Chapter 22

With eyes fixed and immovable, and dilated to their utmost extent, she rose and passed out of the room. I followed her. Swiftly she passed out of the house into the street, and without the slightest hesitation, turning at right angles, moved swiftly up a long, straight road. After turning once more she stopped at a three-storeyed house. Going up to the door, she laid her hand upon it. I tried to lead her gently away, but she resisted. What was I to do? The house was an empty one. I paused. Once before my latch-key had opened a strange door. Would it open this one? I tried it. It fitted exactly.

Without waiting for me, Pauline ran in ahead. I shut the door. All was darkness. I could hear Pauline moving about on the first floor. I followed her, and, striking a match, found myself in a room with folding-doors. It was furnished, but the dust lay deep everywhere. Pauline stood in the middle of the room, holding her head in her hands, striving, it seemed, to remember something. I entered the back room with the candle I had found. There was a piano there. Something induced me to sit down at it and to play the first few notes of the song I had heard that terrible night.

A nervous trembling seemed to seize Pauline. She crossed the floor towards me, and I made room for her at the piano. With a master hand she played brilliantly the prelude of the song of which I had struck a few vagrant notes. I waited breathlessly, expecting her to sing. Suddenly she started wildly to her feet and, uttering a wild cry of horror, sank into my arms. I laid her on a sofa close by. As I held her there, a strange thing happened.

The room beyond the folding-doors was lit with a brilliant light. Grouped round a table were four men. One of them was Ceneri, the other Macari. The third man was a stranger to me. These three men were looking at a fourth man--a young man who appeared to be falling out of his chair, clutching convulsively the hilt of a dagger, the blade of which had been buried in his heart, clearly by Macari, who stood over him.

I cannot explain this vision. I only saw it when I held Pauline's hand. When I let her hand drop the scene vanished. You may call it cataleptic, clairvoyant, anything you will; it was as I relate.

_IV.--Seeking the Truth in Siberia_

Macari called on me the day after this strange scene to ask me about the memorial to Victor Emanuel.

"Before I consent to help you," I said, "I must know why you murdered a man three years ago in a house in Horace Street."

He sprang to his feet and grasping my arm, looked intently into my eyes. I saw that he recognised me in spite of the great change that blindness makes in a face.

"Why should I deny the affair to an eye-witness? To others I would deny it fast enough. Now, my fine fellow, my gay bridegroom, my dear brother-in-law, I will tell you why I killed that man. He had insulted my family. That man was Pauline's lover!"

He saw what was in my face as I rose and walked towards him.

"Not here," he said hastily, "what good can it do here--a vulgar scuffle between two gentlemen?"

"Go," I cried, "murderer and coward. Every word you have spoken to me has been a lie, and because you hate me you have to-day told me the greatest lie of all."

He left me with a look of malicious triumph in his face. I knew he lied, but how could I prove that he lied? Only Ceneri could tell me the truth. He was in Siberia, and, mad as the scheme seemed, thither I determined to go to get the whole truth from his lips.

I exerted all the influence I possessed. I spent money freely, and with a special passport signed by the Czar himself, which placed all the resources of the Russian police at my disposal, I passed across Russia into Siberia. At last, after travelling thousands of miles, I came up with the gang of wretched prisoners in which the doctor was. Showing my papers to the officer in command, I was taken at once to the awful prison-house. I had him brought to me in a private room, and placed before him food and drink.

"I want to ask you some questions," I said, "questions which you alone can answer."

"Ask them. You have given me an hour's release from misery. I am grateful."

"The first question I have to ask is--who and what is that man Macari?"

Ceneri sprang to his feet. "A traitor! a traitor!" he cried.

It was Macari who had betrayed him. Macari was no more Anthony March, the brother of Pauline, than I was, and Pauline had never had a lover in the sense in which Macari had used the word.

Pauline was an innocent as an angel. The lie I had come so far to destroy had dissolved. There was one other question I had to ask. Who was the man Macari had killed, and what had he to do with Pauline? Ceneri's face turned ashen as I asked him the question. It was some moments before he understood that I was the man who had stumbled into the room. Then he told me all.

The murdered man was Anthony March, the brother of Pauline. As he had already confessed, Ceneri had spent all the trust-money of which he was guardian for Pauline and her brother, in the cause of Italian freedom. When the young man grew up, the time drew near when Ceneri must explain all and take the consequences. The evil day was delayed by providing him with money. That money ran out. Ceneri and the two other men, fearful of the consequences to all of them, decided upon a plan to silence Anthony. He was to be lured to the house in Horace Street, and to leave it as a lunatic in charge of a doctor and keepers. But Macari ruined the plot. He was in love with Pauline, and Anthony had spoken contemptuously of such a match for his sister. A few insolent words at the house in Horace Street, and the passionate Italian's knife had found its way into the young man's heart. It was Ceneri who had saved my life when I stumbled upon the scene. The third sharer in the tragedy, who had drowned Pauline's shrieks in a sofa cushion, had since died raving mad in a cell. That was the story.

I hastened back to England, leaving money behind me to provide a few comforts for the unfortunate prisoner. I went direct to the little village where Pauline was staying with Priscilla. I could see that she remembered me but as a person in a dream. I had to woo her now. Of our marriage she seemed to have forgotten everything. Though all the old apathy had disappeared, and her mind had once more awakened in her beautiful body, she did not remember that. I despaired at last of winning her, and I determined to bid her good-bye forever. As I sat in the woods with her for the last time, gloom in my heart, I fell into a doze. I was awakened by kisses on my cheeks. I sprang to my feet. In front of me stood Pauline, and looking into her eyes, I saw that she loved me.

She had realised on my first return that I was her husband, but had determined to find out if I loved her. As I said nothing, so she too had remained silent.

"Gilbert," she said, "I have wept, but now I smile. The past is passed. Let the love I bore my brother be buried in the greater love I give my husband. Let us turn our backs on the dark shadows and begin our lives."

Have I more to tell--one thing only. We went to Paris for our real honeymoon. The great war was over, and the Commune had just ended. In the company of a friend I saw some Communists led out to be shot, and among their faces I recognised Macari.

* * * * *

FENIMORE COOPER

The Last of the Mohicans

James Fenimore Cooper, born in New Jersey on September 15, 1789, was a hot-headed controversialist of Quaker descent, who, after a restless youth, partly spent at sea, became the earliest conspicuous American novelist. Apart from fiction, Cooper's principal subject was American naval history. Though he made many enemies and lived in turmoil, the novelist had a strain of nobility in his character that is reflected throughout his formal but manly narratives. Love interest rarely rises in his stories beyond a mechanical sentimentality; it is the descriptions of adventure that attract. Nowhere are Fenimore Cooper's vivid powers of description more apparent than in "The Last of the Mohicans," the second in order of the Leatherstocking tales. In the first of the series, "The Pioneers," the Leatherstocking is represented as already past the prime of life, and is gradually being driven out of his beloved forests by the axe and the smoke of the white settler. "The Last of the Mohicans" takes the reader back before this period, to a time when the red man was in his vigour, and was a power to be reckoned with in the east of America. The third of the famous tales is "The Prairie," in which Cooper's picturesque hero is laid in his grave. Despite this, the author resuscitates him in the two remaining volumes--"The Pathfinder" and "The Deerslayer." Of these five novels, and, as a matter of fact, of all Cooper's works, "The Last of the Mohicans" is regarded as the masterpiece. In it are to be found all the author's virtues, and few of his faults. It is certainly the most popular, having been translated into several languages. It was first published in 1826. Cooper died at Cooperstown, the family locality, on September 14. 1851.

_I.--Betrayed by the Redskin_

It was the third year of the war between France and England in North America. At Fort Edward, where General Webb lay with five thousand men, the startling news had just been received that the French general, Montcalm, was moving up the Champlain Lake with an army "numerous as the leaves on the trees," with the forest fastness of Fort William Henry as his object.

Fort William Henry was held by the veteran Scotchman, Munro, at the head of a regiment of regulars and a few provincials. As this force was utterly inadequate to stem Montcalm's advance, General Webb at once sent fifteen hundred men to strengthen the position. While the camp was in a state of bustle consequent on the departure of this relieving force, Captain Duncan Hayward detached himself from the throng, and conducting two ladies, the daughters of Munro, Alice and Cora, to their horses, mounted another steed himself. It was his welcome duty to see that the ladies reached Fort William Henry in safety. In order that they might make the journey the more expeditiously, they had obtained the services of a famous Indian runner, known by the name of Le Renard Subtil, whose native appellation was Magua.

The party had but five leagues to traverse, and Magua had undertaken to lead them a short way through the forest. The girls hesitated as they reached the point where they left the military road and had to take to a narrow and blind path amidst the dense trees and undergrowth. The terrifying aspect of the guide and the loneliness of the route filled them with alarm.

"Here, then, lies our way," said Duncan in a low voice. "Manifest no distrust, or you may invite the danger you appear to apprehend."

Taking this hint, the girls whipped up their horses and followed the runner along the dark and tangled pathway. They had not gone far when they heard the sounds of a horse's hoofs behind them, and presently there dashed up to their side a singular-looking person, with extraordinary long thin legs, an emaciated body, and an enormous head. The grotesqueness of his figure was enhanced by a sky-blue coat and a soiled vest of embossed silk embroidered with tarnished silver lace. Coming up with the party, he declared his intention of accompanying them to Fort William Henry. Refusing to listen to any objection, he took from his vest a curious musical instrument, and, placing it to his mouth, drew from it a high, shrill sound. This done, he began singing in full and melodious tones one of the New England versions of the Psalms.

Magua whispered something to Heyward, and the latter turned impatiently to David Gamut--such was the singer's name--and requested him in the name of common prudence to postpone his chant until a safer opportunity. The Indian allies of Montcalm, it was known, swarmed in the forest, and the object of the party was to move forward as quietly as possible.

As the cavalcade pressed deeper into the wild thicket, a savage face peered out at them from between the bushes. A gleam of exultation shot across his darkly painted lineaments as he watched his victims walking unconsciously into the trap which Magua had prepared.

_II.--In the Nick of Time_

Within an hour's journey of Fort Edward two men were lingering on the banks of a small stream. One of them was a magnificent specimen of an Indian--almost naked, with a terrific emblem of death painted upon his chest. The other was a European, with the quick, roving eye, sun-tanned cheeks, and rough dress of a hunter.

"Listen, Hawk-eye," said the Indian, addressing his companion, "and I will tell you what my fathers have said, and what the Mohicans have done. We came and made this land ours, and drove the Maquas who followed us, into the woods with the bears. Then came the Dutch, and gave my people the fire-water. They drank until the heavens and the earth seemed to meet. Then they parted with their land, and now I, that am a chief and a Sagamore, have never seen the sun shine but through the trees, and have never visited the graves of my fathers. When Uncas, my son, dies, there will no longer be any of the blood of the Sagamores. My boy is the last of the Mohicans."

"Uncas is here," said another voice, in the same soft, guttural tones. "Who speaks to Uncas?" At the next instant a youthful warrior passed between them with a noiseless tread, and seated himself by the side of his father, Chingachgook. "I have been on the trail of the Maquas, who lie hid like cowards," continued Uncas.

Further talk regarding their hated enemies, the Maquas, who acted as the spies of Montcalm, was cut short by the sound of horses' feet. The three men rose to their feet, their eyes watchful and attentive, and their rifles ready for any emergency.

Presently, the cavalcade from Fort Edward appeared, and Heyward, addressing Hawk-eye, asked for information as to their whereabouts, explaining that they had trusted to an Indian, who had lost his way.

"An Indian lost in the woods?" exclaimed the scout. "I should like to look at the creature."

Saying this, he crept stealthily into the thicket. In a few moments he returned, his suspicions fully confirmed. Magua had clearly led the party into a trap for purposes of his own, and Hawk-eye at once took steps to secure his capture. While Heyward held the runner in conversation, the scout and the two Mohicans crept silently through the undergrowth to surround him, but the slight crackle of a breaking stick aroused Magua's suspicion, and, even as the ambush closed on him, he dodged under Heyward's arms and vanished into the opposite thicket.

Hawk-eye was too well acquainted with Indian ways to think of pursuing, and, restraining the eagerness of Heyward, who would have followed Magua, and would have been undoubtedly led to the place where the scalping-knives of Magua's companions awaited him, the scout called a council of war.

The position was serious in the extreme, how serious was disclosed that night as they lay hid in a cave.

Suddenly, with blood-curdling yells, the Maquas surrounded them. They were surrounded completely, and, to add to the terrors of their situation, they discovered that their ammunition was exhausted. There seemed nothing to be done but die fighting. It was Cora who suggested an alternative: that Hawk-eye and the two Mohicans should make for Fort William Henry and procure from their father, Munro, enough men to take them back in safety. It was the one desperate chance, and the Mohicans took it. Dropping silently down the river, they disappeared. Duncan, David, and the two girls were left alone; but not for long. As the night drew out, a body of the Maquas, swimming across the river, entered the cave, and made the whole party prisoners.

It was Magua who directed all these operations, and it was Magua who announced their fate to his prisoners. Alice should go back to her father, but Cora was to become his squaw in an Indian wigwam.

"Monster!" cried Cora, when this proposal was laid before her. "None but a fiend could meditate such a vengeance!"

Magua answered with a ghastly smile, and, at his command, the Indians, seizing their white victims, bound them to four trees. Stakes of glowing wood were prepared for their torture. Once more Magua offered the alternative of dishonour or death. Cora wavered, but Alice strengthened her resolution.

"No, no!" she cried. "Better that we die as we have lived, together."

"Then die!" shouted Magua, hurling his tomahawk at the girl's head. It missed her by an inch. Another savage rushed to complete the terrible deed. Maddened at the sight, Duncan broke his bonds, and flung himself on the savage. He was at once overpowered. He saw a knife glistening above his head; it was just about to descend. Suddenly there was a sharp crack of a rifle, and his assailant fell dead at his feet. At the same moment Hawk-eye and the two Mohicans dashed into the encampment. In a few moments the six Indians, taken by surprise, were killed; only Magua lived. He seemed to be at the mercy of Chingachgook. Already he lay apparently lifeless. The Mohican rose with a yell of triumph, and raised his knife to give the final blow. Even as he did so Magua rolled himself over the edge of the precipice near which he lay, and, alighting on his feet, leapt into the centre of a thicket of low bushes and disappeared.

_III.--"The Jubilee of Devils_"

The party had reached William Henry only to leave it again. Montcalm asked for an interview with Munro, and through Duncan, who acted as the latter's representative, explained that it was hopeless to think of holding the fort. General Webb had withdrawn the relieving force, and the English were outnumbered by about twenty to one. With chivalrous courtesy, the French general proposed that his brave enemies should march out with their arms and ammunition and all the honours of war. These conditions Munro sadly accepted. Compelled to be with his men, Munro entrusted his daughters to the care of David.

According to the conditions of the surrender, the troops marched out. Behind them came the women and stragglers, the French and their native allies watching them in silence. At the other side of the plain was a defile. The troops slowly entered this, and disappeared. The rear-guard of civilians was now left alone on the plain. Cora, as she pressed slowly onwards with her sister and David, saw Magua addressing the natives, speaking with his fatal and artful eloquence. The effect of his words was soon seen.

One of the savages, attracted by the shawl in which a mother had wrapped her baby, seized the child, and dashed its brains out on the ground. As the mother sprang forward, he buried his tomahawk in her brain. It was the signal for a massacre. Magua raised the fatal and appalling war-whoop. At its sound two thousand savages broke from the wood and fell upon the unresisting victims. Death was everywhere, and in his most terrific and disgusting aspect.

"It is the jubilee of devils," said David, who, in spite of his uselessness, never dreamed of deserting his trust. "If David tamed the evil spirit of Saul, it may not be amiss to try the potency of music here."

He poured out a strain of song that echoed even over the din of that bloody field. Magua heard it and, through the throng of savages, rushed to their side.

"Come," he cried, seizing Alice in his blood-stained arms; "the wigwam of the Huron is still open!"

In vain Cora begged him to release her sister. Across the plain he bore her swiftly, followed by Cora and David. As soon as he reached the woods, he placed the two girls on horses that were waiting there, and, never heeding David, who mounted the remaining steed, dashed forward into the wilds.

_IV.--Captives of the Hurons_

Three days after the surrender of the fort, Hawk-eye and his two Mohican companions, accompanied by Munroe and Duncan, stood upon the fatal plain. Everywhere they had searched for the bodies of the two girls, and nowhere could they be found. It was clear to Hawk-eye that they still lived, and had been carried off by Magua. With untiring energy he at once set off to try and discover the trail. It was Uncas, who, finding a portion of Cora's skirt caught on a bush, first opened up the line of pursuit. He it was, too, who read the track of Magua's feet on the ground--the unmistakable straddling toe of the drinking savage. An ornament dropped by Alice, and the large footprints of the singing-master, laid bare to the trained intelligence of the Indian scout everything that had happened.

As they reached the outskirts of a clearing, they perceived a melancholy-looking savage in war-paint and moccasins seated by the side of a stream watching a colony of beavers busily engaged in making a dam. Duncan was about to fire, but Hawk-eye, roaring with laughter, stayed his arm. The savage was none other than David.

Alice and Cora were near at hand, and Duncan was all eager to make his way to their side. Hawk-eye so far humoured his whim as to consent to his visiting the encampment disguised as a medicine man.

As soon as he entered the camp he declared that he had been sent by the Grand Monarque to heal the ills of the Hurons. The chief to whom he spoke listened to him for some time, and then asked him to show his skill by frightening away the evil spirit that lived in the wife of one of his young men. Duncan could not refuse, though he felt certain that the trial of his skill would result in the detection of his disguise. Just as the chief was about to lead the way to the woman's side, Magua joined the group, to be followed shortly afterwards by a number of young men bringing with them a prisoner. A cry went up, "Le Cerf Agile!" and every warrior sprang to his feet. To his dismay, Duncan saw that it was Uncas. Magua gazed at his captive gravely for some time; then, raising his arm, shook it at him, exclaiming, "Mohican, you die!"

Duncan's conductor led him to a cave which went some distance into the rocky side of the mountain. As he entered, Duncan saw a dark; mysterious-looking object that rose unexpectedly in his path. It was a bear, and though the young soldier knew that the Indians often kept such animals as pets, its deep growls, and the manner in which it clutched at him as he passed up the long, narrow passage of the cave, caused him not a little uneasiness.

Having shown him the sick woman, who, it was clear, was dying, the Indians left the supposed medicine man to fight the devils by himself. To his horror, Duncan saw that the bear remained behind, growling savagely. Watching it uneasily, he noticed its head suddenly fall on one side, and in its place appeared the sturdy countenance of the scout. As quickly as he could Hawk-eye explained how he had come across a wizard preparing for a _séance_, how he had knocked him on the head and taken the bear's skin in which the charlatan had proposed to make his magic.

While the scout rearranged his disguise, Duncan, searching the cave, in another compartment discovered Alice. But even as the girl was in the first throes of delight at this unexpected meeting, the guttural laugh of Magua was heard, and she saw the dark form and malignant visage of the savage.

"Huron, do your worst!" exclaimed the excited Heyward, as he saw that all his plans were brought to nought.