into their very faces.
It was what the boys called "a sight for sore eyes."
They stood in droves, in the sheltered entrances of the halls, and occasionally darted out by ones and twos and threes to rescue distressed co-eds.
* * * * *
Down in the room over the tin and plumbing shop in which I lived, I found it cold indeed. I could afford no heat ... and, believing in windows open, knew every searching drop in the barometer.
But never in my life was I happier, despite my secretly cherished love for Vanna. For I assured myself in my heart of certain future fame, the fame I had dreamed of since childhood. And I wore every hardship as an adornment, conscious of the greatness of my cause.
Isolation; half-starvation; cold; inadequate clothing;--all counted for the glory of poetry, as martyrs had accepted persecution and suffering for the glory of God.
My two hours of daily work irked me. I wanted the time for my writing and studying ... but I still continued living above the din of the shop that I had grown accustomed to, by this time.
Rarely, when the nights were so subarctic as to be almost unbearable, did I slip down through the skylight and seek out the comparative warmth of the shop ... and there, on the platform where the desk stood so that it could overlook all the store, I wrote and studied.
But Randall said this worried the night watchman too much, my appearing and disappearing, all hours of the night. He didn't relish coming every time to see if the store was being burglarised.
* * * * *
The outside world was beginning to notice me. My poems, two of which I had sold to the _Century_, two to _Everybody's_, and a score to the _Independent_, were, as soon as they appeared in those magazines, immediately copied by the Kansas newspapers. And the Kansas City _Star_ featured a story of me at Laurel, playing up my freaks and oddities ... but accompanied by a flattering picture that "Con" Cummins, our college photographer, had taken.
Also I was receiving occasional letters from strangers who had read my poems. But they were mostly letters from cranks ... or from girls very, very young and sentimental, or on the verge of old-maidhood, who were casting about for some escape from the narrow daily life that environed them....
But one morning a letter came to me so scrawlingly addressed that I marvelled at the ability of the postal authorities in deciphering it. The writer of it hailed me as a poet of great achievement already, but of much greater future promise.... Mr. Lephil, editor of the _National Magazine_, for whom he was writing a serial, had showed him some of my verse, and he must hasten to encourage me ... I puzzled long over the writer's signature.... It could not be possible! but it seemed to be inscribed with the name of a novelist famous for his investigations of capitalistic abuses of the people ... the author of the sensational novel, _The Slaughter House_, which was said to out-Zola Zola--Penton Baxter.
I hurried downstairs from my attic, to intercept some friend who would confirm me in my interpretation of the signature.
It was Travers I ran into. I showed the letter to him.
"By Jove! It _is_ Baxter!" he cried.
He was as overwhelmed as I had been.
"Say, Johnnie, you must really amount to something, with all these people back East paying such attention to you ... come on into Kuhlman's and have a "coke" with me."
In Kuhlman's, the college foregathering place, the ice cream and refreshment parlour of the town, we joined with Jimmy Thompson, our famous football quarterback. The room was full of students eating ice cream and drinking coco-cola and ice cream sodas.
"Say, let me print this."
"No, but you may put an item in the _Laurelian_, if you want to."
"I must write a story for the _Star_ about it."
It would have pleased my vanity to have had Jack put the story in the papers, but I was afraid of offending Baxter ... afterward I learned that it would not have offended him ... he had the vanity of a child, as well as I.
I answered his letter promptly, in terms of what might have seemed, to the outside eye, excessive adulation. But Penton Baxter was to me a great genius ... and nothing I could have written in his praise would have overweighed the debt I owed him for that fine letter of encouragement.