Chapter 3

It is almost impossible to state positively how often the hair should be shampooed. Oily hair needs a thorough washing every two weeks, while drier tresses should not be given a bath oftener than once a month. Half the reason for falling hair, or hair that seems never to grow, is caused by improper shampooing. The scalp must be kept scrupulously clean. And I doubt very much whether the soap and soiled water can be thoroughly rinsed out without the use of running water, the bath spray being the most convenient means of getting this. How often, after washing one's hair, one finds a white, sticky substance clinging to the teeth of the comb! This should never be, and the hair must be continually washed until it is fluffy and soft and absolutely without any suggestion of the shampoo. When the hair is very oily a dessertspoonful of ammonia and a pinch of borax should be added to two quarts of warm water. This will soften the water and make the soap more easily rinsed out of the hair. The liquid verbena soap makes a delightful shampoo. Recipe can be found at the end of this chapter.

When shampooing, rub the lather through the strands gently, and with the finger tips remove all the little particles of dust and dandruff which may be clinging to the scalp. And may I gently suggest that you do not go at the task as if you were scrubbing a grease spot out of a rug? You must neither dig the scalp with your nails nor wring out your hair as you would a wash-rag. Try not to get your hair into a more mussed-up and tangled condition than is absolutely necessary. After using the bath spray liberally dry with warm towels, then--if possible--get some one to vigorously massage the scalp. This will almost invariably prevent one from taking cold. Never begin combing out your locks until they are nearly dry. A sun bath of twenty minutes is a good tonic.

Occasionally an egg shampoo is more beneficial than the usual one of soap. This is especially true when one has just recovered from a fever or when one's scalp is in an unhealthy condition or afflicted with dandruff. The rosemary formula is very effective.

Dandruff is nearly always the result of neglect. If the scalp is washed as frequently as it should be, dandruff is not so likely to accumulate, although it is a perfectly natural formation. When the hair is excessively oily or the scalp unusually crowded with dandruff, the weekly shampoo should not be neglected.

Blond hair should always be washed with the yolk of an egg, as that will make it keep its golden tints. Mixing the egg with a pinch of borax and a pint of warm water is a good plan.

Hair dyeing is one of the mistakes of unwise femininity. All dyes containing either mercury or lead are very dangerous. But why should women dye their hair? Goodness only knows. One might as well ask why women fib about their age, or why women shop three hours just to buy a pair of dress shields. There are some questions of life which we are destined never to solve. There is nothing lovelier than white hair. Combine with it a fine complexion and a pair of animated brown eyes and you have as picturesque a beauty as ever awakened emotions in the heart of man. But, nevertheless, women moan and wail over every stray gray hair. They go off downtown and proceed to lug home a cartload of mysterious bottles which they keep religiously away from hubby's investigating eye. I won't tell the result of the experience, for it is too well known. It is a certain episode through which half the women of forty years have passed--sooner or later. When comes the desire to transform those little threads of silver into deeper shades remember the charming lines of Bancroft:

"By common consent gray hairs are a crown of glory, the only object of respect that can never excite envy."

Unknown washes, as well as dyes, do great mischief. Good health, wholesome food and proper care of the scalp are the three most important essentials toward beautiful and luxuriant hair. There are some simple lotions, harmless and easily prepared, which will assist the growth and nourish the roots.

DRESSING THE HAIR.

It has always been a double-turreted wonder to me why romancers are forever harping about heroines with "tresses in artistic disarray." All the tresses in such condition that I have ever gazed upon have looked most slovenly and ofttimes positively waggish. How any one can think that a girl with a tangled braid hanging down her back, a little wad over one ear, a ragged, jagged fringe edging its way into her eyes and half a dozen little wisps standing out here and there in haystack fashion--how one can even fancy that such a head as that is pretty is more than I can explain. Clothes may make the man, but rational hairdressing goes a pretty long way toward making the woman. Observe my lady in curl-papers and my lady togged up for a dinner party. Comment is unnecessary, for you have all seen her--or yourselves, which is quite the same thing.

Those fortunate women to whom straight hair is becoming should never indulge in curls. There is nothing prettier than hair drawn loosely away from the face. It leaves displayed those lovely lines on the temples about which artists and poets go mad. As to the style of dressing one's hair, that must be left solely to one's taste. If the lines of the head, the shape of the face and the hair itself are studied a bit the solution of the most becoming coiffure is very easily solved.

A head that looks like a wax image in a hairdresser's window is certainly anything but pretty. Neither is it artistic, for the correctly crimped and waved side-locks are too mechanically planned to look at all natural. To nearly all women the plainer the mode of hairdressing the more becoming it is. That does not mean that you should comb your hair straight back and wad it into a funny little bump. Quite the contrary. Comb it back if you will, but have the coil loose and graceful. It is very bad for the hair either to be pulled back tightly or to be closely arranged. Ventilation is necessary, and, by the way, caressing and smoothing the hair with the fingers is a good tonic for its growth and beauty.

A few loose short curls about the face seem necessary to the good looks of the majority of women, but the heavy bang was shelved years ago. Wasn't it hideous? But perhaps you are too young to remember. Get out the family album, then, and see for yourself.

There are certain rules for hairdressing that were just as good in Eve's hairpinless age as they will be a hundred years hence. By keeping these rules in mind you can make a picture or a cartoon of yourself, just as you wish. The one thing to remember is that the lines and proportions of the face must be carefully considered and a mode of hairdressing adopted which will lessen and not exaggerate those lines and proportions. Be alert to your defects, and do not forget that what may be essentially appropriate for one woman will be dismally inappropriate for another.

Suppose a woman has a square, heavy jaw. She is just the one who flings defiance at prevailing fashions and clings to the dear old straight bangs deep over her eyes. The heavy chin makes a straight line, the heavy fringe makes another, and the result is that her face is as perfectly square as rules and measurements could make it. Let this deluded lady shake herself together and mend her ways. By making the top of her head appear wider the broad jaws will--according to all laws of reasoning--seem to be narrower. A few dainty puffs towering up prettily and a soft, fluffy fringe left flying out over the ears will not only add grace to the forehead but lighten the heaviness of the lower part of the face. A bow of ribbon or any other perky little headdress will detract from the straight cross lines.

Then there is the woman with the sharp chin, the woman of the wedge-shaped face. She invariably wears her hair over her ears and so elongates the V lines of her chin. By arranging the hair close to the sides of her head and putting it in a soft low coil on the top a much more pleasing effect can be got.

The same rule for the heavy-chinned woman applies to the chubby, fat-faced feminine mortal. The "roly-poly" visage looks less "roly-poly" when the front hair is drawn back and up in pompadour style and the long tresses piled into a nice little tower. The pompadour mode of hairdressing also holds good with the girl whose eyes are set too high. This helps along the old-time idea that the eyes of a woman should be in the middle of her head--that is, that they must be set midway between the bottom of the chin and the top of the hair.

For the women with eyes set too low an exactly opposite arrangement should be adopted. Instead of drawing the hair away from the face, bring it down to it. Part the hair and let it come low on the temples and brow.

I have never seen anything or anybody look much funnier than does a woman with a sharp-pointed nose and a pysche knot. The nose bumps out in the front and the wad of hair sticks out in the back with a similarity that is positively convulsing to any one with half an eye for the humorous. It gives one an idiotic longing to take a measuring rule and find out the exact distance from "tip to tip." Another waggish picture is made by the snub-nosed girl with her hair arranged à la Madonna. These long hirsute lamberquins on either side of her face make the poor little nose appear even smaller, like unto a wee dab of putty or a diminutive biscuit.

Don't caricature your facial defects. Don't get the lines of your head and face "out of drawing." Don't twist your hair up after every new fashion that chances to come along. Study the contour of your head from every side and then adopt that style of hairdressing which at once brings out the good points and conceals the bad ones. The most becoming coiffure is the one that gives the most artistic balance to the face. What will do for the fat, dumpy Miss Plump will make a human joke out of the lank, willowy Miss Slender.

SUPERFLUOUS HAIR.

If there is one blemish more than another that gnaws out our very heart supports and gives a good hard case of nervous chills, it is this. What woman can look at another so afflicted without a feeling of deep pity? There is something so masculine and altogether impossible in a bearded lady, even if she be merely a poor imitation of the real exhibited thing.

Unless proper means are taken to abolish it, superfluous hair should be left religiously alone. The more it is pulled out or irritated the lustier and heartier will be the growth that follows. As for cutting it--well! who does not know what the result is sure to be? A challenging Kaiser William mustache, maybe, or perchance a Herr Most style of hirsute trimmings. In applying creams of any sort to the face, it is wisdom to leave the upper lip untouched with the cosmetic, although one may feel perfectly safe in using home-made emollients which do not contain animal fats. Heat, rubbing and friction are all conducive to the pests, and such oils and fats as vaseline, glycerin, olive oil and mutton tallow or suet should never be used. Depilatories likewise should be shunned. The powdered preparations are usually composed either of sulphite of arsenic or caustic lime, and merely burn the hair off to the surface of the skin. It seems quite impossible for any such powder to kill or dissolve the hair roots without injury. The sticky plasters, made of galbanum or pitch, and which are known as "heroic" measures, are equally undesirable, since they are not permanent cures any more than the depilatory powders. The worst feature of these cures is that for every hair pulled out or burnt off a coarser one takes its place, and for every tiny, downy growth a fully developed hair appears. Of course, the plaster removes this soft lanuginous growth with the hardier one, and for that reason should be left severely alone. The tweezers are therefore less objectionable than the plaster, but this is such a painful way of getting happiness that I cannot advise it.

There is no doubt but that electrolysis is the best cure. The only objection to this is that an incompetent operator will cause her patron considerable pain, and will also be likely to scar the skin. A dainty little woman who has been an expert in this work for years tells me that it is not at all necessary for the beauty patient to hold the little handles--I know not the technical term--of the battery, although this causes a little more careful work on the part of the operator. At the same time, it makes the operation less painful, and really not at all hard to endure. The general desire to have the work done quickly causes the scars. If the hairs are picked out here and there and not close together the skin can heal and the rest of the horrors be destroyed at the next sitting. To remove a very prolific growth several "seances" will be necessary. But the result will be clear, unscarred skin, and no future chance of the wee worries coming back to bring heart-hurts and mental agony.

To those who have any timidity at all about the electric needle, there is peroxide of hydrogen and diluted ammonia. Use one as a lotion one night and the other the next. This will often prove a permanent cure, while a better, less noticeable state is certain. The remedy is one, however, that will take time and patience. The superfluous hair will gradually become light-colored and almost white, and the ammonia will, if used persistently, deaden the growth. Do not expect the bleach to take effect right away, for it won't. If the skin is at all irritated rub on pure, thick cream.

RECIPES FOR THE HAIR.

Liquid Verbena Soap: Cut in small pieces one-half pound of pure imported castile soap. Put in porcelain kettle with two quarts of warm water and dissolve by boiling. When cold it should be of the consistency of rather thin cream; if thicker, add more water. Stir in one-fourth pint of alcohol and let stand several days in a warm room. All the alkali and impurities will settle to the bottom of the bottle, leaving the liquid as clear as crystal. Pour off carefully, leaving the residue for kitchen purposes. Perfume with a few drops of oil of verbena, or any scent one may prefer. A small quantity of this used in the shampoo is delightfully cleansing.

Shampoo for Dandruff:

Yolk of one egg. One pint of warm water. One ounce spirits of rosemary.

Follow with thorough washing with liquid verbena soap.

Egg Shampoo: Shake the yolk of an egg in a pint of alcohol, strain and bottle. To a bowl of warm water add two tablespoonfuls of the liquid.

Dandruff Cure and Hair Tonic:

Forty-eight grains resorcin. One-fourth ounce glycerine. Alcohol sufficient to fill a two-ounce bottle.

Apply every night to the scalp, rubbing it in well. This is good for falling hair.

Lemon Hair Wash (for blond tresses):

One ounce salts of tartar. Juice of three lemons. One quart of water.

Apply a cupful to the hair and scalp just before the shampoo.

Quinine Tonic for Oily Hair:

One-half pint alcohol. One-half pint water. Thirty grains of quinine.

Apply every other night, rubbing into the scalp.

Hair-curling Fluid: Mix one and one-half drams of gum tragacanth with three ounces of proof spirits and seven ounces of water. Perfume with a drop or two of attar of rose. If too thick add a little rose-water.

THE HANDS

"I take thy hand, this hand, As soft as dove's down, and as white as it; Or Ethiopia's tooth, or the fann'd snow, That's bolted by the northern blast twice o'er."

--_Shakespeare._

Pretty hands--like sweet tempers and paragons of husbands--are largely a matter of care and cultivation. Much more so, in fact, than most of us are aware. While tapering fingers and perfect palms count for considerable, the general beauty of the hand lies not in its correct outline so much as in the whiteness and velvety softness of the skin and the perfectly trimmed, well-kept nails. I have seen hands as plump as rotund little butter rolls, with fingers like wee sausages, and I have also gazed upon long, slender hands as perfect of form and proportion as any hand ever put into a Gainsborough masterpiece. And both have been called beautiful. Of course, we all know that the Gainsborough model is perfection, but nevertheless we can content ourselves with the knowledge that really ideal hands are as rare as a few other nice things in this world, and that we can struggle along very well with our good imitations providing we are able to keep them clean and well groomed.

The poets have raved their wildest over the beauty of women's hands from the time when Adam had his first desire to write jingles--if he ever was so silly--to the present day of Kipling's entrancing verse. Shakespeare in his many tributes to the unfortunate young Juliet spoke of the "white wonder" of her hands, and there has probably never lived a versifier who has not, at one time or another, gone into paroxysms of poetry over "lovely fingers," and "dainty palms," and all that. And I don't wonder, do you? for a woman's hand--when it is beautiful--is certainly a most adorable thing. It should be soft and yielding and caressing--with small, dainty joints, a satiny surface and carefully manicured nails of shell-pink tint.

First of all, tight sleeves and very tight gloves must be condemned. Next, relaxation and repose are to be cultivated. A beautiful hand that fidgets continually is not to be admired for anything beyond its ceaseless efforts to be doing. Ben Jonson once said: "A busy woman is a fearful nuisance," and it's more than likely that he had in mind some fussy dame whose nervous fingers were everlastingly picking at things and continually on the wiggle.

The hand can easily be taught to move gracefully. The ordinary Delsarte movements of swinging the wrist backward and forward, of raising the hands high above the head, and the general exercises for the cultivation of gesture and expression are all good and can bring about the habit of spontaneous relaxation and activity. No gestures at all, though, are better than awkward ones.

Large joints are very unsightly. It is said of the Countess of Soissons that she never closed her hands for fear of hardening the joints. Funny, isn't it, to what extremes those old-time ladies went? And yet the Nordauites say we are degenerates!

Of Mme. Crequy it is recorded that "she was a woman most resolute," and in proof of that assertion the chronicler says that if no lackey were within call she opened the doors herself--without fear of blistering her hands! It was the desire for dainty, delicate white hands that first gave nice little boys the task of trotting after stately dames and carrying my lady's prayerbook or fan. Fancy one of those porcelain-like creatures of helplessness hanging onto the strap in a State Street cable car! Perish the thought! And what a jolly time Mme. Crequy would have had could she have indulged in a Christmas shopping scrimmage. After a few tussels with the swing doors that bar our entrance to the big stores, Mme. Crequy would have blistered her hands to the queen's taste and the poultice stage. There's no chance of a doubt about that.

BATHING THE HANDS.

With the hands, as with almost everything else in the strife toward beauty culture, cleanliness is the first great essential. You cannot keep your hands smooth and pretty without an occasional hard scrubbing. Unless the hands are unusually moist naturally, hot water should not be used. Have the bath tepid--just warm enough to be cleansing. Say a fond farewell to all highly-scented soaps and bring yourself down to a steady and constant faith in the pure white imported castile. I doubt very much if there is a soap manufactured which can equal this for its harmlessness and purity. The best way is to buy a large bar, letting it dry thoroughly, and cutting off small slices as they are needed.

Never fail to let the soapy water out of the basin and fill again with a clear rinsing bath. When drying be sure that the towel is not coarse or rough, and that it absorbs every particle of moisture. Very gently press back the cuticle around the nail. A little orange-wood stick or a piece of ivory will assist you when the skin is inclined to stick close to the nail. Let the hands have their most cleansing bath just before you go to bed, and then is the time to apply your cold cream or cosmetic jelly, which--in nearly all cases--is all that is needed to keep the hands soft and nice.

Wearing gloves at night is very uncomfortable and quite unnecessary. Lotions can be put on an hour or so before one goes to bed, and by that time they are usually pretty well absorbed into the cuticle.

If the hands are red use lemon juice, applying cold cream as soon as the juice is dry. For callous spots rub with pumice stone.

CARE OF THE FINGER NAILS.

There has been a great change in manicuring methods of late. The old steel implements of torture are banished, and the ivory instruments have long since taken their place. Steel should never be put to the fingers, except to use the scissors when the nails are too long, or to trim the skin in order to free it from hangnails. The best operators no longer cut away the cuticle about the base of the nail, and the manicure who does that nowadays is not a student of the French method of manicuring, which supplanted every other some time ago. The same effect--and better, in fact--is got by simply pressing back the flesh with the end of an ivory or orange-wood instrument. The gouging and snipping, so irritating to a person of nerves, is thus avoided. However, if you only know how, you can manicure your nails at home and they will look every bit as well as if you trotted downtown and spent half a day and a nice big dollar.

Fill a china wash basin with a suds of warm water and castile soap. Soak the hands for five minutes. With an old soft linen towel push back the skin around the nails. If there are hangnails snip them away carefully. Cutting the cuticle at the base of the nail was a barbaric feature of a new science which disappeared when it became more rational and refined. Never, under any circumstances, must the inside of the nail be scraped with a sharp instrument. Another thing to be avoided is the vulgar application of pink nail cosmetics. Who has not seen a pretty hand made hideous by nails all gummed up with red paste? Oh, yes, and claw-like nails! They, too, have been "called in," now that progress, good sense and civilization go marching on at a two-step pace.

The nails should be trimmed the same shape as the finger tips, and left neither too long nor too short. There's a happy medium that is easily discovered, because of its usefulness, its convenience, and its artistic beauty. A too-highly polished surface is also a vulgarity invented by the old-time manicure. A little powder rubbed briskly on the nail with a heavily padded polisher is a great improvement, but when the nails shine with door-knob brilliancy it's high time to call a halt. As for jagged, uneven nails--there's no excuse for them.

RECIPES FOR THE HANDS.

Cosmetic Jelly: Take thirty grains of gum tragacanth, soak in seven ounces of rose-water for two days, strain through muslin and add one-half ounce each of glycerin and alcohol, previously mixed. This dries in a moment after application.

Glycerin Balsam:

White wax, one-half ounce. Spermaceti, one ounce. Oil of sweet almonds, four and one-half ounces. Glycerin, one and one-half ounces. Oil of rose geranium, eight drops.

Melt the oils. Remove from fire and beat in the glycerin and perfume. Stir briskly until cold and white.

Creme Duchesse: