Those Who Smiled, and Eleven Other Stories
Chapter 13
The manager of the foundry company was a French engineer who had been trained in Pittsburg, a Frenchman of the new style, whose silky sweetness of manner was the mask of a steely tenacity of purpose. He had a little devilish black moustache, waxed at the points, like an earl of melodrama, and with it a narrow cheerless smile that jeered into futility Raleigh's effort to handle the subject on a basis of easy good fellowship. The heart-to-heart talk degenerated into a keen business controversy, involving the consultation of letter-files; it took more time than Raleigh had to spare; and in the end nothing was settled.
"You catch the airly train to London?" inquired the manager amiably, when Raleigh was leaving.
"Yes," replied Raleigh warmly. "I'm going to get out of this while I've got my fare left."
"Bon voyage," said the Frenchman smilingly. "You will present my compliments to your father?"
"Not me," retorted Raleigh. "I'm not going to let him know I saw you."
The machine-tool people, to whom his next visit was due, were established south of the river, a long drive from the boulevards. They were glad to receive him; there was a difficulty with some of the new steels, and they took him into the shops that he might see and appreciate the matter for himself. In the end it was necessary for Raleigh to reset the big turret lathe and demonstrate the manner of working, standing to the machine in his ancient tweed clothes nobody offered him overalls while the swift belting slatted at his elbow and fragments of shaved steel and a fine spray of oil welcomed him back to his trade. The good odor of metal, the engine-room smell, filled his nostrils; he was doing the thing which he could do best; it was not till it was finished that he looked at his watch and realized that the last item of his time-table had gone the way of the first, and he had missed the two o'clock train.
He paid off his return cab in the Place de la Concorde and stood doubtfully on the curb, watching it skate away with the traffic. His baggage had gone on by the two o'clock train; he was committed now to an afternoon in those ancient clothes with the oily stigma of the workshop upon them. His hands, too, were black from his work; he had slept badly in the train and done without a bath. In the soft sunlight that rained upon those brilliant streets he felt foul and unsightly.
He yawned, between a certain afternoon drowsiness and a languid depression.
"I'll wander up to the Meurice an' get a wash, anyhow," he decided, and turned to stroll through the Tuileries Gardens towards the hotel. He went slowly; it was pleasant among the trees, and when a seat in the shadows offered itself he sank down into it.
"I'll sleep all right in the train to-night," he thought, shoving back his cap.
There were children playing somewhere out of sight; their voices came to him in an agreeable tinkle. He crossed one leg over the other and settled himself more comfortably; he had plenty of time to spare now. His eyes closed restfully.
The touch that roused him was a very gentle one, scarcely more than a ghost of a sensation, the mere brush of a dexterous hand that slid as quietly as a shadow along the edge of his jacket pocket and groped into it with long clever fingers, while its owner, sitting beside him on the bench, gazed meditatively before him with an air of complete detachment from that skilled felonious hand. Raleigh, waking without moving, was able for a couple of seconds to survey his neighbor, a slim white-faced youth with a black cotton cap slouched forward over one eye. Then, swiftly, he caught the exploring hand by the wrist and sat up.
"Your mistake," he said crisply. "There's nothing but old letters in that pocket."
The youth at the first alarm tried to wrench loose, writhing in startled effort like a pronged snake, with all his smooth, vicious face clenched in violent fear. Raleigh gave a twisting jerk to the skinny wrist and the struggle was over; the lad uttered a yelp and collapsed back on the seat.
"Be good," warned Raleigh in easy French; "be good, or I'll beat you, d'you hear?"
The youth sniffed, staring at him with eyes in which a mere foolish fear was giving place to cunning. He was a creature flimsy as paper, a mere lithe skinful of bones, in whom the wit of the thief supplied the place of strength. He was making now his hasty estimate of the man he had to deal with.
"Well," demanded Raleigh, "what have you got to say for yourself?"
"Monsieur!" the youth struck into an injured whine. "I meant no harm, but I was desperate; I have not eaten today" his eyes noted the amused contempt on Raleigh's face, and he poised an instant like a man taking aim "and when I saw the lady slip the money into monsieur's pocket while he slept, and reflected that he would never even know that he had lost it."
"Eh?" Raleigh sat up. The thief suppressed a smile. "What lady, espece de fourneau? What are you talking about?"
"It's not a minute ago," replied the youth, discarding the whine. "See, she is perhaps not out of sight yet, if monsieur will look along the path. No, there she goes that one!"
His hand was free now; he was using it to point with; but he made no attempt to escape.
"She approached monsieur while he slept, walking cautiously, and slipped the money it was a five-franc piece, I think into his pocket. Yes, monsieur, that was the pocket."
He smiled patronizingly as Raleigh plunged a hand into the pocket in question, fumbled among the papers there, and drew out the coin and stared at it. He had the situation in hand now; he could get rid of this strong young man as soon as he pleased.
"She is going out of the gate now, monsieur," he said.
Raleigh turned. At the farther end of the path the woman who had been pointed out to him was close to the exit; in a few seconds more she would be gone. He could see of her nothing save her back that and a certain quality of carriage, a gait measured and deliberate.
He threw a word to the thief, who stood by with his hands in his pockets and an air of relishing the situation. "All right; you can go," he said, and started upon the chase of the secret bestower of alms.
"And me?" the outraged thief cried after him in tones of bitterness. "And me? I get nothing, then?"
The serge-clad back was disappearing through the gates into the welter of sunlight without; Raleigh gathered up his feet and sprinted along the tree shaded path. He was going to understand this business. He picked up the view of the serge-clad back again, walking towards the bridge, hastened after it and slowed down to its own pace when he was still some ten yards behind.
"Why, it's a girl!"
Somehow, he had counted upon finding an elderly woman, some charitable eccentric who acquired merit by secret gifts. He saw, instead, a slim girl, neatly and quietly clad, whose profile, as she glanced across the parapet of the bridge, showed pearl-pale in the shadow of her hat, with a simple and almost childlike prettiness of feature. There was something else, too, a quality of the whole which Raleigh, who did not deal in fine shades, had no words to describe to himself. But he saw it, nevertheless a gravity, a character of sad and tragic composure, that look of defeat which is prouder than any victory; it waked his imagination.
"Something wrong!" he said to himself vaguely, and continued to follow.
At the southern end of the bridge she turned her back to the sun and went east along the quay where the second-hand booksellers lounged beside their wares. She neither hurried nor slackened that deliberate pace of hers; Raleigh, keeping well behind, his wits at work acutely, wondered what it reminded him of, that slow trudge over the pavements. It was when the booksellers were left behind that an incident enlightened him.
She stopped for a minute and leaned upon the parapet; he crossed the road to be out of sight in case she should look back. She had been carrying in her hand a purse, and now he saw her open it and apparently search its interior, but idly and without interest as though she knew already what to expect of it. Then she closed it and tossed it over the parapet into the river.
"Ah!" Sudden comprehension rushed upon him; he knew now what that slow, aimless gait suggested to him. He recalled evenings in London, when he walked or drove through the lit streets and saw, here and there, the figures of those homeless ones who walked walked always, straying forward in a footsore progress till the night should be ripe for them to sit down in some corner. And then, that shadow in her face, that mouth, tight-held but still drooping; her way of looking at the river! His hand, in his pocket, closed over the five-franc piece which she had dropped there; he started across the road to accost her forthwith, but at that moment she moved on again, and once more he fell into step behind her.
There is a point, near the Ile de la Cite, where the Seine projects an elbow; the quay goes round in a curve under high houses; a tree or two overhangs the water, and there is a momentary space of quiet, almost a privacy at the skirts of bristling Paris. Here, commonly, men of leisure sit through the warm hours, torpidly fishing the smooth green depth of water below; but now there was none. The girl followed the elbow round and stopped at the angle of it. She leaned her arms on the coping and gazed down at the quiet still water below.
She was looking at it with such a preoccupation that Raleigh was able to come close to her before he spoke. He, too, put an arm on the parapet at her side.
"Looks peaceful, doesn't it?" he said quietly.
The girl's head rose with a jerk, and she stared at him, startled. The words had been deftly chosen to match her own thoughts; and for the while she failed to recognize in this tall young man the sprawling figure of the slumberer in the Tuileries Gardens.
"I, I who are you?" she stammered. "What do you want?"
He was able to see now that her pale composure was maintained only by an effort, that the strain of it was making her tremble. He answered in tones of careful conventionality.
"I'm afraid I startled you," he said. "I'm sorry. I shouldn't have ventured to speak to you at all if you hadn't--" He paused. "You don't happen to remember me at all?" he asked.
"No," said Annette. "If I hadn't, what?"
He slipped a hand into his pocket and drew forth the five-franc piece. The broad palm it lay on was still grimy from the workshop.
"I happened to fall asleep in the Tuileries this afternoon," he said. "Idiotic thing to do, but--."
"Oh!" The color leapt to her face. "Was that you?"
Raleigh nodded. "You had hardly moved away when a man who had been watching you tried to pick my pocket and woke me in doing so. He told me what he'd seen and pointed you out."
Annette gazed at him in tired perplexity. When he was on his feet, the condition of his clothes and hands and the absurd black patch on his chin were noticeable only as incongruities; there was nothing now to suggest the pauper or the outcast in this big youth with the pleasant voice and the strongly tanned face.
"I, I made a mistake," she said. "I saw you sleeping on the bench and I thought a little help, coming from nowhere like that you'd be so surprised and glad when you found it." She sighed. "However, I was wrong. I'm sorry."
"I'm not!" Raleigh put the money back in his pocket swiftly. "I think it was a wonderful idea of yours; it's the most splendid thing that ever happened to me. There was I, grumbling and making mistakes all day, playing the fool and pitying myself, and all the time you were moving somewhere within a mile or two, out of sight, but watching and saying: 'Yes, you're no good to anybody; but if the worst comes to the worst you shan't starve. I'll save you from that!' I'll never part with that money."
Annette shook her head; weariness inhabited her like a dull pain. "I didn't say that" she answered; "you weren't starving, and you don't understand. It doesn't matter, anyhow."
"Please," said Raleigh. He saw that she wanted to get rid of him, and he had no intention of letting her do so. "It matters to me, at any rate. But there is one thing I didn't understand."
She did not answer, gazing over her clasped hands at the water, across whose level the spires and chimneys of the city bristled like the skyline of a forest.
"It was while I was following you here, wondering whether I might speak to you," he continued. "I was watching you as you went, and it seemed to me that you were well, unhappy; in trouble or something. And then, back there on the quay, I saw you open your purse and throw it into the river."
He paused. "There was a hole in it," said Annette shortly, without turning her head.
"But" he spoke very quietly "you are in trouble? Yes, I know I'm intruding upon you" she had moved her shoulders impatiently "but haven't you given me just the shadow of a right? Your gift it might have saved my life if I'd been what you thought; I might have fetched up in the Morgue before morning. Men do, you know, every day women, too!" Her fingers upon the parapet loosened and clasped again at that. "You can't tie me hand and foot with such an obligation as that and leave me plante la."
"Oh!" Annette sighed. "It's nothing at all," she said. "But, as you want so much to know I'm a typist; I'm out of work; I've been looking for it all day, and I'm disappointed and very tired."
"And that's really all?" demanded Raleigh.
"All!" She turned to look at him at last, meeting his steady and penetrating eyes quietly. She had an impulse to tell him what was comprehended in that "all"; to speak deliberately plain words that should crumple him into an understanding of her tragedy. But even while she hesitated there came to her a sense that he knew more than he told; that the grey eyes in the red-brown face had read more of her than she was willing to show. She subsided.
"Yes, that's all," she said.
He nodded, a quick and business-like little jerk of the head. "I see. I've been worrying you, I'm afraid; but I'm glad I made you tell, because I can put that all right for you at once, as it happens."
The girl, leaning on the wall, drew in a harsh breath and turned to him. Young Raleigh, who had written a monograph on engineering stresses, had still much to learn about the stresses that contort and warp the souls of men and women. He learned some of it then, when he saw the girl's face deaden to a blanker white and the flame of a hungry hope leap into her eyes. He looked away quickly.
"You mean you can?"
He hushed her with his brisk and matter-of-fact little nod.
"I mean I can find you a situation in a business office as a typist," he said explicitly. "Wasn't that what you wanted?"
"Yes, yes." She was trembling; he put one large, grimy hand upon her sleeve to steady her. "Oh, please, where is the office? I'll go there at once, before."
"Hush!" he said. "It's all right. We'll get a taxi and I'll take you there. It's the Machine-Tool and Gear-Cutting Company; I don't know what they pay, but--."
"Anything," moaned Annette. "I'll take anything."
"Well, it's more than that," he smiled. "A typist with Raleigh and Son at her back isn't to be had every day of the week."
A taxicab drifted out of a turning on to the quay a hundred yards away; Raleigh waved a long arm and it came towards them.
"And after we've fixed this little matter," suggested Raleigh, "don't you think we might go somewhere and feed? I can get a sketchy kind of wash at the office while you're talking to the manager; and I'm beginning to notice that I didn't have my lunch to-day."
"I didn't either," said Annette, as the taxi slid to a standstill beside them. "But, oh! you don't know you don't know all you're doing for me. I'll never be able to thank you properly."
Raleigh opened the door of the cab for her. "You can try," he said. "I'm in Paris for three days every fortnight."
The taxicabs of Paris include in their number the best and the worst in the world. This was one of the latter; a moving musical-box of grinding and creaking noises. But Annette sank back upon its worn and knobly cushions luxuriously, gazing across the sun-gilt river to the white, window-dotted cliffs of Paris with the green of trees foaming about their base.
"Oh, don't you love Paris?" she cried softly.
"I do," agreed Raleigh, warmly, watching the soft glow that had come to her face. "I can't keep away from it."
IX
THE DARKENED PATH
The captain reached a hand forth and touched the mate's arm.
"Sit down, James," he said quietly.
The mate made a curious quick grimace and sat forthwith. "Shove off," ordered the captain.
Johnny Cos, the yellow, woolly-haired boatman, plying his oars, sat perforce in face of his passengers and close to them. He would have preferred it otherwise; there had been something in the mate's face which daunted him. He glanced at it again furtively as he pulled away from the square-sterned American schooner which had ridden over the bar in the twilight of dawn and anchored, spectral and strange, in Beira Harbor. The mate's face was strong and sunburnt, the face of a man of lively passions and crude emotions; but as he sat gazing forth at the little hectic town across the smooth harbor, it had a cast of profound and desperate unhappiness. Johnny Cos had not words to tell himself what he saw; he only knew, with awe and a certain amount of fear, that he moved in the presence of something tragic.
"James," began the captain again.
The mate withdrew his miserable eyes from the scene. "What?"
"There ain't any reason why" began the captain, and paused and Hooked doubtfully upon the faithful Johnny Cos. "D'you speak English?"
"Yes, sar," replied Johnny, ingratiatingly. "You want good 'otel, Cap'n? Good, cheap 'otel? I geeve you da card; 'Otel Lisbon, sar. All cap'n go there."
"No," said the captain shortly. "We can talk better when we get ashore, James," he added to the mate.
"Ver' good 'otel, Cap'n; ver' cheap" coaxed Johnny Cos. "You want fruit, Cap'n: mango, banan', coconut, orange, grenadeel, yes? I geeve you da card, Cap'n ver' cheap!"
"That'll do," said the captain. "I don't want anything. Get a move on this boat o' yours, will you?"
Johnny Cos sighed and resigned himself to row in silence, only murmuring at intervals: "'Otel Lisbon; good, ver' good, an' cheap!" When that murmur, taking courage to grow audible, drew the mate's eye upon him, he stopped short in the middle of it and murmured no more.
"You c'n wait to take me aboard again," said the captain, when the wharf was reached; and the two men went slowly together into the town, along the streets of ankle-deep sand, towards the office of the consul.
It was an hour later that the loafers on the veranda of the Savoy Hotel observed their slow approach. They had done whatever business they had with the consul. They were deep in talk; the captain's grizzled head was bent toward his shorter companion, and something of the mate's trouble reflected itself in his hard, strongly-graven face. In the merciless deluge of sunlight, and upon the openness of the street, they made a singular grouping; they seemed to be, by virtue of some matter that engrossed and governed them, aloof and remote, a target set up by Destiny.
By the steps of the hotel the captain paused, wiping the shining sweat from his face. The eavesdroppers in the long chairs cocked their ears.
"James," they heard him say; "it's bad, it's just as bad as it can be. But it ain't no reason to go short of a drink with a saloon close handy."
He motioned with his head towards the shade of the long veranda, with the bar opening from it and its bottles in view. The mate, frowning heavily, nodded, and the pair of them entered and passed between the wicker chairs with the manner of being unconscious of their occupants.
From within the bar their voices droned indistinctly forth to the listeners.
"Leavin' you here," they heard the captain say; "James, I'm sorry right through; but you said yourself."
"Sure;" the mate's voice answered hoarsely. "Here or Hell or anywhere, what's the difference to me now?"
After that they moved to the window, and what they said further was indistinguishable. The loafers on the veranda exchanged puzzled looks; they lacked a key to the talk they had heard. When at last the two seamen departed they summoned forth the barman for further information. But that white-jacketed diplomat, who looked on from the sober side of the bar at so much that was salient to the life of Beira was not able to help them.
"I couldn't make out what was troublin' them," he said, playing with the diamond ring on his middle finger. "They was talking round and round it, but they never named it right out. But it seems the younger one has been paid off. He looks bad, he does."
"Well," said a man of experience from his chair; "he'll be drunk tonight, and then we'll hear."
"H'm!" The barman paused on his way back to his post. "When I see that feller drunk, I'm goin' to climb a tree. I got no use for trouble."
But the mate's conduct continued to be as unusual as his words overheard on the hotel veranda. He did not accompany the captain back to the ship, and in the afternoon he was seen sitting on the parapet of the sea-wall, his face propped in his hands, staring out across the shining water of the harbor. The vehement sun beat down upon his blue-coated back and the hard felt hat that covered his head; he should have been in an agony of discomfort and no little danger, clad as he was; but he sat without moving, facing the water and the craft that lay at their anchors upon it. It was Father Bates, the tall Scottish priest, who saw him and crossed the road to him.
"My friend," the priest accosted him, with a light tap on the shoulder. "You'll die the sooner if you take your hat off. But you'll die anyhow if you go on sitting here."
At his touch the mate looked round sharply. The tall white-clad Father, under his green-lined sun umbrella, rested a steady look on his face.
"You're in trouble, I'm afraid," said the priest. "Is there anything a man can do for you?"
"No!" The word came hoarsely but curt from the mate's throat. "Leave me alone!"
The tall priest nodded. "Nothing a man can do, eh?" he said. "Well, then you know who can help you, don't you?"
The miserable rebellious eyes of the young man hardened.
"Leave me alone," he growled. "Say, you're a kind of a missionary, ain't you? Well, I don't want none of your blasted cant, see?"
The Father smiled. "I know how you feel. My name is Father Bates, and anyone will show you where I live. Bates don't forget! And I really wouldn't sit much longer in that sun, if I were you."
A sound like a snarl was his answer as he passed on. Looking back before he turned the corner, he saw that the mate had returned to his old posture, brooding in his strange and secret sorrow over the irresponsive sea.
He was still there at sunset when the schooner went out, holding himself apart from the little group of Beira people who halted to watch her departure. Upon her poop a couple of figures were plain to sight, and one of these waved a hand towards the shore as though to bid farewell to the man they left behind. The mate, however, made no response. He watched unmoving while she approached the heads and glided from view, her slender topmasts lingering in sight over the dull green of the mangroves, with the sunset flush lighting them delicately. Then she was gone, like a silent visitor who withdraws a presence that has scarcely been felt.
The mate crossed the road and addressed the man who stood nearest.
"Where's the deepo?" he demanded, abruptly. "The railway station."
The other gave directions which the mate heard, frowning. Then, without thanking his guide, he turned to walk heavily through the foot-clogging sand in the direction indicated.