Category: Plays/Films/Dramas

"Their Majesties' Servants." Annals of the English Stage (Volume 1 of 3)

The period of the origin of the drama is an unsettled question, but it has been fixed at an early date, if we may accept the theory of a recent writer, who suggests that Moses described the Creation from a visionary pictorial representation, which occupied seven days from the...

Chapters

22. CHAPTER XVIII.

At this period it was evident that the stage was about to lose its greatest tragedian since the death of Betterton. Booth was stricken past recovery, and all the mirth caused by...

17. CHAPTER XIII.

Nevertheless, the theatres had not proved profitable. The public greeted acrobats with louder acclaim than any poet. King William cared more to see the feats of Kentish Patagoni...

7. CHAPTER III.

The Theatre Royal, Drury Lane, is the "sacred ground" of the English drama since the restoration of monarchy. At the Cockpit (Pit Street remains a memory of the place), otherwis...

21. CHAPTER XVII.

Quin made great advances in the public favour in the season of 1718-19, at Lincoln's Inn, where, however, as yet, he only shared the leading business in tragedy and comedy with...

5. CHAPTER I.

The period of the origin of the drama is an unsettled question, but it has been fixed at an early date, if we may accept the theory of a recent writer, who suggests that Moses d...

13. CHAPTER IX.

It is a curious fact, that the number of dramatic writers between the years 1659-1700, inclusive, exceeds that of the actors. A glance at the following list will show this.

16. CHAPTER XII.

Speedily after the Restoration, there was no more constant visitor at the theatre than Charles II., with a gay, and what is called a gallant, gathering. Thus we are arrested by...

9. CHAPTER V.

The diaries, biographies, journals, and traditions of the time will enable us, with some little aid from the imagination, not only to see the actor, but the social aspects amid...

14. CHAPTER X.

The men who took up dramatic authorship seriously as a vocation, during the last half of the seventeenth century, amount to something more than two dozen. They begin with Davena...

6. CHAPTER II.

It was in the eventful year 1587,[12] while Roman Catholics were deploring the death of Mary Stuart; while Englishmen were exulting at the destruction dealt by Drake to a hundre...

12. CHAPTER VIII.

On the 16th November 1682, the United Company, the flower of both houses, opened their season at the Theatre Royal, in Drury Lane. The theatre in Dorset Gardens was only occasio...

19. CHAPTER XV.

Naturally and justifiably jubilant is Colley Cibber when giving the history of the united companies. That union led to a prosperity of twenty years, though the union itself did...

20. CHAPTER XVI.

"Augustus," as it was the fashion to call George I., by performing a justifiable act, inflicted some injury this year, by restoring the Letters Patent of Charles II. to Christop...

8. CHAPTER IV.

Of the King's Company, under Killigrew--Hart, Burt, and Clun have already been noticed as players who commenced their career by acting female parts. Of the other early members o...

10. CHAPTER VI.

After Betterton, there was not, in the Duke's Company, a more accomplished actor than Harris. He lived in gayer society than Betterton, and cared more for the associates he foun...

11. CHAPTER VII.

The "great Mrs. Barry," the _Handbook of London_ tells us, lies buried in Westminster Cloisters. I did not there look for her tomb. To come at the grave of the great actress, I...

15. CHAPTER XI.

During this half century, there were seven ladies who were more or less distinguished as writers for the stage. These were the virtuous Mrs. Philips, the audacious Aphra Behn, t...

18. CHAPTER XIV.

The names of Betterton, Booth, Wilks, Cibber, Mills, Powell, Estcourt, Pinkethman, jun., Keen, Norris, Bullock, Pack, Johnson, Bowen, Thurmond, Bickerstaff--of Mistresses Barry,...

3. VOLUME I.

2. VOLUME I.

4. VOLUME I.

1. CHAPTER XVII.