Chapter 4

They ascend the staircase: the domestic adornments merge into the historic. We have Francis I.--not himself, but his armour: the chimneypiece, too, is a copy from the tomb-works of John, Earl of Cornwall, in Westminster Abbey; the stonework from that of Thomas, Duke of Clarence, at Canterbury.

Stay awhile: we have not done with sacrilege yet; worse things are to be told, and we walk with consciences not unscathed into the Library, disapproving in secret but flattering vocally. Here the very spirit of Horace seemed to those who visited Strawberry before its fall to breathe in every corner. Alas! when we beheld that library, it was half filled with chests containing the celebrated MSS. of his letters; which were bought by that enterprising publisher of learned name, Richard Bentley, and which have since had adequate justice done them by first-rate editors. There they were: the 'Strawberry Gazette' in full;--one glanced merely at the yellow paper, and clear, decisive hand, and then turned to see what objects he, who loved his books so well, collected for his especial gratification. Mrs. Damer again! how proud he was of her genius--her beauty, her cousinly love for himself; the wise way in which she bound up the wounds of her breaking heart when her profligate husband shot himself, by taking to occupation--perhaps, too, by liking cousin Horace indifferently well. He put her models forward in every place. Here was her Osprey Eagle in terra-cotta, a masterly production; there a _couvre-fire,_ or _cur-few,_ imitated and modelled by her. Then the marriage of Henry VI. Figures on the wall; near the fire is a screen of the first tapestry ever made in England, representing a map of Surrey and Middlesex; a notion of utility combined with ornament, which we see still exhibited in the Sampler in old-fashioned, middle-class houses; that poor posthumous, base-born child of the tapestry, almost defunct itself; and a veritable piece of antiquity.

Still more remarkable in this room was a quaint-faced clock, silver gilt, given by Henry VIII. to Anne Boleyn; which perchance, after marking the moments of her festive life, struck unfeelingly the hour of her doom.

But the company are hurrying into a little ante-room, the ceiling of which is studded with stars in mosaic; it is therefore called jocularly, the 'Star Chamber;' and here stands a cast of the famous bust of Henry VII., by Torregiano, intended for the tomb of that sad-faced, long-visaged monarch, who always looks as if royalty had disagreed with him.

Next we enter the Holbein Chamber. Horace hated bishops and archbishops, and all the hierarchy; yet here again we behold another prelatical chimneypiece--a frieze taken from the tomb of Archbishop Warham, at Canterbury. And here, in addition to Holbein's picture of Mary Tudor, Duchess of Suffolk, and of her third husband Adrian Stokes, are Vertue's copies of Holbein, drawings of that great master's pictures in Buckingham House: enough--let us hasten into the Long Gallery. Those who remember Sir Samuel Merrick and his Gallery at Goodrich Court will have traced in his curious, somewhat gew gaw collections of armour, antiquities, faded portraits, and mock horses, much of the taste and turn of mind that existed in Horace Walpole.

The gallery, which all who recollect the sale at Strawberry Hill must remember with peculiar interest, sounded well on paper. It was 56 feet long, 17 high, and 13 wide; yet was neither long enough, high enough, nor wide enough to inspire the indefinable sentiment by which we acknowledge vastness. We beheld it the scene of George Robins's triumphs--crowded to excess. Here strolled Lord John Russell; there, with heavy tread, walked Daniel O'Connell. Hallam, placid, kindly, gentle--the prince of book-worms--moved quickly through the rooms, pausing to raise a glance to the ceiling--copied from one of the side aisles of Henry VII.'s Chapel--but the fretwork is gilt, and there is _petitesse_ about the Gothic which disappoints all good judges.

But when Horace conducted his courtly guests into this his mind-vaunted vaulted gallery, he had sometimes George Selwyn at his side; or Gray--or, in his old age, 'my niece, the Duchess of Gloucester,' leaned on his arm. What strange associations, what brilliant company!--the associations can never be recalled there again; nor the company reassembled. The gallery, like everything else, has perished under the pressure of debt. He who was so particular, too, as to the number of those who were admitted to see his house--he who stipulated that four persons only should compose a party, and one party alone be shown over each day--how would he have borne the crisis, could he have foreseen it, when Robins became, for the time, his successor, and was the temporary lord of Strawberry; the dusty, ruthless, wondering, depreciating mob of brokers--the respectable host of publishers--the starving army of martyrs, the authors--the fine ladies, who saw nothing there comparable to Howell and James's--the antiquaries, fishing out suspicious antiquities--the painters, clamorous over Kneller's profile of Mrs. Barry--the virtuous indignant mothers, as they passed by the portraits of the Duchess de la Valliere, and of Ninon de l'Enclos, and remarked, or at all events they _might_ have remarked, that the company on the floor was scarcely much more respectable than the company on the walls--the fashionables, who herded together, impelled by caste, that free-masonry of social life, enter the Beauclerk closet to look over Lady Di's scenes from the 'Mysterious Mother'--the players and dramatists, finally, who crowded round Hogarth's sketch of his 'Beggars' Opera,' with portraits, and gazed on Davison's likeness of Mrs. Clive:--how could poor Horace have tolerated the sound of their irreverent remarks, the dust of their shoes, the degradation of their fancying that they might doubt his spurious-looking antiquities, or condemn his improper-looking ladies on their canvas? How, indeed, could he? For those parlours, that library, were peopled in his days with all those who could enhance his pleasures, or add to their own, by their presence. When Poverty stole in there, it was irradiated by Genius. When painters hovered beneath the fretted ceiling of that library, it was to thank the oracle of the day, not always for large orders, but for powerful recommendations. When actresses trod the Star Chamber, it was as modest friends, not as audacious critics on Horace, his house, and his pictures.

Before we call up the spirits that were familiar at Strawberry--ere we pass through the garden-gate, the piers of which were copied from the tomb of Bishop William de Luda, in Ely Cathedral--let us glance at the chapel, and then a word or two about Walpole's neighbours and anent Twickenham.

The front of the chapel was copied from Bishop Audley's tomb at Salisbury. Four panels of wood, taken from the Abbey of St. Edmund's Bury, displayed the portraits of Cardinal Beaufort, of Humphrey Duke of Gloucester, and of Archbishop Kemp. So much for the English church.

Next was seen a magnificent shrine in mosaic, from the church of St. Mary Maggiore, in Rome. This was the work of the noted Peter Cavalini, who constructed the tomb of Edward the Confessor in Westminster Abbey. The shrine had figured over the sepulchre of four martyrs, who rested between it in 1257: then the principal window in the chapel was brought from Bexhill in Sussex; and displayed portraits of Henry III. and his queen.

It was not every day that gay visitors travelled down the dusty roads from London to visit the recluse at Strawberry: but Horace wanted them not, for he had neighbours. In his youth he had owned for his playfellow the ever witty, the precocious, the all-fascinating Lady Mary Wortley Montagu. 'She was,' he wrote, 'a playfellow of mine when we were children. She was always a dirty little thing. This habit continued with her. When at Florence, the Grand Duke gave her apartments in his palace. One room sufficed for everything; and when she went away, the stench was so strong that they were obliged to fumigate the chamber with vinegar for a week.'

Let not the scandal be implicitly credited. Lady Mary, dirty or clean, resided occasionally, however, at Twickenham. When the admirable Lysons composed his 'Environs of London,' Horace Walpole was still living--it was in 1795--to point out to him the house in which his brilliant acquaintance lived. It was then inhabited by Dr. Morton. The profligate and clever Duke of Wharton lived also at Twickenham.

Marble Hill was built by George II, for the countess of Suffolk, and Henry, Earl of Pembroke, was the architect. Of later years, the beautiful and injured Mrs. Fitzherbert might be seen traversing the greensward, which was laved by the then pellucid waters of the Thames. The parish of Twickenham, in fact, was noted for the numerous characters who have, at various times, lived in it: Robert Boyle, the great philosopher; James Craggs, Secretary of State; Lord George Germaine; Lord Bute--are strangely mixed up with the old memories which circle around Twickenham to say nothing of its being, in after years, the abode of Louis Philippe, and now, of his accomplished son.

One dark figure in the background of society haunts us also: Lady Macclesfield, the cruel mother of Savage, polluted Twickenham by her evil presence.

Let us not dwell on her name, but recall, with somewhat of pride, that the names of that knot of accomplished, intellectual women, who composed the neighbourhood of Strawberry, were all English; those who loved to revel in all its charms of society and intellect were our justly-prized countrywomen.

Foremost in the bright constellation was Anne Seymour Conway, too soon married to the Hon. John Darner. She was one of the loveliest, the most enterprizing, and the most gifted women of her time--thirty-one years younger than Horace, having been born in 1748. He doubtless liked her the more that no ridicule could attach to his partiality, which was that of a father to a daughter, insofar as regarded his young cousin. She belonged to a family dear to him, being the daughter of Field Marshal Henry Seymour Conway: then she was beautiful, witty, a courageous politician, a heroine, fearless of losing caste, by aspiring to be an artist. She was, in truth, of our own time rather than of that. The works which she left at Strawberry are scattered; and if still traceable, are probably in many instances scarcely valued. But in that lovely spot, hallowed by the remembrance of Mrs. Siddons, who lived there in some humble capacity--say maid, say companion--in Guy's Cliff House, near Warwick--noble traces of Anne Damer's genius are extant: busts of the majestic Sally Siddons; of Nature's aristocrat, John Kemble; of his brother Charles--arrest many a look, call up many a thought of Anne Damer and her gifts: her intelligence, her warmth of heart, her beauty, her associates. Of her powers Horace Walpole had the highest opinion. 'If they come to Florence,' he wrote, speaking of Mrs. Damer's going to Italy for the winter, 'the great duke should beg Mrs. Damer to give him something of her statuary; and it would be a greater curiosity than anything in his Chamber of Painters. She has executed several marvels since you saw her; and has lately carved two colossal heads for the bridge at Henley, which is the most beautiful in the world, next to the Ponte di Trinità and was principally designed by her father, General Conway.'

No wonder that he left to this accomplished relative the privilege of living, after his death, at Strawberry Hill, of which she took possession in 1797, and where she remained twenty years; giving it up, in 1828, to Lord Waldegrave.

She was, as we have said, before her time in her appreciation of what was noble and superior, in preference to that which gives to caste alone, its supremacy. During her last years she bravely espoused an unfashionable cause; and disregarding the contempt of the lofty, became the champion of the injured and unhappy Caroline of Brunswick.

From his retreat at Strawberry, Horace Walpole heard all that befel the object of his flame, Lady Sophia Fermor. His letters present from time to time such passages as these; Lady Pomfret, whom he detested, being always the object of his satire:--

'There is not the least news; but that my Lord Carteret's wedding has been deferred on Lady Sophia's (Fermor's) falling dangerously ill of a scarlet fever; but they say it is to be next Saturday. She is to have £1,600 a year jointure, £400 pin-money, and £2,000 of jewels. Carteret says he does not intend to marry the mother (Lady Pomfret) and the whole family. What do you think my Lady intends?'

Lord Carteret, who was the object of Lady Pomfret's successful generalship, was at this period, 1744, fifty-four years of age, having been born in 1690. He was the son of George, Lord Carteret, by Grace, daughter of the first Earl of Bath, of the line of Granville--a title which became eventually his. The fair Sophia, in marrying him, espoused a man of no ordinary attributes. In person, Horace Walpole, after the grave had closed over one whom he probably envied, thus describes him:--

'Commanding beauty, smoothed by cheerful grace, Sat on each open feature of his face. Bold was his language, rapid, glowing, strong, And science flowed spontaneous from his tongue: A genius seizing systems, slighting rules, And void of gall, with boundless scorn of fools.'

After having been Lord Lieutenant of Ireland, Carteret attended his royal master in the campaign, during which the Battle of Dettingen was fought. He now held the reins of government in his own hands as premier. Lord Chesterfield has described him as possessing quick precision, nice decision, and unbounded presumption. The Duke of Newcastle used to say of him that he was a 'man who never doubted.'

In a subsequent letter we find the sacrifice of the young and lovely Sophia completed. Ambition was the characteristic of her family: and she went, not unwillingly, to the altar. The whole affair is too amusingly told to be given in other language than that of Horace:--

'I could tell you a great deal of news,' he writes to Horace Mann, 'but it would not be what you would expect. It is not of battles, sieges, and declarations of war; nor of invasions, insurrections and addresses: it is the god of love, not he of war, who reigns in the newspapers. The town has made up a list of six-and-thirty weddings, which I shall not catalogue to you. But the chief entertainment has been the nuptials of our great Quixote (Carteret) and the fair Sophia. On the point of matrimony, she fell ill of a scarlet fever, and was given over, while he had the gout, but heroically sent her word, that if she was well, he _would_ be well. They corresponded every day, and he used to plague the cabinet council with reading her letters to them. Last night they were married; and as all he does must have a particular air in it, they supped at Lord Pomfret's. At twelve, Lady Granville (his mother) and all his family went to bed, but the porter: then my lord went home, and waited for her in the lodge. She came alone, in a hackney chair, met him in the hall, and was led up the back stairs to bed. What is ridiculously lucky is, that Lord Lincoln goes into waiting to-day, and will be to present her!'

The event was succeeded by a great ball at the Duchess of Richmond's, in honour of the bride, Lady Carteret paying her ladyship the 'highest honours,' which she received in the 'highest state.' 'I have seen her,' adds Horace, 'but once, and found her just what I expected, _très grande dame_, full of herself, and yet not with an air of happiness. She looks ill, and is grown lean, but is still the finest figure in the world. The mother (Lady Pomfret) is not so exalted as I expected; I fancy Carteret has kept his resolution, and does not marry her too.'

Whilst this game was being played out, one of Walpole's most valued neighbours, Pope, was dying of dropsy, and every evening a gentle delirium possessed him. Again does Horace return to the theme, ever in his thoughts--the Carterets: again does he recount their triumphs and their follies.

'I will not fail'--still to Horace Mann--'to make your compliments to the Pomfrets and Carterets. I see them seldom but I am in favour; so I conclude, for my Lady Pomfret told me the other night that I said better things than anybody. I was with them all at a subscription ball at Ranelagh last week, which my Lady Carteret thought proper to look upon as given to her, and thanked the gentlemen, who were not quite so well pleased at her condescending to take it to herself. I did the honours of all her dress. "How charming your ladyship's cross is! I am sure the design was your own!"--"No, indeed; my lord sent it me just as it is." Then as much to the mother. Do you wonder I say better things than anybody?'

But these brilliant scenes were soon mournfully ended. Lady Sophia, the haughty, the idolized, the Juno of that gay circle, was suddenly carried off by a fever. With real feeling Horace thus tells the tale:--

'Before I talk of any public news, I must tell you what you will be very sorry for. Lady Granville (Lady Sophia Fermor) is dead. She had a fever for six weeks before her lying-in, and could never get it off. Last Saturday they called in another physician, Dr. Oliver. On Monday he pronounced her out of danger; about seven in the evening, as Lady Pomfret and Lady Charlotte (Fermor) were sitting by her, the first notice they had of her immediate danger was her sighing and saying, "I feel death come very fast upon me!" She repeated the same words frequently, remained perfectly in her senses and calm, and died about eleven at night. It is very shocking for anybody so young, so handsome, so arrived at the height of happiness, to be so quickly snatched away.'

So vanished one of the brightest stars of the court. The same autumn (1745) was the epoch of a great event; the marching of Charles Edward into England. Whilst the Duke of Cumberland was preparing to head the troops to oppose him, the Prince of Wales was inviting a party to supper, the main feature of which was the citadel of Carlisle in sugar, the company all besieging it with sugar-plums. It would, indeed, as Walpole declared, be impossible to relate all the _Caligulisms_ of this effeminate, absurd prince. But buffoonery and eccentricity were the order of the day. 'A ridiculous thing happened,' Horace writes, 'when the princess saw company after her confinement. The new-born babe was shown in a mighty pretty cradle, designed by Kent, under a canopy in the great drawing-room. Sir William Stanhope went to look at it. Mrs, Herbert, the governess, advanced to unmantle it. He said, "In wax, I suppose?" "Sir?" "In wax, madam?" "The young prince, sir?" "Yes, in wax, I suppose?" This is his odd humour. When he went to see the duke at his birth, he said, "Lord, it sees!"'

The recluse of Strawberry was soon consoled by hearing that the rebels were driven back from Derby, where they had penetrated, and where the remembrance of the then gay, sanguine, brave young Chevalier long lingered among the old inhabitants. One of the last traces of his short-lived possession of the town is gone: very recently, Exeter House, where he lodged and where he received his adherents, has been pulled down; the ground on which it stood, with its court and garden--somewhat in appearace like an old French hotel--being too valuable for the relic of bygone times to be spared. The panelled chambers, the fine staircase, certain pictures--one by Wright of Derby, of him--one of Miss Walkinshaw--have all disappeared.

Of the capture, the trial, the death of his adherents, Horace Walpole has left the most graphic and therefore touching account that has been given; whilst he calls a 'rebellion on the defensive' a 'despicable affair.' Humane, he reverted with horror to the atrocities of General Hawley, 'the Chief Justice,' as he was designated, who had a 'passion for frequent and sudden executions.' When this savage commander gained intelligence of a French spy coming over, he displayed him at once before the army on a gallows, dangling in his muff and boots. When one of the surgeons begged for the body of a deserter to dissect, 'Well,' said the wretch, 'but you must let me have the skeleton to hang up in the guard-room,' Such was the temper of the times; vice, childishness, levity at court, brutality in the camp, were the order of the day. Horace, even Horace, worldly in all, indifferent as to good and bad, seems to have been heart sick. His brother's matrimonial infidelity vexed him also sorely. Lady Orford, 'tired,' as he expresses it, of 'sublunary affairs,' was trying to come to an arrangement with her husband, from whom she had been long separated; the price was to be, he fancied, £2,000 a year. Meantime, during the convulsive state of political affairs, he interested himself continually in the improvement of Strawberry Hill. There was a rival building, Mr. Bateman's Monastery, at Old Windsor, which is said to have had more uniformity of design than Strawberry Hill. Horace used indeed to call the house of which he became so proud a paper house; the walls were at first so slight, and the roof so insecure in heavy rains. Nevertheless, his days were passed as peacefully there as the premature infirmities which came upon him would permit.

From the age of twenty-five his fingers were enlarged and deformed by chalk-stones, which were discharged twice a year. 'I can chalk up a score with more rapidity than any man in England,' was his melancholy jest. He had now adopted as a necessity a strict temperance: he sat up very late, either writing or conversing, yet always breakfasted at nine o'clock. After the death of Madame du Deffand, a little fat dog, scarcely able to move for age and size--her legacy--used to proclaim his approach by barking. The little favourite was placed beside him on a sofa; a tea-kettle, stand, and heater were brought in, and he drank two or three cups of tea out of the finest and most precious china of Japan--that of a pure white. He breakfasted with an appetite, feeding from his table the little dog and his pet squirrels.

Dinner at Strawberry Hill was usually served up in the small parlour in winter, the large dining-room being reserved for large parties. As age drew on, he was supported down stairs by his valet; and then, says the compiler of Walpoliana, 'he ate most moderately of chicken, pheasant, or any light food. Pastry he disliked, as difficult of digestion, though he would taste a morsel of venison-pie. Never but once, that he drank two glasses of white wine, did the editor see him taste any liquor, except ice-water. A pail of ice was placed under the table, in which stood a decanter of water, from which he supplied himself with his favourite beverage.'

No wine was drunk after dinner, when the host of Strawberry Hill called instantly to some one to ring the bell for coffee. It was served upstairs, and there, adds the same writer, 'he would pass about five o'clock, and generally resuming his place on the sofa, would sit till two in the morning, in miscellaneous chit-chat, full of singular anecdotes, strokes of wit, and acute observations, occasionally sending for books, or curiosities, or passing to the library, as any reference happened to arise in conversation. After his coffee, he tasted nothing; but the snuff-box of _tabac d'etrennes_, from Fribourg's, was not forgotten, and was replenished from a canister lodged in an ancient marble urn of great thickness, which stood in the window seat, and served to secure its moisture and rich flavour.'