Part 1

Produced by Al Haines.

THE VIRGIN IN JUDGMENT

BY

EDEN PHILLPOTTS

Author of "The Portreeve," "The Secret Woman," "Children of the Mist," etc.

NEW YORK MOFFAT, YARD AND COMPANY 1908

Copyright, 1908, BY MOFFAT, YARD AND COMPANY NEW YORK

Published, October, 1908

*CONTENTS*

*BOOK I*

CHAPTER

I. Crepuscule II. Warren House III. Harmony in Russet IV. Coombeshead V. The Virgin and the Dogs VI. The Host of ’The Corner House’ VII. Dennycoombe Wood VIII. In Pixies’ House IX. The Dogs of War X. Some Interviews XI. Mr. Fogo is Shocked XII. For the Good Cause XIII. The Fight

*BOOK II*

I. ’Meavy Cot’ II. Bartley Doubtful III. Preparations IV. The Wedding V. Arrival of Rhoda VI. Repulse VII. Eylesbarrow VIII. Triumph of Billy Screech IX. Common Sense and Beer X. Crazywell XI. Reproof XII. The Courage of Mr. Snell XIII. Rhoda Passes By

*BOOK III*

I. Mystery II. A Pessimist III. The Voice from the Pool IV. Points of View V. End of a Romance VI. Virgo--Libra VII. A Sharp Tongue VIII. Under the Trees IX. Darkness at ’The Corner House’ X. Third Time of Asking XI. Bad News of Mr. Bowden XII. Rhoda and Margaret XIII. The Search XIV. David and Rhoda XV. Night Tenebrious

*BOOK I*

*THE VIRGIN IN JUDGMENT*

*CHAPTER I*

*CREPUSCULE*

Night stirred behind the eastern hills and a desert place burnt with fading splendour in the hour before sunset. The rolling miles of Ringmoor Down lay clad at this season in a wan integument of dead grass. Colourless as water, it simulated that element and reflected the tone of dawn or evening, sky or cloud; now sulked; now shone; now marked the passage of the wind with waves of light.

Ringmoor extends near the west quarter of Dartmoor Forest like an ocean of alternate trough and mound, built by the breath of storms. This region, indeed, shares something with the restless resting-places of the sea; and one may figure it as finally frozen into its present austerity by action of western winds that aforetime laboured without ceasing here on the bosom of a plastic earth. Only the primary forces model with such splendid economy of design, or present achievements so unadorned, yet so complete. The marvel of Ringmoor demanded unnumbered centuries of elemental collaboration before it spread, consummate and accomplished, under men’s eyes. Rage of solar flame and fury of floods; the systole and diastole of Earth’s own mighty heart-beat; the blast of inner fires, the rigour of age-long ice-caps--all have gone to mould this incarnate simplicity. Nor can Nature’s achievement yet be gauged, for man himself must ascend to subtler perception before he shall gather the meaning of this moor.

The expanse is magnificently naked, yet sufficing; it is absolutely featureless, but never poverty-stricken. To the confines of a river it extends, and ceases there; yet that sudden wild uplifting of broken hills beyond; their dark, rocky places full of story; their porphyry pinnacles and precipices haunted by the legends and the spirits of old strike not so deeply into human sense as Ringmoor’s vast monochrome fading slowly at the edge of night; fading as a cloudless sky fades; as light fades on the eyes of the semi-blind; fading without one stock or stone or man or beast to break the inexorable tenor of its way.

Upon some souls this huge monotony, thus mingling with the universal at eventide, casts fear; to others it is a manifestation precious as the presence of a friend; and for those whose working life brings them here, the waste’s immensities at noon or night are one; its highways are their highways, and indifferently they move upon its bosom with the other ephemeral existences that haunt it. Yet by none of these people is Ringmoor truly felt or truly seen. Cultured minds weave pathetic fallacies and so pass by; while for the native this spot is first a grazing ground and last a recurrent incident of stern spaces to be compassed and recompassed on his own pilgrimage--to the young a weariness and to the old a grief.

Now light suffered a change. There was no detail to die, but a general fleeting radiance failed swiftly to the thick pallor that precedes darkness. Each perished grass-stem, of many millions that clad the waste, reflected the sky and paled its little lamp as the heavens paled. Then sobriety of dusk eliminated even the sweep and billow of the heath, and reduced all to a spectacle of withered and waning grey, that stretched formless, vague, vast, toward boundaries unseen.

It was at this stage in the unfolding phenomenon of night that life moved upon the void; a black, amorphous smudge crawled out of the gloom and crept tardily along. At length its form, as a double star seen through a telescope, divided and revealed a brace of animals, one of which staggered slowly on four legs, while the other went on two. A man led a horse by a halter; and the horse was old and black, bent, broken-kneed and worn out; while the man was also bent and ancient of his kind. Neither could travel very fast, and one was at the end of his life’s journey, while the other had a small measure of years still assured.

Death thus moved across Ringmoor and trod a familiar rut in the wilderness; because, under the darkness eastward, was a bourn for beasts that had ceased to possess any living value. Through extinction only they served their masters for the last time and made profitable this final funeral march. The horse stopped, turned and seemed to ask a question with his eyes.

"Get on!" said the man. "There ban’t much further for you to go."

The brute dragged towards peace and his hind hoofs struck sometimes and sounded the dull and dreary note of his own death bell; the old man sighed because he was very weary. Then from the fringe of night sprang young life and met this forlorn procession. A tall girl appeared and three collie dogs galloped and circled about her. Noting the man, they ran up to him, barked and wagged their tails in greeting.

"Be that anybody from Ditsworthy?" asked the traveller of the female shadow.

"’Tis I--Rhoda Bowden. I thought as you might be pretty tired and came to shorten your journey--that is if you’m old Mr. Elford from Good-a-Meavy."

"I am the man, and never older than to-night."

He stopped and rubbed his leg. The girl stood over him by half a foot. She was tall and straight, but in the murk one could see no more than her outlines, her pale sun-bonnet and a pale face under it.

"Have you got the money?" said the man.

"Yes--ten shillings."

She spoke slowly, with a voice uncommon deep for a young woman.

"Not twelve?"

"No."

The ancient made a sound that indicated disappointment and annoyance.

"And the price of the halter?"

"We don’t want that. One of my brothers will bring it back to you next time they be down-along."

He handed her the rope and took a coin from her. Then he brought a little leathern purse from his breeches pocket and put the money into it.

"You’re sure your faither didn’t say twelve?"

"No."

"He’s a hard man. Good-night to you."

"’Tis the right price for a dead horse. Good-night."

The ancient had no farewell word for his beast, and the companions of twelve years parted for ever. The girl took her way with the old horse; the man turned in his tracks moodily, chattering to himself.

"Warrener did ought to have give twelve," he said again and again as he went homewards. By furze banks and waste places and the confines of woods he passed, and then he stopped where a star twinkled above the gloomy summits of spruce firs. Beneath them there peered out a thatched cottage, but no light shone from its face. The patriarch entered with his frosty news, and almost instantly a female voice, shrill and full of trouble, struck upon the night.

"It did ought to have been twelve!"

Owls cried to each other across the forest and seemed to echo the lamentation.

*CHAPTER II*

*WARREN HOUSE*

A river destined to name the greatest port in the west country, makes humble advent at Plym Head near the Beam of Cater in mid-Dartmoor. Westward under the Harter Tors and south by the Abbot’s Way to Plym Steps the streamlet flows; then she gathers volume and melody to enter a land of vanished men. By the lodges of the old stone people and amid monuments lifted in a neolithic age; beside the graves of heroes and under the Hill of Giants, Plym passes and threads the rocky wilderness with silver. And then, suddenly, a modern dwelling lifts beside her--a building of stern aspect and most lonely site. Round about for miles the warrens of Ditsworthy extend, and countless thousands of the coney folk flourish. The district is tunnelled and tracked by them; the characteristics of the heath are altered. For the turf, nibbled close at seasons, shows no death, but spreads in a uniform far-flung cloth of velvet, always close shorn and always green. Its texture may not be rivalled by any pasture known, and so fine has it become under this cropping of centuries that the very grass itself seems to have suffered dwarfing and reduction to a fairy-like tenuity Of blade. Grey lichens are woven through the herbage here and there, and sometimes these silvery filigranes dominate the turf and create fair harmonies with the rosy ling in summer and the red brake-fern of the fall.

Inflexible Ringmoor approaches Ditsworthy on one side; while beyond it roll the warrens. Shell Top and Pen Beacon are the highest adjacent peaks of the Moor; and through the midst runs Plym with the solitary, stern Warren House lifted upon its northern bank.

A gnarled but lofty ash has defied the upland weather and grown to maturity above this dwelling. It rises wan in the sombre waste and towers above the squat homestead beneath it. Granite walls run round about, and the metropolis of the rabbits, with natural and artificial burrows, extends to the very confines of the building. A cabbage-plot and a croft or two complete man’s work here; while at nearer approach the house, that looked but a spot seen upon such an immense stage, is found to be of considerable size. And this is well, because, at the date of these doings, it was called upon to hold a large family.

Fifty years ago Elias Bowden reigned at Ditsworthy, and with his wife, nine children, and ten dogs, lived an arduous, prosperous existence on the product of the warrens and other moorland industries. Rabbits were more valuable then than now, and Mr. Bowden received half a crown a couple, where his successors to-day can make but tenpence.

Elias and his boys and girls did the whole work of Ditsworthy. All had their duties, and even the youngest children--twin sons now aged nine--were taught to make netting and help with the traps. There were six sons and three daughters in the family; and the males were called after mighty captains, because Elias loved valour above all virtues. Such friendships as happen in large families existed among the children, and the closest and keenest of these associations was that between the eldest boy and second girl. David Bowden was eight-and-twenty and Rhoda was twenty-one. A very unusual fraternity obtained between them, and the man’s welfare meant far more to his sister than any other mundane interest. After David came Joshua, the master of the trappers, aged twenty-five; and he and the eldest girl, Sophia--a widow who had returned childless and moneyless to her home after two years of married life--were sworn friends. Then, a year younger than Rhoda, appeared Dorcas--a "sport" as Mr. Bowden called her, for she was the only red child he had gotten. The two boys, Napoleon and Wellington, aged thirteen and fifteen, shared the special regard of Dorcas; while the twins were mutually sufficing. One was called Samson and the other Richard--after the first English monarch of that name. Mrs. Bowden had lost three children in infancy, and deplored the fact to this day. When work at the warren pressed in autumn, and the family scarce found leisure to sleep, the mother of this flock might frequently be heard uttering a futile regret.

"If only my son Drake had been spared," she often cried at moments of stress; and this saying became so familiar among the people round about, that when a man or woman breathed some utterly vain aspiration, another would frequently cap it thus and say, "Ah, if only my son Drake had been spared!"

A distinguishing characteristic of this family was its taciturnity. The Bowdens wasted few words. Red Dorcas and her father, however, proved an exception to this rule; for she chattered much; and he enjoyed a joke and could make and take one. Of his other girls, Rhoda was most silent. She, too, alone might claim beauty. Sophia was homely. She had a narrow, fowl-like face inherited from her mother; and Dorcas suffered from weak eyes; but Rhoda, in addition to her straight and splendid frame, was well favoured. Her features were large, but very regular; her contours were round without promise of future fatness; her nose and mouth were especially beautiful; but her chin was a little heavy. Rhoda’s hair was pale brown and in tone not specially attractive; but she possessed a great wealth of it; her feet and hands were large, yet finely modelled; her eyes had more than enough of virginal chill in their cool and pale grey depths. David somewhat resembled her. He was a clean-cut and sturdy man, standing his sister’s height of five feet nine inches, and having a slow-featured face--handsome after a conventional type, yet lacking much expression or charm for the physiognomist. He shared his thoughts with Rhoda, but none else. Neither parent pretended to know much about him, but both understood that it would not be long before he left Ditsworthy. David was learned in sheep and ponies, and he proposed to begin life on his own account as a breeder of them. At present his work was with his father’s sheep and cattle, for Elias ran stock on the moor. As for Rhoda, her duties lay with the dogs, and she usually had two or three galloping after her; while often she might be seen carrying squeaking, new-born puppies in her arms, while an anxious bitch, with drooping dugs, gazed up at the precious burden.

Sober-minded and busy were these folk. Elias had few illusions. In only one minor particular was he superstitious; he hated to see a white rabbit on the warrens. Brown and yellow, grey, and sometimes black, were the inhabitants of the great burrows, but it seldom happened that a white one was observed. Occasionally they appeared, however, and occasionally they were caught. Elias never permitted them to be killed. The master’s lapse from rationality in this matter was respected, and if anybody ever saw a white rabbit, the incident was kept secret.

Enemies the warren had, and foxes took a generous toll; but the hunt recompensed Mr. Bowden for this inconvenience, although it was suspected that his estimates of loss were fanciful. Once the usual fees had been delayed by oversight, and Sir Guy Flamank, M.F.H. and Lord of the Manor, was only reminded of his lapse on meeting Elias at "The Corner House," Sheepstor.

"Ah!" said the sportsman, "and how’s Mr. Bowden faring? I’ve forgot Ditsworthy of late."

"Foxes haven’t," was all the warrener replied. And yet a sight of the honeycombed and tunnelled miles of the burrows might have justified an opinion that all the foxes of Devonshire could have done no lasting hurt here. In legions the rabbits lived. They swarmed, leapt from under the foot, bobbed with twinkling of white scuts through the fern and heather, sat up, all ears, on every little knap and hillock, drummed with their pads upon the hollow ground, scurried away in scattered companies and simultaneously vanished down a hundred holes at sight of dog or man.

This, then, was the place and these were the people, animals and things that Plym encompassed with her growing volume before she thundered in many a cataract and shouting waterfall through the declivities beneath Dewerstone and left Dartmoor. Much beauty she brings to the lowlands; much beauty she finds there. The hanging woods are very fair; and the great shining reaches where the salmon lie; and those placid places where Plym draws down the grey and azure of the firmament and spreads it among the water-meadows. She flows through Bickleigh Vale and by Cann Quarry; she passes her own bridge, and anon, entering the waters of Laira, passes unmarked away to the salt blue sea; but she laves no scene more pregnant than these plains where the stone men sleep; she passes no monument heavier weighted with grandeur of eld than that titan menhir of Thrushelcombe by Ditsworthy, where, deep set in the prehistoric past, it stands sentinel over a hero’s grave. Great beyond the common folk was he who won this memorial--a warrior and leader at the least; or perchance some prophet who wrought men’s deeds into the gaunt beginnings of art and song, fired his clan to the battle with glorious fury, and welcomed them again with pæan of joy or dirge of mourning. But one chooses rather to think that these tumuli held ashes of the men who fought and conquered; who lifted their lodges to supremacy; who bulked as large in the eyes of the neoliths as their gravestones bulk in ours. The saga and the singer both are good; but deeds must first be done.

Of Plym also it may be said that nowhere in all its journey does it skirt a home of living men more sequestered and distinguished than the broad, low-roofed and granite-walled Warren House of Ditsworthy. Notable and spacious mansions rise as the stream flows into civilisation; abodes, that have entered into history, lift their heads adjacent to its flood; but none among them is so unique and distinctive; and none at any period has sheltered a family more eager, strenuous and full of the strife and joy of living than Elias Bowden and his brood.

*CHAPTER III*

*HARMONY IN RUSSET*

Sheepstor lies beneath the granite hill that names it like a lamb between a lion’s paws. Chance never played artist to better purpose, for of the grey roofs and whitewashed walls that make this little village, there is scarcely one to be wished away. Cots and farm-buildings, byres and ricks cluster round about the church; a few conifers thrust dark spire and branch between the houses, and fields slope upward behind the hamlet to the shaggy fringes of the tor. A medley of autumnal orange and copper and brown now splashes the hills everywhere round about; and great beeches, that hem in the churchyard and bull-ring, echo the splendour of the time and spread one pall of radiant foliage on all the graves together. Behind the church, knee-deep in thick-set spinneys, ascends the giant bulk of Sheep’s Tor, shouldering enormous from leagues of red brake-fern, like a ragged, grey dragon that lifts suddenly from its lair. The saddle of the hill falls westerly in a more gentle slope, and sunset paints wonderful pictures there; while beyond, breaking very blue through the haze of distance, Lether Tor and Sharp Tor’s misty heights inclose the horizon.

A river runs through the village, and at this noon hour in late November the brook made all the music to be heard; for not a sound rose but that of the murmuring water, and not any sight of conscious life was to be noted. Clear sunshine after rain beat upon the great hill; its ruddy pelt glowed like fire under the blue sky, and beneath the mass a church tower, whose ancient crockets burnt with red-gold lichens, sprang stiffly up. Sheepstor village might now be seen through a lattice of naked boughs, fair of form in their mingled reticulations and pale as silvery gauze against the sunlight. Their fretwork was touched to flame where yellow or scarlet leaves still clung and spattered the branches. Yet no particular opulence of colour was registered. All the tones remained delicate and tender. The village seen afar off, seemed painted with subdued greys, pale yellows and warm duns; but at approach its deserted street was proved a haunt for sunshine and glittered with reflected light and moisture.

One cottage near the lich-gate of the churchyard had served to challenge particular attention. The building was of stone, but little of the fabric save one chimney-stack appeared, for on the south side a huge ivy-tod overwhelmed all with shining green; to the north a cotoneaster of uncommon proportions wrapped the house in a close embrace, covered the walls and spread over the roof also. Its dense, stiff sprays of dark foliage were laden with crimson berries; they hung brilliantly over the white face of the cottage and made heavy brows for the door and windows. A leafless lilac stuck up pale branches on one side of the entrance; stacks of dry fern stood on the other; and these hues were carried to earth and echoed in higher notes by some buff Orpington fowls upon the roadway, and a red setter asleep at the cottage door. Over all this genial and spirited colour profound silence reigned; and then the mystery of the deserted village was solved by sudden drone of organ music from the church. It happened to be Sunday, and most of those not engaged at kitchen fires were attending service.

At last, however, a human being appeared and a man came out from the cottage of cotoneasters with a metal pail in his hand. He wore Sunday black but had not yet donned his coat, and his shirt-sleeves were rolled up to his elbows. His fore-arms were somewhat slight, but hard and brown; and his face had charmed any student of faces by its obvious kindness of heart and innate merriment of disposition. Bartley Crocker was thin and tall. He stood about six feet, yet weighed not quite eleven stone. He was, however, tough and very energetic where it pleased him so to be. Small black whiskers clung beneath his ears, while the rest of his face was shorn. His upper lip was short, his mouth full and rather feeble, his colour clear and pale. His eyes were small, somewhat sly, and the home of laughter. He was five-and-twenty and lived with a widowed mother and a maiden aunt under the berried roof of the cottage. The Crockers kept cows and poultry, and Bartley was a good son to his mother, though not a good friend to himself. He had a mind, quick but not deep, and his feelings were keen but transitory. He belonged to the order of Esau, won wide friendship, yet woke a measure of impatience among reflecting people, in that he spent his time to such poor purpose and wasted an unusually good education and a splendid native gift of nervous energy on the sports of the field. He had, in fact, become a man without putting away childish things--an achievement as rare among rustics as it is common under conditions of university education. Yet nobody but his mother ever blamed him to his face, and the tone of her voice always robbed her reproaches of the least forceful quality. She was proud of him; she knew that the men could not quarrel with him and that the girls were all his friends.