Part 3

Small birds and fish are cooked without other treatment than a hasty cleaning; but the flesh of larger fowls, deer, and pig is generally cut into small cubes and cooked with condiments in a jar or small Chinese caldron. Birds are sometimes prepared by placing them on a spit, covering them with green banana leaves, and suspending them above the fire until roasted. This primitive paper bag cooking yields a most excellent dish.

Grasshoppers are relished, and are secured in the following manner: A clear grass spot is selected and several deep holes are dug in one end. Back of them, and leading toward them, is a high tight fence made in a V. By beating the grass with boughs as they walk toward the trap, the people drive the grasshoppers before them until they are finally forced into the pit, from which they are collected by the bushel.

I was told that meat was sometimes salted, dried, and stored away for future use. The climate seems to be absolutely opposed to such foresight, and the one time that I saw the process being used, the odors were such that I beat a hasty retreat and chose to accept, without proof, the verdict of the natives, that venison thus prepared was excellent.

Of almost as much importance as food is the use of the betel or areca nut,[14] which is chewed almost constantly by young and old of both sexes. The nut is divided into quarters and a piece of _buyo_ leaf[15] is wrapped about each bit. To this is added a little lime and a pinch of tobacco, and it is ready for the mouth. The resultant deep red saliva is distributed indiscriminately on the floor, walls, and furniture where it leaves a permanent stain. To hold the materials necessary for this practice brass betel nut boxes, secured from the Moro or of their own manufacture, as well as plaited grass boxes and pouches are constantly carried (Plates XVIIa and XLI). The brass boxes generally have three compartments; the first for nuts, the second for leaves and tobacco, and the third for lime. Lime is also carried in small bamboo tubes (Fig. 14), in the decoration of which a great deal of time is consumed. The open end is fitted with a rattan sifter so that the powder is distributed evenly on the nut and leaf.

[14] _Catechu L_.

[15] _Piper betel L_.

FIG. 14. INCISED LIME AND TOBACCO TUBES.

Aged persons and those whose teeth have been so mutilated that they cannot chew, make use of an outfit which includes a small mortar and pestle (Plate XVIIb). Cutting open green betel nuts, the chewer wraps the pieces in leaves and, after adding a liberal supply of lime, mashes them in the mortar until all are reduced to a soft mass.

Lime is secured by placing snail shells in a fire, from which they are taken while hot and dropped into cold water. They can then be crushed into powder with the fingers.

Although the Bagobo raises a considerable quantity of tobacco he seldom, if ever, smokes it unless the leaf is furnished him, already prepared, by an outsider. Sometimes a small ball made of the green leaves is placed between the teeth and upper lip, where it remains until all the flavor has been extracted.

The outfits for betel nut and tobacco, aside from the brass boxes which fasten at the side, are generally carried in the sacks worn on the backs of the men or in the elaborate shoulder bags worn by the women. However, a small waterproof box is frequently seen attached to a man's belt, and in this he carries his betel nut, tobacco, and fire-making outfit.

The usual method of making fire is by the use of flint and steel, but when this is not at hand a flame can be quickly obtained by rubbing two pieces of bamboo rapidly together until the friction produces a spark.

HUNTING AND FISHING.

Since only a few domesticated animals and fowls are found in a settlement, the greater part of the meat supply is secured by hunting and fishing.

Deer and wild pig are taken by means of spears. The hunter either lies in wait near the runways of the game, or the animals are driven toward the spot where the huntsmen are concealed. For this purpose the ordinary lance (Figs. 15a, b and c) is often used, but a more effective weapon is the spear known as _kalawat_ (Fig. 15d). In this the metal head fits loosely into a long shaft to which it is attached by a rope. As soon as the weapon enters the body of the animal the head pulls out of the shaft, and this trails behind until it becomes entangled in the undergrowth, thus putting the game at the mercy of the hunter. Dead falls and pits are put in the runways, and a frightened animal is sometimes impaled on concealed sharpened bamboo sticks. Less frequently, large animals are secured by means of rope loops which hang from trees past which the game is accustomed to pass. Until recent years the _balatik_, a trap which when sprung throws an arrow with great force against the animal which releases it, was much used but so many domestic animals have been killed by it that this sort of trap is now in disfavor.

FIG. 15. SPEARS USED IN FIGHTING AND HUNTING.

Wild chickens are captured by means of snares (Fig. 16). A tame rooster is fastened in the jungle and around him is placed a snare, consisting of running knots attached to a central band. The crowing of this fowl soon attracts the wild birds which, coming in to fight, are almost sure to become entangled in one of the nooses. Slip loops, attached to a bent twig and released by disturbing the bait, are also employed in the capture of wild fowl.

FIG. 16. CHICKEN SNARE AND CARRYING CASE.

Birds of all sizes are secured by use of bows and arrows, blow guns, or nets. Wooden decoys (Plate XVIII) are tied to the branches of trees in which the hunters are concealed. The bows used are of _palma brava_, in each end of which notches are cut to hold the rattan bow strings (Fig. 17). The arrow shafts are of light reeds and are fitted with one or two bamboo points. These weapons are effective only for close range, and even then the Bagobo are far from being expert marksmen. Boys use a reed blow gun through which they shoot light darts tufted with cotton (Fig. 18). The missile is not poisoned and is of little use at a distance of more than twenty feet.

FIG. 17. BOWS AND ARROWS.

FIG. 18. BLOW GUNS AND DARTS.

By far the most effective means of securing birds is to stretch a net between trees or poles where the birds are accustomed to fly. Wooden decoys are attached to the net in order to attract the game which, once enmeshed, is easily caught.

Various devices are employed in the capture of fresh water fish,[16] but the most common is a torpedo-shaped trap of bamboo (Fig. 19). Stone conduits lead the water from streams into the open ends of these traps, thus carrying in fish and shrimps. The funnel-shaped opening has the sharpened ends set close together so that it is quite impossible for the prisoners to escape, although the water readily passes between the bamboo strips.

[16] Along the coast the methods of the Christianized natives are used in salt water fishing.

FIG. 19. BAMBOO FISH TRAP.

A hook and line is employed, especially for eels; while in clear pools fish are secured by means of a four-pointed spear which is thrust or thrown (Fig. 20). Perhaps the most interesting device used is a lure, known as _boro_ (Fig. 21). A live minnow is fastened at the end of the rod near to a rattan noose. A cord running from the noose to the end of the stick allows the fisherman to draw up the noose as he desires. The struggles of the captive fish soon attract others, and when one enters the loop the line is drawn taut, securely binding the intruder. Several fish can be taken from a single pool by this method. A berry (_anamirta coccithis L_.) is used in the capture of fish. It is crushed to a powder, is wrapped with vines and leaves, and is thrown into pools. The fish become stupified[sic] and float to the surface where they are easily captured. After being cooked they are eaten without any ill effects.

FIG. 20. (LEFT) FOUR-POINTED FISH SPEAR.

FIG. 21. (RIGHT) FISH LURE.

OCCUPATIONS.

Mention has already been made of some of the daily occupations of the people. We have found the women caring for the home and preparing the rice and other foods which are served in the house. At no time did the writer see a man, other than a slave, take any part in such household duties; but when on the trail each would do his share in preparing the meals. In the village we found the women and children carrying the water and wood and, at rare intervals, doing laundry work. Instead of soaping and rubbing soiled clothing, they soak the garments in water, then place them on stones and beat them with wooden paddles or clubs. The articles are alternately soaked and beaten until at least a part of the dirt has been removed. It is also the privilege of any woman to engage in the manufacture of basketry, or to act as a potter.

In the manufacture of baskets the woman makes use chiefly of bamboo and rattan, though other materials, such as _pandanus_ are sometimes brought into service. Three weaves or their variants are employed. The first is the common diagonal or twilled weave, in which each element of the weft passes over two or more of the warp elements. In this way most of the rice winnowers, transportation baskets, knife sheaths, and the like are made. In the second weave (Fig. 22), the foundation of the basket is made up of parallel horizontal rods, or strips of bamboo. These are laced together by warp strips which pass alternately under one and over one of the foundation rods, crossing each other at an angle, one above the other below the rod. The trinket baskets carried by the women, the larger waterproof receptacles known as _binota_, and the covers for wild chicken snares are in this technic. A variant of this weave is found in the rattan carrying frames and in some fish traps (Fig. 23). Here the warp strips cross one another at an angle, at each meeting place enclosing the horizontal foundation strips. Unlike the second weave described, the warp strips do not pass alternately above and below the horizontal foundation, but retain the same relation to it throughout the entire length of each strip. A coiled weave (Fig. 24) is used in the manufacture of tobacco boxes (Plate XIX) and in the rims of women's baskets. In this type the foundation consists of a series of horizontal rattan strips or rods which are sewed together in the following manner. A narrow strip _A_ passes over two of these parallel rods _2_ and _3_ in a left handed spiral. At the top of the loop the strip passes under a similar strip _B_ which binds rod _2_ to the one above. Passing downward inside the basket, the strip _A_ goes beneath the strip _C_ which binds rods _3_ and _4_ together. These are drawn tightly while damp, thus forcing the foundation rods so closely together as to make the basket practically water-tight. Pitch from the _tabon-tabon_ nuts may also be rubbed over the outside surface, thus making the receptacle impervious to water.

FIG. 22.

FIG. 23.

FIG. 24. TYPES OF WEAVING USED IN BASKETRY.

In the great majority of baskets the surface is divided into three parallel zones or decorative bands. These are produced by making a slight variation in the weave, by the use of blackened strips of bamboo and rattan, or by substituting in their place the black cuticle of a fern.

As a rule the women of this tribe are not good potters and take little pride in their work. In some districts the art has been entirely lost, and the people depend on the coast natives for their cooking utensils. At the village of Bansalan the women were found still to be proficient in their work. After the dampened clay had been carefully kneaded in order to remove lumps and gravel, the bottom of the jar was moulded with the fingers and placed on a dish which was turned on a bit of cloth or a board and answered the purpose of a potter's wheel. As the dish was turned with the right hand the operator shaped the clay with the fingers of the left adding fresh strips of material from time to time until the desired size was obtained. The final shaping was done with a wooden paddle and the jar was allowed to dry, after which it was smoothed off with a stone. When ready for firing it was placed in the midst of a pile of rubbish, over which green leaves were placed to cause a slow fire.

Other dishes are made by splitting a cocoanut in half and removing the "meat." This is readily accomplished by the use of a scraper fitted with a rough iron blade (Fig. 25), over which the concave side or the half nut is drawn. The cocoanut meat is used for food and oil.

FIG. 25. COCOANUT SCRAPER.

A little later we shall describe the active part woman takes in the planting and care of the fields, but now we shall take up in some detail the industry in which she stands pre-eminent, the preparation and weaving of hemp.

The hemp ordinarily stripped by the men is considered too fine to be used in the manufacture of clothing, so a smaller stripping device is employed by the woman (Plate XX). On this she cleans the outer layers of the hemp stalk, from which a stronger and coarser thread can be obtained. The fiber is tied in a continuous thread and is wound onto a reel. The warp threads are measured on sharpened sticks driven into a hemp or banana stalk, and are then transferred to a rectangular frame (Plate XXI). The operator, with the final pattern in mind, overties or wraps with waxed threads, such portions of the warp as she desires to remain white in the completed garment. So carefully does she wrap these sections, that, when the thread is removed from the frame and placed in the liquid dye, no portion of the coloring matter penetrates to the portions thus protected. If a red color is desired the root of the _sikarig_[17] palm is scraped and the scrapings placed in bark vats filled with cold water. The thread is first washed in, and is later boiled with the dye for a half hour, after which it is placed in a basket to drain and dry. The process is repeated daily for about two weeks, or until the thread assumes a brick red color. If a purple hue is desired a little lime is added to the dye. Black is obtained by a slightly different method. The leaves, root, and bark of the _pinarrEm_ tree are crushed in water. This yields a black liquor which is poured into a jar containing the thread and the whole is placed over a slow fire where it remains until the liquid is near the boiling point. When this is reached the thread is removed and placed in a gourd, the open end of which fits over the jar so as to catch the steam coming from the dye. After a time the thread is removed and dried, and the process is repeated until at last a permanent black is obtained. After the coloring is complete the thread is again placed on the rectangular frame, the over-tying is removed and the warp is ready for the loom (Plate XXII.) In the loom (Plate XXIII) the threads encircle a bamboo pole attached to the wall, and are held tense by a strap which passes around the waist of the operator. The weft threads are forced up against the fabric by means of the comber board and are beaten in with a baton. The warp threads are held in their relative positions, first by the comber board, second by loops which pass under the lower threads and over a small stick or lease rod, and lastly by passing over and under, or around, other lease rods. These are rolled away as the work progresses.

[17] _Morinda Bracteata Roxb_.

[18] Woof threads are generally of one color. A somewhat similar process used in Java is described by SIR THOS. RAFFLES in The History of Java, Vol. I, p. 189.

[Transcriber's note: Although footnote 2 appears on the same page as the above paragraph, it is not clear to what particular part of that paragraph it refers.]

After the cloth is removed from the loom it is polished. A long pole of _palma brava_ is fitted into a notch in the roof. The operator seats herself on the floor with a smooth board before her, or in her lap, and on it places the dampened cloth. A shell is fitted over the lower end of the pole, which is bent and made bowlike, until the shell rests on the cloth. It is then ironed rapidly to and fro until the fabric has received a high polish (Plate XXIV).

The woman's duties do not end with the manufacture of cloth, for all the garments worn by the members of the tribe are the result of her handiwork. She sews the strips of hemp cloth into skirts, men's trousers, carrying bags, and sometimes into jackets. The women devote hours of labor to these jackets, covering arms, necks, and waist bands with colored embroidery or designs in applique, while on the better garments they place elaborate designs in beads or shell disks.

After the evening meal is over the women of the household gather around the flickering lights, and until far into the night work on these garments, bead necklaces, or other ornaments.

Only a few of the weavers attempt to make the peculiar chocolate-colored head covering worn by the _magani_. For these kerchiefs the woman weaves a square cotton cloth of the desired size, and at one corner attaches a small brass hook. Joined to the hook, by means of a chain, is a loop which fits over the toes of the operator, thus enabling her to keep the fabric taut while her hands are left free for work. Small sections of this cloth are raised and are wrapped with waxed thread, so that when the fabric is dyed these portions will not receive the coloring matter (Plate XXV). Later the overtying is removed, leaving small white rings or squares on a chocolate-colored background. These cloths are meant primarily for the warriors, but expert weavers, who are under the protection of a certain powerful spirit, are also permitted to wear an upper garment of this material.

A considerable part of the man's time is consumed in preparation for, or actual participation in, hunting or warfare, but in addition to this he does a goodly portion of the work in the fields, and is the house builder. When a man is about to erect a dwelling he notifies his friends to come and aid him. This they will do without pay, but when in need of similar services they will expect and will receive similar help. All sorts of house-furnishings, such as spoons, meat blocks, or rice mortars are made by the man, and not infrequently, he assists in the making or waterproofing of baskets. A few of the old men of Cibolan still engage in the manufacture of small shell disks with which valuable suits are decorated, but the greater part of those now in use have been inherited, or are purchased from neighboring peoples. The men carve beads out of "Job's tears"[19] and make them into necklaces. For this purpose a peculiarly carved and decorated stick is employed (Plate XXVI). This is placed in the palm of the left hand so that the thumb and forefinger can hold the seed which fits into a depression in the top. A knife in the right hand of the artist is worked over the seed thus cutting a line into which dirt is rubbed. Women's combs are made by shaping a half circle out of light wood and then cutting teeth into it with a saw-like blade of tin or iron.

[19] _Coix lachryma Johi L_.

Among the men, as with the women, certain industries are monopolized by a few individuals. In this community no men stand higher in the estimation of their fellows than do the smiths and the casters of copper. The writer spent many hours watching I-o, the brass and copper worker of Cibolan, while he shaped bells, bracelets, and betel boxes at his forge on the outskirts of the village (Plate XXVII). Feathered plungers, which worked up and down in two bamboo cylinders, forced air through a small clay-tipped tube into a charcoal fire. This served as a bellows, while a small cup made of straw ashes formed an excellent crucible. The first day I watched I-o, he was making bells. Taking a ball of wax the size of a bucket shot, he put it on the end of a stick (Fig. 26a), and over this moulded the form of a bell in damp ashes obtained from rice straw (b). When several bells were thus fashioned they were dipped in melted wax and were turned on a leaf until smooth, after which an opening was cut through the wax at the bottom of each form (c). Strips of wax were rolled out and laid in shallow grooves which had been cut in the sides of the bells and were pressed in, at intervals, with a small bamboo knife (d). The top stick was then withdrawn, leaving an opening down to the wax ball inside. Into this hole a thin strip of wax was inserted and was doubled back on itself so as to form a hanger (e). For three days the forms were allowed to harden and were covered with several coats of damp straw ashes. Finally they were laid in a bed of the same material with a thin strip of wax leading from each bell to a central core (f). [FIG. 26] The whole, with the exception of the top of the central wax strip, was covered with a thick coating of damp ashes, and when this had hardened pieces of copper, secured from broken gongs, were placed in the crucible, melted and poured into the open end of the clay form. The molten metal took the place of the wax as it was dissolved and flowed to all parts where it had been. After being dropped in water the form was broken open, revealing six nearly perfect little bells which were ready for use as soon as the ashes were removed from them. The same method was used for all other casting. Clay forms were made as desired, were covered with wax, and the final coating of ashes applied before the casting. The workers in copper and brass are under the care and guidance of a spirit, Tolus ka towangan, for whom they make a yearly ceremony, _Gomek towangan_.

FIG. 26. STAGES IN THE MANUFACTURE OF METAL BELLS.

FIG. 26. STAGE IN THE MANUFACTURE OF METAL BELLS.

[Transcriber's note: Two different figures on different pages are both labeled FIG. 26.]

Of even greater importance are the smiths who are also under the care of a powerful spirit for whom the _Gomek-gomanan_ ceremony is celebrated each year, just prior to the planting time. Their forges are hidden away in the hemp fields, and I was repeatedly informed that no woman might see the smith at work. Whether or no such a rule is rigidly enforced at all times I cannot say, but at no time did I see a woman about the forge while the fire was burning, and although I was allowed to see and photograph the process, my wife was at all times prevented from doing so. The forge differs in no material respects from that used by the brass casters, except that hollowed out logs replace the bamboo tubes, and that a metal anvil and iron hammers are used. After an iron knife or spear head has been roughly shaped, the smith splits the edge to a slight depth and inserts a band of steel. The iron is pounded down on the harder metal and the whole is brought to a white heat in the charcoal fire. Removing it to the anvil the smith gives the blade one or two light blows and returns it to the fire. This is repeated many times before he begins to add the heavy strokes which finally weld the iron and steel together. The blade having been given its final shape is again heated and is held above a tube of water until the glowing metal begins to turn a yellowish green, when it is plunged into the cold water. This process, repeated many times, gives a fair temper to the whole weapon. Charcoal for the fire is secured by burning logs and chilling them suddenly with cold water.

Brass wire, secured in trade, is made into bracelets in the following manner. In order to soften it and make it more easily worked the roll of wire is heated until it begins to turn grey, when it is allowed to cool and is scraped, so as to restore the yellow color. One end is laid on an anvil made of an iron strip on a wooden block (Plate XXVII), and is cut into various designs by means of metal dies. A wooden cone is used as a form, about which the wire is placed in order to shape and measure it.