Chapter 16

"Well, he sent word he meant to give us a clock, same as he had other towns, an' he wanted we should have it up before the celebration."

"Yes," said Nicholas Oldfield, "he'll give us a clock, will he? I knew he would. I've said 'twas comin'. He give one to Saltash; he's gi'n 'em all over the county. Do you know what them clocks be? They've got letters round the dial, in place o' figgers; an' the letters spell out, 'In Memory of Me.' An' down to Saltash they've gi'n up sayin' it's quarter arter twelve, or the like o' that. They say it's O minutes past I."

He glared at her. Young Nick's Hattie thought she had never heard father speak with such bitterness; and indeed it was true. Never before had he been assailed on his own ground; it seemed as if the whole township now conspired to bait him.

"Well" she remarked weakly, "I dunno's it does any hurt, so long as they can tell what they mean by it."

Nicholas threw her a pitying glance. He scorned to waste eternal truth on one so dull.

"Well," she went on, in desperation, "that ain't all, neither. I might as well say the whole, an' done with it. He wants 'em to set up the clock on the meetin'-house; an' seeing the tower mightn't be firm enough, he'll build it up higher, an' give 'em a new bell."

Now, indeed, Nicholas Oldfield was in the case of Shylock, when he learned his daughter's limit of larceny. "The curse never fell upon our nation till now," so he might have quoted. "I never felt it till now."

He rose from his chair.

"In the name of God Almighty," he asked solemnly, "what do they want of a new bell?"

Young Nick's Hattie gave an involuntary cry.

"O father!" she entreated, "don't say such words. I never see you take on so. What under the sun has got into you?"

Nicholas made no reply. Slowly and methodically he was putting the dishes into the wooden sink. When he touched Mary's pink mug, his fingers trembled a little; but he did not look at her. He knew she understood. Young Nick's Hattie rolled her hands nervously in her apron, and then unrolled them, and smoothed the apron down. She gathered herself desperately.

"Well, father," she said, "I've got another arrant. I said I'd do it, an' I will; but I dunno how you'll take it."

"O mother!" cried Mary, "don't!"

"What is it?" asked Nicholas, folding the tablecloth in careful creases. "Say your say and git it over."

Hattie rocked faster and faster. Even in the stress of the moment Nicholas remembered that the old chair was well made, and true to its equilibrium.

"Well," said she, "Luella an' Freeman Henry come over here this very day, an' Freeman Henry's possessed you should sell him the Flat-Iron Lot."

"Wants the Flat-Iron Lot, does he?" inquired Nicholas grimly. "What's he made up his mind to do with it?"

"He wants to build," answered Hattie, momentarily encouraged. "He says he'll be glad to ride over to work, every mornin' of his life, if he can only feel 't he's settled in Tiverton for good. An' there's that lot on high ground, right near the meetin'-house, as sightly a place as ever was, an' no good to you,--there ain't half a load o' hay cut there in a season,--an' he'd pay the full vally"--

"Stop!" called Nicholas; and though his tone was conversational, Hattie paused, open-mouthed, in full swing. He turned and faced her. "Hattie," said he, "did you know that the fust settlers of this town had anything to do with that lot o' land?"

"No, I didn't know it," answered Hattie blankly.

"I guess you didn't," concurred Nicholas. He had gone back to his old gentleness of voice. "An' 't wouldn't ha' meant nothin' to ye, if ye had known it. Now, you harken to me! It's my last word. That Flat-Iron Lot stays under this name so long as I'm above ground. When I'm gone, you can do as ye like. Now, I don't want to hurry ye, but I'm goin' down to vote."

Hattie rose, abashed and nearly terrified. "Well!" said she vacantly. "Well!" Nicholas had taken the broom, under pretext of brushing up the crumbs, and he seemed literally to be sweeping her away. It was a wind of destiny; and scudding softly and heavily before it, she disappeared in the gathering dusk.

"Mary!" she called from the gate, "Mary! Guess you better come along with me."

Mary did not hear. She was standing by Nicholas, holding the edge of his sleeve. The unaccustomed action was significant; it bespoke a passionate loyalty. Her blue eyes were on fire, and two hot tears stood in them, unstanched. "O gran'ther!" she cried, "don't you let 'em have it. I wish I was father. I'd see!"

Nicholas Oldfield stood quite still, obedient to that touch upon his arm.

"It's the name, Mary," said he. "Why, Freeman Henry's a Titcomb! He can't help that. But he needn't think he can buy Oldfield land, an' set up a house there, as if 't was all in the day's work. Why, Mary, I meant to leave that land to you! An' p'raps you won't marry. Nobody knows. Then, 't would stand in the name a mite longer."

Mary blushed a little, but her eyes never wavered.

"No, gran'ther," said she firmly, "I sha'n't ever marry anybody."

"Well, ye can't tell," responded Nicholas, with a sigh. "Ye can't tell. He might take your name if he wanted ye enough; but I should call it a poor tool that would do that."

He sighed again, as he reached for his hat, and Mary and he went out of the house together, hand in hand. At the gate they parted, and Nicholas took his way to the schoolhouse, where the town fathers were already assembled.

Since he passed over it that afternoon, the road had changed, responsive to twilight and the coming dark. Nicholas knew it in all its phases, from the dawn of spring, vocal with the peeping of frogs, to the revery of winter, the silence of snow, and a hopeful glow in the west. Just here, by the barberry bush at the corner, he had stood still under the spell of Northern Lights. That was the night when his wife lay first in Tiverton churchyard; and he remembered, as a part of the strangeness and wonder of the time, how the north had streamed, and the neighboring houses had been rosy red. But at this hour of the brooding, sultry fall, there was a bitter fragrance in the air, and the world seemed tuned to the somnolent sound of crickets, singing the fields to sleep; That one little note brooded over the earth, and all the living things upon it: hovering, and crooning, and lulling them to the rest decreed from of old. The homely beauty of it smote upon him, though it could not cheer. A hideous progress seemed to threaten, not alone the few details it touched, but all the sweet, familiar things of life. Old War-Wool Eaton, in assailing the town's historic peace, menaced also the crickets and the breath of asters in the air. He was the rampant spirit of an awful change. So, in the bitterness of revolt, Nicholas Oldfield marched on, and stepped silently into the little schoolhouse, to meet his fellows. They were standing about in groups, each laying down the law according to his kind. The doors were wide open, and Nicholas felt as if he had brought in with him the sounds of coming night. They kept him sane, so that he could hold his own, as he might not have done in a room full of winter brightness.

"Hullo!" cried Caleb Rivers, in his neutral voice. "Here's Mr. Oldfield. Well, Mr. Oldfield, there's a good deal on hand."

"Called any votes?" asked Nicholas.

"Well, no," said Caleb, scraping his chin. "I guess we're sort o' takin' the sense o' the meetin'."

"Good deal like a quiltin' so fur," remarked Brad Freeman indulgently. "All gab an' no git there!"

"They tell me," said Uncle Eli Pike, approaching Nicholas as if he had something to confide, "that out west, where they have them new-fangled clocks, they're all lighted up with 'lectricity."

"Do they so?" asked Caleb, but Nicholas returned, with an unwonted fierceness:--

"Does that go to the right spot with you? Do you want to see a clock-face starin' over Tiverton, like a full moon, chargin' ye to keep Old War-Wool Eaton in memory?"

"Well, no," replied Eli gently, "I dunno's I do, an' I dunno _but_ I do."

"Might set a lantern back' o' the dial, an' take turns lightin' on 't," suggested Brad Freeman.

"Might carve out a jack-o'-lantern like Old Eaton's face," supplemented Tom O'Neil irreverently.

"Well," concluded Rivers, "I guess, when all's said and done, we might as well take the clock, an' bell, too. When a man makes a fair offer, it's no more 'n civil to close with it. Ye can't rightly heave it back ag'in."

"My argyment is," put in Ebenezer Tolman, who knew how to lay dollar by dollar, "if he's willin' to do one thing for the town, he's willin' to do another. S'pose he offered us a new brick meetin'-house--or a fancy gate to the cemet'ry! Or s'pose he had it in mind to fill in that low land, so 't we could bury there! Why, he could bring the town right up! Or, take it t'other way round; he could put every dollar he's got into Sudleigh."

Nicholas Oldfield groaned, but in the stress of voices no one heard him. He slipped about from one group to another, and always the sentiment was the same. A few smiled at Old War-Wool Eaton, who desired so urgently to be remembered, when no one was likely to forget him; but all agreed that it was, at the worst, a harmless and natural folly.

"Let him be remembered," said one, with a large impartiality. "'T won't do us no hurt, an' we shall have the clock an' bell."

Just as the meeting was called to order, Nicholas Oldfield stole away, and no one missed him. The proceedings began with some animated discussion, all tending one way. Cupidity had entered into the public soul, and everybody professed himself willing to take the clock, lest, by refusing, some golden future should be marred. Let Old Eaton have his way, if thereby they might beguile him into paving theirs. Let the town grow. Talk was very full and free; but when the moment came for taking a vote, an unexpected sound broke roundly on the air. It was the bell of the old church. One! it tolled. Each man looked at his neighbor. Had death entered the village, and they unaware? Two! three! it went solemnly on, the mellow cadence scarcely dying before another stroke renewed it. The sexton was Simeon Pease, a little red-headed man, a hunchback, abnormally strong. Suddenly he rose in amazement. His face looked ashen.

"Suthin's tollin' the bell!" he gasped. "The bell's a-tollin' an' _I ain't there_!"

A new element of mystery and terror sprang to life.

"The sax'on 's here!" whispered one and another. But nobody stirred, for nobody would lose count. Twenty-three! the dead was young. Twenty-four! and so it marched and marched, to thirty and thirty-five. They looked about them, taking a swift inventory of familiar faces, and more than one man felt a tightening about his heart, at thought of the womenfolk at home. The record climbed to middle-age, and tolled majestically beyond it, like a life ripening to victorious close. Sixty! seventy! eighty-one!

"It ain't Pa'son True!" whispered an awestruck voice.

Then on it beat, to the completed century.

The women of Tiverton, in afterwards weighing the immobility of their public representatives under this mysterious clangor, dwelt upon the fact with scorn.

"Well, I should think you was smart!" cried sundry of them in turn. "Set there like a bump on a log, an' wonder what's the matter! Never heard of anything so numb in all my born days. If I was a man, I guess I'd see!"

It was Brad Freeman who broke the spell, with a sudden thought and cry,--

"By thunder! maybe's suthin 's afire!"

He leaped to his feet, and with long, loping strides made his way up the hill to Tiverton church. The men, in one excited, surging rabble, followed him. The women were before them. They, too, had heard the tolling for the unknown dead, and had climbed a quicker way, leaving fire and cradle behind. At the very moment when they were pressing, men and women, to the open church door, the last lingering clang had ceased, the bell lay humming itself to rest, and Nicholas Oldfield strode out and faced them. By this time, factions had broken up, and each woman instinctively sought her husband's side, assuring herself of protection against the unresting things of the spirit. Young Nick's Hattie found her lawful ally, with the rest.

"My soul!" said she in a whisper, "it's father!"

Nicholas touched her arm in warning, and stood silent. He felt that the waters were troubled, as he had known them to be once or twice in his boyhood.

"He's got his mad up," remarked Young Nick to himself. "Stan' from under!"

Nicholas strode through the crowd, and it separated to let him pass. There was about him at that moment an amazing physical energy, apparent even in the dark. He seemed a different man, and one woman whispered to another, "Why, that can't be Mr. Oldfield! It's a head taller."

He walked across the green, and the crowd turned also, to follow him. There, just opposite the church, lay his own Flat-Iron Lot, and he stepped into it, over the low stone boundary, and turned about.

"Don't ye come no nearer," called he. "This is my land. Don't ye set foot on it."

The Flat-Iron Lot was a triangular piece of ground, rich in drooping elms, and otherwise varied only by a great boulder looming up within the wall nearest the church. Nicholas paused for a moment where he was; then with a thought of being the better heard, he turned, ran up the rough side of the boulder, and faced his fellows. As he stood there, illumined by the rising moon, he seemed colossal.

"He'll break his infernal old neck!" said Brad Freeman admiringly. But no one answered, for Nicholas Oldfield had begun to speak.

"Don't ye set foot on my land!" he repeated. "Ye ain't wuth it. Do you know what this land is? It belonged to a man that settled in a place that knows enough to celebrate its foundin', but don't know enough to prize what's fell to it. Do you know what I was doin' of, when I tolled that bell? I'll tell ye. I tolled a hunderd an' ten strokes. That's the age of the bell you're goin' to throw aside to flatter up a man that made money out o' the war. A hunderd an' twelve years ago that bell was cast in England; a hunderd an' ten years ago 'twas sent over here."

"Now, how's father know that?" whispered Hattie disparagingly.

"I've cast my vote. Them hunderd an' ten strokes is all the voice I'll have in the matter, or any matter, so long as I live in this God-forsaken town, I'd ruther die than talk over a thing like that in open meetin'. It's an insult to them that went before ye, an' fit hunger and cold an' Injuns. I've got only one thing more to say," he continued, and some fancied there came a little break in his voice. "When ye take the old bell down, send her out to sea, an' sink her; or bury her deep enough in the woods, so 't nobody'll git at her till the Judgment Day."

With one descending step, he seemed to melt away into the darkness; and though every one stood quite still, expectant, there was no sound, save that of the crickets and the night. He had gone, and left them trembling. Well as they knew him, he had all the effect of some strange herald, freighted with wisdom from another sphere.

"Well, I swear!" said Brad Freeman, at length, and as if a word could shiver the spell, men and woman turned silently about and went down the hill. When they reached a lower plane, they stopped to talk a little, and once indoors, discussion had its way. Young Nick and Hattie had walked side by side, feeling that the eyes of the town were on them, reading their emblazoned names. But Mary marched behind them, solemnly and alone. She held her head very high, knowing what her kinsfolk thought: that gran'ther had disgraced them. A passionate protest rose within her.

That night, everybody watched the old house, in the shade of the poplars, to see if Nicholas had "lighted up." But the windows lay dark, and little Mary, slipping over across the orchard, when her mother thought her safe in bed, tried the door in vain. She pushed at it wildly, and then ran round to the front, charging against the sentinel hollyhocks, and letting the knocker fall with a desperate and repeated clang. The noise she had herself evoked frightened her more than the stillness, and she fled home again, crying softly, and pursued by all the unresponsive presences of night.

For weeks Tiverton lay in a state of hushed expectancy; one miracle seemed to promise another. But Nicholas Oldfield's house was really closed; the windows shone blankly at men and women who passed, interrogating it. Young Nick and his Hattie had nothing to say, after Hattie's one unguarded admission that she didn't know what possessed father. The village felt that it had been arraigned before some high tribunal, only to be found lacking. It had an irritated conviction that, meaning no harm, it should not have been dealt with so harshly; and was even moved to declare that, if Nicholas Oldfield knew so much about what was past and gone, he needn't have waited till the trump o' doom to say so. But,' somehow, the affair of clock and bell could not be at once revived, and a vague letter was dispatched to the prospective donor stating that, in regard to his generous offer, no decision could at the moment be reached; the town was too busy in preparing for its celebration, which would take place in something over two weeks; after that the question would be considered. The truth was that, at the bottom of each heart, still lurked the natural cupidity of the loyal citizen who will not see his town denied; but side by side with that desire for the march of progress, walked the spectre of Nicholas Oldfield's wrath. The trembling consciousness prevailed that he might at any moment descend again, wrapped in that inexplicable atmosphere of loftier meanings.

Still, Tiverton was glad to put the question by, for she had enough to do. The celebration knocked at the door, and no one was ready. Only Brad Freeman, always behindhand, save at some momentary exigency of rod or gun, was fulfilling the prophecy that the last shall be first. For he had, out of the spontaneity of genius, elected to do one deed for that great day, and his work was all but accomplished. In public conclave assembled to discuss the parade, he had offered to make an elephant, to lead the van. Tiverton roared, and then, finding him gravely silent, remained, with gaping mouth, to hear his story. It seemed, then, that Brad had always cherished one dear ambition. He would fain fashion an elephant; and having never heard of Frankenstein, he lacked anticipation of the dramatic finale likely to attend a meddling with the creative powers. He did not confess, save once to his own wife, how many nights he had lain awake, in their little dark bedroom, planning the anatomy of the eastern lord; he simply said that he "wanted to make the critter," and he thought he could do it. Immediately the town gave him to understand that he had full power to draw upon the public treasury, to the extent of one elephant; and the youth, who always flocked adoringly about him, intimated that they were with him, heart and soul. Thereupon, in Eli Pike's barn, selected as of goodly size, creation reveled, the while a couple of men, chosen for their true eye and practiced hand, went into the woods, and chopped down two beautiful slender trees for tusks. For many a day now, the atmosphere of sacred art had hung about that barn. Brad was a maker, and everybody felt it. Fired by no tradition of the horse that went to the undoing of Troy, and with no plan before him, he set his framework together, nailing with unerring hand. Did he need a design, he who had brooded over his bliss these many months when Tiverton thought he was "jest lazin' round?" Nay, it was to be "all wrought out of the carver's brain," and the brain was ready.

Often have I wished some worthy chronicler had been at hand when Tiverton sat by at the making of the elephant; and then again I have realized that, though the atmosphere was highly charged, it may have been void of homely talk. For this was a serious moment, and even when Brad gave sandpaper and glass into the hands of Lothrop Wilson, the cooper; bidding him smooth and polish the tusks, there was no jealousy: only a solemn sense that Mr. Wilson had been greatly favored. Brad's wife sewed together a dark slate-colored cambric, for the elephant's hide, and wet and wrinkled it, as her husband bade her, for the shambling shoulders and flanks. It was she who made the ears, from a pattern cunningly conceived; and she stuffed the legs with fine shavings brought from the planing-mill at Sudleigh. Then there came an intoxicating day when the trunk took shape, the glass-bottle eyes were inserted, and Brad sprung upon a breathless world his one surprise. Between the creature's fore-legs, he disclosed an opening, saying meantime to the smallest Crane boy,--

"You crawl up there!"

The Crane boy was not valiant, but he reasoned that it was better to seek an unguessed fate within the elephant than to refuse immortal glory. Trembling, he crept into the hole, and was eclipsed.

"Now put your hand up an' grip that rope that's hangin' there," commanded Brad. Perhaps he, too, trembled a little. The heart beats fast when we approach a great fruition.

"Pull it! Easy, now! easy!"

The boy pulled, and the elephant moved his trunk. He stretched it out, he drew it in. Never was such a miracle before. And Tiverton, drunk with glory, clapped and shouted until the women folk clutched their sunbonnets and ran to see. No situation since the war had ever excited such ferment. Brad was the hero of his town. But now arose a natural rivalry, the reaction from great, impersonal joy in noble work. What lad, on that final day, should ride within the elephant, and move his trunk? The Crane boy contended passionately that he held the right of possession. Had he not been selected first? Others wept at home and argued the case abroad, until it became a common thing to see two young scions of Tiverton grappling in dusty roadways, or stoning each other from afar. The public accommodated itself to such spectacles, and grown-up relatives, when they came upon little sons rolling over and over, or sitting triumphantly, the one upon another's chest, would only remark, as they gripped two shirt collars, and dragged the combatants apart:--

"Now, what do you want to act so for? Brad'll pick out the one he thinks best. He's got the say."

In vain did mothers argue, at twilight time, when the little dusty legs in overalls were still, and stubbed toes did their last wriggling for the day, that the boy who moved the trunk could not possibly see the rest of the procession. The candidates, to a boy, rejected that specious plea.

"What do I want to see anything for, if I can jest set inside that elephant?" sobbed the Crane boy angrily. And under every roof the wail was repeated in many keys.

Meantime, the log cabin had been going steadily up, and a week before the great day, it was completed. This was a typical scene-setting,--the cabin of a first settler,--and through one wild leap of fancy it became suddenly and dramatically dignified.

"For the land's sake!" said aunt Lucindy, when she went by and saw it standing, in modest worth, "ain't they goin' to _do_ anythin' with it? Jest let it set there? Why under the sun don't they have a party of Injuns tackle it?"