Theodore Watts-Dunton: Poet, Novelist, Critic

did. His personal appearance was exactly like that of Philip Aylwin,

Chapter 7788 wordsPublic domain

as described in the novel. Although he never wrote poetry, he translated, I believe, a good deal from the Spanish and Portuguese poets. I remember that he was an extraordinary admirer of Shelley. His knowledge of Shakespeare and the Elizabethan dramatists was a link between him and Mr. Swinburne.

At a time when I was a busy reader at the British Museum reading room, I used frequently to see him, and he never seemed to know anyone among the readers except myself, and whenever he spoke to me it was always in a hushed whisper, lest he should disturb the other readers, which in his eyes would have been a heinous offence. For very many years he had been extremely well known to the second-hand booksellers, for he was a constant purchaser of their wares. He was a great pedestrian, and, being very much attached to the north of London, would take long, slow tramps ten miles out in the direction of Highgate, Wood Green, etc. I have a very distinct recollection of calling upon him in Myddelton Square at the time when I was living close to him in Percy Circus. Books were piled up from floor to ceiling, apparently in great confusion; but he seemed to remember where to find every book and what there was in it. It is a singular fact that the only person outside those I have mentioned who seems to have known him was that brilliant but eccentric journalist, Thomas Purnell, who had an immense opinion of him and used to call him 'the scholar.' How Purnell managed to break through the icy wall that surrounded the recluse always puzzled me; but I suppose they must have come across one another at one of those pleasant inns in the north of London where 'the scholar' was taking his chop and bottle of Beaune. He was a man that never made new friends, and as one after another of his old friends died he was left so entirely alone that, I think, he saw no one except Mr. Swinburne, the author of 'Aylwin,' and myself. But at Christmas he always spent a week at The Pines, when and where my father and I used to meet him. His memory was so powerful that he seemed to be able to recall, not only all that he had read, but the very conversations in which he had taken a part. He died, I think, at a little over eighty, and his faculties up to the last were exactly like those of a man in the prime of life. He always reminded me of Charles Lamb's description of George Dyer.

Such is my outside picture of this extraordinary man; and it is only of externals that I am free to speak here, even if I were competent to touch upon his inner life. He was a still greater recluse than the 'Philip Aylwin' of the novel. I think I am right in saying that he took up one or two Oriental tongues when he was seventy years of age. Another of his passions was numismatics, and it was in these studies that he sympathized with the author of 'Aylwin's' friend, the late Lord de Tabley. I remember one story of his peculiarities which will give an idea of the kind of man he was. He had a brother, Mr. William K. Watts, who was the exact opposite of him in every way--strikingly good-looking, with great charm of manner and savoir faire, but with an ordinary intellect and a very superficial knowledge of literature, or, indeed, anything else, except records of British military and naval exploits--where he was really learned. Being full of admiration of his student brother, and having a parrot-like instinct for mimicry, he used to talk with great volubility upon all kinds of subjects wherever he went, and repeat in the same words what he had been listening to from his brother, until at last he got to be called the 'walking encyclopaedia.' The result was that he got the reputation of being a great reader and an original thinker, while the true student and book-lover was frequently complimented on the way in which he took after his learned brother. This did not in the least annoy the real student, it simply amused him, and he would give with a dry humour most amusing stories as to what people had said to him on this subject." {60}

Balzac might have made this singular anecdote the nucleus of one of his stories. I may add that the editor of 'Notes and Queries,' Mr. Joseph Knight, knew James Orlando Watts, and he has stated that he 'can testify to the truth' of Mr. Hake's 'portraiture.'