Chapter Eight
NAN-CH'UAN AND CHAO-CHOU:
MASTERS OF THE IRRATIONAL
Nan-ch'uan P'u-yuan
The best-remembered disciple of Ma-tsu was Nan-ch'uan P'u-yuan (748- 835), founder of a famous monastery and a brilliant if short-lived lineage whose finest example was his pupil Chao-chou Ts'ung-shen (778- 897). _The Transmission of the Lamp _reports that Nan-ch'uan was born in the North China province of Honan.1 He began study of meditation at age ten, and according to the _Biographies of Eminent Monks _compiled in the Sung (_Sung kao-seng chuan_) he went to study Buddhism on Mt. Sung, near Loyang, when he was thirty and became a priest of traditional Buddhism, apparently of the Vinaya school.2 After his ordination, he traveled to various of the better-known monasteries, perfected his knowledge of Buddhist scriptures, and landed finally at the mountain establishment of the Ch'an master Ma-tsu.
The legend says that although there were eight hundred followers of Ma- tsu, the precocious Nan-ch'uan was immediately elevated to the position of the foremost disciple, and none of the others ventured to debate with him.3 He finally achieved his complete enlightenment under the old master. It is not clear when he arrived or how long he stayed with Ma- tsu, but he reportedly left the monastery in 795--as he neared fifty--and founded his own community on Mt. Nan-ch'uan, a location in Anhwei province north of Kiangsi, building the original lodging with his own hands and attracting several hundred disciples. His most famous follower, aside from the later master Chao-chou, was the layman Lu Hsuan, the provincial governor of the Hsuan district. The story says that after residing in his mountain retreat for thirty years, without once venturing out, he finally acceded to the requests of the governor to come down and teach Ch'an to the people on the plain. He thus enjoyed a great fame as a teacher of Ch'an, although today he is remembered by anecdotes rather than by any attributed writings.
The governor seems to have been puzzled by some of the teachings of Seng-chao (384-414), the early, pre-Ch'an Buddhist. He specifically asked Nan-ch'uan the meaning of a statement in The Book of Chao that all things come from the same source and accordingly there can be no difference between right and wrong, which are themselves the same, by virtue of a common origin. The story says that Nan-ch'uan pointed to a patch of peonies in the garden and said, "Governor, when people of the present day see these blossoms, it is as if they see them in a dream."4
The point seerns to be that the unenlightened cannot fully perceive the flower as it really is, cannot experience it directly and purely. Instead it is approached as an object apart from the viewer, the subject. It is not seen as an extension of his or her own reality. The ordinary mind permits this dichotomy of nature, but in the Zen mind, man and flower become one, merged into a seamless fabric of life. This is the kind of statement that in later years would be isolated from the chronicles and made into a "public case" or koan, a teaching device for novices. Its meaning is not meant to be discerned through the logical processes, and even less through the medium of language. When a later master was asked what Nan-ch'uan had meant, he answered with the equally enigmatic "Pass me a brick."5
The other celebrated story about the governor is perhaps easier to understand. The story says that one day Lu Hsuan posed the following problem to Nan-ch'uan: "What if I told you that a man had raised a goose in a bottle, watching it grow until one day he realized that it had grown too large to pass through the bottle's neck? Since he did not want to break the bottle or kill the goose, how would he get it out?" Nan-ch'uan began quietly, "My esteemed governor," and then he shouted, "THE GOOSE IS OUT!" The story says that Lu Hsuan suddenly was enlightened on the spot.6 Nan-ch'uan had shown that one who posed a hypothetical question could be answered by an equally hypothetical response. There is a common Ch'an (and Taoist) reference to a truth being caught in the net of words. Here Nan-ch'uan shows how to extract truth from verbal encumbrances. Another anecdote recounts a similar incident:
_A monk said to Nan-ch'uan, "There is a jewel in the sky; how can we get hold of it?" Nan-ch'uan said, "Cut down bamboos and make a ladder, put it up in the sky, and get hold of it!'' The monk said, "How can the ladder be put up in the sky?" Nan-ch'uan said, "How can you doubt your getting hold of the jewel?_"7_
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Many of his finest exchanges with pupils are preserved in _The Transmission of the Lamp_. For maximum impact it is perhaps best to lean back and let his wordplay wash over the rational mind like a cool, cleansing surf. As with the Taoist Chuang Tzu, the best way to comprehend this antilogical phenomenon is to forget about trying to grasp it intellectually, for only then can we understand.
_The Governor said, "There is a piece of stone in my house. Sometimes it stands up and sometimes it lies down. Now, can it be carved into the image of Buddha?" "Yes, it is possible," answered the Master. "But it is impossible to do so?" countered the Governor."It is impossible! It is impossible!" exclaimed the Master.8
_
This dialogue sounds almost as though it were from an undiscovered scene from Waiting for Godot, as Vladimir and Estragon test the meaninglessness of language. And for pure Ionesco, it is hard to top the following incident:
_Once Master Nan-ch'uan told Kuei-tsung and Ma-yu that he was going to take them with him to visit Nan-yang Hui-chung, the National Teacher. Before they began their journey, Nan-ch'uan drew a circle on the road and said, "As soon as you give a right answer we will be on our way." Thereupon Kuei-tsung sat down inside the circle and Ma-yu bowed in woman's fashion. The Master said to them, "Judging by this answer, it will not be necessary to go._"9_
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The attitude of Nan-ch'uan toward conventional pieties, as well as toward the societal, rationalistic concerns of Confucianism, are perhaps best illustrated by the farewell he gave to his distinguished follower:
_When Governor Lu was about to return to his office in Hsuan-cheng, he came to bid the Master good-bye. The latter asked him, "Governor, you are going back to the capital. How will you govern the people?" The Governor replied, "I will govern them through wisdom." The Master remarked, "If this is true, the people will suffer for it._"10_
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Nan-ch'uan had a refreshing lack of pomposity that would have well served a good many other Zen masters, ancient and modern.
_When the Master was washing his clothes, a monk said, "Master! You still are not free from 'this'?" Master Nan-ch'uan replied, lifting the clothes, "What can you do about 'this'?_"11_
_This calls to mind the anecdote concerning Alexander the Great, who when asked if he was a god as had been widely reported, responded by suggesting that the question be directed to the man who carried out his chamber pot.
His attitude toward the great Ch'an teachers of the past seems similarly lacking in awe.
_A monk inquired, "From patriarch to patriarch there is a transmission. What is it that they transmit to one another?" The Master said, "One, two, three, four, five." The monk asked, "What is that which was possessed by the ancients?" The Master said, "When it can be possessed, I will tell you." The monk said dubiously, "Master, why should you lie?" The Master replied, "I do not lie. [The Sixth Patriarch Hui-neng] lied._"12_
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Nan-ch'uan was accustomed to the rough-and-tumble of Ma-tsu's monastery, a place of shouting, beating, harangues, insults, "mindless" interviews, misleading clues, and mind-fatiguing "irrelevancies." Yet it was all done with a high intensity and intended for the quite noble purpose of forcing a disciple to find his own first nature, his own enlightenment. The monastery as it developed under these wild men of Southern Ch'an was nothing less than a high-pressure cell for those who chose to enter. Although these new techniques for shaking nonintellectual insights into Ch'an novices were essentially the invention of Ma-tsu, they were transplanted, refined, and expanded by men like Nan-ch'uan, whose new monastery seems to have had the same deadly-serious zaniness as Ma-tsu's.
Chao-chou Ts'ung-shen
Some of the most instructive anecdotes associated with Nan-ch'uan are those involving his star pupil, Chao-chou Ts'ung-shen (778-897), who came to be one of the major figures of the Golden Age of Ch'an and one of the best-remembered of the wild Southern masters. Although his real name was Ts'ung-shen, he is remembered in history (as are many Ch'an masters) by the name of the mountain where he held forth during his mature years. He was born in Ts'ao-chou in Shantung and early on became a novice monk at a local monastery. However, the urge to travel was irresistible and he left before being ordained, arriving at Nan- ch'uan's monastery while still a lad. The traditional first exchange typifies their long and fruitful relationship. Nan-ch'uan opened with the standard question:
_"Where have you just come from?"
"I have just left Shui-hsiang [named for a famous state of Buddha]."
"Have you seen the standing image of Buddha?"
"What I see is not a standing image of Buddha but a supine Enlightened One!"
"Are you your own master or not?"
"Yes, I am. [i.e., I already have a master.]"
"Where is this master of yours?"
"In the middle of the winter the weather becomes bitterly cold. I wish all blessings on you, sir."
At this, Nan-ch'uan decided that this visitor was promising and permitted him to become his disciple.13
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Chao-chou's strange answer seems to have been his own way of signifying he had chosen Nan-ch'uan as his future master. Nan-ch'uan, for his own part, seems to have recognized in this quizzical repartee all the makings of a great Ch'an worthy.
The exploits of Nan-ch'uan and Chao-chou form the core of the great anecdotal literature of Ch'an's Golden Age. Neither was a great innovator, a great writer, or a great organizer, but together they were able to explore the highest limits of the dialogue as a vehicle for enlightenment. And their dialogues, incidentally, did not always necessarily require words.
_One day, in the monastery of Nan-chu'an, the monks of the east and west wing had a dispute over the possession of a cat. They all came to Nan-ch'uan for arbitration. Holding a knife in one hand and the cat in the other, Nan-ch'uan said, "If any one of you can say the right thing, this cat will be saved; otherwise it will be cut into two pieces." None of the monks could say anything. Nan-ch'uan then killed the cat. In the evening, when Chao-chou returned to the monastery, Nan-ch'uan asked him what he would have said had he been there at the time. Chao-chou took off his straw sandals, put them upon his head, and walked out. Whereupon Nan-ch'uan commented, "Oh, if only you had been here, the cat would have been saved._"14_
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Chao-chou's response used no language and was devoid of distinctions, being neither positive nor negative. This is one of the most celebrated stories in _The Transmission of the Lamp_, and one that is probably richer if we avoid subjecting it to too much commentary.
The point was specifically intended to be as simple as possible, but this very simplicity is disturbing to the complicated intellectual mind. There is a particularly telling story of the exchange Chao-chou held with Nan-ch'uan concerning the Tao, meaning the way to enlightenment:
_When Chao-chou asked his master, "What is the Tao?" the latter replied, "Tao is nothing else than the ordinary mind." "Is there any way to approach it?" pursued Chao-chou further. "Once you intend to approach it," said Nan-ch'uan, "you are on the wrong track." "Barring conscious intention," the disciple continued to inquire, "how can we attain to a knowledge of the Tao?" To this the master replied, "Tao belongs neither to knowledge nor to no-knowledge. For knowledge is but illusive perception, while no-knowledge is mere confusion. If you really attain true comprehension of the Tao, unshadowed by the slightest doubt, your vision will be like the infinite space, free of all limits and obstacles. Its truth or falsehood cannot be established artificially by external proofs." At these words Chao-chou came to an enlightenment. Only after this did he take his vows and become a professed monk.15
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Nan-ch'uan's assertion that Tao is nothing else than the ordinary mind, but that it cannot be reached by deliberate searching, is the longstanding commonplace of Ch'an. However, he here adds an interesting new assertion: He claims here that although the person finding this enlightenment has no doubt of its reality, it cannot be proved or disproved by any objective tests. There is no way that the enlightened person can be shown objectively to have achieved his goal. The Ch'an masters could test enlightenment by matching the claimant's illogic against their own; if his "craziness" matched, then the disciple passed. But there is, by definition, no objective test of enlightenment. But then, how do you test the ultimate realization that there is nothing to realize other than what you knew all along? Quite simply, the master's intuition is the final authority.
Their dialogues frequently were full of electricity, as witness another exchange that ended quite differently:
_Chao-chou asked, "Tao is not external to things; the externality of things is not Tao. Then what is the Tao that is beyond things?" The master struck him. Thereupon Chao- chou took hold of the stick and said, "From now on, do not strike a man by mistake." The Master said, "We can easily differentiate between a dragon and a snake, but nobody can fool a Ch'an monk._"10_
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Chao-chou here seems to be declaring to Nan-ch'uan that his enlightenment is genuine. And Nan-ch'uan, for his part, is asserting that the Master's judgment, not the monk's, is the final criterion. In another incident Chao-chou actually has the last word.
_Once Nan-ch'uan said to Chao-chou, "Nowadays it is best to live and work among members of a different species from us." (This recalls the Buddhist proverb: It is easier to save the beasts than to save mankind.) Chao-chou, however, thought otherwise. He said, "Leaving alone the question of 'different,' let me ask you what is 'species' anyway?" Nan-ch'uan put both of his hands on the ground, to indicate the species of the quadrupeds. Chao-chou, approaching him from behind, trampled him to the ground, and then ran into the Nirvana Hall crying, "I repent, I repent." Nan-ch'uan, who appreciated his act of trampling, did not understand the reason of his repentance. So he sent his attendant to ask the disciple what was he repenting for. Chao-chou replied, "I repent that I did not trample him twice over._"17_
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In spite of such occasional bursts of exuberance, Chao-chou seems overall to have been comparatively mild-mannered for a Ch'an master. He rarely chose to berate or beat his disciples, as did Ma-tsu or his own master, Nan-ch'uan. In many ways, Chao-chou was the finest hope for the lineage of Nan-ch'uan, but he seems not to have been overly concerned with its continuation. In fact, it is somewhat ironic that Huai-hai, who was more an organizer than a creator, ended up with a lineage perpetuating his line down to the present day, whereas Nan-ch'uan's lineage effectively ended with his disciple Chao-chou, although both men were remarkable teachers. In fact, Chao-chou almost never did settle down to run a monastery. After Nan-ch'uan died he resumed his travels and for many years roamed across China, visiting with other Ch'an masters. He seems to have gradually worked his way back north, for it was in the north that he realized his most lasting fame and influence. But his reputation was gained before he had a monastery of his own and without the aid of permanent disciples. The real acclaim seems to have been associated with a journey to a famous Buddhist pilgrimage site, Mt. Wut'ai, in the northeastern edge of Shensi province, where he preached a sermon that brought him wide recognition. Although he loved nothing more than wandering the craggy mountains of China, friends tried to convince him to settle down--as related in an incident when he was near eighty, after many years of wandering:
_Once, as he was visiting Chu-yu, the latter said, "A man of your age should try to find a place to settle down and teach." "Where is my abiding place?" Chao-chou asked back. "What?" said his host, "With so many years on your head, you have not even come to know where your permanent home is!" Chao-chou said, "For thirty years I have roamed freely on horseback. Today, for the first time I am kicked by an ass!_"18_
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He finally did settle down, at eighty, accepting an invitation to come and live at the Kuan-yin monastery in Chao-chou in northeastern China, where he stayed until his death some forty years later. His lack of interest in worldly, administrative details is illustrated by the story that during his forty years as abbot of the monastery he installed no new furnishings and made no attempt to collect alms. Perhaps this tells us why Huai-hai's line won the day. Yet Chao-chou was the popular favorite. His preference for colloquial language endeared him to the people. He tried to demonstrate that enlightenment can be found and subsequently heightened through ordinary everyday activities. The following anecdote suggests his idea of Buddhism had little to do with the Buddha:
_Master Chao-chou was asked by a monk, "Who is the Buddha?" "The one in the shrine," was the answer. "Isn't it a clay statue that sits in the shrine?" the monk went on.
"Yes, that is right."
"Then who is the Buddha?" the monk repeated.
"The one in the shrine," replied the Master.
A monk asked, "What is my own self?"
"Have you finished your rice gruel?" asked the Master.
"Yes, I have finished it," replied the monk.
"Then go and wash your dishes," said the Master.
When the monk heard this, he was suddenly awakened.19
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The thrust of this anecdote is that through the everyday doing of what needs to be done, we can find authentic values and our original nature. As the modern scholar Chang Chung-yuan points out, "This simple activity of the Ch'an monk, washing the dishes after eating gruel, is the most ordinary thing, the sort of activity that is completely spontaneous and requires no mental effort. While engaged in it, a man is free from assertion and negation."20
When we are doing manual tasks we experience them directly; we do not have to intellectualize about them. This acting without thought, without judgments of good or bad, is in fact a parable of enlightenment. So it was that Chao-chou could so effectively use rote tasks as a teaching device, for they showed a novice how he could free his mind from its enslavement to opinions and values. This stress on the meaningfulness of daily manual activities, as distinct from philosophical speculation, seems to have been the major position of Chao-chou. This attitude is particularly borne out in another celebrated Chao-chou anecdote.
_One morning, as Chao-chou was receiving new arrivals, he asked one of them, "Have you been here before?" "Yes," the latter replied. "Help yourself to a cup of tea," he said. Then he asked another, "Have you been here before?" "No, Your Reverence, this is my first visit here." Chao-chou again said, "Help yourself to a cup of tea." The Prior of the monastery took Chao-chou to task, saying, "The one had been here before, and you gave him a cup of tea. The other had not been here, and you gave him likewise a cup of tea. What is the meaning of this?" Chao- chou called out, "Prior!" "Yes," responded the Prior. "Help yourself to a cup of tea!_"21_
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Behind this possibly deceptive simplicity, however, there must have been a penetrating intelligence, for a very large number of his anecdotes were important enough to become enshrined in those famous collections of koans the Mumonkan and the Blue Cliff Record. One of the best known is the following:
_A monk asked, "Since all things return to One, where does this One return to?" "When I was in Tsing-chou, I had a robe made which weighed seven chin [pounds]" replied the Master.22
_The answer is a perfect example of "no-thought," the anti-logic condition in which rationality is disengaged. To attempt to subject it to analysis would be to miss the entire point.
An even more famous koan, and one that has become the traditional starting point for beginners, is the following:
_A monk asked Chao-chou, "Has a dog the Buddha Nature?" Chao-chou answered, "Mu._"23_
_Here the word _mu_, meaning "nothingness" or "un," is an elegant resolution of a perplexing Zen dilemma. Had Chao-chou answered in the affirmative, he would have been tacitly instigating a dualistic view of the universe, in which a dog and a man are allowed to be discussed as separate objects. But to have responded negatively would have been to even more strongly betray the Zen teaching of the Oneness permeating all things. An answer was called for, but not an explanation. So the master responded with a nonword--a sound that has been adopted in later Zen practice as symbolic of the unity of all things.
This wisdom made Chao-chou such a legend in his own lifetime that many monks from the south came north to try to test him, but he always outwitted them, even when he was well past a hundred. Perhaps it would be well to round out his story with a garland of some of the exchanges he had with new monks:
_A new arrival said apologetically to the master, "I have come here empty-handed!" "Lay it down then!" said the master. "Since I have brought nothing with me, what can I lay down?" asked the visitor. "Then go on carrying it!" said the master.24
One day Chao-chou fell down in the snow, and called out, "Help me up! Help me up!" A monk came and lay down beside him. Chao-chou got up and went away.25
A monk asked, "When a beggar comes, what shall we give him?" The master answered, "He is lacking in nothing."26
When a monk asked him, "What is the real significance of Bodhidharma's coming from the west?" his answer was, "The cypress tree in the courtyard." When the monk protested that Chao-chou was only referring to a mere object, the Abbot said, "No, I am not referring you to an object." The monk then repeated again the question. "The cypress tree in the courtyard!" said the Abbot once more.27
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_A monk besought him to tell him the most vitally important principle of Ch'an. The master excused himself by saying, "I must now go to make water. Think even such a trifling thing I have to do in person."28
_Chao-chou was of a unique breed of "Golden Age" masters, who created Ch'an's finest moment. Even Chao-chou knew this, for he is quoted as recognizing that Ch'an had already passed through its most dynamic epoch.
_"Ninety years ago," he said, "I saw more than eighty enlightened masters in the lineage of Ma-tsu; all of them were creative spirits. Of late years, the pursuit of Ch'an has become more and more trivialized and ramified. Removed ever farther from the original spirit of men of supreme wisdom, the process of degeneration will go on from generation to generation._"29_
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Chao-chou died in his one hundred and twentieth year, surely one of the most venerable Ch'an masters. Fortunately his pessimistic assessment of Ch'an's future was only partly correct. Although he himself had no illustrious heirs, there were other Southern Ch'an masters who would extend the lineage of Ma-tsu into what would one day be the Rinzai school, among these a layman named P'ang and the master Huang-po.