Time's Laughingstocks, and Other Verses
Chapter 1
Transcribed from the 1919 Macmillan and Co. edition by David Price, email [email protected]
TIME’S LAUGHINGSTOCKS AND OTHER VERSES
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BY THOMAS HARDY
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MACMILLAN AND CO., LIMITED ST. MARTIN’S STREET, LONDON 1928
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COPYRIGHT
_First Edition_ 1909 _Reprinted_ 1910 _Second Edition_ 1915 _Reprinted_ 1919 _Pocket Edition_ 1919 _Reprinted_ 1923, 1924, 1928
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PRINTED IN GREAT BRITAIN BY R. & R. CLARK, LIMITED, EDINBURGH
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PREFACE
IN collecting the following poems I have to thank the editors and proprietors of the periodicals in which certain of them have appeared for permission to reclaim them.
Now that the miscellany is brought together, some lack of concord in pieces written at widely severed dates, and in contrasting moods and circumstances, will be obvious enough. This I cannot help, but the sense of disconnection, particularly in respect of those lyrics penned in the first person, will be immaterial when it is borne in mind that they are to be regarded, in the main, as dramatic monologues by different characters.
As a whole they will, I hope, take the reader forward, even if not far, rather than backward. I should add that some lines in the early-dated poems have been rewritten, though they have been left substantially unchanged.
T. H.
_September_ 1909.
CONTENTS
TIME’S LAUGHINGSTOCKS— PAGE The Revisitation 3 A Trampwoman’s Tragedy 11 The Two Rosalinds 17 A Sunday Morning Tragedy 21 The House of Hospitalities 27 Bereft 28 John and Jane 30 The Curate’s Kindness 31 The Flirt’s Tragedy 34 The Rejected Member’s Wife 40 The Farm-Woman’s Winter 42 Autumn in King’s Hintock Park 43 Shut out that Moon 45 Reminiscences of a Dancing Man 47 The Dead Man Walking 49 MORE LOVE LYRICS— 1967 53 Her Definition 54 The Division 55 On the Departure Platform 56 In a Cathedral City 58 “I say I’ll seek Her” 59 Her Father 60 At Waking 61 Four Footprints 63 In the Vaulted Way 65 In the Mind’s Eye 66 The End of the Episode 67 The Sigh 68 “In the Night She Came” 70 The Conformers 72 The Dawn after the Dance 74 The Sun on the Letter 76 The Night of the Dance 77 Misconception 78 The Voice of the Thorn 80 From Her in the Country 82 Her Confession 83 To an Impersonator of Rosalind 84 To an Actress 85 The Minute before Meeting 86 He abjures Love 87 A SET OF COUNTRY SONGS— Let me Enjoy 91 At Casterbridge Fair: I. The Ballad-Singer 93 II. Former Beauties 94 III. After the Club Dance 95 IV. The Market-Girl 95 V. The Inquiry 96 VI. A Wife Waits 97 VII. After the Fair 98 The Dark-eyed Gentleman 100 To Carrey Clavel 102 The Orphaned Old Maid 103 The Spring Call 104 Julie-Jane 106 News for Her Mother 108 The Fiddler 110 The Husband’s View 111 Rose-Ann 113 The Homecoming 115 PIECES OCCASIONAL AND VARIOUS— A Church Romance 121 The Rash Bride 122 The Dead Quire 128 The Christening 135 A Dream Question 137 By the Barrows 139 A Wife and Another 140 The Roman Road 144 The Vampirine Fair 145 The Reminder 150 The Rambler 151 Night in the Old Home 152 After the Last Breath 154 In Childbed 156 The Pine Planters 158 The Dear 161 One We Knew 163 She Hears the Storm 166 A Wet Night 167 Before Life and After 168 New Year’s Eve 169 God’s Education 171 To Sincerity 172 Panthera 173 The Unborn 184 The Man He Killed 186 Geographical Knowledge 187 One Ralph Blossom Soliloquizes 189 The Noble Lady’s Tale 191 Unrealized 201 Wagtail and Baby 203 Aberdeen: 1905 204 George Meredith, 1828–1909 205 Yell’ham-wood’s Story 207 A Young Man’s Epigram on 208 Existence
TIME’S LAUGHINGSTOCKS
THE REVISITATION
AS I lay awake at night-time In an ancient country barrack known to ancient cannoneers, And recalled the hopes that heralded each seeming brave and bright time Of my primal purple years,
Much it haunted me that, nigh there, I had borne my bitterest loss—when One who went, came not again; In a joyless hour of discord, in a joyless-hued July there— A July just such as then.
And as thus I brooded longer, With my faint eyes on the feeble square of wan-lit window frame, A quick conviction sprung within me, grew, and grew yet stronger, That the month-night was the same,
Too, as that which saw her leave me On the rugged ridge of Waterstone, the peewits plaining round; And a lapsing twenty years had ruled that—as it were to grieve me— I should near the once-loved ground.
Though but now a war-worn stranger Chance had quartered here, I rose up and descended to the yard. All was soundless, save the troopers’ horses tossing at the manger, And the sentry keeping guard.
Through the gateway I betook me Down the High Street and beyond the lamps, across the battered bridge, Till the country darkness clasped me and the friendly shine forsook me, And I bore towards the Ridge,
With a dim unowned emotion Saying softly: “Small my reason, now at midnight, to be here . . . Yet a sleepless swain of fifty with a brief romantic notion May retrace a track so dear.”
Thus I walked with thoughts half-uttered Up the lane I knew so well, the grey, gaunt, lonely Lane of Slyre; And at whiles behind me, far at sea, a sullen thunder muttered As I mounted high and higher.
Till, the upper roadway quitting, I adventured on the open drouthy downland thinly grassed, While the spry white scuts of conies flashed before me, earthward flitting, And an arid wind went past.
Round about me bulged the barrows As before, in antique silence—immemorial funeral piles— Where the sleek herds trampled daily the remains of flint-tipt arrows Mid the thyme and chamomiles;
And the Sarsen stone there, dateless, On whose breast we had sat and told the zephyrs many a tender vow, Held the heat of yester sun, as sank thereon one fated mateless From those far fond hours till now.
Maybe flustered by my presence Rose the peewits, just as all those years back, wailing soft and loud, And revealing their pale pinions like a fitful phosphorescence Up against the cope of cloud,
Where their dolesome exclamations Seemed the voicings of the self-same throats I had heard when life was green, Though since that day uncounted frail forgotten generations Of their kind had flecked the scene.—
And so, living long and longer In a past that lived no more, my eyes discerned there, suddenly, That a figure broke the skyline—first in vague contour, then stronger, And was crossing near to me.
Some long-missed familiar gesture, Something wonted, struck me in the figure’s pause to list and heed, Till I fancied from its handling of its loosely wrapping vesture That it might be She indeed.
’Twas not reasonless: below there In the vale, had been her home; the nook might hold her even yet, And the downlands were her father’s fief; she still might come and go there;— So I rose, and said, “Agnette!”
With a little leap, half-frightened, She withdrew some steps; then letting intuition smother fear In a place so long-accustomed, and as one whom thought enlightened, She replied: “What—_that_ voice?—here!”
“Yes, Agnette!—And did the occasion Of our marching hither make you think I _might_ walk where we two—” “O, I often come,” she murmured with a moment’s coy evasion, “(’Tis not far),—and—think of you.”
Then I took her hand, and led her To the ancient people’s stone whereon I had sat. There now sat we; And together talked, until the first reluctant shyness fled her, And she spoke confidingly.
“It is _just_ as ere we parted!” Said she, brimming high with joy.—“And when, then, came you here, and why?” “—Dear, I could not sleep for thinking of our trystings when twin-hearted.” She responded, “Nor could I.
“There are few things I would rather Than be wandering at this spirit-hour—lone-lived, my kindred dead— On this wold of well-known feature I inherit from my father: Night or day, I have no dread . . .
“O I wonder, wonder whether Any heartstring bore a signal-thrill between us twain or no?— Some such influence can, at times, they say, draw severed souls together.” I said, “Dear, we’ll dream it so.”
Each one’s hand the other’s grasping, And a mutual forgiveness won, we sank to silent thought, A large content in us that seemed our rended lives reclasping, And contracting years to nought.
Till I, maybe overweary From the lateness, and a wayfaring so full of strain and stress For one no longer buoyant, to a peak so steep and eery, Sank to slow unconsciousness . . .
How long I slept I knew not, But the brief warm summer night had slid when, to my swift surprise, A red upedging sun, of glory chambered mortals view not, Was blazing on my eyes,
From the Milton Woods to Dole-Hill All the spacious landscape lighting, and around about my feet Flinging tall thin tapering shadows from the meanest mound and mole-hill, And on trails the ewes had beat.
She was sitting still beside me, Dozing likewise; and I turned to her, to take her hanging hand; When, the more regarding, that which like a spectre shook and tried me In her image then I scanned;
That which Time’s transforming chisel Had been tooling night and day for twenty years, and tooled too well, In its rendering of crease where curve was, where was raven, grizzle— Pits, where peonies once did dwell.
She had wakened, and perceiving (I surmise) my sigh and shock, my quite involuntary dismay, Up she started, and—her wasted figure all throughout it heaving— Said, “Ah, yes: I am _thus_ by day!
“Can you really wince and wonder That the sunlight should reveal you such a thing of skin and bone, As if unaware a Death’s-head must of need lie not far under Flesh whose years out-count your own?
“Yes: that movement was a warning Of the worth of man’s devotion!—Yes, Sir, I am _old_,” said she, “And the thing which should increase love turns it quickly into scorning— And your new-won heart from me!”
Then she went, ere I could call her, With the too proud temper ruling that had parted us before, And I saw her form descend the slopes, and smaller grow and smaller, Till I caught its course no more . . .
True; I might have dogged her downward; —But it _may_ be (though I know not) that this trick on us of Time Disconcerted and confused me.—Soon I bent my footsteps townward, Like to one who had watched a crime.
Well I knew my native weakness, Well I know it still. I cherished her reproach like physic-wine, For I saw in that emaciate shape of bitterness and bleakness A nobler soul than mine.
Did I not return, then, ever?— Did we meet again?—mend all?—Alas, what greyhead perseveres!— Soon I got the Route elsewhither.—Since that hour I have seen her never: Love is lame at fifty years.
A TRAMPWOMAN’S TRAGEDY (182–)
I
FROM Wynyard’s Gap the livelong day, The livelong day, We beat afoot the northward way We had travelled times before. The sun-blaze burning on our backs, Our shoulders sticking to our packs, By fosseway, fields, and turnpike tracks We skirted sad Sedge-Moor.
II
Full twenty miles we jaunted on, We jaunted on,— My fancy-man, and jeering John, And Mother Lee, and I. And, as the sun drew down to west, We climbed the toilsome Poldon crest, And saw, of landskip sights the best, The inn that beamed thereby.
III
For months we had padded side by side, Ay, side by side Through the Great Forest, Blackmoor wide, And where the Parret ran. We’d faced the gusts on Mendip ridge, Had crossed the Yeo unhelped by bridge, Been stung by every Marshwood midge, I and my fancy-man.
IV
Lone inns we loved, my man and I, My man and I; “King’s Stag,” “Windwhistle” high and dry, “The Horse” on Hintock Green, The cosy house at Wynyard’s Gap, “The Hut” renowned on Bredy Knap, And many another wayside tap Where folk might sit unseen.
V
Now as we trudged—O deadly day, O deadly day!— I teased my fancy-man in play And wanton idleness. I walked alongside jeering John, I laid his hand my waist upon; I would not bend my glances on My lover’s dark distress.
VI
Thus Poldon top at last we won, At last we won, And gained the inn at sink of sun Far-famed as “Marshal’s Elm.” Beneath us figured tor and lea, From Mendip to the western sea— I doubt if finer sight there be Within this royal realm.
VII
Inside the settle all a-row— All four a-row We sat, I next to John, to show That he had wooed and won. And then he took me on his knee, And swore it was his turn to be My favoured mate, and Mother Lee Passed to my former one.
VIII
Then in a voice I had never heard, I had never heard, My only Love to me: “One word, My lady, if you please! Whose is the child you are like to bear?— _His_? After all my months o’ care?” God knows ’twas not! But, O despair! I nodded—still to tease.
IX
Then up he sprung, and with his knife— And with his knife He let out jeering Johnny’s life, Yes; there, at set of sun. The slant ray through the window nigh Gilded John’s blood and glazing eye, Ere scarcely Mother Lee and I Knew that the deed was done.
X
The taverns tell the gloomy tale, The gloomy tale, How that at Ivel-chester jail My Love, my sweetheart swung; Though stained till now by no misdeed Save one horse ta’en in time o’ need; (Blue Jimmy stole right many a steed Ere his last fling he flung.)
XI
Thereaft I walked the world alone, Alone, alone! On his death-day I gave my groan And dropt his dead-born child. ’Twas nigh the jail, beneath a tree, None tending me; for Mother Lee Had died at Glaston, leaving me Unfriended on the wild.
XII
And in the night as I lay weak, As I lay weak, The leaves a-falling on my cheek, The red moon low declined— The ghost of him I’d die to kiss Rose up and said: “Ah, tell me this! Was the child mine, or was it his? Speak, that I rest may find!”
XIII
O doubt not but I told him then, I told him then, That I had kept me from all men Since we joined lips and swore. Whereat he smiled, and thinned away As the wind stirred to call up day . . . —’Tis past! And here alone I stray Haunting the Western Moor.
NOTES.—“Windwhistle” (Stanza iv.). The highness and dryness of Windwhistle Inn was impressed upon the writer two or three years ago, when, after climbing on a hot afternoon to the beautiful spot near which it stands and entering the inn for tea, he was informed by the landlady that none could be had, unless he would fetch water from a valley half a mile off, the house containing not a drop, owing to its situation. However, a tantalizing row of full barrels behind her back testified to a wetness of a certain sort, which was not at that time desired.
“Marshal’s Elm” (Stanza vi.) so picturesquely situated, is no longer an inn, though the house, or part of it, still remains. It used to exhibit a fine old swinging sign.
“Blue Jimmy” (Stanza x.) was a notorious horse-stealer of Wessex in those days, who appropriated more than a hundred horses before he was caught, among others one belonging to a neighbour of the writer’s grandfather. He was hanged at the now demolished Ivel-chester or Ilchester jail above mentioned—that building formerly of so many sinister associations in the minds of the local peasantry, and the continual haunt of fever, which at last led to its condemnation. Its site is now an innocent-looking green meadow.
_April_ 1902.
THE TWO ROSALINDS
I
THE dubious daylight ended, And I walked the Town alone, unminding whither bound and why, As from each gaunt street and gaping square a mist of light ascended And dispersed upon the sky.
II
Files of evanescent faces Passed each other without heeding, in their travail, teen, or joy, Some in void unvisioned listlessness inwrought with pallid traces Of keen penury’s annoy.
III
Nebulous flames in crystal cages Leered as if with discontent at city movement, murk, and grime, And as waiting some procession of great ghosts from bygone ages To exalt the ignoble time.
IV
In a colonnade high-lighted, By a thoroughfare where stern utilitarian traffic dinned, On a red and white emblazonment of players and parts, I sighted The name of “Rosalind,”
V
And her famous mates of “Arden,” Who observed no stricter customs than “the seasons’ difference” bade, Who lived with running brooks for books in Nature’s wildwood garden, And called idleness their trade . . .
VI
Now the poster stirred an ember Still remaining from my ardours of some forty years before, When the selfsame portal on an eve it thrilled me to remember A like announcement bore;
VII
And expectantly I had entered, And had first beheld in human mould a Rosalind woo and plead, On whose transcendent figuring my speedy soul had centred As it had been she indeed . . .
VIII
So; all other plans discarding, I resolved on entrance, bent on seeing what I once had seen, And approached the gangway of my earlier knowledge, disregarding The tract of time between.
IX
“The words, sir?” cried a creature Hovering mid the shine and shade as ’twixt the live world and the tomb; But the well-known numbers needed not for me a text or teacher To revive and re-illume.
X
Then the play . . . But how unfitted Was _this_ Rosalind!—a mammet quite to me, in memories nurst, And with chilling disappointment soon I sought the street I had quitted, To re-ponder on the first.
XI
The hag still hawked,—I met her Just without the colonnade. “So you don’t like her, sir?” said she. “Ah—_I_ was once that Rosalind!—I acted her—none better— Yes—in eighteen sixty-three.
XII
“Thus I won Orlando to me In my then triumphant days when I had charm and maidenhood, Now some forty years ago.—I used to say, _Come woo me_, _woo me_!” And she struck the attitude.
XIII
It was when I had gone there nightly; And the voice—though raucous now—was yet the old one.—Clear as noon My Rosalind was here . . . Thereon the band withinside lightly Beat up a merry tune.
A SUNDAY MORNING TRAGEDY (_circa_ 186–)
I BORE a daughter flower-fair, In Pydel Vale, alas for me; I joyed to mother one so rare, But dead and gone I now would be.
Men looked and loved her as she grew, And she was won, alas for me; She told me nothing, but I knew, And saw that sorrow was to be.
I knew that one had made her thrall, A thrall to him, alas for me; And then, at last, she told me all, And wondered what her end would be.
She owned that she had loved too well, Had loved too well, unhappy she, And bore a secret time would tell, Though in her shroud she’d sooner be.
I plodded to her sweetheart’s door In Pydel Vale, alas for me: I pleaded with him, pleaded sore, To save her from her misery.
He frowned, and swore he could not wed, Seven times he swore it could not be; “Poverty’s worse than shame,” he said, Till all my hope went out of me.
“I’ve packed my traps to sail the main”— Roughly he spake, alas did he— “Wessex beholds me not again, ’Tis worse than any jail would be!”
—There was a shepherd whom I knew, A subtle man, alas for me: I sought him all the pastures through, Though better I had ceased to be.
I traced him by his lantern light, And gave him hint, alas for me, Of how she found her in the plight That is so scorned in Christendie.