Part 44

In the first place, there must be the dramatic poet. Dramatic poetry is the subtlest, profoundest, the most intellectual, the most passionate and artistic of all. Then the stage must be prepared, and there is work for the architect, the painter and sculptor. Then the actors appear, and they must be gifted with imagination, with a high order of intelligence; they must have sympathies quick and deep, natures capable of the greatest emotion, dominated by passion. They must have impressive presence, and all that is manly should meet and unite in the actor; all that is womanly, tender, intense and admirable should be lavishly bestowed on the actress. In addition to all this, actors should have the art of being natural.

Let me explain what I mean by being natural. When I say that an actor is natural, I mean that he appears to act in accordance with his ideal, in accordance with his nature, and that he is not an imitator or a copyist--that he is not made up of shreds and patches taken from others, but that all he does flows from interior fountains and is consistent with his own nature, all having in a marked degree the highest characteristics of the man. That is what I mean by being natural.

The great actor must be acquainted with the heart, must know the motives, ends, objects and desires that control the thoughts and acts of men. He must be familiar with many people, including the lowest and the highest, so that he may give to others, clothed with flesh and blood, the characters born of the poet's brain. The great actor must know the relations that exist between passion and voice, gesture and emphasis, expression and pose. He must speak not only with his voice, but with his body. The great actor must be master of many arts.

Then comes the musician. The theatre has always been the home of music, and this music must be appropriate; must, or should, express or supplement what happens on the stage; should furnish rest and balm for minds overwrought with tragic deeds. To produce a great play, and put it worthily upon the stage, involves most arts, many sciences and nearly all that is artistic, poetic and dramatic in the mind of man.

_Question_. Should the drama teach lessons and discuss social problems, or should it give simply intellectual pleasure and furnish amusement?

_Answer_. Every great play teaches many lessons and touches nearly all social problems. But the great play does this by indirection. Every beautiful thought is a teacher; every noble line speaks to the brain and heart. Beauty, proportion, melody suggest moral beauty, proportion in conduct and melody in life. In a great play the relations of the various characters, their objects, the means adopted for their accomplishment, must suggest, and in a certain sense solve or throw light on many social problems, so that the drama teaches lessons, discusses social problems and gives intellectual pleasure.

The stage should not be dogmatic; neither should its object be directly to enforce a moral. The great thing for the drama to do, and the great thing it has done, and is doing, is to cultivate the imagination. This is of the utmost importance. The civilization of man depends upon the development, not only of the intellect, but of the imagination. Most crimes of violence are committed by people who are destitute of imagination. People without imagination make most of the cruel and infamous creeds. They were the persecutors and destroyers of their fellow-men. By cultivating the imagination, the stage becomes one of the greatest teachers. It produces the climate in which the better feelings grow; it is the home of the ideal. All beautiful things tend to the civilization of man. The great statues plead for proportion in life, the great symphonies suggest the melody of conduct, and the great plays cultivate the heart and brain.

_Question_. What do you think of the French drama as compared with the English, morally and artistically considered?

_Answer_. The modern French drama, so far as I am acquainted with it, is a disease. It deals with the abnormal. It is fashioned after Balzac. It exhibits moral tumors, mental cancers and all kinds of abnormal fungi,--excrescences. Everything is stood on its head; virtue lives in the brothel; the good are the really bad and the worst are, after all, the best. It portrays the exceptional, and mistakes the scum-covered bayou for the great river. The French dramatists seem to think that the ceremony of marriage sows the seed of vice. They are always conveying the idea that the virtuous are uninteresting, rather stupid, without sense and spirit enough to take advantage of their privilege. Between the greatest French plays and the greatest English plays of course there is no comparison. If a Frenchman had written the plays of Shakespeare, Desdemona would have been guilty, Isabella would have ransomed her brother at the Duke's price, Juliet would have married the County Paris, run away from him, and joined Romeo in Mantua, and Miranda would have listened coquettishly to the words of Caliban. The French are exceedingly artistic. They understand stage effects, love the climax, delight in surprises, especially in the improbable; but their dramatists lack sympathy and breadth of treatment. They are provincial. With them France is the world. They know little of other countries. Their plays do not touch the universal.

_Question_. What are your feelings in reference to idealism on the stage?

_Answer_. The stage ought to be the home of the ideal; in a word, the imagination should have full sway. The great dramatist is a creator; he is the sovereign, and governs his own world. The realist is only a copyist. He does not need genius. All he wants is industry and the trick of imitation. On the stage, the real should be idealized, the ordinary should be transfigured; that is, the deeper meaning of things should be given. As we make music of common air, and statues of stone, so the great dramatist should make life burst into blossom on the stage. A lot of words, facts, odds and ends divided into acts and scenes do not make a play. These things are like old pieces of broken iron that need the heat of the furnace so that they may be moulded into shape. Genius is that furnace, and in its heat and glow and flame these pieces, these fragments, become molten and are cast into noble and heroic forms. Realism degrades and impoverishes the stage.

_Question_. What attributes should an actor have to be really great?

_Answer_. Intelligence, imagination, presence; a mobile and impressive face; a body that lends itself to every mood in appropriate pose, one that is oak or willow, at will; self-possession; absolute ease; a voice capable of giving every shade of meaning and feeling, an intuitive knowledge or perception of proportion, and above all, the actor should be so sincere that he loses himself in the character he portrays. Such an actor will grow intellectually and morally. The great actor should strive to satisfy himself--to reach his own ideal.

_Question_. Do you enjoy Shakespeare more in the library than Shakespeare interpreted by actors now on the boards?

_Answer_. I enjoy Shakespeare everywhere. I think it would give me pleasure to hear those wonderful lines spoken even by phonographs. But Shakespeare is greatest and best when grandly put upon the stage. There you know the connection, the relation, the circumstances, and these bring out the appropriateness and the perfect meaning of the text. Nobody in this country now thinks of Hamlet without thinking of Booth. For this generation at least, Booth is Hamlet. It is impossible for me to read the words of Sir Toby without seeing the face of W. F. Owen. Brutus is Davenport, Cassius is Lawrence Barrett, and Lear will be associated always in my mind with Edwin Forrest. Lady Macbeth is to me Adelaide Ristori, the greatest actress I ever saw. If I understood music perfectly, I would much rather hear Seidl's orchestra play "Tristan," or hear Remenyi's matchless rendition of Schubert's "Ave Maria," than to read the notes.

Most people love the theatre. Everything about it from stage to gallery attracts and fascinates. The mysterious realm, behind the scenes, from which emerge kings and clowns, villains and fools, heroes and lovers, and in which they disappear, is still a fairyland. As long as man is man he will enjoy the love and laughter, the tears and rapture of the mimic world.

_Question_. Is it because we lack men of genius or because our life is too material that no truly great American plays have been written?

_Answer_. No great play has been written since Shakespeare; that is, no play has been written equal to his. But there is the same reason for that in all other countries, including England, that there is in this country, and that reason is that Shakespeare has had no equal.

America has not failed because life in the Republic is too material. Germany and France, and, in fact, all other nations, have failed in the same way. In the sense in which I am speaking, Germany has produced no great play.

In the dramatic world Shakespeare stands alone. Compared with him, even the classic is childish.

There is plenty of material for plays. The Republic has lived a great play--a great poem--a most marvelous drama. Here, on our soil, have happened some of the greatest events in the history of the world.

All human passions have been and are in full play here, and here as elsewhere, can be found the tragic, the comic, the beautiful, the poetic, the tears, the smiles, the lamentations and the laughter that are the necessary warp and woof with which to weave the living tapestries that we call plays.

We are beginning. We have found that American plays must be American in spirit. We are tired of imitations and adaptations. We want plays worthy of the great Republic. Some good work has recently been done, giving great hope for the future. Of course the realistic comes first; afterward the ideal. But here in America, as in all other lands, love is the eternal passion that will forever hold the stage. Around that everything else will move. It is the sun. All other passions are secondary. Their orbits are determined by the central force from which they receive their light and meaning.

Love, however, must be kept pure.

The great dramatist is, of necessity, a believer in virtue, in honesty, in courage and in the nobility of human nature. He must know that there are men and women that even a God could not corrupt; such knowledge, such feeling, is the foundation, and the only foundation, that can support the splendid structure, the many pillared stories and the swelling dome of the great drama.

--_The New York Dramatic Mirror_, December 26, 1891.

WOMAN.

It takes a hundred men to make an encampment, but one woman can make a home. I not only admire woman as the most beautiful object ever created, but I reverence her as the redeeming glory of humanity, the sanctuary of all the virtues, the pledge of all perfect qualities of heart and head. It is not just or right to lay the sins of men at the feet of women. It is because women are so much better than men that their faults are considered greater.

The one thing in this world that is constant, the one peak that rises above all clouds, the one window in which the light forever burns, the one star that darkness cannot quench, is woman's love. It rises to the greatest heights, it sinks to the lowest depths, it forgives the most cruel injuries. It is perennial of life, and grows in every climate. Neither coldness nor neglect, harshness nor cruelty, can extinguish it. A woman's love is the perfume of the heart.

This is the real love that subdues the earth; the love that has wrought all the miracles of art, that gives us music all the way from the cradle song to the grand closing symphony that bears the soul away on wings of fire. A love that is greater than power, sweeter than life and stronger than death.

STRIKES, EXPANSION AND OTHER SUBJECTS.

_Question_. What have you to say in regard to the decision of Judge Billings in New Orleans, that strikes which interfere with interstate commerce, are illegal?

_Answer_. As a rule, men have a right to quit work at any time unless there is some provision to the contrary in their contracts. They have not the right to prevent other men from taking their places. Of course I do not mean by this that strikers may not use persuasion and argument to prevent other men from filling their places. All blacklisting and refusing to work with other men is illegal and punishable. Of course men may conspire to quit work, but how is it to be proved? One man can quit, or five hundred men can quit together, and nothing can prevent them. The decisions of Judge Ricks and Judge Billings are an acknowledgment, at least, of the principle of public control or regulation of railroads and of commerce generally. The railroads, which run for private profit, are public carriers, and the public has a vested interest in them as such. The same principle applies to the commerce of the country and can be dealt with by the courts in the same way. It is unlikely, however, that Judge Billings' decision will have any lasting effect upon organized labor. Law cannot be enforced against such vast numbers of people, especially when they have the general sympathy. Nearly all strikes have been illegal, but the numbers involved have made the courts powerless.

_Question_. Are you in favor of the annexation of Canada?

_Answer_. Yes, if Canada is. We do not want that country unless that country wants us. I do not believe it to the interests of Canada to remain a province. Canada should either be an independent nation, or a part of a nation. Now Canada is only a province--with no career--with nothing to stimulate either patriotism or great effort. Yes, I hope that Canada will be annexed.

By all means annex the Sandwich Islands, too. I believe in territorial expansion. A prosperous farmer wants the land next him, and a prosperous nation ought to grow. I believe that we ought to hold the key to the Pacific and its commerce. We want to be prepared at all points to defend our interests from the greed and power of England.

We are going to have a navy, and we want that navy to be of use in protecting our interests the world over. And we want interests to protect.

It is a splendid feeling--this feeling of growth. By the annexation of these islands we open new avenues to American adventure, and the tendency is to make our country greater and stronger. The West Indian Islands ought to be ours, and some day our flag will float there. This country must not stop growing.

_Question_. Is the spirit of patriotism declining in America?

_Answer_. There has been no decline in the spirit of American patriotism; in fact, it has increased rather then otherwise as the nation has grown older, stronger, more prosperous, more glorious. If there were occasion to demonstrate the truth of this statement it would be quickly demonstrated. Let an attack be made upon the American flag, and you will very quickly find out how genuine is the patriotic spirit of Americans.

I do not think either that there has been a decline in the celebration of the Fourth of July. The day is probably not celebrated with as much burning of gunpowder and shooting of fire crackers in the large cities as formerly, but it is celebrated with as much enthusiasm as ever all through the West, and the feeling of rejoicing over the anniversary of the day is as great and strong as ever. The people are tired of celebrating with a great noise and I am glad of it.

_Question_. What do you think of the Congress of Religions, to be held in Chicago during the World's Fair?

_Answer_. It will do good, if they will honestly compare their creeds so that each one can see just how foolish all the rest are. They ought to compare their sacred books, and their miracles, and their mythologies, and if they do so they will probably see that ignorance is the mother of them all. Let them have a Congress, by all means, and let them show how priests live on the labor of those they deceive. It will do good.

_Question_. Do you think that Cleveland's course as to appointments has strengthened him with the people?

_Answer_. Patronage is a two-edged sword with very little handle. It takes an exceedingly clever President to strengthen himself by its exercise. When a man is running for President the twenty men in every town who expect to be made postmaster are for him heart and soul. Only one can get the office, and the nineteen who do not, feel outraged, and the lucky one is mad on account of the delay. So twenty friends are lost with one place.

_Question_. Is the Age of Chivalry dead?

_Answer_. The "Age of Chivalry" never existed except in the imagination. The Age of Chivalry was the age of cowardice and crime.

There is more chivalry to-day than ever. Men have a better, a clearer idea of justice, and pay their debts better, and treat their wives and children better than ever before. The higher and better qualities of the soul have more to do with the average life. To-day men have greater admiration and respect for women, greater regard for the social and domestic obligations than their fathers had.

_Question_. What led you to begin lecturing on your present subject, and what was your first lecture?

_Answer_. My first lecture was entitled "Progress." I began lecturing because I thought the creeds of the orthodox church false and horrible, and because I thought the Bible cruel and absurd, and because I like intellectual liberty.

--New York, May 5, 1893.

SUNDAY A DAY OF PLEASURE.

_Question_. What do you think of the religious spirit that seeks to regulate by legislation the manner in which the people of this country shall spend their Sundays?

_Answer_. The church is not willing to stand alone, not willing to base its influence on reason and on the character of its members. It seeks the aid of the State. The cross is in partnership with the sword. People should spend Sundays as they do other days; that is to say, as they please. No one has the right to do anything on Monday that interferes with the rights of his neighbors, and everyone has the right to do anything he pleases on Sunday that does not interfere with the rights of his neighbors. Sunday is a day of rest, not of religion. We are under obligation to do right on all days.

Nothing can be more absurd than the idea that any particular space of time is sacred. Everything in nature goes on the same on Sunday as on other days, and if beyond nature there be a God, then God works on Sunday as he does on all other days. There is no rest in nature. There is perpetual activity in every possible direction. The old idea that God made the world and then rested, is idiotic. There were two reasons given to the Hebrews for keeping the Sabbath --one because Jehovah rested on that day, the other because the Hebrews were brought out of Egypt. The first reason, we know, is false, and the second reason is good only for the Hebrews. According to the Bible, Sunday, or rather the Sabbath, was not for the world, but for the Hebrews, and the Hebrews alone. Our Sunday is pagan and is the day of the sun, as Monday is the day of the moon. All our day names are pagan. I am opposed to all Sunday legislation.

_Question_. Why should Sunday be observed otherwise than as a day of recreation?

_Answer_. Sunday is a day of recreation, or should be; a day for the laboring man to rest, a day to visit museums and libraries, a day to look at pictures, a day to get acquainted with your wife and children, a day for poetry and art, a day on which to read old letters and to meet friends, a day to cultivate the amenities of life, a day for those who live in tenements to feel the soft grass beneath their feet. In short, Sunday should be a day of joy. The church endeavors to fill it with gloom and sadness, with stupid sermons and dyspeptic theology.

Nothing could be more cowardly than the effort to compel the observance of the Sabbath by law. We of America have outgrown the childishness of the last century; we laugh at the superstitions of our fathers. We have made up our minds to be as happy as we can be, knowing that the way to be happy is to make others so, that the time to be happy is now, whether that now is Sunday or any other day in the week.

_Question_. Under a Federal Constitution guaranteeing civil and religious liberty, are the so-called "Blue Laws" constitutional?

_Answer_. No, they are not. But the probability is that the Supreme Courts of most of the States would decide the other way. And yet all these laws are clearly contrary to the spirit of the Federal Constitution and the constitutions of most of the States.

I hope to live until all these foolish laws are repealed and until we are in the highest and noblest sense a free people. And by free I mean each having the right to do anything that does not interfere with the rights or with the happiness of another. I want to see the time when we live for this world and when all shall endeavor to increase, by education, by reason, and by persuasion, the sum of human happiness.

--_New York Times_, July 21, 1893.

THE PARLIAMENT OF RELIGIONS.

_Question_. The Parliament of Religions was called with a view to discussing the great religions of the world on the broad platform of tolerance. Supposing this to have been accomplished, what effect is it likely to have on the future of creeds?

_Answer_. It was a good thing to get the representatives of all creeds to meet and tell their beliefs. The tendency, I think, is to do away with prejudice, with provincialism, with egotism. We know that the difference between the great religions, so far as belief is concerned, amounts to but little. Their gods have different names, but in other respects they differ but little. They are all cruel and ignorant.

_Question_. Do you think likely that the time is coming when all the religions of the world will be treated with the liberality that is now characterizing the attitude of one sect toward another in Christendom?

_Answer_. Yes, because I think that all religions will be found to be of equal authority, and because I believe that the supernatural will be discarded and that man will give up his vain and useless efforts to get back of nature--to answer the questions of whence and whither? As a matter of fact, the various sects do not love one another. The keenest hatred is religious hatred. The most malicious malice is found in the hearts of those who love their enemies.

_Question_. Bishop Newman, in replying to a learned Buddhist at the Parliament of Religions, said that Buddhism had given to the world no helpful literature, no social system, and no heroic virtues. Is this true?

_Answer_. Bishop Newman is a very prejudiced man. Probably he got his information from the missionaries. Buddha was undoubtedly a great teacher. Long before Christ lived Buddha taught the brotherhood of man. He said that intelligence was the only lever capable of raising mankind. His followers, to say the least of them, are as good as the followers of Christ. Bishop Newman is a Methodist--a follower of John Wesley--and he has the prejudices of the sect to which he belongs. We must remember that all prejudices are honest.

_Question_. Is Christian society, or rather society in Christian countries, cursed with fewer robbers, assassins, and thieves, proportionately, then countries where "heathen" religions predominate?