Part 8
With a more familiar acquaintance this impression does not diminish, but increases. Especially to one who shall make his way painfully on foot for three long days from the mountains to the mountains again, who shall toil over the great bare plain, who shall cross by some bridge over Ebro and look down, it may be, at a trickle of water hardly moving in the midst of a broad, stony bed, or it may be at a turbid spate roaring a furlong broad after the rains--in either case unusable and utterly unfriendly to man; who shall hobble from little village to little village, despairing at the silence of men in that silent land and at their lack of smiles and at the something fixed which watches one from every wall; who shall push on over the slight wheel-tracks which pass for roads--they are not roads--across the infinite, unmarked, undifferenced field; to one who has done all these things, I say, getting the land into his senses hourly, there comes an appreciation of its wilful silence and of its unaccomplished soul. That knowledge fascinates, and bids him return. It is like watching with the sick who were thought dead, who are, in your night of watching, upon the turn of their evil. It is like those hours of the night in which the mind of some troubled sleeper wakened can find neither repose nor variety, but only a perpetual return upon itself--but waits for dawn. Behind all this lies, as behind a veil of dryness stretched from the hills to the hills, for those who will discover it, the intense, the rich, the unconquerable spirit of Spain.
XXI
THE LITTLE RIVER
Men forget too easily how much the things they see around them in the landscapes of Britain are the work of men. Most of our trees were planted and carefully nurtured by man's hand. Our ploughs for countless centuries have made even the soil of the plains the lines of a great view; its groups of hedge and of building, of ridge and of road are very largely the creation of that curious and active breed which was set upon this dull round of the earth to enliven it--which, alone of creatures, speaks and has foreknowledge of death and wonders concerning its origin and its end. It is man that has transformed the surface and the outline of the old countries, and even the rivers carry his handiwork.
There is a little river on my land which very singularly shows the historical truth of what I am here saying. As God made it, it was but a drain rambling through the marshy clay of tangled underwood, sluggishly feeling its way through the hollows in general weathers, scouring in a shapeless flood after the winter rains, dried up and stagnant in isolated pools in our hot summers. Then, no one will ever know how many centuries ago, man came, busy and curious, and doing with his hands. He took my little river; he began to use it, to make it, and to transform it, and to erect of it a human thing. He gave to it its ancient name, which is the ancient name for water, and which you will find scattered upon streams large and small from the Pyrenees up to the Northern Sea and from the West of Germany to the Atlantic. He called it the Adur; therefore pedants pretend that the name is new and not old, for pedants hate the fruitful humour of antiquity.
Well, not only did man give my little river (an inconceivable number of generations ago) the name which it still bears, but he bridged it and he banked it, he scoured it and he dammed it, until he made of it a thing to his own purpose and a companion of the countryside.
With the fortunes of man in our Western and Northern land the fortunes of my little river rose and fell. What the Romans may have done with it we do not know, for a clay soil preserves but little--coins sink in it and the foundations of buildings are lost.
In the breakdown which we call the Dark Ages, and especially perhaps after the worst business of the Danish Invasion, it must have broken back very nearly to the useless and unprofitable thing it had been before man came. The undergrowth, the little oaks and the maples, the coarse grass, the thistle patches, and the briars encroached upon tilled land; the banks washed down, floods carried away the rotting dams, the waterwheels were forgotten and perished. There seem to have been no mills. There is no good drinking water in that land, save here and there at a rare spring, unless you dig a well, and the people of the Dark Ages in Britain, broken by the invasion, dug no wells in the desolation of my valley.
Then came the Norman: the short man with the broad shoulders and the driving energy, and that regal sense of order which left its stamp wherever he marched, from the Grampians to the Euphrates. He tamed that land again, he ploughed the clay, he cut the undergrowth, and he built a great house of monks and a fine church of stone where for so long there had been nothing but flying robbers, outlaws, and the wolves of the weald.
To my little river the Norman was particularly kind. He dug it out and deepened it, he bridged it again and he sluiced it; it brimmed to its banks, it was once more the companion of men, and, what is more, he dug it out so thoroughly all the twenty miles to the sea that he could even use it for barges and for light boats, so that this head of the stream came to be called Shipley, for goods of ships could be floated, when all this was done, right up to the wharf which the Knight Templars had built above the church to meet the waters of the stream.
All the Middle Ages that fruitfulness and that use continued. But with the troubles in which the Middle Ages closed and in which so much of our civilisation was lost, the little river was once more half abandoned. The church still stood, but stone by stone the great building of the Templars disappeared. The river was no longer scoured; its course was checked by dense bush and reed, the wild beasts came back, the lands of the King were lost. One use remained to the water--the Norman's old canalisation was forgotten and the wharf had slipped into a bank of clay, and was now no more than a tumbled field with no deep water standing by. This use was the use of the Hammer Ponds. Here and there the stream was banked up, and the little fall thus afforded was used to work the heavy hammers of the smithies in which the iron of the countryside was worked. For in this clay of ours there was ironstone everywhere, and the many oaks of the weald furnished the charcoal for its smelting. The metal work of the great ships that fought the French, many of their guns also, and bells and railings for London, were smithied or cast at the issue of these Hammer Ponds. But coal came and the new smelting; our iron was no longer worked, and the last usefulness of the little river seemed lost.
Then for two generations all that land lay apart, the stream quite choked or furiously flooding, the paths unworkable in winter: no roads, but only green lanes, and London, forty miles away, unknown.
The last resurrection of the little river has begun to-day. The railway was the first bringer of good news (if you will allow me to be such an apologist for civilisation); then came good hard roads in numbers, and quite lately the bicycle, and, last of all, the car. The energy of men reached Adur once again, and once again began the scouring and making of the banks and the harnessing of the water for man; so that, though we have not tackled the canal as we should (that will come), yet with every year the Adur grows more and more of a companion again. It has furnished two fine great lakes for two of my neighbours, and in one place after another they have bridged it as they should, and though clay is a doubtful thing to deal with they have banked it as well.
The other day as I began a new and great and good dam with sluices and with puddled clay behind oak boards and with huge oak uprights and oaken spurs to stand the rush of the winter floods, I thought to myself, working in that shimmering and heated air, how what I was doing was one more of the innumerable things that men had done through time incalculable to make the river their own, and the thought gave me great pleasure, for one becomes larger by mixing with any company of men, whether of our brothers now living or of our fathers who are dead.
This little river--the river Adur before I have done with it--will be as charming and well-bred a thing as the Norman or the Roman knew. It shall bring up properly to well-cut banks. These shall be boarded. It shall have clear depths of water in spite of the clay, and reeds and water lilies shall grow only where I choose. In every way it shall be what the things of this world were made to be--the servant and the instrument of Man.
XXII
SOME LETTERS OF SHAKESPEARE'S TIME
_From Lord Mulberry to his sister, Mrs. Blake_
MY DEAR VICTORIA,--Yes, by all means tell your young friend Mr. Shakespeare that he can come to Paxton on Saturday. As you say that he can't get away until the later train I will have Perkins meet him from the village. I don't suppose he rides, but I can't mount him anyhow. I hope there is no trouble about Church on Sunday.
_From Mrs. Myers to Lady Clogg_
One thing I _am_ looking forward to, dear, is this little coon Shakespeare. Victoria told me about him. She says sometimes he will play and sometimes he won't play. But _she_ says he's quiet in harness just now. It seems that sometimes he talks all of a sudden. And one can get him to _sing_! Anyhow I _do_ want to see what he's like.
(_The rest of this letter is about other matters._)
_From Messrs. Hornbull and Sons to William Shakespeare Esq._
SIR,--We have now sent in our account three times, and the last time with a pressing recommendation that you should settle it, but you have not honoured us by any reply. We regret to inform you that if we do not receive a cheque by Wednesday the 22nd inst. we shall be compelled to put the matter into other hands.
_From John Shakespeare to his mother, Mrs. Shakespeare_
DEAREST MAMMA,--I am afraid Billie really can't pay that money this week. He was awfully apologetic about it and I gave him a good talking to, but if he hasn't got it he hasn't. After all it isn't absolutely necessary until the 30th.
_From Jonathan Truelove Esq. to William Shakespeare Esq._
DEAR OLD CHAP,--I am going to do something very unconventional, but we know each other well enough I think. Can you let me have the £5 I lent you two years ago? I have to get in every penny I can this week, suddenly. If you can't don't bother to answer, I am not going to press you.
_From Sir Henry Portman, Attorney General, to the Secretary of the Crown Prosecutor_
DEAR JIM,--No, I can't manage to get round to the Ritz this evening. Mary says that she wants Johnnie to leave Dresden. What inconceivable rubbish! Why can't she let him stay where he is? You might as well drown yourself as leave Dresden. What on earth could it lead to?
By the way, do choke off that silly ass Bates, if he is still worrying about Shakespeare. No one wants anything done, and No. 1 would be awfully angry if there was a prosecution. Rather than allow it I would find the money myself.
Yours, H. P.
_From James Jevons and Co. Publishers, to William Shakespeare Esq._
DEAR SIR,--Our attention has been called to your work by our correspondent in Edinburgh, and he asks us whether we think you could see your way to something dealing with Scottish history. He does not want it cast in the form of a play, for which he says there will be no sale with the Scottish public, seeing the exceedingly English cast of your work, but if you could throw it into Ballad form he thinks something could be done with it.
Of course such things can never be remunerative at _first_. The Edinburgh firm for whom he writes propose to buy sheets at 4½d. or 5d. and to give a royalty of 10 per cent. to be equally divided between our firm and yourself. They could not go beyond 500 copies for the first edition. It may be worth your while, in spite of the trifling remuneration, to consider this offer in order to secure copyright and to prevent any pirating of future editions in Scotland. Pray advise.
We are, Your obedient servants, JAMES JEVONS AND CO.
_From Messrs. Firelight, Agents, to William Shakespeare Esq._
DEAR MR. SHAKESPEARE,--We have had a proposal from Messrs. Capon in the matter of your collected Poems. As you know, verse is not just now much in demand with the public, and they could not manage an advance on royalties. They propose 10 per cent. on a 5s. book after the first 250 copies sold. The honorarium is, of course, purely nominal, but it might lead to more business later on. Could you let us know your views upon the matter?
Very faithfully yours, _pro_ FIRELIGHT AND CO. C. G.
_From Clarence de Vere Chalmondeley to William Shakespeare Esq._
DEAR SIR,--Having certain sums free for investment, I am prepared to lend, not as a money-lender but as a private banker, sums from £10 to £50,000, on note of hand alone, without security. No business done with minors.
Very faithfully yours, CLARENCE DE VERE CHALMONDELEY.
_From William Shakespeare to Sir John Fowless_ (_scribbled hastily in pencil_)
I will try and come if I can, but it's something awful. I only got my proofs read by 2 o'clock in the night; I had to do my article for _The Owl_ before 10 this morning, then I have got to go and meet the Church Defence League people on my way to the station, and catch a train to a place where Mrs. Blake wants me to go somewhere in the Midlands, about 5. I think I can look in on my way to the station.
That man you asked me to see about the brandy is a fraud. Would you, like a good fellow, tell Charlie _not to forget to mention in his article that "Hamlet" will only be played on Tuesdays and Fridays in the afternoon, matinées_. Don't forget this because people want to know when it is going to be. There was a very good notice in _The Jumper_. I do feel so ill.
W. S.
_From S. Jennings, Secretary, to George Mountebank Esq._
DEAR SIR,--Mr. Shakespeare is at present away from home and will return upon Thursday, when I will immediately lay your MSS. before him.
I am, Very faithfully yours, S. JENNINGS, Secretary.
_From Mr. Mustwrite of Warwick to William Shakespeare Esq._
DEAR MR. SHAKESPEARE,--I have never met you, and perhaps you will think it a great impertinence on my part to be writing as I do. But I must write to tell you the deep and sincere pleasure I have received from your little brochure "Venus and Adonis," which the Rev. William Clarke, our Clergyman, lent me only yesterday. I read it through at a sitting and I could not rest until I had written to tell you the profound spiritual consolation I derived from its perusal.
I am, dear Mr. Shakespeare, Very much your admirer, GEORGE MUSTWRITE.
_To William Shakespeare Esq._ (_unsigned, and written in capital letters rather irregularly_)
No doubt you think yourself a fine fellow and the friend of the working man--I don't think! Some of us know more about you than you think we do. I erd you at the Queen's Hall and you made me sick. You aren't fit to black the boots of the man you talked against.
_To William Shakespeare Esq._, O.H.M.S. (_printed_)
SIR,--In pursuance with the provisions of Her Majesty's Benevolent Act, you are hereby required to prepare a true and correct statement of your emoluments from all forms of (in writing) literary income, duly signed by you within 21 days from this date. If, however, you elect to be assessed by the District Commissioners under a number or a letter, &c. &c. &c.
_From the Earl of Essex to W. Shakespeare Esq._ (_lithographed_)
DEAR SIR,--I have undertaken to act as Chairman this year of the Annual Dinner of the League for the Support of Insufficiently Talented Dramatic Authors. You are doubtless acquainted with the admirable objects of &c. &c. I hope I may see your name among the stewards whose position is purely honorary, and is granted upon payment of five guineas, &c. &c. This laudable &c. &c.
Very faithfully yours, ESSEX.
_From Mrs. Parxinson to William Shakespeare Esq._
DEAR MR. SHAKESPEARE,--Can you come and talk for our Destitute Pick Pockets Association on Thursday the 18th? I know you are a very busy man, but I always find it is the most busy men, who somehow manage to find time for charitable objects. If you can manage to do so I would send my motor round for you to Pilbury Row, and it would take you out to Rickmansworth where the meeting is to be. I am afraid it cannot take you back, but there is a convenient train at 20 minutes to 8, which gets you into London a little after 9 for dinner, or, if that is too late you might catch the 6.30, which gets you in at 8.15, only that will be rather a rush. My daughter tells me how much she admired your play, _Macduff_, and very much wants to see you.
_From the Duchess of Dump to William Shakespeare Esq._
DEAR MR. SHAKESPEARE,--I want to ask you a really _great_ favour. Could you come to my Animals Ball on the 4th of June dressed up as a gorilla? I _do_ hope you can. We have to tell people what costumes they are to wear for fear that they should duplicate. Now _don't_ say no. It's years since we met. Last February wasn't it?
Yours ever, CAROLINE DUMP.
_Printed on Blue Paper with the Royal Arms_
In the name of the Queen's grace, OYEZ!
WHEREAS there has appeared before Us Henry Holt a Commissioner of the Queen's, &c. &c.
AND WHEREAS the said Henry Holt maketh deposition that he has against you (_in writing_) _William Shakespeare_, a claim for the sum of (_in writing_) _£27 2s. 1d._, now we hereby notify you that you are summoned to appear before us, &c. &c., upon (_in writing_) _Wednesday the 25th of May_ in the Year of Our Lord (_in writing_) _1601_, given under the Common Seal this (_in writing_) _second day of May 1601_.
HENRY HOLT, a Commissioner of the Queen's &c. &c.
XXIII
ON ACQUAINTANCE WITH THE GREAT
It is generally recognised in this country that an acquaintance more or less familiar with the Great, that is, with the very wealthy, and preferably with those who have been wealthy for at least one generation, is the proper entry into any form of public service.
I am in a position to advance for the benefit of younger men of my own social rank, certain views which I think will not be unprofitable to them in this matter.
I will suppose my reader to be still upon the right side of thirty; to be the son of some professional man; to have been kept, at the expense of some anxiety to his parents, for five years or so at a public school, and to have proceeded to the University upon a loan.
With such a start he cannot fail, if he is in any way lively or amiable, to have made the acquaintance by the age of twenty-two of a whole group of men whose fathers may properly be called "The Great," and who themselves will inherit a similar distinction, unless they die prematurely of hard living or hereditary disease.
After such a beginning, common to many of my readers, the friendship and patronage of these people would seem to be secure; and yet we know from only too many fatal instances that it is nothing of the kind, and that of twenty young men who have scraped up acquaintance with their betters at Winchester or Magdalen (to take two names at random) not two are to be found at the age of forty still familiarly entering those London houses, which are rated at over £1000 a year.
The root cause of such failures is obvious enough.
The advantage of acquaintance with wealthy or important people would, so far as general opportunities go, be lost if one did not advertise it; and here comes in a difficulty which has wrecked innumerable lives. For by a pretty paradox with which we are all of us only too well acquainted, the wealthy and important are particularly averse to the recitation of acquaintance with themselves.
Formerly--about seventy years ago--your man who would succeed recited upon the slightest grounds, in public and with emphasis, his friendship with the Great. It was one of Disraeli's methods of advancement. The Great discovered the crude method, denounced it, vilified it, and towards the year 1860 it had already become impossible. William tells me he remembers his dear father warning me of this.
Those who would advance in the next generation were compelled to abandon methods so simple and to take refuge in allusion. Thus a young fellow in the late sixties, the seventies, and the very early eighties was helped in his career by professing a profound dislike for such and such a notability and swearing that he would not meet him. For to profess dislike was to profess familiarity with the world in which that notability moved.
Or, again, to analyse rather curiously, and, on the whole, unfavourably, the character of some exceedingly wealthy man, was a method that succeeded well enough in hands of average ability. While a third way was to use Christian names, and yet to use them with a tone of indifference, as though they belonged to acquaintances rather than friends.
But the Great are ever on the alert, and this habit of allusion was in its turn tracked down by their unfailing noses; so that in our own time it has been necessary to invent another. I do not promise it any long survival, I write only for the moment, and for the fashions of my time, but I think a young man is well advised in this second decade of the twentieth century to assume towards the Great an attitude of silent and sometimes weary familiarity, and very often to pretend to know them less well than he does.
Thus three men will be in a smoking room together. The one, let us say, will be the Master of the King's Billiard Room, an aged Jew who has lent money to some Cabinet Minister; the second a local squire, well-to-do and about fifty years of age; the third is my young reader, whose father, let us say, was a successful dentist. The Master of the King's Billiard Room will say that he likes "Puffy." The squire will say he doesn't like him much because of such and such a thing; he will ask the young man for his opinion. Now, in my opinion, the young man will do well at this juncture to affect ignorance. Let him deliberately ask to have it explained to him who Puffy is (although the nickname may be familiar to every reader of a newspaper), and on hearing that it is a certain Lord Patterson he should put on an expression of no interest, and say that he has never met Lord Patterson.
Something of the same effect is produced when a man remains silent during a long conversation about a celebrity, and then towards the end of it says some really true and intimate thing about him, such as, that he rides in long stirrups, or that one cannot bear his double eyelids or that his gout is very amusing.
Another very good trick, which still possesses great force, is to repudiate any personal acquaintance with the celebrity in question, and treat him merely as some one whom one has read of in the newspapers; but next, as though following a train of thought, to begin talking of some much less distinguished relative of his with the grossest possible familiarity.
A common and not ineffective way (which I mention to conclude the list) is to pretend that you have only met the Great Man in the way of business, at large meetings or in public places, where he could not possibly remember you, and to pretend this upon all occasions and very often. But this method is only to be used when, as a matter of fact, you have not met the celebrity at all.
As for letting yourself be caught unawares and showing a real and naïf ignorance of the Great, that is not only a fault against which I will not warn you, for I believe you to be incapable of it, but it is also one against which it is of no good to warn any one, for whoever commits it has no chance whatsoever of that advancement which it is the object of these notes to promote.