Part 17
“And you would come back to Munich and lie on my divan! You are fast nibbling through the icing of what Excellenz calls the big black cake of life, my friend, and must now look forward to an attack or two of indigestion. I have a presentiment that you will not come back to Munich until it has made you quite ill. Then, indeed, you will want consolation. I wonder how different you will be?”
He turned upon her large anxious eyes. “Do you really believe I shall have to go through the mill like other men? I should go to pieces! The only thing I can think of that I shouldn’t funk if it came to the point would be war. I shouldn’t hate that, although, no doubt, it would be dirty and uncomfortable. But the trials of life, petty and big! I hate the very thought of them, but I shall have them, of course—a few, anyhow. But I shall always come to you for consolation—always! Promise that no one shall take my place in the very slightest degree, that you will never have another intimate friend.”
“That is easy to promise. Do not permit your mind to boil with jealousy.”
“It will.” He looked as placid as a lake. “But no matter what comes, I can always conjure up this room—this room! Oh, I cannot leave it! I hate the Civil Service Commission! I hate the diplomatic service! I hate my creditors! I hate matrimony! And I hate my brother most of all.”
“You will feel much better after dinner. Come, it is ready.”
He remained with her until his servant came to fetch him for the night train. As he took her hand at parting his boyishness vanished, and his manner was a mixture of formality and sincere regret. “Good-by,” he said. “I wish this summer might have lasted forever. You have made it the most wonderful experience I shall ever have, and you will always be the most wonderful woman in the world to me.”
They were standing in the hall, before the open door. He suddenly smiled into her eyes with an expression that was not unlike a kiss. Then he shook hands with her once more and went out to his cab.
For the first few days she did not miss him at all; once more there was novelty in loneliness and freedom. When she did begin to miss him, she found a certain exhilaration in a sensation that was also a novelty. Then the King, still nursing his tooth, and always kindly, gave her another leave of absence, and she went to Switzerland.
XXVIII A ROSSETTI
Nothing, save, possibly, a voluntary check from his brother, could have surprised Ordham more than the information that he had passed his examinations. With the optimism, not inherent, but veneered upon his mind by a too fortunate life, he had, up to the moment of his arrival, taken his success in this ordeal for granted; perhaps it is fairer to state that he saw himself always, when prefiguring his future, as an ambassador in Paris or St. Petersburg; but no sooner did he find himself at the entrance to those forbidding straits which he must traverse to find the sole agency for his talents, than he descended into the depths of black despair. He would not pass. How could he? His French was good, for he had talked it in the nursery, and it had been actively exercised in Paris. But he had barely brushed up his Latin. He should forget every date—of course! And how could any man remember a mass of stuff it had taken Mill and Smith a lifetime to grind out? And German! They laid as much stress upon it as if England meditated immediate occupation of middle and southeastern Europe. They would treat him like a witness at a murder trial. How he hated that hideous language—and how could he have been so fatuous as to imagine that he could accumulate the necessary amount in less than a year?—the greater part of which he had wasted. For once in his life he knew remorse, repentance, wished that he had a will of iron, and had exercised it during that delightful sojourn in Munich. It shamed him to reflect that what little he did know he owed to the interest of one woman and the determined pounding of another.
He appeared before the board of examiners, pale, dejected, resigned, with no crest whatever, and impressed that formidable body as being at least a modest youth, high-bred and dignified, who would not be rejected for personal reasons did he survive the mental ordeal—a finale which sometimes surprised the cock-sure aspirant for diplomatic honours.
And he had passed! Not brilliantly, but he was launched upon the diplomatic sea, and he had no apprehension, with his immense family influence and the talents he was beginning to appreciate, of foundering. For a few moments he felt an inclination to be wildly jubilant. But this he sternly repressed, shrugged his shoulders, and reminded himself that such a commonplace achievement was to be expected of any man who had brains instead of porridge in his skull. To this succeeded an hour of irritation and disgust that he had not distinguished himself, put his rival competitors to the blush, made them wish he had forborne to enter the lists. But he was generous and philosophical, and this mood also passed. He wrote a note to Lord Bridgminster, and sent telegrams to Countess Tann, Princess Nachmeister, Fräulein Lutz, and his mother. Then he felt that he might dismiss the tiresome matter from his mind, as well as the harrowing ordeal that awaited him in the north, and settle down to the enjoyment of such plays as the month of August afforded.
He found the English drama and its interpretations tame and trite after those highly seasoned performances of the Continent with what were practically whole star casts, but they were better than visiting political country houses with his mother; and he slept late, strolled up and down Piccadilly, and wrote daily notes to Margarethe Styr, whom he missed quite as much as he had anticipated. It would have been interesting to abuse the play with her and drive out into the cool green English country every afternoon. He consoled himself by reading several new books he had not heard of while abroad, and sending them to her with colloquial ramblings on the fly-leaves. It was very cool and pleasant in his mother’s little house in Chesterfield Street, where hitherto he had passed but a night or two during hasty visits from Paris. He had been little in England since Lady Bridgminster, shorn of her power, had departed out of Bridgminster House in St. James’s Square, and made a nest for herself on the income of a dowager supplemented by a small annual allowance from her tight-fisted papa, and occasional checks from the duchess; the latter assisting her to enjoy life after a fashion and contract new debts.
Ordham had always been vaguely sorry for his mother, and his examination of the little house, this first time he was alone in it, deepened and somewhat clarified his sympathy. It seemed to him that she had just missed everything. She had almost been a great beauty, but although the general effect she managed to achieve, still made people, particularly in a ballroom, turn and stare at her, a closer inspection found the face, in spite of its large blue eyes, almost insignificant. If not born with a consuming desire for individual recognition, she had planted the ambition early in life, and consistently cultivated it. But although a feature in London society, she was not a personality, and there is a vast difference. Even her position in the political world, towering as it had been, she owed to her husband, brilliant, fascinating, and one of the chiefs of his party, as well as to the superb entertainments his income permitted her to give in St. James’s Square and Yorkshire. She had facility of speech, of pen, in all _les graces_; but she was devoid of originality, and almost stopped short of being clever. Distinguished in manner, she was deficient in charm and made no slaves. With a sincere love of beauty, she lacked the eye which corresponds to ear in music, and there was always a want of harmony in the detail of both her dress and her rooms. Worldly by birth and training, she was bohemian (of a sort) by instinct, and even when in Bridgminster House had mixed her parties in a fashion which society, less anxious to be amused at any cost than it became a few years later, condemned; and although nothing but indiscretions of which she was incapable could deprive her of the great position to which she had been born, and had held no less through her long period as a political hostess than her immense and powerful connection, she was now merely the faddish daughter of one peer and widow of another, instead of the personal force she still so ardently desired to be.
Even the pretty little house (for which, of course, she paid an exorbitant rent) lacked the individuality to which its rich collection of blue china and hawthorn jars, Chippendale and old oak furniture, fine brasses, antique vases, and Venetian mirrors, bits of Italian tapestry and stained glass, entitled it. The drawing-room, unexpectedly large, like so many of the drawing-rooms in those little houses in Mayfair, should have been a memorial sonnet to Rossetti, and it looked like the embodiment of his first incoherent dreams when groping for the formulæ of the new art-religion. At the end of this room was the famous portrait which Rossetti had painted at his own request. He had seen the young girl at the opera and thought her the living embodiment of Beatrice. One of his few patrons had been able to persuade the duke that the fashionably obscure artist was a genius, but more because he would disdain payment than because of any enthusiasm inspired by pictures which the duke thought as stiff and outlandish as those ridiculous formal gardens about Ordham Castle. He was a Briton to his marrow, was his Grace, and he carried his detestation of all things foreign to such an extent that he had never paid a second visit to the Continent nor to any of those country houses which kept green the memories of Palladio and Inigo Jones. But his daughter, who had also gone to the patron’s house to see “the Rossettis,” had conceived an immediate passion for the new school, and sweetly gave her father no peace until he consented to let the artist paint her. The duke yielded with the utmost ungraciousness, and stipulated that the man—what was his name?—was to charge nothing for the honour, and was to present the portrait to Lady Patricia at once—there should be no public exhibition. As Rossetti never exhibited, and asked for nothing but the joy of painting this Renaissance lady who might have served as the original inspiration of the Brotherhood, he agreed to anything and eagerly awaited the day appointed for the first sitting.
She had not entered his studio and removed her bonnet before he saw the mistake he had made. Here was no Beata Beatrix, no mediæval saint, no about-to-be-murdered spouse of a sixteenth-century Italian, haunting immense and gloomy chambers, but an excessively thin narrow young English girl almost six feet in height, with a little white face of no particular character, immense blue eyes without a particle of expression, and an extraordinary mass of pale golden hair, which stood out from her head like wings. But Rossetti was an artist. If his spirits went down to zero, it was not long before they ascended with a rush. At least here was material to work on; that hair, that poise of head, that aristocratic languor were no delusion, and he could conjure up his first impression of her and the dreams of beauty which had haunted him ever since. In short, he idealized her, and the long picture (which had been exhibited to all London society for twenty-five years) was one of the most characteristic things he had ever done, and, perhaps, had contributed as much as any cause to Lady Bridgminster’s fatal desire to express so much more than she could conceive. Against a background of dull blue tapestry, with full throat strained, the jaw line from chin to ear salient, with lids slowly drooping, hair that seemed to be an aura emanating from the pure young fires of her spirit, stood this vision in diaphanous white clasping against her angelic flatness an upright sheaf of Annunciation lilies. The thinness was the willow grace of a reed, the pale complexion the white symbol of maidenly exaltation; the half-opened eyes, as blue as an Italian lake, were looking straight into paradise. When this wonderful picture was finished and had been admired by the artists that worshipped at his shrine, Rossetti, with his tongue in his cheek, covered the hands and arms with tan-coloured suède gloves. In that touch, done perhaps, in a moment of unconscious foresight, as of deliberate sarcasm, Rossetti had epitomized the life of Lady Bridgminster.
He had intended to make many sketches of her during these sittings, but she inspired him no further, as much to her disappointment as to his. Nevertheless, he liked her well enough, and went to her house after she married Bridgminster as long as he went anywhere. He had no reason to regret the acquaintance, for she bought several of his pictures, patronized the entire Brotherhood, was one of the first to acknowledge the genius of Burne-Jones, and commissioned the greatest decorator of modern times to refurnish the state drawing-rooms of Ordham in the style of the Italian Renaissance.
Lady Bridgminster was superstitious about this picture, and, when moving from palace to hovel, to use her own expression, took it with her, refusing the offer of the new millionnaire to whom her step-son had unaccountably leased the splendid theatre of her triumphs. Not only did it remind her, that in spite of six sons and what she regarded as a lifetime of disappointments, she had once been young and romantic like other women, but she had a fancy that it was her real self, and that did she let it go out of her keeping she should become but a grey shadow flitting amongst people who never could be quite sure whether she were there or not. This was her one imaginative flight, and she cherished it.
“Lady Pat” was little broader and even less covered with flesh than when the picture was painted a quarter of a century ago. How she had ever contrived to produce six strapping boys was one of those mysteries which Nature will explain one day, no doubt, with other paradoxes. But they had cost her few pains, and nurses and tutors had brought, were bringing, them up. At Ordham Castle, where they had lived the year round, until the older boys went to school and the father’s death consigned the younger to the dower house in Kent, she had complained of their noise, but as a matter of fact she had not a nerve in her body. She was as hard and supple as a Toledo blade, with all the brain she really needed, and an internal organization practically flawless. With an appearance of the most æsthetic delicacy, she had never had so much as an attack of indigestion, never succumbed to the blues, when that malady was raging, and had no more emotional capacity than an incubator. Oscar Wilde once said of Lady Bridgminster that she would tempt St. Anthony to keep his vows; and true it was that, although only thirty-nine at the time of her husband’s death, still reigning as a beauty, and a great lady of whom any husband might be proud, not even an ambitious merchant had sought her hand. But by this time she knew her limitations far better than people fancied, and had neither the hope nor the wish to marry again. But she was a restless dissatisfied creature, bitterly regretting Bridgminster House and Ordham, and always flitting about in search of novelty and distraction. Her son, lying on the sofa in the drawing-room during the warm hours of the afternoon, contrasted her with Margarethe Styr, and pitied her, not the woman whose past was so black that even his imagination dared not lift the curtain.
XXIX THE EDGE OF THE ABYSS AGAIN
It is possible that Ordham would have delayed paying his respects to his brother from week to week, had not a flattering paragraph in one of the newspapers brought upon him the immediate attentions of his creditors. He ground his teeth, flung their reminders into a drawer of the desk in his bedroom, ordered a telegram sent to Lord Bridgminster and his boxes packed, and started for the north next morning.
Of course he reserved a first-class carriage for the all-day journey. He would have patronized a train de luxe had there been one, or a motor, had the more brilliant extravagance come into being. To spend less to-day that he might have more to-morrow was a principle that only a long period of dire privation could have etched into his creed, and, no doubt, he would have managed to be a luxurious pauper.
During the journey his uneasy apprehensions were varied with remorseful memories of three old servants that had adored and spoilt him since he had come into the world, and to whom he had not given a thought during the past four years. These were the housekeeper, Mrs. Felt, Biscom, the butler, and Cobbs, the coachman. The sure instincts of childhood had driven him to take his little woes, not to his mother’s sterile bosom, but to the warm and pillowed surfaces of the personage who had inherited certain of the honours of Ordham, even as Lord Bridgminster had inherited his. Biscom, sovereign of the pantries, had permitted him to make himself ill as often as he desired, and Cobbs had taught him how to ride and had now his dogs in charge. Then there was Craven, the old gardener—he turned hot and cold at the thought that he had not brought a present to one of them!
Cobbs, in a rusty livery, awaited him at the little moorland station, and Ordham made up in the warmth of his greeting for the lack of a more substantial proof of his affections. There was no footman with the wagonette, and while Hines was attending to his boxes, he asked Cobbs if all the old servants were alive and at the castle. He was not surprised to learn that the immense staff kept during his father’s lifetime had been reduced to ten, including those within and without. But at least he should see the older faces, and the prospect cheered him somewhat as he drove through the purple dusk of the moors. For a wave of homesickness had swamped his spirits, then regret, anger, astonishment. For twenty years this beautiful moorland had practically been his, no doubt would come to him in time; but now, now, in the day of his youth, when he most wanted lands and riches and power (it is, until decay sets in, always the immediate time that seems the one desirable period for the great gifts of life), he came as a suppliant to the brother he detested, a man who was even too mean to live as became his position, and who, no doubt, would barely extend to him a welcome. It was a wonder he had sent the wagonette. Ordham had fully expected to go on to the next town and make the rest of the journey in a fly.
Cobbs volunteered the information that the shooting was uncommonly good this year, but Ordham felt no interest in the subject until it occurred to him that if he wished to accomplish the purpose of his journey he must take pains to propitiate Bridgminster in every way. At this detestable thought his haughty crest went up at least two inches. But he had wise moments, as we have seen, and it was seldom he was not capable of cool rational thought. He reflected presently that, after all, he was very young and that it was not only a close relative to whom he had come to ask a good bit of money, but the head of his house, to whom he stood next in succession. Bridgminster should have been a father to his brood of younger brothers, and it was incredible that he did not accept his obligations. It was time he did, and Ordham felt himself in a temper to bring him to his senses.
But as the carriage approached the high fell upon whose broad table-land the castle stood, he felt more keenly still the freak of fortune which had deprived him of his inheritance. That cold, splendid, formal mass of white and sculptured stone, a palace of the Italian Renaissance rather than an English castle, built by Inigo Jones in 1622-26, and raised above the lofty fell again by a triple terrace, surrounded by Italian gardens, and over-looking thousands of acres of moorland, woods and farms, and a hundred little stone villages, was one of the show places of the north, and it was wasted on a boor whose favourite literature was _The Pink ‘Un_, and who would not even permit others to enjoy what he could not appreciate. There had not been a house party at Ordham since his father’s death, and, no doubt, the lovely gardens were a wilderness, the superb rooms rat-eaten. To-night there was not a point of light in the vast façade. Ordham lowered his eyelids until they covered the unpleasant glitter of his eyes, and drew his lips against his teeth. Hines, covertly watching him, wondered if he were in pain.
The carriage drove through the unlighted tunnel into the courtyard. The old butler, the gardener, and a footman stood at the foot of the grand staircase, and as Ordham, banishing his gloomy thoughts, descended and shook hands with them, asking intimate personal questions of each, the mask of dignified servitude fell from their faces, and they gazed, smiling and tearful, upon the young man who had lorded it over and bewitched them for twenty years. Ordham almost laughed outright as he realized how they yearned to say, “My lord.” He wished to God they could. There was no affected philosophy about Ordham. He longed as ardently to be a peer of the realm as he did for the income of the estates. But after he had convinced them that they had barely left his thoughts during the years of his exile, he added wistfully that he was glad to see the old place again and wished that death might have spared his father. Ordham was always adored by servants. With neither familiarity nor condescension, always kind (save to Hines, who sometimes got the benefit of his tempers), with a smile of peculiar sweetness and an impenetrable reserve, a careless acceptance of devotion, yet with a tacit admission of a minion’s claim to call himself a man, generous, yet never so lavish as to suggest that perhaps his was not the divine right to be waited on hand and foot,—he fulfilled the ideal of the great lord to the most exacting class of mortals in the world. And these old men had all the retainer’s pride in his uncommonly fine manners, in which there was still nothing old-fashioned, in his aristocratic if not strictly handsome face, in the languid but dignified carriage of his well-knit figure.
He followed the footman up the wide marble staircase to his old suite, immense rooms, with lofty frescoed ceilings, and still sparsely furnished with the mahogany pieces he had carved when a boy. He felt a thousand years old and sick at heart. When he saw Felt standing there to greet him, he nearly fell into her great bosom, but contented himself with taking her hand in both his own and shaking it for a full minute. She told him (tearfully) that he had grown and improved, and he bade her invite him for tea in her sitting room on the following day, adding bitterly that he should feel at home nowhere else.
“I suppose there is no company in the house?” he asked, with intention.
“Oh, no, sir. His lordship never entertains. Come four years now we have never had a visitor save her ladyship, and she found it so dull she could never stay long. The first year there was a hunt breakfast, but it was stiff and sad, Mr. Biscom said, and now the county gentlemen don’t even call at the castle. It’s not like the old days, Mr. John.”
“What on earth does he do with himself?” He could surrender something of his reserve to this old woman who had given him many a shaking, and he was anxious to know more of the brother of whom he had seen so little.