CHAPTER THREE

HOMO! MUTATO!

While the weeks and then months that followed the Breton’s advent into the palace of Tai Lin were as widely different to the past years of his life as is sunlight to sorrow, yet in themselves these weeks varied but little.

Unseen and impregnable behind her great screen the tea-farmer’s daughter usurped all the liberties of her childhood. She mocked his learning, derided his God, then whispered—which was another way of caressing; and when the Breton looked up, injured yet forgiving, to the crevices above his head, she filled the room with the music peals of her laughter, sometimes coldly derisive, again like a rapturous song dropped from a heaven unconjectured by the Breton priest.

In the beginning only two men in the Mission noticed that a lingering uncertainty had come into his actions; a greater dreaminess into his preoccupation and a brightness into his melancholy eyes. As weeks went on he became more hurried and restless, so that even a vagueness came at times into his prayers. This was apparent to many, but they attributed it to Breton eccentricity, and they would have been confirmed in this belief had they watched him leave the Mission in haste, then after passing through the Great Southern Gate, go forward reluctantly. When he reached the park entrance he often passed it, wandered about, or sought refuge in the Tower of the Water Clock, where dripped, dripped, dripped those relentless drops meditatively from their age-worn jars of granite.

In the late afternoons when the lessons were over and the wife had dismissed him in silence, or scornfully or with laughter, he left the park only to move unconcernedly through the streets, apparently seeing nothing; not even hearing the multitudinous cries and noises that resounded about him. He was drifted along like flotsam in their currents and carried around through their endless windings until, as flotsam, he was tossed up on the threshold of the Mission gates.

At first these street currents brought him back to the Mission more or less quickly. But as time hastened on they began to take him further and wider in their drift or leave him stranded momentarily or longer in some temple grounds, or on the river’s bank, until at last sundown did not find him at the Mission and after a while dusk crept in before him.

One night he sat on the edge of the cloister outside of his door. His eyes were half closed, a faint upward curl fluttered in the corners of his mouth, a fulness pouted his lower lip. He had been sitting thus for a long time when the Unknown priest came and stood looking down at him steadfastly, weighted with intuition—a gaze to be avoided.

Presently he began to talk aloud to himself.

“It has come.”

“Spontaneous?”

“Yes.”

“Fungoid?”

“No; it takes a night to produce a mushroom and only a minute to shrivel it. An instant produces this or a mountain. Ages can not alter it. I know of no name unless it be called volcanic; an upheaval, a something from the depths; made up of scoria that destroys but is itself indestructible.”

“What are you doing?” he growled.

The Breton looked up.

“Are you asleep?”

“No.”

“Are you praying?”

“No.”

“What are you doing?”

“Thinking,” the Breton answered softly.

“A bad trick,” he grumbled as he went on, leaving the Breton alone in the night.

It was in this manner that these two priests, who had for so long a time been inseparable, drew unconsciously away from each other. One dreamed and the other remembered: two extremes, which look alike and which effectually hid from the other priests the parting of their ways. For instead of a single silence—which had been mutual—came one both double and divergent. Two such silences cannot drift together. Nothing is more selfish than self communion.

But as the Breton drew off more and more to himself he did so so unconsciously that his affection for the Unknown was in no way diminished but was simply put away in one of those inner chambers of the heart until—as was destined—it was brought forth again unaltered or changed.

The Unknown priest now went on his journeys alone, and soon drifted back to that solitary, stern seclusiveness in which he had lived before the Breton came. Again he left the Mission for weeks at a time, and the Breton no more noticed his comings and goings than did the others that dwelt in the Mission. Both priests were busy; one dreamed; the other succoured; two things hard to wear out or become threadbare.

The lessons of the wife began about an hour after midday and continued until she left the Breton alone, waiting by the screen. This she did peremptorily, moodily, in laughter, in silence, in mockery. She cajoled him when it was her humour, reprimanded and laughed at him. She questioned, then derided his answers. She wondered and scorned—like a child pouting with hauteur. Yet in the midst of all this the Breton could not or did not care to distinguish one mood from another, for as music is music, regardless of what it expresses, so were the mood tones that came from behind the screen, and in time no amount of scorn or laughter or derision could alter this music.

“What a people you are, priest,” she chided, “to practise benevolence for Heaven’s payment! Don’t you know that men are fools that try to make themselves the creditors of Heaven?”

She lowered her voice to a pleading whisper: “How can you do such a thing?”

The Breton looked up; contrition flashed across his face and instantly the rooms were filled with triumphant laughter.

But while her mockery, her commands, and derision affected him in no way, there were words, however, which were spoken in such inexplainable, whispering tones that they remained with him always. And after he came to enter the park before the hour of midday the memory of these words were so vividly recurrent in the song and solitude of the park that every sunbeam sent them scintillating through his revery. The memory of one word—and he was hid in the cloud of its thought.

As when a rapid rushes down over a cliff and a white cloud rises from the gorge without any will or substance of its own, so did the sudden tumbled memory of her half-whispered words cause to rise and permeate his whole consciousness, a mist-cloud through which passed an iridescence more beautiful, more brilliant than the rainbow in the gorge.

And when the pealing rose from the meadow—a song shot toward heaven—the Breton stopped, held his breath, so near was its song like her laughter or her chiding. Thus each day he drifted rather than wandered about the park as he waited for that hour when once more he should be seated beside the screen. This sombre Breton, moving half-restlessly, half-contentedly among the groves of flowery tamarix and wutung, among orchards of bloomed almonds and lichee; along hillsides terraced in orange and pomegranate; beside iris-circled ponds and down outstretching streams, moved in a sort of a radiance, not incomparable to a bubble adrift. For as a bubble reflects whatever surrounds it, whether upon the banks, upon the stream, or clouds immeasurable overhead, illuminating with inward mysterious brightness their lights, shades, colours, and perspectives, so his nature as of other men took on the forms and colouring of his surroundings and like a bubble tinctured them with a radiance that came from within himself.

Heretofore the Breton’s impressionable, melancholy nature had, as a bubble in the gloom of a cañon, whirled round and round in sombre eddies. There had been no sunlight since the dim glimmer of his childhood—and all that had been reflected in him whirling along through the cloistered dusk had been a shadow—devoid of change as well as of brightness. But now, as a bubble in the sunlight iridescent with a myriad hues, he drifted along, his happiness modified and yet illumined by the melancholy of a race that has known so little of sunshine and so much of Breton gloom. In this park there was not a flower but whose brightness was reflected within him; every nodding blade of grass, the water-fowls’ gay plumage, the heavens, the mist clouds adrift like himself in the tranquil air; the double brightness of sun in sky and stream. And from within himself, from the very depths of his sombrous nature, shone forth that something, which man has yet to name, and subtly tinctured each image with rainbow tints.

In this manner—not uncommon in life—had the Breton been precipitated from the cloisters; not into the world’s wild meadow, but into Tai Lin’s park. This had all happened so suddenly, so completely, that it was as impossible for him to remember the time when this sunlight had not surrounded him as it was to conjecture that inevitable hour when setting, he would again be in darkness; not the shadow of the past, but the darkness of one that had known the sun.

The languorous flash of the Breton’s eye spoke frankly, even insistently of this change—for the tongue cannot wag one’s thoughts more carelessly than are the eyes loquacious of the heart’s secrets—and one day the Unknown, as if exasperated by his indifference, took roughly hold of his shoulder and demanded:

“What is the matter with you?”

The Breton looked at him wonderingly.

“Do you know that for two months you have not said a word? I doubt if you have prayed. You no longer go with me. What are you dreaming about?”

“I do not know,” answered the Breton absently.

As weeks vanished, or rather seemingly blended into an hour, which had just past, the wife of Tai Lin laughed somewhat less at him, an hesitancy sometimes came into her mockery; impatience fluttered at times in her manner, and silences began to creep in more frequently. In these moments of stillness, when only the sensuous crinkle of silk was heard, the caressing tremor of the fan or the soft pulse tap, tap, of her foot, the Breton leaned forward on the table.