Part 3

I lift the curtain with a weary hand, With more than sorrow, silently I stand, Look out while darkness overspreads the way, And long for day.

“Go, Sleep,” I say, “before the darkness die, To one who needs you even more than I, For I can bear my part alone, but he Has need of thee.

“His poor tired eyes in vain have sought relief, His heart more tired still, with all its grief; His pain is deep, while mine is vague and dim, Go thou to him.

“When thou hast fanned him with thy drowsy wings, And laid thy lips upon the pulsing strings That in his soul with fret and fever burn, To me return.”

She goes. The air within the quiet street Reverberates to the passing of her feet; I watch her take her passage through the gloom To your dear home.

Belovéd, would you knew how sweet to me Is this denial, and how fervently I pray that Sleep may lift you to her breast, And give you rest--

A privilege that she alone can claim. Would that my heart could comfort you the same, But in the censer Sleep is swinging high, All sorrows die.

She comes not back, yet all my miseries Wane at the thought of your calm sleeping eyes-- Wane, as I hear the early matin bell The dawn foretell.

And so, dear heart, still silently I stand, Uplift the curtain with a weary hand, The long, long night has bitter been and lone, But now ’tis gone.

Dawn lights her candles in the East once more, And darkness flees her chariot before; The Lenten morning breaks with holy ray, And it is day!

CHRISTMASTIDE

I may not go to-night to Bethlehem, Nor follow star-directed ways, nor tread The paths wherein the shepherds walked, that led To Christ, and peace, and God’s good will to men.

I may not hear the Herald Angels’ song Peal through the oriental skies, nor see The wonder of that Heavenly company Announce the King the world had waited long.

The manger throne I may not kneel before, Or see how man to God is reconciled, Through pure St. Mary’s purer, holier child; The human Christ these eyes may not adore.

I may not carry frankincense and myrrh With adoration to the Holy One; Nor gold have I to give the Perfect Son, To be with those wise kings a worshipper.

Not mine the joy that Heaven sent to them, For ages since Time swung and locked his gates, But I may kneel without--the star still waits, To guide me on to holy Bethlehem.

CLOSE BY

So near at hand (our eyes o’erlooked its nearness In search of distant things) A dear dream lay--perchance to grow in dearness Had we but felt its wings Astir. The air our very breathing fanned It was so near at hand.

Once, many days ago, we almost held it, The love we so desired; But our shut eyes saw not, and fate dispelled it Before our pulses fired To flame, and errant fortune bade us stand Hand almost touching hand.

I sometimes think had we two been discerning, The by-path hid away From others’ eyes had then revealed its turning To us, nor led astray Our footsteps, guiding us into love’s land That lay so near at hand.

So near at hand, dear heart, could we have known it! Throughout those dreamy hours, Had either loved, or loving had we shown it, Response had sure been ours, We did not know that heart could heart command, And love so near at hand!

What then availed the red wine’s subtle glisten? We passed it blindly by, And now what profit that we wait and listen Each for the other’s heart beat? Ah! the cry Of love o’erlooked still lingers, you and I Sought heaven afar, we did not understand Twas--once so near at hand.

THE IDLERS

The sun’s red pulses beat, Full prodigal of heat, Full lavish of its lustre unrepressed; But we have drifted far From where his kisses are, And in this landward-lying shade we let our paddles rest.

The river, deep and still, The maple-mantled hill, The little yellow beach whereon we lie, The puffs of heated breeze, All sweetly whisper--These Are days that only come in a Canadian July.

So, silently we two Lounge in our still canoe, Nor fate, nor fortune matters to us now: So long as we alone May call this dream our own, The breeze may die, the sail may droop, we care not when or how.

Against the thwart, near by, Inactively you lie, And all too near my arm your temple bends. Your indolently crude, Abandoned attitude, Is one of ease and art, in which a perfect languor blends.

Your costume, loose and light, Leaves unconcealed your might Of muscle, half suspected, half defined; And falling well aside, Your vesture opens wide, Above your splendid sunburnt throat that pulses unconfined.

With easy unreserve, Across the gunwale’s curve, Your arm superb is lying, brown and bare; Your hand just touches mine With import firm and fine, (I kiss the very wind that blows about your tumbled hair).

Ah! Dear, I am unwise In echoing your eyes Whene’er they leave their far off gaze, and turn To melt and blur my sight; For every other light Is servile to your cloud-grey eyes, wherein cloud shadows burn.

But once the silence breaks, But once your ardour wakes To words that humanize this lotus-land; So perfect and complete Those burning words and sweet, So perfect is the single kiss your lips lay on my hand.

The paddles lie disused, The fitful breeze abused, Has dropped to slumber, with no after-blow; And hearts will pay the cost, For you and I have lost, More than the homeward blowing wind that died an hour ago.

AT SUNSET

To-night the west o’er-brims with warmest dyes; Its chalice overflows With pools of purple colouring the skies, Aflood with gold and rose; And some hot soul seems throbbing close to mine, As sinks the sun within that world of wine.

I seem to hear a bar of music float And swoon into the west; My ear can scarcely catch the whispered note, But something in my breast Blends with that strain, till both accord in one, As cloud and colour blend at set of sun.

And twilight comes with grey and restful eyes, As ashes follow flame. But O! I heard a voice from those rich skies Call tenderly my name; It was as if some priestly fingers stole In benedictions o’er my lonely soul.

I know not why, but all my being longed And leapt at that sweet call; My heart outreached its arms, all passion thronged And beat against Fate’s wall, Crying in utter homesickness to be Near to a heart that loves and leans to me.

PENSEROSO

Soulless is all humanity to me To-night. My keenest longing is to be Alone, alone with God’s grey earth that seems Pulse of my pulse and consort of my dreams.

To-night my soul desires no fellowship, Or fellow-being; crave I but to slip Thro’ space on space, till flesh no more can bind, And I may quit for aye my fellow kind.

Let me but feel athwart my cheek the lash Of whipping wind, but hear the torrent dash Adown the mountain steep, twere more my choice Than touch of human hand, than human voice.

Let me but wander on the shore night-stilled, Drinking its darkness till my soul is filled; The breathing of the salt sea on my hair, My outstretched hands but grasping empty air.

Let me but feel the pulse of Nature’s soul Athrob on mine, let seas and thunders roll O’er night and me; sands whirl; winds, waters beat; For God’s grey earth has no cheap counterfeit.

RE-VOYAGE

What of the days when we two dreamed together? Days marvellously fair, As lightsome as a skyward-floating feather Sailing on summer air-- Summer, summer, that came drifting through Fate’s hand to me, to you.

What of the days, my dear? I sometimes wonder If you too wish this sky Could be the blue we sailed so softly under, In that sun-kissed July; Sailed in the warm and yellow afternoon, With hearts in touch and tune.

Have you no longing to relive the dreaming, Adrift in my canoe? To watch my paddle blade all wet and gleaming Cleaving the waters through? To lie wind-blown and wave-caressed, until Your restless pulse grows still?

Do you not long to listen to the purling Of foam athwart the keel? To hear the nearing rapids softly swirling Among their stones, to feel The boat’s unsteady tremor as it braves The wild and snarling waves?

What need of question, what of your replying? Oh! well I know that you Would toss the world away to be but lying Again in my canoe, In listless indolence entranced and lost, Wave-rocked, and passion-tossed.

Ah me! my paddle failed me in the steering Across love’s shoreless seas; All reckless, I had ne’er a thought of fearing Such dreary days as these, When through the self-same rapids we dash by, My lone canoe and I.

BRIER

GOOD FRIDAY

Because, dear Christ, your tender, wounded arm Bends back the brier that edges life’s long way, That no hurt comes to heart, to soul no harm, I do not feel the thorns so much to-day.

Because I never knew your care to tire, Your hand to weary guiding me aright, Because you walk before and crush the brier, It does not pierce my feet so much to-night.

Because so often you have hearkened to My selfish prayers, I ask but one thing now, That these harsh hands of mine add not unto The crown of thorns upon your bleeding brow.

WAVE-WON

To-night I hunger so, Belovéd one, to know If you recall and crave again the dream That haunted our canoe, And wove its witchcraft through Our hearts as neath the northern night we sailed the northern stream.

Ah! dear, if only we As yesternight could be Afloat within that light and lonely shell, To drift in silence till Heart-hushed, and lulled and still The moonlight through the melting air flung forth its fatal spell.

The dusky summer night, The path of gold and white The moon had cast across the river’s breast, The shores in shadows clad, The far-away, half-sad Sweet singing of the whip-poor-will, all soothed our souls to rest.

You trusted I could feel, My arm as strong as steel, So still your upturned face, so calm your breath, While circling eddies curled, While laughing rapids whirled From boulder unto boulder, till they dashed themselves to death.

Your splendid eyes aflame Put heaven’s stars to shame, Your god-like head so near my lap was laid-- My hand is burning where It touched your wind-blown hair, As sweeping to the rapids verge, I changed my paddle blade.

The boat obeyed my hand, Till wearied with its grand Wild anger, all the river lay aswoon, And as my paddle dipped, Thro’ pools of pearl it slipped And swept beneath a shore of shade, beneath a velvet moon.

To-night, again dream you Our spirit-winged canoe Is listening to the rapids purling past? Where, in delirium reeled Our maddened hearts that kneeled To idolize the perfect world, to taste of love at last.

THE HAPPY HUNTING GROUNDS

Into the rose gold westland, its yellow prairies roll, World of the bison’s freedom, home of the Indian’s soul. Roll out, O seas! in sunlight bathed, Your plains wind-tossed, and grass enswathed.

Farther than vision ranges, farther than eagles fly, Stretches the land of beauty, arches the perfect sky, Hemm’d through the purple mists afar By peaks that gleam like star on star.

Fringing the prairie billows, fretting horizon’s line, Darkly green are slumb’ring wildernesses of pine, Sleeping until the zephyrs throng To kiss their silence into song.

Whispers freighted with odour swinging into the air, Russet needles as censers swing to an altar, where The angels’ songs are less divine Than duo sung twixt breeze and pine.

Laughing into the forest, dimples a mountain stream, Pure as the airs above it, soft as a summer dream, O! Lethean spring thou’rt only found In this ideal hunting ground.

Surely the great Hereafter cannot be more than this, Surely we’ll see that country after Time’s farewell kiss. Who would his lovely faith condole? Who envies not the Red-skin’s soul,

Sailing into the cloud land, sailing into the sun, Into the crimson portals ajar when life is done? O! dear dead race, my spirit too Would fain sail westward unto you.

IN THE SHADOWS

I am sailing to the leeward, Where the current runs to seaward Soft and slow. Where the sleeping river grasses Brush my paddle as it passes To and fro.

On the shore the heat is shaking All the golden sands awaking In the cove; And the quaint sand-piper, winging O’er the shallows, ceases singing When I move.

On the water’s idle pillow Sleeps the overhanging willow, Green and cool; Where the rushes lift their burnished Oval heads from out the tarnished Emerald pool.

Where the very silence slumbers, Water lilies grow in numbers, Pure and pale; All the morning they have rested, Amber crowned, and pearly crested, Fair and frail.

Here, impossible romances, Indefinable sweet fancies, Cluster round; But they do not mar the sweetness Of this still September fleetness With a sound.

I can scarce discern the meeting Of the shore and stream retreating, So remote; For the laggard river, dozing, Only wakes from its reposing Where I float.

Where the river mists are rising, All the foliage baptizing With their spray; There the sun gleams far and faintly, With a shadow soft and saintly, In its ray.

And the perfume of some burning Far-off brushwood, ever turning To exhale All its smoky fragrance dying, In the arms of evening lying, Where I sail.

My canoe is growing lazy, In the atmosphere so hazy, While I dream; Half in slumber I am guiding, Eastward indistinctly gliding Down the stream.

NOCTURNE

Night of Mid-June, in heavy vapours dying, Like priestly hands thy holy touch is lying Upon the world’s wide brow; God-like and grand all nature is commanding The “peace that passes human understanding;” I, also, feel it now.

What matters it to-night, if one life treasure I covet, is not mine! Am I to measure The gifts of Heaven’s decree By my desires? O! life for ever longing For some far gift, where many gifts are thronging, God wills, it may not be.

Am I to learn that longing, lifted higher, Perhaps will catch the gleam of sacred fire That shows my cross is gold? That underneath this cross--however lowly, A jewel rests, white, beautiful and holy, Whose worth can not be told.

Like to a scene I watched one day in wonder:-- city, great and powerful, lay under A sky of grey and gold; The sun outbreaking in his farewell hour, Was scattering afar a yellow shower Of light, that aureoled

With brief hot touch, so marvellous and shining, A hundred steeples on the sky out-lining, Like network threads of fire; Above them all, with halo far outspreading, I saw a golden cross in glory heading A consecrated spire:

I only saw its gleaming form uplifting, Against the clouds of grey to seaward drifting, And yet I surely know Beneath the seen, a great unseen is resting, For while the cross that pinnacle is cresting, An Altar lies below.

* * * * *

Night of mid-June, so slumberous and tender, Night of mid-June, transcendent in thy splendour Thy silent wings enfold And hush my longing, as at thy desire All colour fades from round that far off spire, Except its cross of gold.

MY ENGLISH LETTER

When each white moon, her lantern idly swinging, Comes out to join the star night-watching band, Across the grey-green sea, a ship is bringing For me a letter, from the Motherland.

Naught would I care to live in quaint old Britain, These wilder shores are dearer far to me, Yet when I read the words that hand has written, The parent sod more precious seems to be.

Within that folded note I catch the savour Of climes that make the Motherland so fair, Although I never knew the blessed favour That surely lies in breathing English air.

Imagination’s brush before me fleeing, Paints English pictures, though my longing eyes Have never known the blessedness of seeing The blue that lines the arch of English skies.

And yet my letter brings the scenes I covet, Framed in the salt sea winds, aye more in dreams I almost see the face that bent above it, I almost touch that hand, so near it seems.

Near, for the very grey-green sea that dashes Round these Canadian coasts, rolls out once more To Eastward, and the same Atlantic splashes Her wild white spray on England’s distant shore.

Near, for the same young moon so idly swinging Her threadlike crescent bends the self-same smile On that old land from whence a ship is bringing My message from the transatlantic Isle.

Thus loves my heart that far old country better, Because of those dear words that always come, With love enfolded in each English letter That drifts into my sun-kissed Western home.

_Printed by_ BALLANTYNE, HANSON & CO. _London & Edinburgh_

* * * * *

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_ADAMS (FRANCIS)._

ESSAYS IN MODERNITY. Cr. 8vo. 5_s._ _net_.

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A CHILD OF THE AGE. (_See_ KEYNOTES SERIES.)

_ALLEN (GRANT)._

THE LOWER SLOPES: A Volume of Verse. With title-page and cover design by J. ILLINGWORTH KAY. 600 copies, cr. 8vo. 5_s._ _net_.

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THE WOMAN WHO DID. (_See_ KEYNOTES SERIES.)

_BEARDSLEY (AUBREY)._

THE STORY OF VENUS AND TANNHÄUSER, in which is set forth an exact account of the Manner of State held by Madam Venus, Goddess and Meretrix, under the famous Hörselberg, and containing the adventures of Tannhäuser in that place, his repentance, his journeying to Rome, and return to the loving mountain. By AUBREY BEARDSLEY. With 20 full-page illustrations, numerous ornaments, and a cover from the same hand. Sq. 16mo. 10_s._ 6_d._ _net_.

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_BEDDOES (T. L.)._

_See_ GOSSE (EDMUND).

_BEECHING (Rev. H. C.)._

IN A GARDEN: Poems. With title-page and cover design by ROGER FRY. Cr. 8vo. 5_s._ _net_.

_New York: Macmillan & Co._

_BENSON (ARTHUR CHRISTOPHER)._

LYRICS. Fcap. 8vo, buckram. 5_s._ _net_.

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_BROTHERTON (MARY)._

ROSEMARY FOR REMEMBRANCE. With title-page and cover design by WALTER WEST. Fcap. 8vo. 3_s._ 6_d._ _net_.

_CAMPBELL (GERALD)._

THE JONESES AND THE ASTERISKS. With six illustrations and title-page by F. H. TOWNSEND. Fcap. 8vo. 3_s._ 6_d._ _net_.

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_CASTLE (Mrs. EGERTON)._

MY LITTLE LADY ANNE: A Romance. Sq. 16mo. 2_s._ 6_d._ _net_.

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_Philadelphia: Henry Altemus._

_CASTLE (EGERTON)._

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_CROSS (VICTORIA)._

CONSUMMATION: A Novel. Cr. 8vo. 4_s._ 6_d._ _net_.

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SONG FAVOURS. With a specially designed title-page. Sq. 16mo. 3_s._ 6_d._ _net_.

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MONOCHROMES. (_See_ KEYNOTES SERIES.)

_DAVIDSON (JOHN)._

PLAYS: An Unhistorical Pastoral; A Romantic Farce; Bruce, a Chronicle Play; Smith, a Tragic Farce; Scaramouch in Naxos, a Pantomime. With a frontispiece and cover design by AUBREY BEARDSLEY. Printed at the Ballantyne Press. 500 copies, sm. 4to. 7_s._ 6_d._ _net_.

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BALLADS AND SONGS. With title-page designed by WALTER WEST. Fourth Edition. Fcap. 8vo, buckram. 5_s._ _net_.

_Boston: Copeland & Day._

_DAWE (W. CARLTON)._

YELLOW AND WHITE. (_See_ KEYNOTES SERIES.)

_DE TABLEY (LORD)._

POEMS, DRAMATIC AND LYRICAL. By JOHN LEICESTER WARREN (Lord De Tabley). Illustrations and cover design by C. S. RICKETTS. 2nd edition, cr. 8vo. 7_s._ 6_d._ _net_.

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_DIX (GERTRUDE)._

THE GIRL FROM THE FARM. (_See_ KEYNOTES SERIES.)

_DOSTOIEVSKY (F.)._

(_See_ KEYNOTES SERIES, Vol. III.)

_ECHEGARAY (JOSÉ)._

_See_ LYNCH (HANNAH).

_EGERTON (GEORGE)._

KEYNOTES. (_See_ KEYNOTES SERIES.)

DISCORDS. (_See_ KEYNOTES SERIES.)

YOUNG OFEG’S DITTIES. A translation from the Swedish of OLA HANSSON. Cr. 8vo. 3_s._ 6_d._ _net_.

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_FARR (FLORENCE)._

THE DANCING FAUN. (_See_ KEYNOTES SERIES.)

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DANTE, PETRARCH, CAMOENS. CXXIV Sonnets rendered in English. Cr. 8vo. 5_s._ _net_.

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A LAWYER’S WIFE: A Novel. Cr. 8vo. 4_s._ 6_d._ _net_.

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THE GOLDEN AGE. Cr. 8vo. 3_s._ 6_d._ _net_.

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_GREENE (G. A.)._