Part 14

That gentleman, born a pettifogger and pedler, had, it must be observed, cleared a pathway of deep footprints for himself in the snow of the Knight and the Princess,--both of whom, like all long travellers,[73] were uncommonly avaricious,--by overseeing and overreaching all hosts and Italians in settling up the _Patto_,[74] and even by his understanding the art of being profoundly coarse just at the right time, whereas upon turning from the host to the Princess he would become as much a man of the world again as Fontenelle or any Frenchman, who in such cases always counts up and curses longer than he eats. The Knight of the Fleece, who, as he confessed, had never travelled so cheaply, covered him, therefore, with the laurel which grew all about here, and looked as gay as he had never looked before. Only to his son was the cold, wrathful, coarse man a volcano, ejecting slime and water. Ride a mile ahead of a crowned head or a classic author, who is also one, and in general before people who have money, but not to spare, and only save them a few gold pieces a day,--never shall you have seen the said heads more glad or grateful than in such a case!

Everywhere Albano would fain have alighted, and stepped in among great ruins and into the splendor of the scattered insignia, which had been lost by the conquerors of the world out of their triumphal chariots on the way to Rome. But the Knight advised him to spare and save his eyes and inspiration for Rome itself. How his heart beat, when at last in the waste _Campagna_, which lay full of lava-eruptions around the nest of the Roman eagles, those world-driven storm-birds, they rolled along over the Flaminian road! But he and Gaspard felt themselves wonderfully oppressed. One seemed to be wading through the stagnant lake of a sultry sulphurous atmosphere, which his father ascribed to the brimstone huts at Baccano,--he thirsted for the snow on the distant mountains,--the heavens were dark-blue and still,--single lofty clouds flew arrow-swift through the silent wilderness. A man in the distance set down again an urn which he had dug up, and prayed, anxiously looking to heaven, and telling his beads. Albano turned toward the mountains, to which the evening sun was sinking, as if dissolved in piercing splendor. All at once the Knight ordered the postilion to stop, who passionately threw up his arms toward heaven, while it went on rumbling under the carriage, and exclaimed, "Holy mother of God, an earthquake!" But Gaspard touched his son, who seemed intoxicated with the splendors of sunset, and said, pointing, "_Ecco Roma!_" Albano looked, and saw in the depths of the distance the dome of St. Peter's gleaming in the sun. The sun went down, the earth quaked once more, but in his spirit nothing was save Rome.

103. CYCLE.

Half an hour after the earthquake, the heavens swathed themselves in seas and dashed them down in masses and in torrents. The naked _Campagna_ and heath were covered with the mantle of rain. Gaspard was silent,--the heavens black,--the great thought stood alone in Albano, that he was hastening on towards the bloody scaffold and the throne scaffolding of humanity, the heart of a cold, dead, heathen-world, the eternal Rome; and when he heard, on the _Ponte Molle_, that he was now going across the Tiber, he felt as if the past had risen from the dead,--as if the stream of time ran backward, and he were sailing on it; under the streams of heaven he heard the seven old mountain-streams rushing and roaring, which once came down from Rome's hills, and with seven arms uphove the world from its foundations.

At length the constellation of the mountain city of God, that stood so broad before him, opened out into nights; cities with scattered lights lay up and down, and the bells (which to his ear were alarm-bells) sounded out the fourth[75] hour, when the carriage rolled through the triumphal gate of the city, the _Porta del Popolo_; then the moon rent her black heavens, and poured down out of the cleft clouds the splendor of a whole sky. There stood the Egyptian obelisk of the gateway, high as the clouds in the night, and three streets ran gleaming apart. "So," said Albano to himself, as they passed through the long _corso_ to the Tenth Ward, "thou art veritably in the camp of the god of war; here, where he grasped the hilt of the monstrous war-sword, and with the point made the three wounds in three quarters of the world." Rain and splendor gushed through the vast, broad streets,--occasionally he passed suddenly along by gardens and into broad city-deserts and market-places of the past. The rolling of the chariot amidst the rush and roar of the rain resembled the thunder, whose days were once holy to this heroic city, like the thundering heaven to the thundering earth; muffled-up forms, with little lights, stole through the dark streets; often there stood a long palace with colonnades in the fire of the moon, often a solitary gray column, often a single high fir-tree, or a statue behind cypresses. Once, when there was neither rain nor moonshine, the carriage went round the corner of a large house, on whose roof a tall, blooming virgin, with an uplooking child on her arm, herself directed a little hand-light, now toward a white statue, now toward the child, and so alternately illuminated the whole group. The friendly company made its way to the very centre of his exalted soul and brought with it to him many a recollection; particularly was a Roman child to him a wholly new and mighty idea.

They alighted at last at the Prince di Lauria's, Gaspard's father-in-law, and old friend. Near his palace lay the _Campo Vaccino_ (the ancient Forum), and the radiant moon shone on the broad steps and the three wondrous edifices of the Capitol; in the distance stood the Colosseum. Albano ascended hesitatingly into the lighted house, before which the carriage of the Princess stood, reluctantly turning his eye from those heights of the world, from which once a light word like a snow-flake rolled far and wide, and grew and grew, till at last in a strange land it crushed a city with the weight of an avalanche.

The Princess, with her company, saw with pleasure the new-comers. The old Prince Lauria welcomed his grandson courteously and with reserve. His innumerable servants spoke among them almost all the languages of Europe. Albano immediately asked the Knight after his teacher Dian, that graft of a Greek upon a Roman; but the most human thing was precisely that which Gaspard, as is always the case with great men, had not thought of. They sent to his residence, which was near; he was not at home.

They sat down to dine. The Prince immediately entertained them with his favorite show-dish, the political progress of the world, and gave the latest news of the French Revolution. Gazettes of the times were to him Eternities, news was his antiques; he took all the newspapers of Europe, and therefore kept for each a German, Russian, English, Polish servant, to translate it for him. By the side of his satirical coldness toward all men and things, the political and Italian zeal appeared the stronger, with which he defended the French against the Knight, who composedly despised them; and, indulging himself after his manner, even in bad puns, conceded to the old Romans the _Forum_ and to the modern the _Campo Vaccino_, and even to the ancient Gauls the field of Mars, and to the modern French a field of March.

Albano could not conceive of there being any joking so near the _Forum_, and thought every word must be great in this city. The cold Lauria spoke warmly for France, like a minister, regarding only nations, not individuals, and his sentiment pleased the youth.

Then the Princess led the stream of conversation to Rome's high art. Fraischdörfer dissected the Colossus into limbs, and weighed them in the narrowest scales. Bouverot engraved the giant in historical copperplate. The Princess spoke with much warmth, but without point. Gaspard melted all up together, as it were, into a Corinthian brass, and comprehended all without being comprehended. On his coldly but strongly up-shooting life-fountain he let the world play and dance like a ball.

Albano, dissatisfied with all, kept his inspiration, sacrificing to the unearthly gods of the past round about him, after the old fashion, namely, with silence. Well might and could _he_ have discoursed also, but quite otherwise, in odes, with the whole man, with streams which mount and grow upwards. He looked more and more longingly out of the window at the moon in the pure rain-blue and at single columns of the Forum; out of doors there gleamed for him the greatest world. At last he rose up, indignant and impatient, and stole down into the glimmering glory and stepped before the Forum; but the moonlit night, that decorative painter, which works with irregular strokes, made almost the very stage of the scene irrecognizable to him.

What a broad, dreary plain, loftily encompassed with ruins, gardens and temples, covered with prostrate capitals of columns, and with single upright pillars, and with trees and a dumb wilderness! The heaped-up ashes out of the emptied urn of time, and the potshards of a great world flung around! He passed by three temple columns,[76] which the earth had drawn down into itself even to the breast, and along through the broad triumphal arch of Septimius Severus; on the right stood a chain of columns without their temple; on the left, attached to a Christian church, the colonnade of an ancient heathen temple deep sunk into the sediment of time; at last the triumphal arch of Titus, and before it, in the middle of the woody wilderness, a fountain gushing into a granite basin.

He went up to this fountain, in order to survey the plain out of which the thunder-months of the earth once arose; but he went along as over a burnt-out sun, hung round with dark, dead earths. "O man, O the dreams of man!" something within him unceasingly cried. He stood on the granite margin turning toward the Colosseum, whose mountain-ridges of wall stood high in the moonlight, with the deep gaps which had been hewn in them by the scythe of Time. Sharply stood the rent and jagged arches of Nero's golden house hard by, like murderous cutlasses. The palatine hill lay full of green gardens, and on crumbling temple-roofs the blooming death-garland of ivy was gnawing, and living Ranunculæ still glowed around sunken capitals. The fountain murmured babblingly and eternally, and the stars gazed steadfastly down with imperishable rays upon the still battle-field, over which the winter of time had passed without bringing after it a spring,--the fiery soul of the world had flown up, and the cold, crumbling giant lay around;--torn asunder were the gigantic spokes of the fly-wheel which once the very stream of ages drove. And in addition to all this, the moon shed down her light like eating silver-water upon the naked columns, and would fain dissolve the Colosseum and the temples and all into their own shadows!

Then Albano stretched out his arms into the air, as if he could therewith embrace and flow away, as with the arms of a stream, and exclaimed: "O ye mighty shades, you who once strove and lived here, ye are looking down from heaven, but scornfully, not sadly, for your great fatherland has died and gone after you! Ah, had I on the insignificant earth (full of old eternity), which you have made great, only done one action worthy of you! Then were it to me a sweet privilege to open my heart by a wound, and to mix earthly blood with the hallowed soil, and to hasten away out of the world of graves to you, eternal and immortal ones! But I am not worthy of it!"

At this moment there came suddenly along up the _Via Sacra_ a tall man, deeply enveloped in his mantle, who drew near to the fountain; without looking round threw down his hat, and held a coal-black, curly, almost perpendicular hindhead under the stream of water. But hardly had he, turning upward, caught a glimpse of the profile of Albano absorbed in his fancies, when he started up all dripping, stared at the Count, fell into amazement, threw his arms high into the air, and said, "_Amico?_" Albano looked at him. The stranger said, "_Albano!_" "My Dian!" cried Albano. They clasped each other passionately, and wept for love.

Dian could not comprehend it at all. He said, in Italian, "But it surely cannot be you; you look old." He thought he was speaking German all the time, till he heard Albano answer in Italian. Both gave and got only questions. Albano found the Architect merely browner, but there was the lightning of the eyes and every faculty in its old glory. With three words he described to him the journey and the company. "How does Rome strike you?" asked Dian, pleasantly. "As life does," replied Albano, very seriously; "it makes one too tender and too hard. I recognize here absolutely nothing at all," he continued; "do those columns belong to the magnificent Temple of Peace?" "No," said Dian, "to the Temple of Concord; of the other there stands yonder nothing but the vault." "Where is Saturn's Temple?" asked Albano. "Buried in St. Adrian's Church," said Dian, and added, hastily, "close by stand the ten columns of Antonine's Temple; over beyond there, the Baths of Titus; behind us, the Palatine Hill, and so on. Now tell me--"

They walked up and down the Forum, between the arches of Titus and Severus. Albano--especially beside the teacher who in the days of childhood had so often conducted him hitherward--was yet full of the stream which had swept over the world, and the all-covering water sank but slowly. He went on to say, "To-day, when he beheld the obelisk, the soft, tender brightness of the moon had seemed to him eminently unbecoming the giant city; he would rather have seen a sun blazing on its broad banner; but now the moon was the proper funeral torch beside the dead Alexander, who at a touch collapses into a handful of dust." "The artist does not get far with feelings of this kind," said Dian; "he must look upon everlasting beauties on the right hand and on the left." "Where," Albano went on asking, "is the old Lake of Curtius, the Rostrum, the _pila Horatia_, the Temple of Vesta, of Venus, and of all those solitary columns?" "And where is the marble Forum itself?" said Dian; "it lies thirty span deep under our feet." "Where is the great, free people, the senate of kings, the voice of the orators, the procession to the Capitol? Buried under the mountain of potshards. O Dian, how can a man, who loses a father, a beloved in Rome, shed a single tear, or look round him with consternation, when he comes out here before this battle-field of time, and looks into the charnel-house of the nations? Dian, one would wish here an iron heart, for fate has an iron hand!"

Dian, who nowhere stayed more reluctantly than upon such tragic cliffs, hanging over, as it were, into the sea of eternity, always leaped off from them with a jest. Like the Greeks, he blended dances with tragedy. "Many a thing is conserved here, friend," said he; "in Adrian's church yonder they will still show you the bones of the three men that walked in the fire." "That is just the frightful play of destiny," replied Albano, "to occupy the heights of the mighty ancients with monks shorn down into slaves."

"The stream of time drives new wheels," said Dian; "yonder lies Raphael twice buried.[77] How are Chariton and the children doing?" "They are blooming on," said Albano, but in a sombre tone. "Heavens!" cried Dian, with all a father's terror, "is it really so?"[78] "Verily, Dian!" said Albano, softly. "Does Liana," said Dian, "still come often to Chariton's? And how fares the sweet one?" Albano answered, in a low tone, "She is dead." "What! dead? Impossible! Froulay's daughter, Albano? The gold-rose? O speak!" he cried. Albano nodded affirmatively. "Ah! thou good maiden!" said he, piteously, with tears in his black eyes, "so friendly, so enchantingly lovely, so fine an artist! But how did it come to pass? Have you, then, not been acquainted at all with the lovely child?" "One spring only," said Albano, hurriedly. "My good Dian, I will now go back to my father, and I can answer no more questions." "O certainly! But I must learn more," Dian concluded. And so they climbed silently and speedily over rubbish and torsos of columns, and neither gave heed to the mighty emotion of the other.

TWENTY-SEVENTH JUBILEE.

St. Peter's.--Rotunda.--Colosseum.--Letter to Schoppe.--The War.--Gaspard.--The Corsican.--Entanglement with the Princess.--Sickness.--Gaspard's Brother.--St. Peter's Dome, and Departure.

104. CYCLE.

Rome, like the creation, is an entire wonder, which gradually dismembers itself into new wonders, the Colosseum, the Pantheon, St. Peter's Church, Raphael, &c.

With the passage through the Church of St. Peter the knight began the fair race through immortality. The Princess let herself be bound by the tie of art to the circle of the men. As Albano was more smitten with edifices than with any other work of art, so did he see from afar with holy awe the long mountain-chain of art, which again bore upon itself hills; so did he stand before the plain, around which two enormous colonnades run like Corsos, bearing a people of statues; in the centre shoots up the obelisk, and on its right and left an eternal fountain, and from the lofty steps the proud church of the world, inwardly filled with churches, rearing upon itself a temple toward heaven, looks down upon the earth. But how enormously, as they drew near, had its columns and its rocky wall mounted up and flown away from the vision!

He entered the magic church, which gave the world blessings, curses, kings, and popes, with the consciousness that, like the world-edifice, it was continually enlarging and receding more and more, the longer one remained in it. They went up to two children of white marble, who held an incense-muscle-shell of yellow marble; the children grew by nearness till they were giants. At length they stood before the main altar and its hundred perpetual lamps;--what a stillness! Above them the heaven's arch of the dome, resting on four inner towers; around them an overarched city, of four streets, in which stood churches. The temple became greatest by walking in it; and when they passed round one column, there stood a new one before them, and holy giants gazed earnestly down. Here was the youth's large heart, after so long a time, filled. "In no art," he said to his father, "is the soul so mightily possessed with the sublime as in architecture; in every other the giant stands in it and in the depths of the soul, but here he stands out of it and close before it." Dian, to whom all images were more clear than abstract ideas, said: "He is perfectly right." Fraischdörfer replied: "The sublimity here also lies only in the brain: for the whole church stands, after all, in something greater, namely, in Rome, and under the heavens, in the presence of which latter we certainly should not feel anything." He also complained, "That the place for the sublime in his head was very much narrowed by the innumerable volutes and monuments which the temple shut up therein at the same time with itself." Gaspard said, taking everything in a large sense: "When the sublime once really appears, it then, by its very nature, absorbs and annihilates all little circumstantial ornaments." He adduced as evidence the tower of the minster,[79] and nature itself, which is not made smaller by its grasses and villages.

The Princess, among so many connoisseurs of art, enjoyed in silence.

The ascent of the dome Gaspard recommended to defer to a dry and cloudless day, in order that they might behold the queen of the world, Rome, upon and from the proper throne; he therefore proposed very earnestly the visiting of the Pantheon, because he was eager to let this follow immediately after the impression of St. Peter's Church. They went thither. How simply and grandly the Hall opens upon one! Eight yellow columns sustain its brow, and majestically, as the head of the Homeric Jupiter, its temple arches itself! It is the Rotunda or Pantheon. "O the pygmies," cried Albano, "who would fain give us new temples! Raise the old ones higher out of the rubbish, and then you have built enough."[80] They stepped in; there reared itself around them a holy, simple, free world-structure with its heavenly arches soaring and striving upward, an odeum of the tones of the sphere-music, a world in the world! And overhead[81] the eye-socket of the light and of the sky gleamed down, and the distant rack of clouds seemed to touch the lofty arch over which it shot along! And round about them stood nothing but the temple-bearers, the columns! The temple of _all_ gods endured and concealed the diminutive altars of the later ones.

Gaspard questioned Albano about his impressions. He said he preferred the larger church of St. Peter. The Knight approved, and said that "youth, like nations, always more easily found and better appreciated the sublime than the beautiful, and that the spirit of the young man ripened from strength to beauty, as his body ripens from beauty to strength; however, he himself preferred the Pantheon." "How could the moderns," said the Counsellor of Arts, Fraischdörfer, "build anything, except some little Bernini's towers?" "That is why," said the offended Provincial Architect, Dian, who despised the Counsellor of Arts, because he never made a good figure, except in the æsthetic hall of judgment as critic, never in the exhibition-hall as painter, "we moderns are, beyond contradiction, stronger in criticism, though in practice we are collectively and individually blockheads." Bouverot remarked, "The Corinthian columns might be higher." The Counsellor of Arts said, "After all, he knew nothing more like this fine hemisphere than a much smaller one, which he had found in Herculaneum, moulded in ashes--of the bosom of a fair fugitive." The Knight laughed, and Albano turned away in disgust, and went to the Princess.

He asked her for her opinion about the two temples. "Here Sophocles, there Shakespeare; but I comprehend and appreciate Sophocles more easily," she replied, and looked with new eyes into his new countenance. For the supernatural illumination through the zenith of Heaven--not through a hazy horizon--transfigured in her eyes the beautiful and excited countenance of the youth, and she took for granted that the saintly halo of the dome must also exalt her form. When he answered her: "Very good! But in Shakespeare Sophocles also is contained; not, however, Shakespeare in Sophocles; and on Peter's Church stands Angelo's rotunda!" Just then the lofty cloud all at once, as by the blow of a hand out of the ether, broke in two, and the ravished sun, like the eye of a Venus, floating through her ancient heavens,--for she once stood even here,--looked mildly in from the upper deep; then a holy radiance filled the temple, and burned on the porphyry of the pavement, and Albano looked around him in an ecstasy of wonder and delight, and said, with low voice: "How transfigured at this moment is everything in this sacred place! Raphael's spirit comes forth from his grave in this noontide hour, and everything which its reflection touches brightens into godlike splendor!" The Princess looked upon him tenderly, and he lightly laid his hand upon hers, and said, as one vanquished, "Sophocles!"