The Wits and Beaux of Society. Volume 2

Chapter 2

Chapter 24,031 wordsPublic domain

Popular amongst his schoolfellows, Horace formed friendships at Eton which mainly influenced his after-life. Richard West, the son of West, Lord Chancellor of Ireland, and the grandson, on his mother's side, of Bishop Burnet; together with a youth named Assheton--formed, with the poet Gray, and Horace himself, what the young wit termed the 'Quadruple Alliance.' Then there was the 'triumvirate,' George Montagu, Charles Montagu, and Horace: next came George Selwyn and Hanbury Williams; lastly, a retired, studious youth, a sort of foil to all these gay, brilliant young wits--a certain William Cole, a lover of old books, and of quaint prints. And in all these boyish friendships, some of which were carried from Eton to Cambridge, may be traced the foundation of the Horace Walpole, of Strawberry Hill and of Berkeley Square. To Gray he owed his ambition to be learned, if possible--poetical, if nature had not forbidden; to the Montagus, his dash and spirit; to Sir Hanbury Williams, his turn for _jeux d'esprit_, as a part of the completion of a fine gentleman's education; to George Selwyn, his appreciation of what was then considered wit--but which we moderns are not worthy to appreciate. Lord Hertford and Henry Conway, Walpole's cousins, were also his schoolfellows; and for them he evinced throughout his long life a warm regard. William Pitt, Lord Chatham--chiefly remembered at Eton for having been flogged for being out of bounds--was a contemporary, though not an intimate, of Horace Walpole's at Eton.

His regard for Gray did him infinite credit: yet never were two men more dissimilar as they advanced in life. Gray had no aristocratic birth to boast; and Horace dearly loved birth, refinement, position, all that comprises the cherished term 'aristocracy.' Thomas Gray, more illustrious for the little his fastidious judgment permitted him to give to the then critical world, than many have been in their productions of volumes, was born in Cornhill--his father being a worthy citizen. He was just one year older than Walpole, but an age his senior in gravity, precision, and in a stiff resolution to maintain his independence. He made one fatal step, fatal to his friendship for Horace, when he forfeited--by allowing Horace to take him and pay his expenses during a long continental tour--his independence. Gray had many points which made him vulnerable to Walpole's shafts of ridicule; and Horace had a host of faults which excited the stern condemnation of Gray. The author of the 'Elegy'--which Johnson has pronounced to be the noblest ode in our language--was one of the most learned men of his time, 'and was equally acquainted with the elegant and profound paths of science, and that not superficially, but thoroughly; knowing in every branch of history, both natural and civil, as having read all the original historians of England, France, and Italy; a great antiquarian, who made criticisms, metaphysics, morals, and politics a principal part of his plan of study--who was uncommonly fond of voyages and travels of all sorts--and who had a fine taste in painting, prints, architecture, and gardening' What a companion for a young man of taste and sympathy! but the friends were far too clever long to agree. Gray was haughty, impatient, intolerant of the peculiarities of others, according to the author of 'Walpoliana:' doubtless he detected the vanity, the actual selfishness, the want of earnest feeling in Horace, which had all been kept down at school, where boys are far more unsparing Mentors than their betters. In vain did they travel _en prince_, and all at Walpole's expense; in vain did they visit courts, and receive affability from princes: in vain did he of Cornhill participate for a brief period in the attentions lavished on the son of a British Prime Minister: they quarrelled--and we almost reverence Gray for that result, more especially when we find the author of 'Walpoliana' expressing his conviction that 'had it not been for this idle indulgence of his hasty temper, Mr. Gray would immediately on his return home have received, as usual, a pension or office from Sir Robert Walpole.' We are inclined to feel contempt for the anonymous writer of that amusing little book.

After a companionship of four years, Gray, nevertheless, returned to London. He had been educated with the expectation of being a barrister; but finding that funds were wanting to pursue a legal education, he gave up a set of chambers in the Temple, which he had occupied previous to his travels, and retired to Cambridge.

Henceforth what a singular contrast did the lives of these once fond friends present! In the small, quaint rooms of Peter-House,[3] Gray consumed a dreary celibacy, consoled by the Muse alone, who--if other damsels found no charms in his somewhat piggish, wooden countenance, or in his manners, replete, it is said, with an unpleasant consciousness of superiority--never deserted him. His college existence, varied only by his being appointed Professor of Modern History, was, for a brief space, exchanged for an existence almost as studious in London. Between the years 1759 and 1762, he took lodgings, we find, in Southampton Row--a pleasant locality then, opening to the fields--in order to be near the British Museum, at that time just opened to the public. Here his intense studies were, it may be presumed, relieved by the lighter task of perusing the Harleian Manuscripts; and here he formed the acquaintance of Mason, a dull, affected poet, whose celebrity is greater as the friend and biographer of Gray, than even as the author of those verses on the death of Lady Coventry, in which there are, nevertheless, some beautiful lines. Gray died in college--a doom that, next to ending one's days in a jail or a convent, seems the dreariest. He died of the gout: a suitable, and, in that region and in those three-bottle days, almost an inevitable disease; but there is no record of his having been intemperate.

[3: Gray migrated to Pembroke in 1756.]

Whilst Gray was poring over dusty manuscripts, Horace was beginning that career of prosperity which was commenced by the keenest enjoyment of existence. He has left us, in his Letters, some brilliant passages, indicative of the delights of his boyhood and youth. Like him, we linger over a period still fresh, still hopeful, still generous in impulse-- still strong in faith in the world's worth--before we hasten on to portray the man of the world, heartless, not wholly, perhaps, but wont to check all feeling till it was well-nigh quenched; little minded; bitter, if not spiteful; with many acquaintances and scarce one friend--the Horace Walpole of Berkeley Square and Strawberry Hill.

'Youthful passages of life are,' he says, 'the chippings of Pitt's diamond, set into little heart-rings with mottoes; the stone itself more worth, the filings more gentle and agreeable. Alexander, at the head of the world, never tasted the true pleasure that boys of his age have enjoyed at the head of a school. Little intrigues, little schemes and policies engage their thoughts; and at the same time that they are laying the foundation for their middle age of life, the mimic republic they live in, furnishes materials of conversation for their latter age; and old men cannot be said to be children a second time with greater truth from any one cause, than their living over again their childhood in imagination.'

Again: 'Dear George, were not the playing-fields at Eton food for all manner of flights? No old maid's gown, though it had been tormented into all the fashions from King James to King George, ever underwent so many transformations as these poor plains have in my idea. At first I was contented with tending a visionary flock, and sighing some pastoral name to the echo of the cascade under the bridge ... As I got further into Virgil and Clelia, I found myself transported from Arcadia to the garden of Italy; and saw Windsor Castle in no other view than the _Capitoli immobile saxum_.'

Horace Walpole's humble friend Assheton was another of those Etonians who were plodding on to independence, whilst he, set forward by fortune and interest, was accomplishing reputation. Assheton was the son of a worthy man, who presided over the Grammar School at Lancaster, upon a stipend of £32 a year. Assheton's mother had brought to her husband a small estate. This was sold to educate the 'boys:' they were both clever and deserving. One became the fellow of Trinity College; the other, the friend of Horace, rose into notice as the tutor of the young Earl of Plymouth; then became a D.D., and a fashionable preacher in London; was elected preacher at Lincoln's Inn; attacked the Methodists; and died, at fifty-three, at variance with Horace--this Assheton, whom once he had loved so much.

Horace, on the other hand, after having seen during his travels all that was most exclusive, attractive, and lofty, both in art and nature, came home without bringing, he declares, 'one word of French or Italian for common use.' He professed, indeed, to prefer England to all other countries. A country tour in England delighted him: the populousness, the ease in the people also, charmed him. 'Canterbury was a paradise to Modena, Reggio, or Parma.' He had, before he returned, perceived that nowhere except in England was there the distinction of 'middling people;' he now found that nowhere but in England were middling houses. 'How snug they are!' exclaims this scion of the exclusives. Then he runs on into an anecdote about Pope and Frederick, Prince of Wales. 'Mr. Pope, said the prince, 'you don't love princes.' 'Sir, I beg your pardon.' 'Well, you don't love kings, then.' 'Sir, I own I like the lion better before his claws are grown.' The 'Horace Walpole' began now to creep out: never was he really at home except in a court atmosphere. Still he assumed, even at twenty-four, to be the boy.

'You won't find me,' he writes to Harry Conway, 'much altered, I believe; at least, outwardly. I am not grown a bit shorter or fatter, but am just the same long, lean creature as usual. Then I talk no French but to my footman; nor Italian, but to myself. What inward alterations may have happened to me you will discover best; for you know 'tis said, one never knows that one's self. I will answer, that that part of it that belongs to you has not suffered the least change--I took care of that. For _virtu_, I have a little to entertain you--it is my sole pleasure. I am neither young enough nor old enough to be in love.'

Nevertheless, it peeps out soon after that the 'Pomfrets' are coming back. Horace had known them in Italy. The Earl and Countess and their daughters were just then the very pink of fashion; and even the leaders of all that was exclusive in the court. Half in ridicule, half in earnest, are the remarks which, throughout all the career of Horace, incessantly occur. 'I am neither young enough nor old enough to be in love,' he says; yet that he was in love with one of the lovely Fermors is traditionary still in the family--and that tradition pointed at Lady Juliana, the youngest, afterwards married to Mr. Penn. The Earl of Pomfret had been master of the horse to Queen Caroline: Lady Pomfret, lady of the bed-chamber. 'My Earl,' as the-countess styled him, was apparently a supine subject to her ladyship's strong will and wrong-headed ability--which she, perhaps, inherited from her grandfather, Judge Jeffreys; she being the daughter and heiress of that rash young Lord Jeffreys, who, in a spirit of braggadocia, stopped the funeral of Dryden on its way to Westminster, promising a more splendid procession than the poor, humble cortege--a boast which he never fulfilled. Lady Sophia Fermor, the eldest daughter, who afterwards became the wife of Lord Carteret, resembled, in beauty, the famed Mistress Arabella Fermor, the heroine of the 'Rape of the Lock.' Horace Walpole admired Lady Sophia--whom he christened Juno--intensely. Scarcely a letter drips from his pen--as a modern novelist used to express it[4]--without some touch of the Pomfrets. Thus to Sir Horace Mann, then a diplomatist at Florence:--

[4: The accomplished novelist, Mrs. Gore, famous for her facility, used to say that a three-volume novel just 'dripped from her pen.']

'Lady Pomfret I saw last night. Lady Sophia has been ill with a cold; her head is to be dressed French, and her body English, for which I am sorry, her figure is so fine in a robe. She is full as sorry as I am.'

Again, at a ball at Sir Thomas Robinson's, where four-and-twenty couples danced country-dances, in two sets, twelve and twelve, 'there was Lady Sophia, handsomer than ever, but a little out of humour at the scarcity of minuets; however, as usual, dancing more than anybody, and, as usual too, she took out what men she liked, or thought the best dancers.'...'We danced; for I country-danced till four, then had tea and coffee, and came home.' Poor Horace! Lady Sophia was not for a younger son, however gay, talented, or rich he might be.

His pique and resentment towards her mother, who had higher views for her beautiful daughter, begin at this period to show themselves, and never died away.

Lady Townshend was the wit who used to gratify Horace with tales of her whom he hated--Henrietta-Louisa, Countess of Pomfret.

'Lady Townshend told me an admirable history: it is of _our friend_ Lady Pomfret. Somebody that belonged to the Prince of Wales said, they were going to _court_; it was objected that they ought to say to Carlton House; that the only _court_ is where the king resides. Lady P., with her paltry air of significant learning and absurdity, said, "Oh, Lord! Is there no _court_ in England but the king's? Sure, there are many more! There is the _Court_ of Chancery, the _Court_ of Exchequer, the _Court_ of King's Bench, &c." Don't you love her? Lord Lincoln does her daughter--Lady Sophia Fermor. He is come over, and met me and her the other night; he turned pale, spoke to her several times in the evening, but not long, and sighed to me at going away. He came over all alone; and not only his Uncle Duke (the Duke of Newcastle) but even Majesty is fallen in love with him. He talked to the king at his levee, without being spoken to. That was always thought high treason; but I don't know how the gruff gentleman liked it. And then he had been told that Lord Lincoln designed to have made the campaign, if we had gone to war; in short, he says Lord Lincoln is the handsomest man in England.'

Horace was not, therefore, the only victim to a mother's ambition: there is something touching in the interest he from time to time evinces in poor Lord Lincoln's hopeless love. On another occasion, a second ball of Sir Thomas Robinson's, Lord Lincoln, out of prudence, dances with Lady Caroline Fitzroy, Mr. Conway taking Lady Sophia Fermor. 'The two couple were just admirably mismatched, as everybody soon perceived, by the attentions of each man to the woman he did not dance with, and the emulation of either lady; it was an admirable scene.'

All, however, was not country dancing: the young man, 'too old and too young to be in love,' was to make his way as a wit. He did so, in the approved way in that day of irreligion, in a political squib. On July 14th, 1742, he writes in his Notes, 'I wrote the "_Lessons for the Day_;" the "Lessons for the day" being the first and second chapters of the "Book of Preferment,"' Horace was proud of this _brochure_, for he says it got about surreptitiously, and was 'the original of many things of that sort.' Various _jeux d'esprit_ of a similar sort followed. A 'Sermon on Painting,' which was preached before Sir Robert Walpole, in the gallery at Houghton, by his chaplain; 'Patapan, or the Little White Dog,' imitated from La Fontaine. No. 38 of the 'Old England Journal,' intended to ridicule Lord Bath; and then, in a magazine, was printed his 'Scheme for a Tax on Message Cards and Notes.' Next the 'Beauties,' which was also handed about, and got into print. So that without the vulgarity of publishing, the reputation of the dandy writer was soon noised about. His religious tenets may or may not have been sound; but at all events the tone of his mind assumed at this time a very different character to that reverent strain in which, when a youth at college, he had apostrophized those who bowed their heads beneath the vaulted roof of King's College, in his eulogium in the character of Henry VI.

'Ascend the temple, join the vocal choir, Let harmony your raptured souls inspire. Hark how the tuneful, solemn organs blow, Awfully strong, elaborately slow; Now to you empyrean seats above Raise meditation on the wings of love. Now falling, sinking, dying to the moan Once warbled sad by Jesse's contrite son; Breathe in each note a conscience through the sense, And call forth tears from soft-eyed Penitence.'

In the midst of all his gaieties, his successes, and perhaps his hopes, a cloud hovered over the destinies of his father. The opposition, Horace saw, in 1741, wished to ruin his father 'by ruining his constitution.' They wished to continue their debates on Saturdays, Sir Robert's only day of rest, when he used to rush to Richmond New Park, there to amuse himself with a favourite pack of beagles. Notwithstanding the minister's indifference to this his youngest son, Horace felt bitterly what he considered a persecution against one of the most corrupt of modern statesmen.

'Trust me, if we fall, all the grandeur, all the envied grandeur of our house, will not cost me a sigh: it has given me no pleasure while we have it, and will give me no pain when I part with it. My liberty, my ease, and choice of my own friends and company, will sufficiently counterbalance the crowds of Downing Street. I am so sick of it all, that if we are victorious or not, I propose leaving England in the spring.

The struggle was not destined to last long. Sir Robert was forced to give up the contest and be shelved with a peerage. In 1742, he was created Earl of Orford, and resigned. The wonder is that, with a mortal internal disease to contend with, he should have faced his foes so long. Verses ascribed to Lord Hervey ended, as did all the squibs of the day, with a fling at that 'rogue Walpole.'

'For though you have made that rogue Walpole retire, You are out of the frying-pan into the fire: But since to the Protestant line I'm a friend, I tremble to think how these changes may end.'

Horace, notwithstanding an affected indifference, felt his father's downfall poignantly. He went, indeed, to court, in spite of a cold, taken in an unaired house; for the prime minister now quitted Downing Street for Arlington Street. The court was crowded, he found, with old ladies, the wives of patriots who had not been there for 'these twenty years,' and who appeared in the accoutrements that were in vogue in Queen Anne's time. 'Then', he writes, 'the joy and awkward jollity of them is inexpressible! They titter, and, wherever you meet them, are always looking at their watches an hour before the time. I met several on the birthday (for I did not arrive time enough to make clothes), and they were dressed in all the colours of the rainbow. They seem to have said to themselves, twenty years ago, "Well, if ever I do go to court again, I will have a pink and silver, or a blue and silver;" and they keep their resolutions.'

Another characteristic anecdote betrays his ill-suppressed vexation:--

'I laughed at myself prodigiously the other day for a piece of absence. I was writing, on the king's birthday, and being disturbed with the mob in the street, I rang for the porter and with an air of grandeur, as if I was still at Downing Street, cried, "Pray send away those marrow-bones and cleavers."

The poor fellow, with the most mortified air in the world, replied, "Sir, they are not at _our_ door, but over the way, at my Lord Carteret's."--"Oh!" said I, "then let them alone; may be, he does not dislike the noise!" I pity the poor porter, who sees all his old customers going over the way too.'

The retirement of Sir Robert from office had an important effect on the tastes and future life of his son Horace. The minister had been occupying his later years in pulling down his old ancestral house at Houghton, and in building an enormous mansion, which has since his time been, in its turn, partially demolished. When Harley, Earl of Orford, was known to be erecting a great house for himself, Sir Robert had remarked that a minister who did so committed a great imprudence. When Houghton was begun, Sir Hynde Aston reminded Sir Robert of this speech. 'You ought to have recalled it to me before,' was the reply; 'for before I began building, it might have been of use to me.'

This famous memorial of Walpolean greatness, this splendid folly, constructed, it is generally supposed, on public money, was inhabited by Sir Robert only ten days in summer, and twenty days in winter; in the autumn, during the shooting season, two months. It became almost an eyesore to the quiet gentry, who viewed the palace with a feeling of their own inferiority. People as good as the Walpoles lived in their gable-ended, moderate-sized mansions; and who was Sir Robert, to set them at so immense a distance?

To the vulgar comprehension of the Premier, Houghton, gigantic in its proportions, had its purposes. He there assembled his supporters; there, for a short time, he entertained his constituents and coadjutors with a magnificent, jovial hospitality, of which he, with his gay spirits, his humourous, indelicate jokes, and his unbounded good-nature, was the very soul. Free conversation, hard-drinking, were the features of every day's feast. Pope thus describes him:--

'Seen him, I have, but in his happier hour, Of social pleasure, ill exchanged for power; Seen him uncumbered with the venal tribe, Smile without art, and win without a bribe.'

Amid the coarse taste one gentle refinement existed: this was the love of gardening, both in its smaller compass and it its nobler sense of landscape gardening. 'This place,' Sir Robert, in 1743, wrote to General Churchill, from Houghton, 'affords no news, no subject of entertainment or amusement; for fine men of wit and pleasure about town understand neither the language and taste, nor the pleasure of the inanimate world. My flatterers here are all mutes: the oaks, the beeches, the chestnuts, seem to contend which best shall please the lord of the manor. They cannot deceive; they will not lie. I in sincerity admire them, and have as many beauties about me as fill up all my hours of dangling, and no disgrace attending me, from sixty-seven years of age. Within doors we come a little nearer to real life, and admire, upon the almost speaking canvas, all the airs and graces the proudest ladies can boast.'

In these pursuits Horace cordially shared. Through his agency, Horace Mann, still in the diplomatic service, at Florence, selected and purchased works of art, which were sent either to Arlington Street, or to form the famous Houghton Collection, to which Horace so often refers in that delightful work, his 'Anecdotes of Painting.'

Amongst the embellishments of Houghton, the gardens were the most expensive.

'Sir Robert has pleased himself,' Pulteney, Earl of Bath, wrote, 'with erecting palaces and extending parks, planting gardens in places to which the very earth was to be transported in carriages, and embracing cascades and fountains whose water was only to be obtained by aqueducts and machines, and imitating the extravagance of Oriental monarchs, at the expense of a free people whom he has at once impoverished and betrayed.'