Part 14

Between the Nile and the Red Sea lay the desert of the Thebaid, and the remote monastery of St. Anthony is now reached after two days’ camel ride from the station Beni Suef. The desert of Scete where Arsenius lived—the desert where Philammon the hero of “Hypatia” learned to be a monk—is on the Upper Nile. What was Nitria is now Wadi el Natrun, and is reached by three days’ camel ride from the Pyramids, or _via_ Khatadba, one of the stations on a loop of the Cairo-Alexandria railway. The shrines of the hermits are in the hands of the Copts, a simple Christian people, said to be the lineal descendants of the ancient Egyptians. The Coptic Church is an Eastern one, and it is the lineal descendant of the Church of Egypt that flourished in the first centuries of Christianity. Only whereas the Church of Egypt was a brightly living church, the Coptic Church is going on in a tradition. What is valuable in the Coptic Church to-day is that it has slept through many centuries unchanging, that it has never been rich and pompous, never erudite, never pleasure-loving. It has withstood the Arabs through dwelling in the wilderness and fortifying its churches and monastery walls and being hard. It has never had the opportunity to thrive. So it has preserved the traditions and something of the spirit of early Christianity, and in the half-ruined temples of the desert you may see the stigmata of Christ.

* * * * *

I had some difficulty finding out about the monasteries: no one goes to Egypt to visit Christian shrines, so my desire to know where the ancient hermits had lived sounded strange and unwonted in the ears of most people. But at length, through the Bishop of Jerusalem and Marcus Bey Simaika, the leader of the Coptic community in Cairo, I got a letter from the Patriarch and full directions as to how to reach the desert shrines. I chose to go to Nitria.

* * * * *

Out of sight of the grey triangles of the Pyramids, out of sight of everything, and over the even, empty desert, white, yellow, burning, rose-lined on the horizon, glaring ... heat and light beat upward from the sand on which and into which the terrible and splendid sun drives its armies all day. The air is so dry and light that one seems to have lost weight. There is a feeling of unusual exhilaration.

I came on horseback to an oasis, not a bountiful and delectable oasis with shade of palm trees, fruit to pluck above the head, and cold water bubbling from a spring below, but a poisonous marsh overgrown with reeds full of reptiles and blood-sucking flies. There are good and evil oases. This was the marsh that gave its name to Nitria—the soda marsh. The hermits chose it because it was even worse than the desert. My black horse prances along on somewhat doubtful turf, and then once more to the loose and heavy sand blown into waves and undulating like the sea. On the horizon lies the strange blunt silhouette of the first of the monasteries, and without a trace to follow, we plunge through the sand towards it. We come up to it at last, an enigmatical-looking building which has the shapelessness and silence of a ruin. How silent it is! What a deathly and unearthly silence! It seems hardly possible that human beings are living there. The cream-coloured walls are lined, patched, broken, gigantic. It is a rectangular fortress. There is but one entrance, and that is a small one and heavily barred. There are no steps in the sand; if yesterday had any footfalls the wind has smoothed them away, and the breathless silence is one which it seems almost possible to hold in one’s hand.

From the high yellow battlement an old loose rope hangs down, and is evidently connected with a bell.

Jingle-jangle-jangle! I ring the bell and wait expectantly. There is a long silence and I ring again, jingle-jangle, jangle-jangle-jangle! Then some one comes and laboriously undoes the little door, and a dishevelled, bare-footed monk appears. I present the letter which I bear from the Patriarch, and am admitted. The monks are pleased; all shake hands. I sit on one divan, and five of them on another. One novice washes my hands, another brings me a glass of a brown-coloured drink—it is medlar juice and water, and is full of the fibre of the fruit. This finished, he brings me a glass of pink sugar water, then coffee all round, thimble-fulls of sweet coffee. The abbot, a fine-looking fellow with regular features, broad face, black moustache and beard, and with an open space showing the freshness of the lower lip, is talkative. He has a towel wrapped round his brows for turban, and fingers black beads as he talks. Next to him is a comfortable-looking monk in a blue smock and white knitted skull-cap on his head. Next to him, an old fellow with wizened bare legs and feet, old yellow rags on his grizzled head, ragged black cassock over his grey underclothes.

“What do you do all day?” I asked.

“Pray, read, sing,” they answered.

“What do you think of the war?”

“The war does not touch us. If they come and kill us, we don’t mind, but we pray each day that God will bring it soon to a close.”

“If the Arabs come, what will you do?”

“If they shoot at us we will throw bread to them, that will be our reply.”

“Do you have many visitors?”

“Not many.”

“Do the Russian pilgrims come here to pray?”

“Yes, some.”

“Are you content to live out here in the Sahara whilst all sorts of great events are happening in the world, and content to have no news and never mix with the people of the city? In England we’re too busy, one couldn’t escape to a place like this even if one wanted to.”

The abbot gave me a remarkable reply:

“I think there is room for everybody: one seeks money, that is his way; another prays, that is his way; another does his duty and ploughs, that is his way. There are many ways. You know of Martha and Mary. Martha was right, but Mary’s good part was right also.”

How touching it was for me to get this true reply in this remote monastery, and to hear of Martha and Mary in the first half-hour of conversation with the monks. My mind was preoccupied with the ideas of Martha and Mary, and here was this simple Coptic abbot using almost the same terms to express himself as I might use myself.

There were in this monastery about sixteen monks, and in the desert altogether there may be about one hundred and fifty. Once there were thousands of holy men and hundreds of monasteries. There was gold in the monasteries, there were jewels and pictures. Not an inch of the little desert temples but was covered with Byzantine fresco.

But the Saracen came and murdered the cultured clergy, and tore away the jewels, as was fit, and rolled down many a wall, wrecked many an altar. There was a sixty years’ gap in the Christian history of the desert. Then a wilder type of Christian took possession, Arabs who had been converted, or enslaved Copts who had forgotten their own language and learned that of their masters. They brought Arabic gospels and liturgies. They repaired some of the ruins of the old monasteries and churches, and they put up Arabic inscriptions and painted out the old Coptic frescoes and hieroglyphics with frescoes of their own conception. They built round their temples impregnable fortress walls with draw-bridges at a height of forty feet above the level of the desert. They withstood sieges and persisted ... to this day.

The abbot showed me round the monastery. The buildings were all a patchwork of ruins and repairs and changes. The frescoes had been white-washed out in nearly every part. The old stained glass, broken and shapeless, was mortared in with new glass. And yet there was a real odour of antiquity in the place. The patterns in the ikons were but dust patterns, and the face of the Virgin crumbled away as the abbot took the picture down to show me. In a niche here and there left by accident were the original frescoes in wonderful purple and crimson, pictures of the choric saints, their faces and bodies all of that unearthly and mystical shape and colour by which the early Christians loved to represent citizenship of heaven and denial of the world.

The lectern had a nail on which to fix the candle. The communion cup was swathed in the oldest vestments of the monastery. In an ordinary cupboard with easy-swinging wooden door I was shown the mummies of the sixteen Patriarchs of the Coptic Church. Sixteen Patriarchs in a cupboard, each wrapped in his robes and tied up compactly! The Abbot unwrapped one a little and showed me the dried brown flesh. The seventeenth Patriarch, he from whom I had my letter, will find a place in this cupboard in his turn.

In one of the churches I was shown the box with the sacred remains of Macarius, the primitive hermit in whose name the monastery had been founded.

They showed me the books from which the service is read, all hand-copied volumes. I wondered especially at a copy of the New Testament, written ages ago in Coptic and now spattered on every page and every paragraph with new and ancient spots of candle grease.

From the vault of one of the churches hang seven old dusty ostrich eggs by long strings. A monk explained to me that as the ostrich looks to its egg as the most precious thing in life, so they look to God in their prayers—at least, the egg is to remind them.

We went into the fortress church, the only entrance to which is at a height of forty feet by a bridge from the outer rampart. They showed me how the bridge could be drawn in and the monks be secure from assault of arms. Up on the ramparts a novice had his duty beside a pile of bread and a stoup of water. When Bedouin beggars ring the monastery bell, he lowers them bread and water in a basket. “We give away twice as much as we eat ourselves,” said the Abbot, showing me the bakery. Here were hundreds of wheaten loaves in long stone receptacles, good bread, but made dirty so that the monks should not get to prize it. They showed me illuminated books a thousand years old, showed me the scrivener’s cell where among many quills a monk still copies the Scriptures day by day. They showed me one chapel the whole floor of which was covered with chillies drying, showed me the long room where every evening all the monks gather about the Abbot to read the gospel and discuss its meanings, showed me the massive doors, two feet thick, of wood and iron, meant to resist the Arab. In one room was a small cask, and the Abbot took a tin mug and drew me a little wine—communion wine. I drank half; he finished.

The monks were most kind, simple and loving. It was an amusing spectacle at lunch. I lunched; every one else waited on me. A beautiful Abyssinian boy washed my hands, two monks shelled eggs all the time and filled my plate, two others stripped cucumbers for me, another kept helping me to hot milk soup in which slabs of sugar were dissolving. The Abbot stood above me with a feather-brush waving the flies off me. Every one was talking. There was especial interest in the questions which the Abyssinian boy who had washed my hands was continually trying to put. He was a beautiful stripling who could have been posed for Christ Himself, but for the fact that he was black. He was tall and gentle, with large liquid eyes. He was not a monk, but a pilgrim stranded in the desert. He had been on his way to Jerusalem, and had been turned back from Port Said because of the War. He was anxious to hear from me whether I knew of any way of getting to Jerusalem now. The Abbot was the only one who knew Abyssinian, and he interpreted. Alas! I could give him no hope of getting through to the Holy Sepulchre.

I lunched, and slept a little, and the brethren of the monastery slept. Then my horse was brought out to me and I rode away across the sand. Before going, I went to the western side of the monastery and looked out over the Desert. Thousands of miles it went on, level, empty, burning, and yet mysterious. Some Coptic hermits have wandered forth into its mystery and are living the antique life of the anchorite out there. At least, so the Abbot told me, though he couldn’t say where they are or how they live. Only now and again, at rare intervals, some one of them comes back to the monastery to communion and then disappears once more.

* * * * *

I rode away to Bir Hooker, where I stayed the night. That is on the other side of the salt marshes. There an enterprising British company is producing thousands of tons of caustic soda annually. The antique hermits chose this spot in the Desert because of the death-dealing odours which intensified their denial of the world, but in another era, behold British business men doing in the way of trade and worldly gain or duty what these others do in the name of denial of the world. As the Abbot said: There are various ways of serving God, the way of Martha and the way of Mary.

Still, the manager of the caustic soda works, a shrewd and circumspect Scotsman of Protestant temperament, would like to have the sixteen Patriarchs buried decently and, if he could, spend three days in each of the monasteries tidying up. “It’s not showing due respect to the dead,” said he, “nor is it sanitary, nor decent. I’ve nothing to say against the monks; they are simple and kind and hospitable. But they’re just _wasting_ their lives. They’re doing nothing, making nothing.”

The manager would show the monks how they ought to keep house. But better still, he would clear them all out. They are very good, very kind, there is nothing against them, but what are they _doing_, he asks. Their lives are pure waste. They don’t produce caustic soda.

* * * * *

I go to my room to sleep, and then at midnight come out again to see the full moon flooding the vast plain of sand with light, and to realise once more the breathless and perfect stillness of the desert.

IV THE WORLD

From the Desert back to the town, to “the world,” to the hurly-burly of Cairo and the flesh-pots of Egypt! It is war-time, the summer of 1915, the Turks are being fought on the Peninsula of Gallipoli. The city is full of soldiers, sunburned Australians and New Zealanders who have not yet been in action but are being kept lest the Arabs should come out of the Desert and strive to efface the English and French civilisation of the banks of the lower Nile and so add more ruins to the ruins of Egypt. The city is majestical with its broad streets, white stone palaces and stately mansions, its wondrous river and its mighty bridges. The dryness, cleanness, and whiteness of a city that knows no rain; the city gleams in a vast supply of sunshine. The wind blows all the time from the Desert, and wafts heat in the face as from a furnace. A city of life and gay energy. The fountain of life plays rapidly and brilliantly all the time, throwing up all colours, forms, faces. There is a sense of resplendent and tremendous gaiety. No one comes to Cairo to be an ascetic and mortify the flesh. But every building, every sight and sound, says, “Life, life, life.” All around is death—the Desert which is death itself, the Pyramids which are tombs, the old cities and ruins which are the bodies of ancient civilisations passed away. But every sight and sound in the oasis of the great city says—Live, be gay, let the pulse beat fast, let the heart go and be glad, let the eyes sparkle and burn, let the lips form words of passion and pleasure.

There is a sense of an immense antiquity which in contrast with the little second of the present moment makes the latter less important, less holy. There is a subtle smell in the air, an odour that makes the head a little dizzy and the hands a little feverish as you walk; it is the actual odour of antiquity, a finest dust in suspension in the wind, the dust of decay from past ages. All that dies in Egypt becomes dry, and only after centuries turns to dust and loses form. That which rots away in a year in our northern clime keeps its semblance for a thousand years in Egypt. The stones of the houses of native Cairo were many of them quarried by the ancients; the wooden beams and joists have lasted from the days of the Pharaohs, and only now are gently crumbling. Here the very stones can be used to manure the fields. Subtly, secretly, the seventh foundation is always crumbling away and passing in dust into the Desert air. The smell in the air is partly the fine dust of mummies, of the bodies that were once erect and nervous and vivid, gay and felicitous and moving, the mysterious flocking humans of thousands of years ago.

The streets roll forward with flocking crowds—dark faces, brown faces, sallow faces; red caps and straw hats and little turbans and smocks and burnous; negroes, Copts, Arabs, women in white veils, women with dark veils; Europeans, soldiers, hawkers, mendicants, post-card sellers, newspaper vendors. Along the centre of the broad sun-swept roadways crash the electric trams; the rubber-tyred cabs and wide-hooded victorias follow pleasantly; the motor-cars proceed; the military auto-cycles pant; and the heavy ox and buffalo carts of the natives blunder along at the sides. There is doing everywhere, happening, being. Voluminous and promiscuous action floods and surges through the city with the traffic. It is life everywhere. And yet mingled with life there is death. There is plague in Cairo, and every now and then the eyes rest on a native funeral procession, one procession, two processions, five processions, ten processions all following one another. They are in every street, and they go past with their strange pomp of death, with the body and the mourners and the keeners and professional howlers. The brightly living crowd on the footways each side of the road pause a moment and think, “Some one has died,” and pass on, oblivious, intent on life.

In luxurious hotels gentle and beautiful Nubians are handing out delicate fare, rich dishes cooked and served in that sought-out and magnificent style that Egypt has inherited from ages of epicurism. And a wonderful assembly of officers and ladies, rich pleasure-seekers and tourists from the Mediterranean shores, invalids, receives—sitting at flower-decked tables in great halls. Many restless souls fall into the rhythm of Egypt and feel themselves part of a great and satisfying grandeur. It is borne in upon the mind that the rich have always lived in a certain way in Egypt, and that the grandeur of Pharaoh and of Antony and Cleopatra are one and the same with the grandeur of to-day. A living thread of crimson and gold runs through the centuries of Egypt and is caught to-day, unbroken. Cairo is the capital of the Desert, and yet I do not know. It seems to me even at midday, when the sun glares over the stones, that somehow the Desert does not exist, or that it is in profound darkness, and that Cairo is a city all lamps, an island of effulgent light encompassed on all sides with darkness. It is barely credible that the sun of Cairo is the terrible sun of the Sahara, the sun whose monstrous arms clasp thousands of miles of scorched sand and wasted world, that the sun may not even notice Cairo as it looks on the Desert. But those who live in the cities of Egypt are enough unto themselves.

A strange impression, in the afternoon, to go down side streets and observe the throngs of young men, unsteady on their feet but bright-eyed and thirsty-lipped, greedy, eager; the strong-limbed sun-burnt Colonial soldiers dancing with Arab girls, the café-chantants, shooting-saloons, bars, bad houses, the barrel-organs, the smell of the air.

One can spare a questioning thought as to the homes of the soldiers. They come to Egypt from a fresh Colonial country, from good homes, pure women who are their mothers, gentle and innocent girls who are their brides. They nobly offer themselves to fight for their race against a false idea and a predatory nation. Tears fall at their departure. Prayers accompany them. But though bound for France and England they suddenly find their destination changed to Turkey, and they are put down, for convenience, in Egypt. They are dumped upon this mysterious and astonishing country as if one bit of dry land were just the same as any other, and without any notion of the spiritual significance of being stranded here. No blame to any one. Providence directs the destinies of men and women.

The first army that came were the wildest, boldest, and they plunged right away into the sin and gaiety and dangerous pleasures of the city, conducted by the money-grubbing but ingenious and smiling Arabs to the gambling dens, dancing-houses, and strange parlours of the back streets. They were cheated, swindled, robbed whilst drunk, robbed whilst asleep, but they saw strange sights and tasted unusual pleasures, sating the new eyes and lips which Egypt had given them. At last, the time drawing nigh for their departure for the Dardanelles, they resolved to get back part of what they had lost in the back streets of the city—certain things they could never get back—and they went down in force and sacked the houses and rushed the Arabs and Arab women to the streets and took back what they could find. There was a great riot. The native police were called out, and they fired at the screaming mob. Such scenes were enacted in the city that brought to mind the continuous street-rioting in Alexandria in the old early-Christian days. But what is most significant in the sight of these fine young men in the city is the realisation of the impure strain they take back with them from Egypt to the women and the children of Australia and New Zealand.

* * * * *

Night comes over the stately city, and the Europeans in their white clothes come in greater numbers into the streets. The great remote staring moon stands over the broad highway and arched bridges. Heat seems to be generated through the haze in the sky, but a light dry breeze is ever blowing, and the pungent sweetish odour of the city is in the nostrils. In the contrast of darkness and night silence the clangour of Eastern music is more stirring. It stirs the body, not the soul, and is like the sensuous music of Nebuchadnezzar, the music of cornet, flute, harp, sackbut, psaltery, and dulcimer. Dark women with gold ornaments hang out from curtainless windows or lurk just inside doorways and dark passages, ready to coil snake-like upon a prey. In the roadways a shouting, calling crowd. In the taverns they are singing “Tipperary” and “We won’t go home till morning”; some men are standing on the tables, others are trying to put gawky Arab girls through the steps of a tango. The music jangles. The whole street has a collective voice, a strange tinkling and murmuring uproar.

A tall, lank, loose-jawed, genial Copt would show you the haunts of evil, and offers his services to procure you pleasure. You have said “No” to him; he stands there where you left him on the pavement in his long cotton rags, smiling gently and cogitatively—the same type as stood in the city of the Pharaohs in the old days of the Israelitish bondage. It is strange to reflect that they find in the mummies of those who lived so many thousands of years ago the marks of “the city’s disease,” and the sign of the impure strain. There is a community of sin. What was in ancient Egypt is in the world to-day and was not invented in any recent time but has been carried on from one human being to another, to many others, and from them to others still.