Part 1
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TOWER OF IVORY
BY MRS. ATHERTON
THE CONQUEROR A FEW OF HAMILTON’S LETTERS ANCESTORS THE GORGEOUS ISLE RULERS OF KINGS THE ARISTOCRATS THE TRAVELLING THIRDS THE BELL IN THE FOG PATIENCE SPARHAWK AND HER TIMES SENATOR NORTH HIS FORTUNATE GRACE
_CALIFORNIA SERIES_
REZÁNOV THE DOOMSWOMAN THE SPLENDID IDLE FORTIES A DAUGHTER OF THE VINE THE CALIFORNIANS AMERICAN WIVES AND ENGLISH HUSBANDS A WHIRL ASUNDER THE VALIANT RUNAWAYS (A BOOK FOR BOYS)
TOWER OF IVORY
_A NOVEL_
BY GERTRUDE ATHERTON
New York THE MACMILLAN COMPANY 1910 _All rights reserved_
COPYRIGHT, 1910,
BY THE MACMILLAN COMPANY.
Set up and electrotyped. Published February, 1910. Reprinted March, twice, July, 1910.
Norwood Press J. S. Cushing Co.—Berwick & Smith Co. Norwood, Mass., U.S.A.
CONTENTS
CHAPTER PAGE I. WHEN BRIDGMINSTER WAS TWENTY-FOUR 1 II. FLYING ARROWS 5 III. NEUSCHWANSTEIN 12 IV. THE STYR 23 V. ORDHAM AND THE STYR 35 VI. CERTAIN INEVITABLE PHASES 49 VII. THE EDGE OF THE ABYSS 64 VIII. PURPLE LILIES AND BITTER FRUIT 69 IX. EXCELLENZ, THE POTTER 80 X. THE BIRTH OF AN ARTIST 85 XI. THE DIPLOMATIC TEMPERAMENT 92 XII. LA BELLE HÉLÈNE 98 XIII. STYR, THE POTTER 107 XIV. THE SAVING GRACE 121 XV. POTTERS CONFER 125 XVI. THE IVORY TOWER OF STYR 128 XVII. ROMANTIC MUNICH 133 XVIII. THE SYSTEM’S FLOWER 143 XIX. A DIPLOMATIST IN THE MAKING 151 XX. ISOLDE 155 XXI. THE WOMAN BY THE ISAR 164 XXII. PRINCESS NACHMEISTER AS GUARDIAN ANGEL 168 XXIII. ONE OF THE POTTERIES 173 XXIV. THE CRACK IN THE JAR 178 XXV. FRIENDSHIP AT FOUR IN THE MORNING 184 XXVI. FRIENDSHIP IN A BORROWED FRAME 191 XXVII. ADIEU TO THE ISAR 197 XXVIII. A ROSSETTI 200 XXIX. THE EDGE OF THE ABYSS AGAIN 207 XXX. LADY BRIDGMINSTER, POTTER 221 XXXI. ORDHAM ESCAPES A HANSOM IN PICCADILLY 227 XXXII. EVERY MAN HIS OWN PILOT 234 XXXIII. SLOW MAGIC 243 XXXIV. WHERE IS ROSAMOND HAYLE? 248 XXXV. YOUTH 253 XXXVI. THE RACE 260 XXXVII. ORDHAM CEASES TO BE ORIGINAL 268 XXXVIII. ISOLDA FURIOSA 271 XXXIX. PEGGY HILL AND MARGARETHE STYR 276 XL. HAPPY POTTERS 286 XLI. THE PRINCESS PINCHES 293 XLII. HIS HOUSE OF CARDS 300 XLIII. THE WOMAN’S INNINGS 311 XLIV. STARS AND DUST 315 XLV. EUROPE’S BOUQUET 322 XLVI. OUR FIRST GLIMPSE OF BRIDGMINSTER 329 XLVII. A FAIRY COMET 337 XLVIII. THE GREAT PRIZES 342 XLIX. THE SPIRIT OF THE RACE MOVES ON 349 L. THE ROOM IN THE TEMPLE 367 LI. THE ROCKET WITHOUT A STICK 375 LII. MATRIMONY 383 LIII. LOVE 389 LIV. THE CONQUEST OF LONDON 400 LV. THE WORLD AND THE CROSS 410 LVI. A DIPLOMATIST OUT OF THE SADDLE 413 LVII. THE LAST CARD 421 LVIII. THE FOOLISH FATES 440 LIX. WHEN ORDHAM WAS BRIDGMINSTER 445 LX. LIFE, THE POTTER 449 LXI. THEIR MARRIAGE 461 LXII. THE IVORY TOWER OF ORDHAM 465
I WHEN BRIDGMINSTER WAS TWENTY-FOUR
John Ordham had been in Munich several months before he met Margarethe Styr. Like all the young men, native and foreign, he chose to fancy himself in love with her, and although both too dignified and too shy to applaud with the vehemence of the Germans, he never failed to attend a performance at the “Hof” when the greatest _hochdramatische_ the new music had developed sang Iseult or Brynhildr. He was not sure that he wanted to meet her, for in a languid and somewhat affected manner he persuaded himself that she existed on the stage alone, and that did he even permit his imagination to picture her in private life it must be as a commonplace American woman of German extraction who drank enormously of beer and ate grossly, like the people in the restaurants. And as at that time he cultivated the sensuous rather than the stronger elements of his nature, he avoided what might have attenuated one of the most exquisite of his pleasures. It was true that in the second and last acts of _Götterdämmerung_ her tragedy was so stupendous, her grief so poignant, her despair so fathomless, that he turned cold to his marrow, and felt as if the sufferings of all humanity were drowning him. But vicarious woe has all the voluptuousness and none of the hell of Life’s cruelties at first hand.
Styr’s methods were as likely to inthral the fastidious Englishman as the more artistic German. In a day when Sarah Bernhardt was the fashion in tragediennes, she had a still method all her own, a manner of appearing quietly on the stage, seemingly as impersonal as a part of its setting; then gradually dominating it, not only by the magic of her great golden voice and imposing height and presence, but by a force, which the critics, after long and acrimonious controversy, agreed to be an emanation from the brain. Whether she possessed also that physical magnetism, commonly indispensable to stage people, was a question still agitated when Ordham arrived in Munich, although she had then been “Royal Bavarian Court Singer” for six years; but that she had cultivated a mental power which above all else made her the great artist she was, the most violent partisans of other prime donne, lyric and dramatic, frankly conceded. Her associates at the Hof told that at rehearsals she merely walked through her part; and Princess Nachmeister, boasting private acquaintance with her since her elevation to the Bavarian aristocracy as Countess Tann, confided to the world that she never practised even those slow, grand, graceful, and infinitely varied gestures of hands and arms which were as expressive as her voice, but directed them from her brain as she did her acting; that she sat for hours thinking out the minutest details, but without moving a muscle until the night of public performance. All facial expression was concentrated in her eyes. She could express more with those features for which Nature had failed to invoke her conventions, than any living actress with physical writhings and distorted visage. Therefore, when she gave way to momentary violence, as, when at Siegfried’s repudiation she looked to be tearing her heart out, she created so profound an impression that more than Ordham rose breathless from their seats. Her desolation, her incredulous horror, the alternate pride of the goddess and agony of the woman, the dark and remorseless vengeance of the daughter of Wotan, not only induced a nervous shudder in Ordham but plunged his imagination down the past of this great but forbidding creature, who seemed to unlock her own heart for the moment with the reckless indifference of the supreme artist. He was but twenty-four at this time, but he had seen a good deal of the world, and its inheritances had composed many of his brain cells; he was, moreover, a very clever young man, as all admitted. Nevertheless, when he stared at Brynhildr in her agony and wrath, or dreamed through the second act of _Tristan und Isolde_, he had vague prickings in the depths of his soul that tragedy was not confined to the gods, and uneasy forebodings that life even for such as he was not all roses and cream.
But at this time, although had Styr ever been photographed, he would have framed and enthroned her, he rarely thought of her when not in his seat in the Hof, or listening to the comments of his friends. He was fluttering from flower to flower with the impatience and curiosity of his years, fearful of missing the least the gods provided for fortunate youth; drawn intensely for a day or a week by a beautiful face or an odd personality, but not daring to dally too long lest something more charming escape him. He had passing episodes of a semi-serious nature in that gay scampish underworld of Munich (that world of soubrettes, waitresses, young officers, students of both sexes), as well as in the sphere that revolved about the Queen-mother, but they were by no means ardent or sustained. He had not yet begun to cultivate that outdoor life which makes Englishmen so virile, and in extenuation of his fickleness he reminded himself of the penetrating observation of Marguerite de Valois, that the passions of young men are apt to be wavering and cold. The truth was that he was influenced by what appealed to his mind and taste rather than to his passions, although being sensitive and eager, these could momentarily be aroused by a charming woman who chose to take the initiative. The serious side of his nature had hardly begun its development; youth, bubbling youth, was uppermost; unconsciously (sometimes!) he smiled into any pair of pretty eyes that met and held his rather absent gaze, flirted desperately for an evening with a delightful creature whom he quite forgot to call upon next day. He found life very satisfactory and his studies not too arduous: persuaded by his family to enter diplomacy, and taking to it as naturally as he turned from the more dubious work of politics, he had spent a year in Paris unofficially attached to the British Embassy; then, a relative being appointed Minister Resident to the Court of Bavaria, he had come to him for another year in order to perfect himself in the German language before attempting his examinations.
It was some time before Munich found him out. For a while he was too much interested in the cafés, the ale-halls, the student life, the opera and theatre, to go about in society, even had it not been away. But soon after the return of the fashionable world to the capital, it became known that visiting at the British Legation was a young Englishman of fine appearance, distinguished family, and excellent prospects: his half-brother, Lord Bridgminster, although still a young man and quite healthy, was, owing to an early disappointment and an accident which marred his features, a misanthropist and misogynist. Almost simultaneously Ordham began to go about with Mr. Trowbridge, the minister; and, to do himself as well as society justice, he was immediately and enthusiastically liked for himself. The glamour of long descent and a possible coronet can never wholly be forgotten, but they carry a man so far and no farther. John Ordham’s worldly advantages no doubt were among the earliest of the factors that made him the fashion in Munich, so slow to accept strangers; but, later they were but the final excuse to shower attentions upon a young man who, under a shy and languid exterior, possessed an independent and audacious mind, who breathed refinement, and whose gentle and courteous manner charmed even the morose Ludwig to invite him to a private concert at Neuschwanstein, where he and Princess Nachmeister were the only guests. It was there that he met Margarethe Styr.
II FLYING ARROWS
Princess Nachmeister was the most disagreeable old woman in Munich and quite the most powerful. Herself a Prussian, she was a lifelong friend of the Queen-mother, and one of the few women ever admitted to the presence of the King; her genius for social leadership had been cultivated for forty years, and she had a “palace” in the Königenstrasse, whose high-walled garden extended through to the Kaulbachstrasse. Ordham, in his rather listless walks, had often glanced longingly over the flat coping at the grounds, half formal, half wild, crowded with trees and set with Italian seats and fountains, noseless satyrs and empty urns. The princess boasted that she was the first to “discover” him, and after the season opened he found himself dining or attending parties at her house several times a week. At the moment, so great was the depression, owing to the persistent seclusion of the King, that few besides Excellenz Nachmeister had the spirit to entertain on the grand scale. Luncheons, kettle-drums, diplomatic dinners, were not infrequent, and occasionally one of the minor royal palaces opened its doors for a rout; but had it not been for the old lady whom all vilified and courted, society would have been moribund. No one was more aware of this than Excellenz herself, for one secret of her uninterrupted success in a city that still hated Prussia was her genius for seizing and holding the strategic position.
She took Ordham to the routs that were given, to private tea-parties at the Residenz, where frequently the only other guests of the Queen-mother were her ancient ladies-in-waiting, and, in time, invited him alone of all the unofficial young men to her dinners given in honour of the diplomatic corps. She knew that he barely tolerated her, that he came to her house so often, not only because he found much to amuse him there, but because he was far too good-natured to refuse any one that pressed hospitality upon him; but she would have forgiven more to his manners, which she pronounced the finest in the world; and the old court intriguer honestly admired the diplomatic talents which inspired him to express the proper amount of deference and polite gratitude without sacrificing his dignity in the fashion of many that craved something more than a mere entrée to the Palast Nachmeister; then, later, when to be the enfant gâté and the formal man-of-the-world.
Ordham, indeed, began by disliking her intensely. Her thin dispraising nose, which, he reflected, looked as if it had a pin in it; her narrow mouth, whose corners seemed to drip poison; her hard, round, brilliant eyes; her red wig and emaciated figure,—all offended him; but her manifest and disinterested friendship (she had not a young relative in the world), her many favours, and the more subtle influence of Time, to say nothing of her discretion in not inviting him to make love to her, inclined him to indulgence, and he even began to find good points in her,—after his habit with people whom he tolerated at all.
And he was never bored in her house, for he met in it a far more cosmopolitan society than he had been accustomed to in England or even in Paris. The United States had not yet discovered Munich, but it was always refreshed, this beautiful art city of mid-Europe, by Russians, Hungarians, Austrians, Italians, and odd and interesting people from the Balkans and the Porte. Moreover, he loved beautiful things, and the Nachmeister’s house was an essential reincarnation of the rococo, even to the dinginess of the gilt, so fatally neglected by Ludwig in his brand-new palaces, Linderhof and Herrenchimsee. Her rooms and her grounds satisfied him so completely that he could not go to them often enough, and he was able to exclude their owner from his memory unless she stood in front of him.
Nor did she deny him anything he craved. When the rather nervous young man, who blushed so often, and yet was as automatically sure of himself as only an Englishman of his class can be, told her flatly that he wanted to meet the King, whom no stranger met, the audacity of the request took her breath away, but she managed the interview through the Queen-mother; and Ludwig, who happened to be in one of those intensely lucid tempers when he was sick unto death of shams and hypocrisies, and the vileness he found in the men that cringed at his wavering feet, fancied that he saw in the clean high-bred young Englishman something of the nobility and beauty of his own untainted youth, and impulsively invited him to Neuschwanstein for the following evening.
It was quite in keeping with the curious complications which at this period began to deflect John Ordham’s feet from the sunny highway into dim by-paths ending in the mazes of life, that he should have met Mabel Cutting before he made even the bare acquaintance of Margarethe Styr. She was just eighteen, and her mother had brought her to Munich for a few weeks of German and music before launching her into London society. Princess Nachmeister, giving a garden party soon after the squares and gardens of Munich had burst into the vivid young greens of spring, begged Mrs. Cutting, whom she had known for many years, to bring the new American beauty to decorate her “gloomy old park.” This with her romantic loveliness—she was tall and slim, her hair was golden, her big eyes were brown, sad, remote, her little nose and mouth cut with the sharpest and most rapid of chisels—Mabel accomplished with much complacency; she was not only quite aware of her charms, but that her smart Parisian gown made the greater number of the Bavarian aristocracy look like housemaids. But she was bored by the strange babel of tongues about her, and, unable to interest herself in the stiff young officers that clicked their heels together in front of her, permitted them to be captured by ladies with whose methods they were more familiar. She was sitting alone,—save for her pug-dog, LaLa,—on one of the curved marble seats under a large tree, flanked by a pink hawthorn on one side and a white lilac bush on the other, when Ordham, who had arrived late, as usual, caught sight of her. A few moments later, his hostess, congratulating herself upon her subtlety, had steered him to the maiden’s side and casually presented him.
Mabel enlivened immediately when the tall “boy,” as she defined him, very dignified and very diffident, stood blushing before her, and talked so fast that Ordham subsided into a chair with the welcome sensation of being spared all trouble. He was fascinated not more by the sparkling flow of empty words than by the play of dimples in the pink and white cheeks, and the flecks of golden light which the large pathetic brown eyes seemed to intercept from the aureole of her hair. She talked of England and Paris, which she knew far better than New York, “adoring” both, delivered her soul of her hatred of all things German, from the music to the shops, spoke with admiration of his mother who was a great friend of “Momma’s,” and admitted that she was simply dying to see the inside of Ordham Castle and its romantic recluse, Lord Bridgminster. Occasionally she dammed the stream of her eloquence with a question, answered by a glance from Ordham’s smiling eyes. Then Mrs. Cutting, who had been detained within, bore down upon them, and Mabel rose to her feet like a willow branch slowly released from the water.
“Momma!” she cried, “this is Mr. Ordham, Lady Bridgminster’s son. I have asked him to call. Do invite him for dinner to-night. He is the very nicest boy I ever met. You are sure to like him, for he talks so splendidly, and says such amusing things.”
Ordham had much ado to refrain from laughing outright, and Mrs. Cutting caught the flash in his eyes which made him suddenly look older. He cultivated—or perhaps, in his conventional hours, it was quite natural to him—a somewhat infantile expression, and Mrs. Cutting, observing him from the window, had concluded that he was a mere boy, and quite safe to sit alone with her little daughter at a formal German party. But as she stood talking to him,—he was now quite at his ease,—this woman whose keen American brain had never for a moment been clouded by passion, whose nerves were mere magnetic needles for the thousand complexities of the world she lived in, experienced a subtle response to something hard under the plastic surface of this charming young man. It was remote, a whisper from the unknown, as evanescent as a quiver along the branches of the tree that cast its shadow on the young pink of the hawthorn; and in a moment she forgot the impression in her general approval. But she recalled it long after, that fleeting response in herself to the germ of ruthlessness under that sincere and boyish desire to please her.
Then and there she made up her mind that he should marry Mabel. The serious quest of her life was the son-in-law who should make her one with the aristocracy she had selected as the best this world had precipitated. She was a woman as fastidious as she was ambitious, for she belonged to the aristocracy of her own country, and there was still much of the Puritan in her, albeit none of the provincial. She would give her immaculate daughter to no man whom she knew to be unworthy, no matter what his rank; and, unsuspected, she had examined and rejected all the young unmarried noblemen she had met during her last two seasons in England. As it happened, she had never met Ordham, although she enjoyed something more than a passing acquaintance with Lady Bridgminster. Always a favourite of fortune, she realized at once that this garden party had been arranged by the august recipient of the prayers she never omitted to offer up when the exigencies of fashion took her to church.
“Certainly you must dine with us to-night, if you are not ‘invited,’ as they say over here,” she exclaimed in her bright cordial voice which retained not a taint of the national crudity. “Mabel is a chatterbox and I shall send her to bed; but you and I will have a delightful gossip about London, from which I have been banished so often these last three years—since my husband’s death there has been so much tiresome litigation in New York. It is a delight even to look at an Englishman once more, especially here in Germany, which—let me whisper it—I hate as much as I love Paris. I am still a good American, you see, even if I did migrate long since to England. And you will come at eight?”