The Wits and Beaux of Society. Volume 2
Chapter 10
'So pleads the tale that gives to future times The son's misfortunes and the parent's crimes; There shall his fame, if own'd to-night, survive, Fix'd _by the hand that bids our language live_--
referring at once to Johnson's life of his friend Savage and to his great Dictionary. It was Savage, every one remembers, with whom Johnson in his days of starvation was wont to walk the streets all night, neither of them being able to pay for a lodging, and with whom, walking one night round and round St. James's Square, he kept up his own and his companion's spirits by inveighing against the minister and declaring that they would 'stand by their country.'
Doubtless the Doctor felt as much pleasure at the meed awarded to his old companion in misery as at the high compliment to himself. Anyhow he pronounced that Sheridan 'had written the two best comedies of his age,' and therefore proposed him as a member of the Literary Club.
This celebrated gathering of wit and whimsicality, founded by Johnson himself in conjunction with Sir J. Reynolds, was the Helicon of London Letters, and the temple which the greatest talker of his age had built for himself, and in which he took care to be duly worshipped. It met at the Turk's Head in Gerrard Street, Soho, every Friday; and from seven in the evening to almost any hour of night was the scene of such talk, mainly on literature and learning, as has never been heard since in this country. It consisted at this period of twenty-six members, and there is scarcely one among them whose name is not known to-day as well as any in the history of our literature. Besides the high priests, Reynolds and Johnson, there came Edmund Burke, Fox, Sheridan, and many another of less note, to represent the senate: Goldsmith, Gibbon, Adam Smith, Malone, Dr. Burney, Percy, Nugent, Sir William Jones, three Irish bishops, and a host of others, crowded in from the ranks of learning and literature. Garrick and George Colman found here an indulgent audience; and the light portion of the company comprised such men as Topham Beauclerk, Bennet Langton, Vesey, and a dozen of lords and baronets. In short, they were picked men, and if their conversation was not always witty, it was because they had all wit and frightened one another.
Among them the bullying Doctor rolled in majestic grumpiness; scolded, dogmatized, contradicted, pished and pshawed; and made himself generally disagreeable; yet, hail the omen, Intellect! such was the force, such the fame of his mind, that the more he snorted, the more they adored him--the more he bullied, the more humbly they knocked under. He was quite 'His Majesty' at the Turk's Head, and the courtiers waited for his coming with anxiety, and talked of him till he came in the same manner as the lacqueys in the anteroom of a crowned monarch. Boswell, who, by the way, was also a member--of course he was, or how should we have had the great man's conversations handed down to us?--was sure to keep them up to the proper mark of adulation if they ever flagged in it, and was as servile in his admiration in the Doctor's absence as when he was there to call him a fool for his pains.
Thus, on one occasion while 'King Johnson' tarried, the courtiers were discussing his journey to the Hebrides and his coming away 'willing to believe the second sight.' Some of them smiled at this, but Bozzy was down on them with more than usual servility. 'He is only _willing_ to believe,' he exclaimed. '_I do_ believe. The evidence is enough for me, though not for his great mind. What will not fill a quart bottle will fill a pint bottle. I am filled with belief.'--'Are you?' said Colman, slily; 'then cork it up.'
As a specimen of Johnson's pride in his own club, which always remained extremely exclusive, we have what he said of Garrick, who, before he was elected, carelessly told Reynolds he liked the club, and thought 'he would be of them.'
'_He'll be of us!_' roared the Doctor indignantly, on hearing of this. 'How does he know we will _permit_ him? The first duke in England has no right to hold such language!'
It can easily be imagined that when 'His Majesty' expressed his approval of Richard Brinsley, then a young man of eight-and-twenty, there was no one who ventured to blackball him, and so Sheridan was duly elected.
The fame of 'The School for Scandal' was a substantial one for Richard Brinsley, and in the following year he extended his speculation by buying the other moiety of Drury Lane. This theatre, which took its name from the old Cockpit Theatre in Drury Lane, where Killigrew acted in the days of Charles II. is famous for the number of times it has been rebuilt. The first house had been destroyed in 1674; and the one in which Garrick acted was built by Sir Christopher Wren and opened with a prologue by Dryden. In 1793 this was rebuilt. In 1809 it was burnt to the ground; and on its re-opening the Committee advertised a prize for a prologue, which was supposed to be tried for by all the poets and poetasters then in England.[7] Sheridan adding afterwards a condition that he wanted an address without a Phoenix in it. Horace Smith and his brother seized the opportunity to parody the style of the most celebrated in their delightful 'Rejected Addresses.' Drury Lane has always been grand in its prologue, for besides Dryden and Byron, it could boast of Sam. Johnson, who wrote the address when Garrick opened the theatre in 1747. No theatre ever had more great names connected with its history.
[7: None of the addresses sent in having given satisfaction, Lord Byron was requested to write one, which he did.]
It was in 1778, after the purchase of the other moiety of this property, that Sheridan set on its boards 'The Critic.' Though this was denounced as itself as complete a plagiarism as any Sir Fretful Plagiary could make, and though undoubtedly the idea of it was borrowed, its wit, so truly Sheridanian, and its complete characters, enhanced its author's fame, in spite of the disappointment of those who expected higher things from the writer of 'The School for Scandal.' Whether Sheridan would have gone on improving, had he remained true to the drama, 'The Critic' leaves us in doubt. But he was a man of higher ambition. Step by step, unexpectedly, and apparently unprepared, he had taken by storm the out-works of the citadel he was determined to capture, and he seems to have cared little to garrison these minor fortresses. He had carried off from among a dozen suitors a wife of such beauty that Walpole thus writes of her in 1773:--
'I was at the ball last night, and have only been at the opera, where I was infinitely struck with the Carrara, who is the prettiest creature upon earth. Mrs. Hartley I find still handsomer, and Miss Linley is to be the superlative degree. The king admires the last, and ogles her as much as he dares in so holy a place as an oratorio, and at so devout a service as Alexander's Feast'
Yet Sheridan did not prize his lovely wife as he should have done, when he had once obtained her. Again he had struck boldly into the drama, and in four years had achieved that fame as a play-writer to which even Johnson could testify so handsomely. He now quitted this, and with the same innate power--the same consciousness of success--the same readiness of genius--took a higher, far more brilliant flight than ever. Yet had he garrisoned the forts he captured, he would have been a better, happier, and more prosperous man. Had he been true to the Maid of Bath, his character would not have degenerated as it did. Had he kept up his connection with the drama, he would not have lost so largely by his speculation in Drury Lane. His genius became his temptation, and he hurried on to triumph and to fall.
Public praise is a syren which the young sailor through life cannot resist. Political life is a fine aim, even when its seeker starts without a shred of real patriotism to conceal his personal ambition. No young man of any character can think, without a thrill of rapture, on the glory of having _his_ name--now obscure--written in capitals on the page of his country's history. A true patriot cares nothing for fame; a really great man is content to die nameless, if his acts may but survive him. Sheridan was not really great, and it may be doubted if he had any sincerity in his political views. But the period favoured the rise of young men of genius. In former reigns a man could have little hope of political influence without being first a courtier; but by this time liberalism had made giant strides. The leaven of revolutionary ideas, which had leavened the whole lump in France, was still working quietly and less passionately in this country, and being less repressed, displayed itself in the last quarter of the eighteenth century in the form of a strong and brilliant opposition. It was to this that the young men of ambition attached themselves, rallying under the standard of Charles James Fox, since it was there only that their talents were sufficient to recommend them.
To this party, Sheridan, laughing in his sleeve at the extravagance of their demands--so that when they clamoured for a 'parliament once a year, or oftener if need be,' he pronounced himself an 'Oftener-if-need-be' man--was introduced, when his fame as a literary man had brought him into contact with some of its hangers on. Fox, after his first interview with him, affirmed that he had always thought Hare and Charles Townsend the wittiest men he had ever met, but that Sheridan surpassed them both; and Sheridan was equally pleased with 'the Man of the People.'
The first step to this political position was to become a member of a certain club, where its leaders gambled away their money, and drank away their minds--to wit, Brookes'. Pretty boys, indeed, were these great Whig patriots when turned loose in these precincts. The tables were for stakes of twenty or fifty guineas, but soon ran up to hundreds. What did it matter to Charles James Fox, to the Man of the People, whether he lost five, seven, or ten thousand of a night, when the one-half came out of his father's, the other out of Hebrew, pockets--the sleek, thick-lipped owners of which thronged his Jerusalem chamber, as he called his back sitting-room, only too glad to 'oblige' him to any amount? The rage for gaming at this pandemonium may be understood from a rule of the club, which it was found necessary to make to interdict it _in the eating-room_, but to which was added the truly British exception, which allowed two members of Parliament in those days, or two 'gentlemen' of any kind, to toss up for what they had ordered.
This charming resort of the dissipated was originally established in Pall Mall in 1764, and the manager was that same Almack who afterwards opened a lady's club in the rooms now called Willis's, in King Street, St. James's; who also owned the famous Thatched House, and whom Gilly Williams described as having a 'Scotch face, in a bag-wig,' waiting on the ladies at supper. In 1778 Brookes--a wine-merchant and money-lender, whom Tickell, in his famous 'Epistle from the Hon. Charles Fox, partridge-shooting, to the Hon. John Townsend, cruising,' describes in these lines;--
'And know I've bought the best champagne from Brookes, From liberal Brookes, whose speculative skill Is hasty credit, and a distant bill: Who, nurs'd in clubs, disdains a vulgar trade: Exults to trust, and blushes to be paid--'
built and opened the present club-house in St. James's Street, and thither the members of Almack's migrated. Brookes' speculative skill, however, did not make him a rich man, and the 'gentlemen' he dealt with were perhaps too gentlemanly to pay him. He died poor in 1782. Almack's at first consisted of twenty-seven members, one of whom was C.J. Fox. Gibbon, the historian, was actually a member of it, and says that in spite of the rage for play, he found the society there rational and entertaining. Sir Joshua Reynolds wanted to be a member of it too. 'You see,' says Topham Beauclerk thereupon, 'what noble ambition will make a man attempt. That den is not yet opened,' &c.
Brookes', however, was far more celebrated, and besides Fox, Reynolds, and Gibbon, there were here to be found Horace Walpole, David Hume, Burke, Selwyn, and Garrick. It would be curious to discover how much religion, how much morality, and how much vanity there were among the set. The first two would require a microscope to examine, the last an ocean to contain it. But let Tickell describe its inmates:--
'Soon as to Brookes's thence thy footsteps bend What gratulations thy approach attend! See Gibbon rap his box--auspicious sign, That classic compliment and wit combine; See Beauclerk's cheek a tinge of red surprise, And friendship give what cruel health denies;
* * * * *
Of wit, of taste, of fancy we'll debate, If Sheridan for once be not too late. But scarce a thought on politics we'll spare Unless on Polish politics with Hare. Good-natured Devon! oft shall there appear The cool complacence of thy friendly sneer; Oft shall Fitzpatrick's wit, and Stanhope's ease, And Burgoyne's manly sense combine to please.
To show how high gaming ran in this assembly of wits, even so early at 1772, there is a memorandum in the books, stating that Mr. Thynne retired from the club in disgust, because he had only won £12,000 in two months. The principal games at this period were quinze and faro.
Into this eligible club Richard Sheridan, who ten years before had been agreeing with Halhed on the bliss of making a couple of hundred pounds by their literary exertions, now essayed to enter as a member; but in vain. One black-ball sufficed to nullify his election, and that one was dropped in by George Selwyn, who, with degrading littleness, would not have the son of an actor among them. Again and again he made the attempt; again and again Selwyn foiled him; and it was not till 1780 that he succeeded. The Prince of Wales was then his devoted friend, and was determined he should be admitted into the club. The elections at that time took place between eleven at night and one o'clock in the morning, and the 'greatest gentleman in Europe' took care to be in the hall when the ballot began. Selwyn came down as usual, bent on triumph. The prince called him to him. There was nothing for it; Selwyn was forced to obey. The prince walked him up and down the hall, engaging him in an apparently most important conversation. George Selwyn answered him question after question, and made desperate attempts to slip away. The other George had always something more to say to him. The long finger of the clock went round, and Selwyn's long white fingers were itching for the black ball. The prince was only more and more interested, the wit only more and more abstracted. Never was the young George more lively, or the other more silent. But it was all in vain. The finger of the clock went round and round, and at last the members came out noisily from the balloting-room, and the smiling faces of the prince's friends showed to the unhappy Selwyn that his enemy had been elected.
So, at least, runs one story. The other, told by Sir Nathaniel Wraxall, is perhaps more probable. It appears that the Earl of Besborough was no less opposed to his election than George Selwyn, and these two individuals agreed at any cost of comfort to be always at the club at the time of the ballot to throw in their black balls. On the night of his success, Lord Besborough was there as usual, and Selwyn was at his rooms in Cleveland Row, preparing to come to the club. Suddenly a chairman rushed into Brookes' with an important note for my lord, who, on tearing it open, found to his horror that it was from his daughter-in-law, Lady Duncannon, announcing that his house in Cavendish Square was on fire, and imploring him to come immediately. Feeling confident that his fellow conspirator would be true to his post, the earl set off at once. But almost the same moment Selwyn received a message informing him that his adopted daughter, of whom he was very fond, was seized with an alarming illness. The ground was cleared; and by the time the earl returned, having, it is needless to say, found his house in a perfect state of security, and was joined by Selwyn, whose daughter had never been better in her life, the actor's son was elected, and the conspirators found they had been duped.
But it is far easier in this country to get into that House, where one has to represent the interests of thousands, and take a share in the government of a nation, than to be admitted to a club where one has but to lounge, to gamble, and to eat dinner; and Sheridan was elected for the town of Stafford with probably little more artifice than the old and stale one of putting five-pound notes under voters' glasses, or paying thirty pounds for a home-cured ham. Whether he bribed or not, a petition was presented against his election, almost as a matter of course in those days, and his maiden speech was made in defence of the good burgesses of that quiet little county-town. After making this speech, which was listened to in silence on account of his reputation as a dramatic author, but which does not appear to have been very wonderful, he rushed up to the gallery, and eagerly asked his friend Woodfall what he thought of it. That candid man shook his head, and told him oratory was not his forte, Sheridan leaned his head on his hand a moment, and then exclaimed with vehement emphasis, 'It is in me, however, and, by Heaven! it shall come out.'
He spoke prophetically, yet not as the great man who determines to conquer difficulties, but rather as one who feels conscious of his own powers, and knows that they must show themselves sooner or later. Sheridan found himself labouring under the same natural obstacles as Demosthenes--though in a less degree--a thick and disagreeable tone of voice; but we do not find in the indolent but gifted Englishman that admirable perseverance, that conquering zeal, which enabled the Athenian to turn these very impediments to his own advantage. He did, indeed, prepare his speeches, and at times had fits of that same diligence which he had displayed in the preparation of 'The School for Scandal;' but his indolent, self-indulgent mode of life left him no time for such steady devotion to oratory as might have made him the finest speaker of his age, for perhaps his natural abilities were greater than those of Pitt, Fox, or even Burke, though his education was inferior to that of those two statesmen.
From this time Sheridan's life had two phases--that of a politician, and that of a man of the world. With the former, we have nothing to do in such a memoir as this, and indeed it is difficult to say whether it was in oratory, the drama, or wit that he gained the greatest celebrity. There is, however, some difference between the three capacities. On the mimic stage, and on the stage of the country, his fame rested on a very few grand outbursts--some matured, prepared, deliberated--others spontaneous. He left only three great comedies, and perhaps we may say only one really grand. In the same way he made only two great speeches, or perhaps we may say only one. His wit on the other hand--though that too is said to have been studied--was the constant accompaniment of his daily life, and Sheridan has not left two or three celebrated bon-mots, but a hundred.
But even in his political career his wit, which must then have been spontaneous, won him almost as much fame as his eloquence, which he seems to have reserved for great occasions. He was the wit of the House. Wit, ridicule, satire, quiet, cool, and easy sneers, always made in good temper, and always therefore the more bitter, were his weapons, and they struck with unerring accuracy. At that time--nor at that time only--the 'Den of Thieves,' as Cobbett called our senate, was a cockpit as vulgar and personal as the present Congress of the United States. Party-spirit meant more than it has ever done since, and scarcely less than it had meant when the throne itself was the stake for which parties played some forty years before. There was, in fact a substantial personal centre for each side. The one party rallied round a respectable but maniac monarch, whose mental afflictions took the most distressing form, the other round his gay, handsome, dissolute--nay disgusting--son, at once his rival and his heir. The spirit of each party was therefore personal, and their attacks on one another were more personal than anything we can imagine in the present day in so respectably ridiculous a conclave as the House of Commons. It was little for one honourable gentleman to give another honourable gentleman the lie direct before the eyes of the country. The honourable gentlemen descended--or, as they thought, ascended--to the most vehement invective, and such was at times the torrent of personal abuse which parties heaped on one another, while good-natured John Bull looked on and smiled at his rulers, that, as in the United States of to-day, a debate was often the prelude to a duel. Pitt and Fox, Tierney, Adam, Fullarton, Lord George Germain, Lord Shelburne, and Governor Johnstone, all 'vindicated their honour,' as the phrase went, by 'coffee and pistols for four.' If Sheridan had not to repeat the Bob Acres scene with Captain Matthews, it was only because his wonderful good humour could put up with a great deal that others thought could only be expiated by a hole in the waistcoat.
In the administration of the Marquis of Rockingham the dramatist enjoyed the pleasures of office for less than a year as one of the Under Secretaries of State in 1782. In the next year we find him making a happy retort on Pitt, who had somewhat vulgarly alluded to his being a dramatic author. It was on the American question, perhaps the bitterest that ever called forth the acrimony of parties in the House. Sheridan, from boyhood, had been taunted with being the son of an actor. One can hardly credit this fact, just after Garrick had raised the profession of an actor to so great an eminence in the social scale. He had been called 'the player boy' at school, and his election at Brookes' had been opposed on the same grounds. It was evidently his bitterest point, and Pitt probably knew this when, in replying to a speech of the ex-dramatist's he said that 'no man admired more than he did the abilities of that right honourable gentleman, the elegant sallies of his thought, the gay effusions of his fancy, his _dramatic_ turns, and his epigrammatic point; and if they were reserved for the _proper stage,_ they would, no doubt, receive what the hon. gentleman's abilities always did receive, the plaudits of the audience; and it would be his fortune _sui plausu gaudere theatri_. But this was not the proper scene for the exhibition of those elegancies.' This was vulgar in Pitt, and probably every one felt so. But Sheridan rose, cool and collected, and quietly replied:--
'On the particular sort of personality which the right hon. gentleman has thought proper to make use of, I need not make any comment. The propriety, the taste, the gentlemanly point of it, must have been obvious to the House. But let me assure the right hon. gentleman that I do now, and will at any time he chooses to repeat this sort of allusion, meet it with the most sincere good humour. Nay, I will say more: flattered and encouraged by the right hon. gentleman's panegyric on my talents, if ever I again engage in the compositions he alludes to, I may be tempted to an act of presumption--to attempt an improvement on one of Ben Jonson's best characters, the character of the _Angry Boy_, in the "Alchemist."'