Part 31

In the general emulation of wit and genius which the festivity of the Restoration produced, the poets shook off their constraint, and considered translation as no longer confined to servile closeness. But reformation is seldom the work of pure virtue or unassisted reason. Translation was improved more by accident than conviction. The writers of the foregoing age had at least learning equal to their genius; and, being often more able to explain the sentiments or illustrate the allusions of the ancients, than to exhibit their graces and transfuse their spirit, were, perhaps, willing sometimes to conceal their want of poetry by profusion of literature, and, therefore, translated literally, that their fidelity might shelter their insipidity or harshness. The wits of Charles's time had seldom more than slight and superficial views; and their care was to hide their want of learning behind the colours of a gay imagination; they, therefore, translated always with freedom, sometimes with licentiousness, and, perhaps, expected that their readers should accept sprightliness for knowledge, and consider ignorance and mistake as the impatience and negligence of a mind too rapid to stop at difficulties, and too elevated to descend to minuteness.

Thus was translation made more easy to the writer, and more delightful to the reader; and there is no wonder if ease and pleasure have found their advocates. The paraphrastick liberties have been almost universally admitted; and Sherbourn, whose learning was eminent, and who had no need of any excuse to pass slightly over obscurities, is the only writer who, in later times, has attempted to justify or revive the ancient severity.

There is undoubtedly a mean to be observed. Dryden saw very early that closeness best preserved an author's sense, and that freedom best exhibited his spirit; he, therefore, will deserve the highest praise, who can give a representation at once faithful and pleasing, who can convey the same thoughts with the same graces, and who, when he translates, changes nothing but the language[1].

[1] Much research on this branch of literature is exhibited in Lord Woodhouselee's Principles of Translation.

No. 70. SATURDAY, AUGUST 18, 1759.

Few faults of style, whether real or imaginary, excite the malignity of a more numerous class of readers, than the use of hard words.

If an author be supposed to involve his thoughts in voluntary obscurity, and to obstruct, by unnecessary difficulties, a mind eager in pursuit of truth; if he writes not to make others learned, but to boast the learning which he possesses himself, and wishes to be admired rather than understood, he counteracts the first end of writing, and justly suffers the utmost severity of censure, or the more afflictive severity of neglect.

But words are hard only to those who do not understand them; and the critick ought always to inquire, whether he is incommoded by the fault of the writer or by his own.

Every author does not write for every reader; many questions are such as the illiterate part of mankind can have neither interest nor pleasure in discussing, and which, therefore, it would be an useless endeavour to level with common minds, by tiresome circumlocutions or laborious explanations; and many subjects of general use may be treated in a different manner, as the book is intended for the learned or the ignorant. Diffusion and explication are necessary to the instruction of those who, being neither able nor accustomed to think for themselves, can learn only what is expressly taught; but they who can form parallels, discover consequences, and multiply conclusions, are best pleased with involution of argument and compression of thought; they desire only to receive the seeds of knowledge which they may branch out by their own power, to have the way to truth pointed out, which they can then follow without a guide.

The Guardian directs one of his pupils, "to think with the wise, but speak with the vulgar." This is a precept specious enough, but not always practicable. Difference of thoughts will produce difference of language. He that thinks with more extent than another will want words of larger meaning; he that thinks with more subtilty will seek for terms of more nice discrimination; and where is the wonder, since words are but the images of things, that he who never knew the original should not know the copies?

Yet vanity inclines us to find faults any where rather than in ourselves. He that reads and grows no wiser, seldom suspects his own deficiency; but complains of hard words and obscure sentences, and asks why books are written which cannot be understood?

Among the hard words which are no longer to be used, it has been long the custom to number terms of art. "Every man," says Swift, "is more able to explain the subject of an art than its professors; a farmer will tell you, in two words, that he has broken his leg; but a surgeon, after a long discourse, shall leave you as ignorant as you were before." This could only have been said, by such an exact observer of life, in gratification of malignity, or in ostentation of acuteness. Every hour produces instances of the necessity of terms of art. Mankind could never conspire in uniform affectation; it is not but by necessity that every science and every trade has its peculiar language. They that content themselves with general ideas may rest in general terms; but those, whose studies or employments force them upon closer inspection, must have names for particular parts, and words by which they may express various modes of combination, such as none but themselves have occasion to consider.

Artists are indeed sometimes ready to suppose that none can be strangers to words to which themselves are familiar, talk to an incidental inquirer as they talk to one another, and make their knowledge ridiculous by injudicious obtrusion. An art cannot be taught but by its proper terms, but it is not always necessary to teach the art.

That the vulgar express their thoughts clearly, is far from true; and what perspicuity can be found among them proceeds not from the easiness of their language, but the shallowness of their thoughts. He that sees a building as a common spectator, contents himself with relating that it is great or little, mean or splendid, lofty or low; all these words are intelligible and common, but they convey no distinct or limited ideas; if he attempts, without the terms of architecture, to delineate the parts, or enumerate the ornaments, his narration at once becomes unintelligible. The terms, indeed, generally displease, because they are understood by few; but they are little understood, only because few that look upon an edifice examine its parts, or analyze its columns into their members.

The state of every other art is the same; as it is cursorily surveyed or accurately examined, different forms of expression become proper. In morality it is one thing to discuss the niceties of the casuist, and another to direct the practice of common life. In agriculture, he that instructs the farmer to plough and sow, may convey his notions without the words which he would find necessary in explaining to philosophers the process of vegetation; and if he, who has nothing to do but to be honest by the shortest way, will perplex his mind with subtile speculations; or if he, whose task is to reap and thrash, will not be contented without examining the evolution of the seed and circulation of the sap; the writers whom either shall consult are very little to be blamed, though it should sometimes happen that they are read in vain.

No. 71. SATURDAY, AUGUST 25, 1759.

Celan le selve angui, leoni, ed orsi Dentro il lor verde. TASSO, L'AMINTA.

Dick Shifter was born in Cheapside, and, having passed reputably through all the classes of St. Paul's school, has been for some years a student in the Temple. He is of opinion, that intense application dulls the faculties, and thinks it necessary to temper the severity of the law by books that engage the mind, but do not fatigue it. He has, therefore, made a copious collection of plays, poems, and romances, to which he has recourse when he fancies himself tired with statutes and reports; and he seldom inquires very nicely whether he is weary or idle.

Dick has received from his favourite authors very strong impressions of a country life; and though his furthest excursions have been to Greenwich on one side, and Chelsea on the other, he has talked for several years, with great pomp of language and elevation of sentiments, about a state too high for contempt and too low for envy, about homely quiet and blameless simplicity, pastoral delights and rural innocence.

His friends, who, had estates in the country, often invited him to pass the summer among them, but something or other had always hindered him; and he considered, that to reside in the house of another man was to incur a kind of dependence inconsistent with that laxity of life which he had imaged as the chief good.

This summer he resolved to be happy, and procured a lodging to be taken for him at a solitary house, situated about thirty miles from London, on the banks of a small river, with corn-fields before it and a hill on each side covered with wood. He concealed the place of his retirement, that none might violate his obscurity, and promised himself many a happy day when he should hide himself among the trees, and contemplate the tumults and vexations of the town.

He stepped into the post-chaise with his heart beating and his eyes sparkling, was conveyed through many varieties of delightful prospects, saw hills and meadows, cornfields and pasture, succeed each other, and for four hours charged none of his poets with fiction or exaggeration. He was now within six miles of happiness, when, having never felt so much agitation before, he began to wish his journey at an end, and the last hour was passed in changing his posture and quarrelling with his driver.

An hour may be tedious, but cannot be long. He at length alighted at his new dwelling, and was received as he expected; he looked round upon the hills and rivulets, but his joints were stiff and his muscles sore, and his first request was to see his bed-chamber.

He rested well, and ascribed the soundness of his sleep to the stillness of the country. He expected from that time nothing but nights of quiet and days of rapture, and, as soon as he had risen, wrote an account of his new state to one of his friends in the Temple.

"Dear Frank,

"I never pitied thee before. I am now, as I could wish every man of wisdom and virtue to be, in the regions of calm content and placid meditation; with all the beauties of nature soliciting my notice, and all the diversities of pleasure courting my acceptance; the birds are chirping in the hedges, and the flowers blooming in the mead; the breeze is whistling in the wood, and the sun dancing on the water. I can now say, with truth, that a man, capable of enjoying the purity of happiness, is never more busy than in his hours of leisure, nor ever less solitary than in a place of solitude.

I am, dear Frank, &c."

When he had sent away his letter, he walked into the wood, with some inconvenience, from the furze that pricked his legs, and the briars that scratched his face. He at last sat down under a tree, and heard with great delight a shower, by which he was not wet, rattling among the branches: This, said he, is the true image of obscurity; we hear of troubles and commotions, but never feel them.

His amusement did not overpower the calls of nature, and he, therefore, went back to order his dinner. He knew that the country produces whatever is eaten or drunk, and, imagining that he was now at the source of luxury, resolved to indulge himself with dainties which he supposed might be procured at a price next to nothing, if any price at all was expected; and intended to amaze the rusticks with his generosity, by paying more than they would ask. Of twenty dishes which he named, he was amazed to find that scarcely one was to be had; and heard, with astonishment and indignation, that all the fruits of the earth were sold at a higher price than in the streets of London.

His meal was short and sullen; and he retired again to his tree, to inquire how dearness could be consistent with abundance, or how fraud should be practised by simplicity. He was not satisfied with his own speculations, and, returning home early in the evening, went a while from window to window, and found that he wanted something to do.

He inquired for a newspaper, and was told that farmers never minded news, but that they could send for it from the alehouse. A messenger was despatched, who ran away at full speed, but loitered an hour behind the hedges, and at last coming back with his feet purposely bemired, instead of expressing the gratitude which Mr. Shifter expected for the bounty of a shilling, said, that the night was wet, and the way dirty, and he hoped that his worship would not think it much to give him half-a-crown.

Dick now went to bed with some abatement of his expectations; but sleep, I know not how, revives our hopes, and rekindles our desires. He rose early in the morning, surveyed the landscape, and was pleased. He walked out, and passed from field to field, without observing any beaten path, and wondered that he had not seen the shepherdesses dancing, nor heard the swains piping to their flocks.

At last he saw some reapers and harvest-women at dinner. Here, said he, are the true Arcadians; and advanced courteously towards them, as afraid of confusing them by the dignity of his presence. They acknowledged his superiority by no other token than that of asking him for something to drink. He imagined that he had now purchased the privilege of discourse, and began to descend to familiar questions, endeavouring to accommodate his discourse to the grossness of rustick understandings. The clowns soon found, that he did not know wheat from rye, and began to despise him; one of the boys, by pretending to show him a bird's nest, decoyed him into a ditch; and one of the wenches sold him a bargain.

This walk had given him no great pleasure; but he hoped to find other rusticks less coarse of manners, and less mischievous of disposition. Next morning he was accosted by an attorney, who told him that, unless he made farmer Dobson satisfaction for trampling his grass, he had orders to indict him. Shifter was offended, but not terrified; and, telling the attorney that he was himself a lawyer, talked so volubly of pettyfoggers and barrators, that he drove him away.

Finding his walks thus interrupted, he was inclined to ride, and, being pleased with the appearance of a horse that was grazing in a neighbouring meadow, inquired the owner, who warranted him sound, and would not sell him, but that he was too fine for a plain man. Dick paid down the price, and, riding out to enjoy the evening, fell with his new horse into a ditch; they got out with difficulty, and, as he was going to mount again, a countryman looked at the horse, and perceived him to be blind. Dick went to the seller, and demanded back his money; but was told, that a man who rented his ground must do the best for himself; that his landlord had his rent though the year was barren; and that, whether horses had eyes or no, he should sell them to the highest bidder.

Shifter now began to be tired with rustick simplicity, and on the fifth day took possession again of his chambers, and bade farewell to the regions of calm content and placid meditation.

No. 72. SATURDAY, SEPTEMBER 1, 1759.

Men complain of nothing more frequently than of deficient memory; and, indeed, every one finds that many of the ideas which he desired to retain have slipped irretrievably away; that the acquisitions of the mind are sometimes equally fugitive with the gifts of fortune; and that a short intermission of attention more certainly lessens knowledge than impairs an estate.

To assist this weakness of our nature, many methods have been proposed, all of which may be justly suspected of being ineffectual; for no art of memory, however its effects have been boasted or admired, has been ever adopted into general use, nor have those who possessed it appeared to excel others in readiness of recollection or multiplicity of attainments.

There is another art of which all have felt the want, though Themistocles only confessed it. We suffer equal pain from the pertinacious adhesion of unwelcome images, as from the evanescence of those which are pleasing and useful; and it may be doubted whether we should be more benefited by the art of memory or the art of forgetfulness.

Forgetfulness is necessary to remembrance. Ideas are retained by renovation of that impression which time is always wearing away, and which new images are striving to obliterate. If useless thoughts could be expelled from the mind, all the valuable parts of our knowledge would more frequently recur, and every recurrence would reinstate them in their former place.

It is impossible to consider, without some regret, how much might have been learned, or how much might have been invented, by a rational and vigorous application of time, uselessly or painfully passed in the revocation of events, which have left neither good nor evil behind them, in grief for misfortunes either repaired or irreparable, in resentment of injuries known only to ourselves, of which death has put the authors beyond our power.

Philosophy has accumulated precept upon precept, to warn us against the anticipation of future calamities. All useless misery is certainly folly, and he that feels evils before they come may be deservedly censured; yet surely to dread the future is more reasonable than to lament the past. The business of life is to go forwards: he who sees evil in prospect meets it in his way; but he who catches it by retrospection turns back to find it. That which is feared may sometimes be avoided, but that which is regretted to-day may be regretted again to-morrow.

Regret is indeed useful and virtuous, and not only allowable but necessary, when it tends to the amendment of life, or to admonition of errour which we may be again in danger of committing. But a very small part of the moments spent in meditation on the past, produce any reasonable caution or salutary sorrow. Most of the mortifications that we have suffered, arose from the concurrence of local and temporary circumstances, which can never meet again; and most of our disappointments have succeeded those expectations, which life allows not to be formed a second time.

It would add much to human happiness, if an art could be taught of forgetting all of which the remembrance is at once useless and afflictive; if that pain which never can end in pleasure could be driven totally away, that the mind might perform its functions without incumbrance, and the past might no longer encroach upon the present.

Little can be done well to which the whole mind is not applied; the business of every day calls for the day to which it is assigned; and he will have no leisure to regret yesterday's vexations who resolves not to have a new subject of regret to-morrow.

But to forget or to remember at pleasure, are equally beyond the power of man. Yet as memory may be assisted by method, and the decays of knowledge repaired by stated times of recollection, so the power of forgetting is capable of improvement. Reason will, by a resolute contest, prevail over imagination, and the power may be obtained of transferring the attention as judgment shall direct.

The incursions of troublesome thoughts are often violent and importunate; and it is not easy to a mind accustomed to their inroads to expel them immediately by putting better images into motion; but this enemy of quiet is above all others weakened by every defeat; the reflection which has been once overpowered and ejected, seldom returns with any formidable vehemence.

Employment is the great instrument of intellectual dominion. The mind cannot retire from its enemy into total vacancy, or turn aside from one object but by passing to another. The gloomy and the resentful are always found among those who have nothing to do, or who do nothing. We must be busy about good or evil, and he to whom the present offers nothing will often be looking backward on the past.

No. 73. SATURDAY, SEPTEMBER 8, 1759.

That every man would be rich if a wish could obtain riches, is a position which I believe few will contest, at least in a nation like ours, in which commerce has kindled an universal emulation of wealth, and in which money receives all the honours which are the proper right of knowledge and of virtue.

Yet, though we are all labouring for gold as for the chief good, and, by the natural effort of unwearied diligence, have found many expeditious methods of obtaining it, we have not been able to improve the art of using it, or to make it produce more happiness than it afforded in former times, when every declaimer expatiated on its mischiefs, and every philosopher taught his followers to despise it.

Many of the dangers imputed of old to exorbitant wealth, are now at an end. The rich are neither waylaid by robbers, nor watched by informers; there is nothing to be dreaded from proscriptions, or seizures. The necessity of concealing treasure has long ceased; no man now needs counterfeit mediocrity, and condemn his plate and jewels to caverns and darkness, or feast his mind with the consciousness of clouded splendour, of finery which is useless till it is shown, and which he dares not show.

In our time, the poor are strongly tempted to assume the appearance of wealth, but the wealthy very rarely desire to be thought poor; for we are all at full liberty to display riches by every mode of ostentation. We fill our houses with useless ornaments, only to show that we can buy them; we cover our coaches with gold, and employ artists in the discovery of new fashions of expense; and yet it cannot be found that riches produce happiness.

Of riches, as of every thing else, the hope is more than the enjoyment: while we consider them as the means to be used, at some future time, for the attainment of felicity, we press on our pursuit ardently and vigorously, and that ardour secures us from weariness of ourselves; but no sooner do we sit down to enjoy our acquisitions, than we find them insufficient to fill up the vacuities of life.

One cause which is not always observed of the insufficiency of riches is, that they very seldom make their owner rich. To be rich, is to have more than is desired, and more than is wanted, to have something which may be spent without reluctance, and scattered without care, with which the sudden demands of desire may be gratified, the casual freaks of fancy indulged, or the unexpected opportunities of benevolence improved.

Avarice is always poor, but poor by her own fault. There is another poverty to which the rich are exposed with less guilt by the officiousness of others. Every man, eminent for exuberance of fortune, is surrounded from morning to evening, and from evening to midnight, by flatterers, whose art of adulation consists in exciting artificial wants, and in forming new schemes of profusion.

Tom Tranquil, when he came to age, found himself in possession of a fortune, of which the twentieth part might perhaps have made him rich. His temper is easy, and his affections soft; he receives every man with kindness, and hears him with credulity. His friends took care to settle him by giving him a wife, whom, having no particular inclination, he rather accepted than chose, because he was told that she was proper for him.