Chapter 38

"Yonder knave, I think, cannot escape," said Dee.

"No, no," said his conductor, "unless some'at fetches him; he's too well hampered for that. His legs are aw smashed wi' that downfa'."

They entered a little court almost choked up with leaves and long grass. The door was unlocked, and a desolate scene presented itself. The hall was covered with damp and mildew--all was rotting in ruin and decay. Tim led the way up-stairs. The same appearances were still manifest. The dark shadow of death seemed to brood there--an interminable silence. They entered a small closet, nearly dark; and here, on a miserable pallet, lay the form of Grace Ashton, now, alas! pale and haggard. She seemed altogether unconscious of their presence. The horrible events of the preceding night had brought on mental as well as bodily disease. It was the practice of these treasure-seekers either to raise up a dead body for the desired information, or to throw the living into such a state of mental hallucination that they should answer dark and difficult questions whilst in that condition. It not unfrequently happened, however, that the unfortunate victims to these horrid rites either lost their lives or their reason during the experiment.

We will not pursue the recital in the present case: suffice it to say, that Grace Ashton was immediately removed and placed under the care of her friends; the Doctor went back to Kelly for further disclosures, but what was his surprise to find that by some means or another he had escaped. He now lost no time in returning to Buckley, communicating the painful, though in some degree welcome, intelligence that Grace Ashton had been rescued from her persecutors.

It was now time to adopt measures for their reception of the witch, who would doubtless not fail in her appointment.

Dee was yet in doubt as to the issue, and he thought it needful to acquaint them with the only method by which the spell could be broken. How it were possible that the ring should ever bind her was a mystery that at present he could not solve. Dame Eleanor listened very attentively, then sharply replied--

"I have heard o' this charm aforetime, or----By'r lady, but I have it!"

She almost capered for joy.

We will not, however, anticipate the result, but entreat our readers to suspend their guesses, and again accompany us to the chamber where lay the heir of Buckley, still grievously tormented.

Midnight again approached. Dee was sitting at the table, apparently in deep study. He had examined the closet, and found it communicated by another passage to an outer door; and it was through this that the Red Woman had contrived to enter without being observed. The learned Doctor was evidently awaiting her approach with no little anxiety. Once or twice he fancied some one tapped at the casement, but it was only the wind rushing by in stormy gusts, increasing in strength and frequency as the time drew nigh.

Hark! was not that a distant shriek? It might be the creaking of the boughs and the old yew-tree by the door, thought Dee; and again, in a while, he relapsed into a profound reverie. Another! He heard the jarring of rusty hinges; a heavy step; and--the Red Woman stood beside him; but with such a malevolent aspect that he was somewhat startled and uneasy at her presence.

"I am beguiled of my prey!--mocked--thwarted. But beware, old man; thy meddling may prove dangerous. I will possess the inheritance, though every earthly power withstood me! That boy is mine. He hath sworn it--sealed it with his heart's blood--and I demand the pledge." The victim groaned. "Hearest thou that response? 'Tis an assent. He is mine in spite of your stratagems."

This was probably but the raving of a disordered intellect, but Dee was too deeply imbued with the superstitions of the age to suppose for a moment that it was not a case of undisguised witchcraft, or that this wicked hag was not invested with sufficient power to execute whatever either anger or caprice might suggest.

"What is thy will with the wretched victim thou hast ensnared?" he inquired.

"I have told thee."

"Thou wilt not convey him away bodily to his tormentors?"

"Unless they have a victim the inheritance may not be mine." She said this with such a fiendish malice that made even the exorcist tremble. His presence of mind, however, did not forsake him.

"The ring--I remember--there was a condition in the bond. In all such compacts there is ever a loophole for escape."

"None that thou canst creep through," she said, with a look of scorn.

"It is not permitted that the children of men be tempted above measure."

"When that ring shall have strength to bind me, and not till then. All other bonds I rend asunder. Even adamant were as flaming tow."

"Here is a ring of stout iron," said Dee, pointing to an iron ring fixed by a stout staple in the wall. "I think it would try thy boasted strength."

"I could break it as the feeble reed."

The Doctor shook his head incredulously.

"Try me. Thou shall find it no empty boast."

She seemed proud that her words should be put to the test; and even proposed that her arms should be pinioned, and her body fastened with stout cords to the iron ring which had been prepared for this purpose.

"Thou shalt soon find which is the strongest," said she, exultingly. "I have broken bonds ere now to which these are but as a thread."

She looked confident of success, and surveyed the whole proceeding with a look of unutterable scorn.

"Now do thy worst, thou wicked one," said Dee, when he had finished.

But lo! a shriek that might have wakened the dead. She was unable to extricate herself, being held in spite of the most desperate efforts to escape. With a loud yell she cried out--

"Thou hast played me false, demon!"

"'Tis not thy demon," said Dee; "it is I that have circumvented thee. In that iron ring is concealed the charmed one, wrought out by a cunning smith to this intent--to wit, the deliverance of a persecuted house."

The Red Woman now appeared shorn of her strength. Her charms and her delusions were dispelled. She sank into the condition of a hopeless, wretched maniac, and was for some time closely confined to this chamber.

Buckley, recovering soon after, was united to Grace Ashton, who, it is confidently asserted, and perhaps believed, was restored to immediate health when the charm was broken.

[20] Within the last few years, since this story was written, the old house itself has been levelled with the ground.

[21] In the 39th of Eliz. Sir John Biron held the manor of Rochdale, subsequently held by the Ramsays; but in the 13th of Charles I. it was reconveyed. The Biron family is more ancient than the Conquest. Gospatrick held lands of Ernais de Buron in the county of York, as appears by Domesday Book. Sir Nicholas Byron distinguished himself in the civil wars of Charles I.; and in consequence of his zeal in the royal cause the manor of Rochdale was sequestered. After the Restoration it reverted to the Byrons. Sir John, during these troubles, was made a peer, by the title of Baron Byron of Rochdale. In 1823 the late Lord Byron sold the manor, after having been in possession of the family for nearly three centuries.

THE DEATH-PAINTER;

OR, THE SKELETON'S BRIDE.

"This will hardly keep body and soul together," said Conrad Bergmann, as he eyed with a dissatisfied countenance some score of dingy kreutzers thrust into his palm by a "patron of early genius,"--one of those individuals who take great merit to themselves by just keeping their victims in that enviable position between life and death, between absolute starvation and hopeless, abject poverty, which effectually represses all efforts to excel, controls and quenches all but longings after immortality--who just fan the flame to let it smoke and quiver in the socket, but sedulously prevent it rising to any degree of steadiness and brilliance.

Conrad that morning had taken home a picture, his sole occupation for two months, and this patron, a dealer in the "fine arts," dwelling in the good, quiet city of Mannheim, had given him a sum equivalent to thirty-six shillings sterling for his labour. Peradventure, it was not in the highest style of art; but what Schwartzen Baren or Weisse Rosse--Black Bears, White Horses, Spread Eagles, and the like, the meanest, worst-painted signs in the city--would not have commanded a higher price?

In fact, Conrad had just genius enough to make himself miserable--to wit, by aspiring after those honours it was impossible to attain, keeping him thereby in a constant fret and disappointment, instead of being content with his station, or striving for objects within his reach. Could he have drudged on as some dauber of sign-posts, or taken to useful employment, he might doubtless have earned a comfortable sustenance. He had, however, like many another child of genius, a soul above such vulgarities; yearning after the ideal and the vain; having too much genius for himself and too little for the world; suspended in a sort of Mahomet's coffin between earth and heaven--contemned, rejected, by "gods, men, and columns."

Conrad Bergmann was about two-and-twenty, of good figure and well-proportioned features, complexion fair, bright bluish-grey eyes, whiskers well matched with a pale, poetical, it might be sickly hue of countenance, and an expression more inclining to melancholy than persons of such mean condition have a right to assume. His father had brought him up to a trade--an honest thriving business--to wit, that of _knopfmacher_ (button-maker). But Conrad, the youngest, and his mother's favourite, happened to be indulged with more idle time than the rest, which, for the most part, was laudably expended in scrawling sundry hideous representations--all manner of things on walls and wainscots. Persevering in this occupation he was forthwith pronounced a genius. About the age of fifteen, Conrad saw a huge "St Christopher," by a native artist, and straightway his destiny was fixed. He struggled on for some years with little success save being pronounced by the gossips "marvellously clever." His performances wanted that careful and elaborate course of study indispensable even to the most exalted genius. They were not only glaring, tawdry, and ill-drawn, but worse conceived; flashy, crude accumulations of colour only rendering their defects more apparent. He was in a great measure self-taught. His impetuous, ardent imagination could not endure the labour requisite to form an artist. He would fain have read ere he had learned to spell; and the result might easily have been foretold.

His father died, and the family were but scantily provided for. Conrad was now forced to make, out a livelihood by what was previously an amusement, not having "a trade in his fingers;" and he toiled on, selling his productions for the veriest trifle. He had now no leisure for improvement in the first elements of his art.

"Better starve or beg, better be errand-boy or lackey, than waste my talents on such an ungrateful world. I'll turn conjurer--fire-eater--mountebank; set the fools agape at fairs and pastimes. Anything rather than killing--starving by inches. Why, the criminals at hard labour in the fortress have less work and better fare. I wish--I wish"----

"What dost wish, honest youth?" said a tall, heavy-eyed, beetle-browed, swarthy personage, who poked his face round from behind, close to that of the unfortunate artist, with great freedom and familiarity.

"I wish thou hadst better manners, or wast i' the stocks, where every prying impertinent should be," replied Conrad, being in no very placable humour with his morning's work. The stranger laughed, not at all abashed by this ill-mannered, testy rebuke, replying good-humouredly--

"Ah, ah! master canvas-spoiler. Wherefore so hasty this morning? My legs befit not the gyves any more than thine own. But many a man thrusts his favours where they be more rare than welcome. I would do thee a service."

"'Tis the hangman's, then, for that seems the only favour that befits my condition."

"Thou art cynical, bitter at thy disappointment. Let us discourse together hard by. A flask of good Rhenish will soften and assuage thy humours. A drop of _kirchenwasser_, too, might not be taken amiss this chill morning."

Nothing loth, Conrad followed the stranger, and they were soon imbibing some excellent _vin du pays_ in a neighbouring tavern.

"Conrad Bergmann," began the stranger. "Ay, thou art surprised; but I know more than thy name. Wilt that I do thee a good office?"

"Not the least objection, friend, if the price be within reach. Nothing pay, nothing have, I reckon."

"The price? Nothing. At least nothing thou need care for. Thou art thirsting for fame, riches; for the honours of this world; for--for--the hand--the heart of thy beloved."

Amongst the rest of Conrad's calamities he had the misfortune to be in love.

"Thou art mighty fluent with thy guesses," replied he, not at all relishing these unpleasant truths; "and what if I am doomed to pine after the good I can never attain? I will bear my miseries, if not without repining, at least without thy pity;" and he arose to depart.

"All that thou pinest after is thine. All!" said the stranger.

"Mine! By what process?--whose the gift? Ha, ha!" and he drained the brimming glass, waiting a solution of his interrogatory.

"I will be thy instructor. Behold the renowned Doctor Gabriel Ras Mousa, who hath studied all arts and sciences in the world, who hath unveiled Nature in her most secret operations, and can make her submissive as a menial to his will. In a period incredibly short I engage to make thee the most renowned painter in Christendom."

"And the time requisite to perform this?"

"One month! Ay, by the wand of Hermes, in one month, under my teaching, shalt thou have thy desire. I watched thy bargain with the dealer yonder, and have had pity on thy youth and misfortunes."

"Humph--compassion! And the price?" again inquired Conrad, with an anxious yet somewhat dubious expression of tone.

"The price? Once every month shalt thou paint me a picture."

"Is that all?"

"All."

Now Conrad began to indulge some pleasant fancies. Dreams of hope and ambition hovered about him; but he soon grew gloomy and desponding as heretofore. He waxed incredulous.

"One month? Nothing less than a miracle! The time is too short. Impossible!"

"That is my business. I have both the will and the power. Is it a bargain?"

Conrad again drained the cup, and things looked brighter. He felt invigorated. His courage came afresh, and he answered firmly--

"A bargain."

"Give me thy hand."

"O mein Herr--not so hard. Thy grip is like a smithy vice."

"Beg pardon of thy tender extremities. To-morrow then, at this hour, we begin." Immediately after which intimation the stranger departed.

Conrad returned to his own dwelling. He felt restless, uneasy. Apprehensions of coming evil haunted him. Night was tenfold more appalling. Horrid visions kept him in continual alarm.

He arose feverish and unrefreshed. Yesterday's bargain did not appear so pleasant in his eyes; but fear gave way apace, and ere the appointed hour he was in his little workroom, where the mysterious instructor found him in anxious expectation. He drew the requisite materials from under his cloak, a well-primed canvas already prepared. The pallet was covered, and Conrad sat down to obey his master's directions.

"What shall be our subject?" inquired the pupil.

"A head. Proceed."

"A female?"

"Yes. But follow my instructions implicitly."

Conrad chalked out the outline. It was feebly, incorrectly drawn: but the stranger took his crayon, and by a few spirited touches gave life, vigour, and expression to the whole. Conrad was in despair.

"Oh that it were in my power to have done this!" he cried, putting one hand on his brow, and looking at the picture as though he would have devoured it.

"Now for colour," said the stranger; and he carefully directed his pupil how to lay in the ground, to mingle and contrast the different tints, in a manner so far superior to his former process, that Conrad soon began to feel a glow of enthusiasm. His fervour increased, the latent spark of genius was kindled. In short, the unknown seemed to have imbued him with some hitherto unfelt attributes--invested him either with new powers, or awakened his hitherto dormant faculties. As before, by a few touches, the crude, spiritless mass became living and breathing under the master's hand. Not many hours elapsed ere a pretty head, respectably executed, appeared on the canvas. Conrad was in high spirits.

He felt a new sense, a new faculty, as it were, created within him. He worked industriously. Every hour seemed to condense the labour and experience of years. He made prodigious advances. His master came daily at the same time, and at length his term of instruction drew to a close. The last morning of the month arrived; and Conrad, unknown to his neighbours, had attained to the highest rank in his profession. His paintings, all executed under the immediate superintendence of the stranger, were splendid specimens of art.

* * * * *

In the year ----, all Paris was moved with the extraordinary performances of a young artist, whose portraits were the most wonderful, and his miniatures the most exquisite, that eyes ever beheld. They looked absolutely as though endowed with life--real flesh and blood to all appearance; and happy were those who could get a painting from his hand. The price was enormous, and the marvellous facility with which they were despatched was not the least extraordinary part of the business. There was a mystery, too, about him, provokingly delightful, especially to the female portion of the community. In place of living in a gay and fashionable part of the city, his lodging was in a miserable garret, overlooking one of the gloomiest streets of the metropolis. His manners, too, were forbidding and reserved. Instead of exhibiting the natural buoyancy of his years, he looked careworn and dejected; nor was he ever known to smile.

After a period whispers got abroad that several of his female subjects came to strange and untimely deaths. They were seized with some dangerous malady, accompanied by frightful delusions. In general they fancied themselves possessed. Wailings, shrieks, and horrible blasphemies proceeded from the lips of the sufferers. These reports were doubtless exaggerated, the marvellous being a prodigiously accumulative and inventive faculty; yet enough remained, apparently authentic, to justify the most unfavourable suspicions.

About this time a young Italian lady of a noble house arrived on a visit to her brother in the suite of the Florentine embassy. This princely dame, possessed of great wealth and beauty, was not long unprovided with lovers; one especially, a handsome official in the royal household, De Vessey by name, and as gallant a cavalier as ever lady looked upon. But her term of absence being nigh expired, the lovers were in great perplexity; and nothing seemed so likely to contribute to their comfort during such unavoidable separation as a miniature portrait of each from the hands of this inimitable painter. Leonora sat first, and the lover was in raptures. Hour by hour he watched the progress of his work in a little gloomy chamber, where the artist, like some automaton fixture, was always found in the same place, occupied too as it might seem without intermission.

"The gaze of that strange painter distresses me inexpressibly," said Leonora to her companion, as they went for the last time to his apartment. "I have borne it hitherto without a murmur, but words cannot describe the reluctance with which I endure his glance; yet while I feel as though my very soul abhorred it, it penetrates--nay, drinks up and withers my spirit. Though I shrink from it, some influence or fascination, call it as thou wilt, prevents escape; I cannot turn away my eyes from his terrible gaze."

"Thou art fanciful, my love," said De Vessey; "the near prospect of our parting makes thee apt to indulge these gloomy impressions. Be of good cheer; nothing shall harm thee in my presence. 'Tis the last sitting; put on a well-favoured aspect, I beseech thee. Remember, this portraiture will be my only solace during the long long hours of thine absence."

As they entered the artist's chamber, the picture lay before him, which he seemed to contemplate with such absorbing intensity that he was hardly aware of their entrance. He did not weep, but grief and pity were strangely mingled in his glance. It was but for a moment; he quickly resumed his usual attitude and expression. Whether the previous conversation had made her lover liable to take the tone and character of her own thoughts, we know not; but for the first time he fancied Leonora's apprehensions were not entirely without excuse. He looked on the artist, and it excited almost a thrill of apprehension. But speedily chiding himself for these untoward fancies, he felt that little was apparent either in look or manner but what the painter's peculiar and unexampled genius might sufficiently explain.

Suddenly his attention was riveted on the lady. He saw her lips quiver and turn pale as though she would have swooned. In a moment he was at her side. The support seemed to re-animate the fainting maiden, her head drooping on his shoulder. Almost gasping for utterance, she whispered, "Take me hence, I want breath--air, air!" De Vessey lifted her in his arms and bore her forth into the open doorway. Trembling, shuddering, and looking round, the first words she uttered were--

"We are watched--by some unseen being in yonder chamber, I am persuaded. Didst not mark an antique, dismal-looking ebony cabinet immediately behind the painter?"

"I did, and admired its exquisite workmanship, as though wrought by some cunning hand."

"As I fixed my eyes on those little traceries, it might be fancy, but methought I saw the bright flash of a human eye gazing on me."

"Oh! my Leonora, indulge not these gloomy impressions. Throw off thy wayward fancies. 'Tis but the reflex image the mind mistakes for outward realities. When disordered she discerns not the substance from the shadow. Thou art well-nigh recovered. Come, come, let us in. To-day is the last of our task; prithee take courage and return."

"On one condition only; if thou take the chair first, and note well an open scroll to the right where those fawns and satyrs are carved."

"Agreed. And now shake off thy fears, my love."

De Vessey led her again to the apartment, and as though without consideration sat down, his face directly towards the cabinet. He fixed his eyes thereon a few seconds only, when Leonora saw him start up suddenly with a troubled aspect and grasp the hilt of his sword. Then turning to the painter he said, sternly--

"So!--We have intruders here, I trow."

"Intruders? None!" was the artist's reply, without betraying either surprise or alarm.

"That we'll see presently," said the cavalier, hastening to the cabinet; which, with hearty good-will, he essayed to open.

"Why this outrage?" inquired the painter, colouring with a hectic flush.

"Because 'tis my good pleasure," was the haughty reply. The door resisted his utmost efforts. "Doubtless held by some one within. Open, or by this good sword I'll make a passage through both door and carcase."

The hinges slowly gave way, the folding-doors swung open, and displayed a grinning skeleton.

"Ah! what lodger is this?"

"Mine art requires it," said the painter, with a ghastly smile; but in that smile was an expression so fearful, yet mysterious, that even De Vessey quailed before it. Another miniature portrait, a precise copy of the one in hand, hung from the neck of the skeleton.