Chapter 8
Such a region was naturally out of reach of law. No one now travelled through it. Without circulation, neither commerce, industry, exchange of ideas, nor any of the means to wealth, can exist; the material triumphs of civilization are always the result of the application of primitive ideas. Thought is invariably the point of departure and the goal of all social existence. The history of Montegnac is a proof of that axiom of social science. When at last the administration was able to concern itself with the needs and the material prosperity of this region of country, it cut down this strip of forest, and stationed a detachment of gendarmerie near the ravine, which escorted the mail-coaches between the two relays; but, to the shame of the gendarmerie be it said, it was the gospel, and not the sword, the rector Monsieur Bonnet, and not Corporal Chervin, who won a civil victory by changing the morals of a population. This priest, filled with Christian tenderness for the poor, hapless region, attempted to regenerate it, and succeeded in the attempt.
After travelling for about an hour over these plains, alternately stony and dusty, where the partridges flocked in tranquil coveys, their wings whirring with a dull, heavy sound as the carriage came toward them, the Abbe Gabriel, like all other travellers on the same road, saw with satisfaction the roofs of Montegnac in the distance. At the entrance of the village was one of those curious post-relays which are seen only in the remote parts of France. Its sign was an oak board on which some pretentious postilion had carved the words, _Pauste o chevos_, blackening the letters with ink, and then nailing the board by its four corners above the door of a wretched stable in which there were no horses. The door, which was nearly always open, had a plank laid on the soil for its threshold, to protect the stable floor, which was lower than the road, from inundation when it rained. The discouraged traveller could see within worn-out, mildewed, and mended harnesses, certain to break at a plunge of the horses. The horses themselves were hard at work in the fields, or anywhere but in the stable. If by any chance they happen to be in their stalls, they are eating; if they have finished eating, the postilion has gone to see his aunt or his cousin, or is getting in the hay, or else he is asleep; no one can say where he is; the traveller has to wait till he is found, and he never comes till he has finished what he is about. When he does come he loses an immense amount of time looking for his jacket and his whip, or putting the collars on his horses. Near by, at the door of the post-house, a worthy woman is fuming even more than the traveller, in order to prevent the latter from complaining loudly. This is sure to be the wife of the post-master, whose husband is away in the fields.
The bishop’s secretary left his carriage before a post-house of this kind, the walls of which resembled a geographical map, while the thatched roof, blooming like a flower-garden, seemed to be giving way beneath the weight of stone-crop. After begging the post-mistress to have everything in readiness for his departure in an hour’s time, the abbe asked the way to the parsonage. The good woman showed him a lane which led to the church, telling him the rectory was close beside it.
While the young abbe followed this lane, which was full of stones and closed on either side by hedges, the post-mistress questioned the postilion. Since starting from Limoges each postilion had informed his successor of the conjectures of the Limoges postilion as to the mission of the bishop’s messenger. While the inhabitants of the town were getting out of bed and talking of the coming execution, a rumor spread among the country people that the bishop had obtained the pardon of the innocent man; and much was said about the mistakes to which human justice was liable. If Jean-Francois was executed later, it was certain that he was regarded in the country regions as a martyr.
After taking a few steps along the lane, reddened by the autumn leaves, and black with mulberries and damsons, the Abbe Gabriel turned round with the instinctive impulse which leads us all to make acquaintance with a region which we see for the first time,--a sort of instinctive physical curiosity shared by dogs and horses.
The position of Montegnac was explained to him as his eyes rested on various little streams flowing down the hillsides and on a little river, along the bank of which runs the country road which connects the chief town of the arrondissement with the prefecture. Like all the villages of this upland plain, Montegnac is built of earth baked in the sun and moulded into square blocks. After a fire a house looks as if it had been built of brick. The roofs are of thatch. Poverty is everywhere visible.
Before the village lay several fields of potatoes, radishes, and rye, redeemed from the barren plain. On the slope of the hill were irrigated meadows where the inhabitants raised horses, the famous Limousin breed, which is said to be a legacy of the Arabs when they descended by the Pyrenees into France and were cut to pieces by the battle-axes of the Franks under Charles Martel. The heights are barren. A hot, baked, reddish soil shows a region where chestnuts flourish. The springs, carefully applied to irrigation, water the meadows only, nourishing the sweet, crisp grass, so fine and choice, which produces this race of delicate and high-strung horses,--not over-strong to bear fatigue, but showy, excellent for the country of their birth, though subject to changes if transplanted. A few mulberry trees lately imported showed an intention of cultivating silk-worms.
Like most of the villages in this world Montegnac had but one street, through which the high road passed. Nevertheless there was an upper and a lower Montegnac, reached by lanes going up or going down from the main street. A line of houses standing along the brow of the hill presented the cheerful sight of terraced gardens, which were entered by flights of steps from the main street. Some had their steps of earth, others of pebbles; here and there old women were sitting on them, knitting or watching children, and keeping up a conversation from the upper to the lower town across the usually peaceful street of the little village; thus rumors spread easily and rapidly in Montegnac. All the gardens, which were full of fruit-trees, cabbages, onions, and other vegetables, had bee-hives along their terraces.
Another line of houses, running down from the main street to the river, the course of which was outlined by thriving little fields of hemp and the sorts of fruit trees which like moisture, lay parallel with the upper town; some of the houses, that of the post-house, for instance, were in a hollow, and were well-situated for certain kinds of work, such as weaving. Nearly all of them were shared by walnut-trees, the tree _par excellence_ of strong soils.
On this side of the main street at the end farthest from the great plain was a dwelling-house, very much larger and better cared for than those in other parts of the village; around it were other houses equally well kept. This little hamlet, separated from the village by its gardens, was already called Les Tascherons, a name it keeps to the present day.
The village itself mounted to very little, but thirty or more outlying farms belonged to it. In the valley, leading down to the river, irrigating channels like those of La Marche and Berry indicated the flow of water around the village by the green fringe of verdure about them; Montegnac seemed tossed in their midst like a vessel at sea. When a house, an estate, a village, a region, passes from the wretched condition to a prosperous one, without becoming either rich or splendid, life seems so easy, so natural to living beings, that the spectator may not at once suspect the enormous labor, infinite in petty detail, grand in persistency like the toil buried in a foundation wall, in short, the forgotten labor on which the whole structure rests.
Consequently the scene that lay before him told nothing extraordinary to the young Abbe Gabriel as his eye took in the charming landscape. He knew nothing of the state of the region before the arrival of the rector, Monsieur Bonnet. The young man now went on a few steps and again saw, several hundred feet above the gardens of the upper village, the church and the parsonage, which he had already seen from a distance confusedly mingled with the imposing ruins clothed with creepers of the old castle of Montegnac, one of the residences of the Navarreins family in the twelfth century.
The parsonage, a house originally built no doubt for the bailiff or game-keeper, was noticeable for a long raised terrace planted with lindens from which a fine view extended over the country. The steps leading to this terrace and the walls which supported it showed their great age by the ravages of time. The flat moss which clings to stones had laid its dragon-green carpet on each surface. The numerous families of the pellitories, the chamomiles, the mesembryanthemums, pushed their varied and abundant tufts through the loop-holes in the walls, cracked and fissured in spite of their thickness. Botany had lavished there its most elegant drapery of ferns of all kinds, snap-dragons with their violet mouths and golden pistils, the blue anchusa, the brown lichens, so that the old worn stones seemed mere accessories peeping out at intervals from this fresh growth. Along the terrace a box hedge, cut into geometric figures, enclosed a pleasure garden surrounding the parsonage, above which the rock rose like a white wall surmounted by slender trees that drooped and swayed above it like plumes.
The ruins of the castle looked down upon the house and church. The house, built of pebbles and mortar, had but one story surmounted by an enormous sloping roof with gable ends, in which were attics, no doubt empty, considering the dilapidation of their windows. The ground-floor had two rooms parted by a corridor, at the farther end of which was a wooden staircase leading to the second floor, which also had two rooms. A little kitchen was at the back of the building in a yard, where were the stable and coach-house, both unused, deserted, and worthless. The kitchen garden lay between the church and the house; a ruined gallery led from the parsonage to the sacristy.
When the young abbe saw the four windows with their leaded panes, the brown and mossy walls, the door in common pine slit like a bundle of matches, far from being attracted by the adorable naivete of these details, the grace of the vegetations which draped the roof and the dilapidated wooden frames of the windows, the wealth of the clambering plants escaping from every cranny, and the clasping tendrils of the grape-vine which looked into every window as if to bring smiling ideas to those within, he congratulated himself heartily on being a bishop in perspective instead of a village rector.
This house, apparently always open, seemed to belong to everybody. The Abbe Gabriel entered a room communicating with the kitchen, which was poorly furnished with an oak table on four stout legs, a tapestried armchair, a number of chairs all of wood, and an old chest by way of buffet. No one was in the kitchen except a cat which revealed the presence of a woman about the house. The other room served as a salon. Casting a glance about it the young priest noticed armchairs in natural wood covered with tapestry; the woodwork and the rafters of the ceiling were of chestnut which had turned as black as ebony. A tall clock in a green case painted with flowers, a table with a faded green cloth, several chairs, two candlesticks on the chimney-piece, between which was an Infant Jesus in wax under a glass case, completed the furniture of the room. The chimney-piece of wood with common mouldings was filled by a fire-board covered by a painting representing the Good Shepherd with a lamb over his shoulder, which was probably the gift of some young girl,--the mayor’s daughter, or the judge’s daughter,--in return for the pastor’s care of her education.
The forlorn condition of the house was distressing to behold; the walls, once whitewashed, were now discolored, and stained to a man’s height by constant friction. The staircase with its heavy baluster and wooden steps, though very clean, looked as if it might easily give way under the feet. On the other side of the house, opposite to the entrance door, another door opening upon the kitchen garden enabled the Abbe de Rastignac to judge of the narrowness of that garden, which was closed at the back by a wall cut in the white and friable stone side of the mountain, against which espaliers were fastened, covered with grape-vines and fruit-trees so ill taken care of that their leaves were discolored with blight.
The abbe returned upon his steps and walked along the paths of the first garden, from which he could see, in the distance beyond the village, the magnificent stretch of valley, a true oasis at the edge of the vast plains, which now, veiled by the light mists of morning, lay along the horizon like a tranquil ocean. Behind him could be seen, on one side, for a foil, the dark masses of the bronze-green forest; on the other, the church and the ruins of the castle perched on the rock and vividly detached upon the blue of the ether. The Abbe Gabriel, his feet creaking on the gravelly paths cut in stars and rounds and lozenges, looked down upon the village, where some of the inhabitants were already gazing up at him, and then at the fresh, cool valley, with its tangled paths, its river bordered with willows in delightful contrast to the endless plain, and he was suddenly seized with sensations which changed the nature of his thoughts; he admired the sweet tranquillity of the place; he felt the influence of that pure air; he was conscious of the peace inspired by the revelation of a life brought back to Biblical simplicity; he saw, confusedly, the beauties of this old parsonage, which he now re-entered to examine its details with greater interest.
A little girl, employed, no doubt, to watch the house, though she was picking and eating fruit in the garden, heard the steps of a man with creaking shoes on the great square flags of the ground-floor rooms. She ran in to see who it was. Confused at being caught by a priest with a fruit in one hand and another in her mouth, she made no answer to the questions of the handsome young abbe. She had never imagined such an abbe,--dapper and spruce as hands could make him, in dazzling linen and fine black cloth without spot or wrinkle.
“Monsieur Bonnet?” she said at last. “Monsieur Bonnet is saying mass, and Mademoiselle Ursule is at church.”
The Abbe Gabriel did not notice a covered way from the house to the church; he went back to the road which led to the front portal, a species of porch with a sloping roof that faced the village. It was reached by a series of disjointed stone steps, at the side of which lay a ravine washed out by the mountain torrents and covered with noble elms planted by Sully the Protestant. This church, one of the poorest in France where there are so many poor churches, was like one of those enormous barns with projecting doors covered by roofs supported on brick or wooden pillars. Built, like the parsonage, of cobblestones and mortar, flanked by a face of solid rock, and roofed by the commonest round tiles, this church was decorated on the outside with the richest creations of sculpture, rich in light and shade and lavishly massed and colored by Nature, who understands such art as well as any Michael Angelo. Ivy clasped the walls with its nervous tendrils, showing stems amid its foliage like the veins in a lay figure. This mantle, flung by Time to cover the wounds he made, was starred by autumn flowers drooping from the crevices, which also gave shelter to numerous singing birds. The rose-window above the projecting porch was adorned with blue campanula, like the first page of an illuminated missal. The side which communicated with the parsonage, toward the north, was not less decorated; the wall was gray and red with moss and lichen; but the other side and the apse, around which lay the cemetery, was covered with a wealth of varied blooms. A few trees, among others an almond-tree--one of the emblems of hope--had taken root in the broken wall; two enormous pines standing close against the apsis served as lightning-rods. The cemetery, enclosed by a low, half-ruined wall, had for ornament an iron cross, mounted on a pedestal and hung with box, blessed at Easter,--one of those affecting Christian thoughts forgotten in cities. The village rector is the only priest who, in these days, thinks to go among his dead and say to them each Easter morn, “Thou shalt live again!” Here and there a few rotten wooden crosses stood up from the grassy mounds.
The interior of the church harmonized perfectly with the poetic tangle of the humble exterior, the luxury and art of which was bestowed by Time, for once in a way charitable. Within, the eye first went to the roof, lined with chestnut, to which age had given the richest tints of the oldest woods of Europe. This roof was supported at equal distances by strong shafts resting on transversal beams. The four white-washed walls had no ornament whatever. Poverty had made the parish iconoclastic, whether it would or not. The church, paved and furnished with benches, was lighted by four arched windows with leaded panes. The altar, shaped like a tomb, was adorned by a large crucifix placed above a tabernacle in walnut with a few gilt mouldings, kept clean and shining, eight candlesticks economically made of wood painted white, and two china vases filled with artificial flowers such as the drudge of a money-changer would have despised, but with which God was satisfied.
The sanctuary lamp was a night-wick placed in an old holy-water basin of plated copper hanging by silken cords, the spoil of some demolished chateau. The baptismal fonts were of wood; so were the pulpit and a sort of cage provided for the church-wardens, the patricians of the village. An altar to the Virgin presented to public admiration two colored lithographs in small gilt frames. The altar was painted white, adorned with artificial flowers in gilded wooden vases, and covered by a cloth edged with shabby and discolored lace.
At the farther end of the church a long window entirely covered by a red calico curtain produced a magical effect. This crimson mantle cast a rosy tint upon the whitewashed walls; a thought divine seemed to glow upon the altar and clasp the poor nave as if to warm it. The passage which led to the sacristy exhibited on one of its walls the patron saint of the village, a large Saint John the Baptist with his sheep, carved in wood and horribly painted.
But in spite of all this poverty the church was not without some tender harmonies delightful to choice souls, and set in charming relief by their own colors. The rich dark tones of the wood relieved the white of the walls and blended with the triumphal crimson cast on the chancel. This trinity of color was a reminder of the grand Catholic doctrine.
If surprise was the first emotion roused by this pitiful house of the Lord, surprise was followed speedily by admiration mingled with pity. Did it not truly express the poverty of that poor region? Was it not in harmony with the naive simplicity of the parsonage? The building was perfectly clean and well-kept. The fragrance of country virtues exhaled within it; nothing showed neglect or abandonment. Though rustic and poor and simple, prayer dwelt there; those precincts had a soul,--a soul which was felt, though we might not fully explain to our own souls how we felt it.
VIII. THE RECTOR OF MONTEGNAC
The Abbe Gabriel glided softly through the church so as not to disturb the devotions of two groups of persons on the benches near the high altar, which was separated from the nave at the place where the lamp was hung by a rather common balustrade, also of chestnut wood, and covered with a cloth intended for the communion. On either side of the nave a score of peasants, men and women, absorbed in fervent prayer, paid no attention to the stranger when he passed up the narrow passage between the two rows of seats.
When the young abbe stood beneath the lamp, whence he could see the two little transepts which formed a cross, one of which led to the sacristy, the other to the cemetery, he noticed on the cemetery side a family clothed in black kneeling on the pavement, the transepts having no benches. The young priest knelt down on the step of the balustrade which separated the choir from the nave and began to pray, casting oblique glances at a scene which was soon explained to him. The gospel had been read. The rector, having removed his chasuble, came down from the altar and stood before the railing; the young abbe, who foresaw this movement, leaned back against the wall, so that Monsieur Bonnet did not see him. Ten o’clock was striking.
“Brethren,” said the rector, in a voice of emotion, “at this very moment a child of this parish is paying his debt to human justice by enduring its last penalty, while we are offering the sacrifice of the mass for the peace of his soul. Let us unite in prayer to God, imploring Him not to turn His face from that child in these his last moments, and to grant to his repentance the pardon in heaven which is denied to him here below. The sin of this unhappy man, one of those on whom we most relied for good examples, can only be explained by his disregard of religious principles.”
Here the rector was interrupted by sobs from the kneeling group in mourning garments, whom the Abbe Gabriel recognized, by this show of affection, as the Tascheron family, although he did not know them. First among them was an old couple (septuagenarians) standing by the wall, their faces seamed with deep-cut, rigid wrinkles, and bronzed like a Florentine medal. These persons, stoically erect like statues, in their old darned clothes, were doubtless the grandfather and the grandmother of the criminal. Their glazed and reddened eyes seemed to weep blood, their arms trembled so that the sticks on which they leaned tapped lightly on the pavement. Next, the father and the mother, their faces in their handkerchiefs, sobbed aloud. Around these four heads of the family knelt the two married sisters accompanied by their husbands, and three sons, stupefied with grief. Five little children on their knees, the oldest not seven years old, unable, no doubt, to understand what was happening, gazed and listened with the torpid curiosity that characterizes the peasantry, and is really the observation of physical things pushed to its highest limit. Lastly, the poor unmarried sister, imprisoned in the interests of justice, now released, a martyr to fraternal affection, Denise Tascheron, was listening to the priest’s words with a look that was partly bewildered and partly incredulous. For her, her brother could not die. She well represented that one of the Three Marys who did not believe in the death of Christ, though she was present at the last agony. Pale, with dry eyes, like all those who have gone without sleep, her fresh complexion was already faded, less by toil and field labor than by grief; nevertheless, she had many of the beauties of a country maiden,--a plump, full figure, finely shaped arms, rounded cheeks, and clear, pure eyes, lighted at this instant with flashes of despair. Below the throat, a firm, fair skin, not tanned by the sun, betrayed the presence of a white and rosy flesh where the form was hidden.