Part 12

Birds have a keen observation and a good deal of that invaluable faculty known as common-sense. It is wonderful how quickly they learn to avoid telegraph-wires when these invisible but deadly gossamers are first stretched across a country, and how unerringly they keep at safe distances when hunted with firearms. An experienced crow can tell a cane from a gun-barrel almost as far as he can see it.

Nearly all birds build nests of some kind in which to cradle their eggs and young. The cow-bird and cuckoo (European), however, are exceptions. These birds have the rather human practice of turning their cares and labours over to somebody else. They are loafers and parasites. They lay their eggs secretly in the nests of other birds, where their eggs are hatched and their young cared for by an alien mother. I have seen a mother song-sparrow hustling about among the shrubs and grasses for an hour at a time almost, gathering food for a young cow-bird nearly twice as big as she was, while her foundling sat phlegmatically at the foot of a tree chirping and fluttering its wings, and acting as a thankless and apparently bottomless receptacle for the morsel after morsel laboriously harvested for it by its tireless little foster-mother. Sand-martins and kingfishers burrow in the earth and rear their broods in subterranean cradles; gulls and gamebirds build on the ground; the flamingoes and barn-swallows build mud nests; the woodpeckers mine holes in trees; doves and eagles make platforms of sticks; the tailor-bird bastes living leaves together; the social weavers construct great straw roofs covering the top of a tree, and build their nests on the limbs beneath; most singing birds build daintily-lined baskets, and swing them in trees and bushes.

It is often said that all the birds of a species build their nests in precisely the same way, and that, while men change and improve their dwelling-places from generation to generation, birds build their abodes in the same old way, just as their ancestors built theirs centuries and centuries ago. This is a favourite thought with the fogies, with those who change not in their thinking from the ways hacked out for them centuries and centuries ago. Birds are like men. Some of them—some races and some individuals—are much more given to initiative than others. There is as wide a difference between the hang-bird and the auk in the construction of their domiciles as between the millionaire and the savage. And the hang-bird has come by her home-making art through centuries of improvement, just as the millionaire has arrived at his. It is believed by ornithologists that the first nests of birds were the niches of rocks or simple hollows scooped in the sand and soil, such as are still seen among the more primitive bird races, and that from these aboriginal beginnings have come, through ages of evolution, the elaborate creations of the cotton-bird, weaver-bird, tailorbird, oven-bird, the baya-sparrow, the finches, and the orioles. The savage who lives unmolested generation after generation in the same land and country builds his simple hut in just the same way as his ancestors built theirs, and thinks the same things his ancestors thought a thousand years before him. Sir Samuel Baker, in a paper on ‘The Races of the Nile Basin,’ points out that each tribe of men in eastern Africa, like each species of bird, has its own peculiar style of hut, and that the huts of the various tribes are as constant in their types as are the nests of birds. The same thing is true of their headdresses as of their huts; and this fixed character exists also in their languages, customs, and religions. It is only some races of men that are given to growth and fluidity, and only some men of these special races.

Right in our own country, among the remote mountain recesses of Appalachia, surrounded on all sides by the most wonderful development, material and intellectual, the world has ever seen, lives a race of rude mountain folk almost as aboriginal in their ways and views of life, and as unaffected by civilisation, as if they were in the heart of Africa. They live huddled together in one-room log-cabins without windows or floors, eat bacon and cornmeal, carry on almost constant wars, and execute the deputies of civilisation who happen to stray into their illicit dominions, just as they have done from the time these mountain silences were first broken by them 150 or 200 years ago.

Birds, as a rule, use a great deal of care and thought in the location of their nests. After they have selected a certain grove or field as the one best suited to their purposes, or as the one around which cluster the happiest memories, it usually requires several days of flying and peeping about, of spying and exploration, before the exact spot for the precious domicile is finally settled upon. It is a delicate matter for many birds, for security from sun, storm, and enemies must all be taken into account. Old birds, as has been frequently observed, build better nests and select more clever locations for their nests than the young and inexperienced. The nest-building habits of many birds are known to have changed during the past few hundred years. The American house-swallow did most certainly not build under the eaves of human houses 300 years ago, nor did the hair-bird in her nest with horsehair as she invariably does now. The fact that wrens, swifts, and martins now build almost altogether in boxes and chimneys shows that birds are able and willing to adapt themselves to new conditions. The chimney-swift and purple martin, it is said, still cling to their aboriginal custom of rearing their young in hollow trees in the unsettled parts of America. The indomitable house-sparrow builds its nest almost anywhere, from knot-holes and tin cans to electric-light globes and tree-tops. Its original dwelling was probably an arboreal affair, like that of other sparrows, and different nesting-places have been adopted as a result of its association with man. Not only in its architecture, but in several other ways, this bird has departed from the traditions of its tribe. The Fringillidae (the sparrow family of birds) are seed-eaters, both in structure and practice. But the house-sparrow, since it left the fields and groves to become a gamin on human streets, has learned to eat almost anything, and one thing, too, about as cheerfully as another. The varied habits of this bird are probably due to its natural elasticity in the first place, supplemented by the unsettling influences of its rather kaleidoscopic experiences during the past few hundred years.

The fear of birds for man is an acquired trait due to ages of persecution. If man would treat birds kindly, they would act toward him as they do toward any other friendly animal. When unfrequented islands are first visited by man, the birds are found to be perfectly fearless of him, flying about him, feeding from his hand, and manifesting no more timidity than if he were a big-hearted bird himself. Darwin states that, when he stopped at the Galapagos Islands on his famous trip around the world in the _Beagle_, he found the birds there so tame that he could push them from the branches of the trees with his gun-barrel. Professor Cutting, of the State University of Iowa, in an article in the _Popular Science Monthly_ for August, 1903, tells of the almost absolute fearlessness of the birds on the island of Laysan, an isolated atoll in the Pacific west of the Hawaian Islands, which he visited during that summer. The island swarms with bird life—petrels, albatrosses, and tropical birds of various kinds—and these birds betray no more fear in the presence of man than if he were a cow. The albatrosses were so numerous and so indifferent to the presence of man that it was necessary to shove them aside with one’s foot to keep from stepping on them when one went for a walk along the sand-stretches of the shore. Professor Cutting took photographs of birds which literally posed for him in all sorts of positions, and half-savage jackies amused themselves by going about and pulling the pretty tail feathers from the tropical birds as they sat on their nests. I have known of two cases where persons, by going to the same place day after day with food and kindness, have in the course of a few weeks taught robins, sparrows, and other birds, to lose all fear of them, so much so as to sit on their shoulders and arms and eat out of their hands. This is the spirit all birds would show all the time toward their featherless lords if these featherless ones would only treat them with half the consideration they merit.

The love of a bird for the treasures of her nest is one of the most beautiful things of this world. Mother-like, the parent bird will do anything almost for the sake of her little ones. Who has not seen the kildeer strive with all the tact of her clever little soul to allure some big giant of a human being, who has wandered into her neighbourhood, away from her nest of precious young? Many a time as a boy on the farm I have followed one of these birds limping and tumbling and fluttering along on the ground a few feet ahead of me, utterly disabled, as I supposed, but always managing to keep just a little beyond the reach of my eager hands. And when the artful mother has led me far from the sacred spot where lay all there was in this world to her, how triumphantly she has lifted herself on her unharmed wings and, to my utter astonishment, sailed away. The partridge and the mourning-dove are, if possible, even more artful in their acting than the kildeer. After I became a large boy and had been told the meaning of these exhibitions by parent birds, I often followed the mourning-dove, thinking the bird must be really wounded after all, so perfectly did it pretend. But the cunning of the kildeer is not confined to luring one away from the nest. If by some accident one finds her nest (and the nest is so cleverly concealed that, if it is discovered at all, it will be by pure accident), the resourceful mother is ready with other expedients to outwit you. She watches you all the time from the proper distance, and knows by your conduct the moment you have found her nest. And before you have even had time to admire the skill displayed by the mother in blending so perfectly her abode with its surroundings, a single peculiar note from her has caused the whole nestful of cuddling young ones to dart out of their cradle and disappear among the surrounding clods as if by magic. No amount of searching can find one of them. They have vanished as effectually as if they had evaporated. And it is enough to touch the heart of the most indifferent to see the anxious mother bird, as I have seen her from the cranny of a neighbouring rock-pile, come back to her nest and call her scattered children together again after they have once dispersed at her command. Circling around the nest two or three times to assure herself that no one is nigh, she alights and begins a low clucking sound like that of a hen calling her brood. The little ones come out of their hiding-places one after another as mysteriously as they vanished. You can’t see for the life of you where they come from. They seem to just _emanate_. And if one of them fails to come at her call—for the devoted mother knows very well just how many she has—she extends her search farther out from her nest, looking all around and keeping up that peculiar little cluck, until the half-scared-to-death little slyboots finally comes creeping out from his improvised snuggery somewhere. If a kildeer’s nest has once been found, and the mother feels that it is in danger of future visits, she will move her family at night to some other locality, and it is practically impossible ever to find it again. The family relations of the ring-dotterels are said to be ‘so charming and touching that even hunters recoil from shooting a female surrounded by her young ones.’

Human beings, true to their instinct never to call into action their ability to think if they can employ their faculty for nonsense instead, call this love of the mother bird ‘machinery.’ But there are some of us (and our numbers are increasing) who are disposed to put off the adoption of this conclusion until we go mad. The bird builds her nest, weaving it of the rarest fibres. She hides it in the copse or prudently hangs it far out on some inaccessible bough. She lays her beautiful eggs, and hatches them with the warmth and life of her own breast. She tends her young, bringing them food and drink, and watching over them with a tender and tireless vigilance. She protects them in storm with her own little body, worries about them when danger lurks, and dreams of them, no doubt, as she rocks and sleeps under the silent stars. She sings to them in the overflow of her gladness and hope, and risks her very existence to shield them from harm. She teaches them to fly, to find their food, and to detect their enemies. She is true to her mate, and her mate is true and kind to her. As the days of summer shorten, and the cool, long nights warn of approaching autumn, she leads her children away from the old place, she and her faithful mate, out into the wide old world. And I say there is love in the heart of that mother as truly as in the heart of woman, and there are joy and genuineness and sorrow and fidelity in that sylvan home more sacred than may sometimes bloom in the cold mansions of men.

Conjugal love is also very strong in many of the feathered races, especially among those in which the wedding is for successive seasons or for life. The pining of love-birds for their dead sweethearts is well known. The mandarin duck is proverbial for its marital faithfulness, and a pair of these fowls is carried by the Chinese in their marriage processions as an emblem of constancy. Many instances are recorded of birds, after having been deprived of their mates, refusing steadfastly the attentions of other birds, and even sometimes separating themselves entirely from the society of their kind. The following account of the devotion of a widowed pigeon for her deceased consort sounds like a tale of human woe:

‘A man set to watch a field much patronised by pigeons shot an old male pigeon who had long been an inhabitant of the farm. His mate, around whom he had for many a year cooed, whom he had nourished with his own crop and had assisted in rearing numerous young ones immediately settled on the ground by his side She refused to leave him, and manifested her grief in the most expressive manner. The labourer took up the dead bird and hung it on a stake. The widow still refused to forsake her husband, and continued day after day slowly walking around the stake on which his body hung. The kind-hearted wife of the farmer heard of the matter, and went to the relief of the stricken bird. On arriving at the spot, she found the poor bird still watching at the side of her dead, and making an occasional effort to get to him. She was much spent with her long fasting and grief. She had made a circular beaten path around the corpse of her companion’.[8]

And these are the beings whose bones men jest over at their feasts, and brutes shoot for pastime on human holidays. Much has been said of the sorrow of birds for their deceased mates, but not too much. For the avian soul may be smothered by the gloom and loneliness that come upon the heart, when the great light of love and companionship has gone out, quite as completely as the soul of a bereaved human. In not many human homes where loved ones lie sick and dying are felt the pangs of more genuine grief than those sometimes suffered by birds when their friends and companions are stricken in death. The following incident, vouched for by Dr. Franklin, who observed it, is only one among many such instances recorded in the literature on birds:

A pair of parrots had lived together on the most loving terms for four years, when the female was taken with a serious attack of gout. She grew rapidly worse, and was soon so weak as to be unable to leave her perch for food, when the male, faithful and tender as a human spouse, took it upon himself to carry food to her regularly in his beak. ‘He continued feeding her in this way for four months, but the infirmities of his companion increased day by day, until at last she was no longer able to support herself on the perch. She remained cowering down in the bottom of the cage, making from time to time ineffectual efforts to regain her perch. The male was always near her, and did everything in his power to aid the feeble efforts of his dear better-half. Seizing the poor invalid by the beak or the upper part of her wing, he tried his best to enable her to rise, and repeated his efforts several times. His constancy, his gestures, and his continued solicitude, all showed in this affectionate bird the most ardent desire to relieve the sufferings and assist the weakness of his sinking companion. But the scene became still more affecting when the female was dying. Her unhappy consort moved about her incessantly, his attentions and tender cares redoubled. He even tried to open her beak to give some nourishment. He ran to her, and then returned with a troubled and agitated look. At intervals he uttered the most plaintive cries; then, with his eyes fixed on her, kept a mournful silence. At length his companion breathed her last. From that moment he pined away, and in the course of a few weeks died’.[6]

Even the rough-looking ostrich has sensibility enough to die of a broken heart, as was the case in the Jardin des Plantes at Paris a few years ago. There is many a heart with a slabless grave far from the haunts of men, and many a tear in secret brews that never wets the eye.

The individual who has never acquired the enthusiasm for a knowledge of the birds and a love for their presence and association has omitted some of the richest emotions of life. ‘The sight of a bird or the sound of its voice is at all times an event of such significance to me,’ says Chapman, ‘a source of such unfailing pleasure, that when I go afield with those to whom birds are strangers I am deeply impressed by the comparative barrenness of their world, for they live in ignorance of a great store of enjoyment that might be theirs for the asking.’

‘I cannot love the man who does not love, As men love light, the song of happy birds.’

I have seen a mother mouse in a moment of peril flee from her home among the falling pieces of a cord-wood pile, and disappear under the roots of a neighbouring oak. I have seen her a little later, recovered from her initial dismay, making her way back again, clambering along among the tangled timbers, stopping now and then to look and listen, her eyes wild and anxious, and her whole little body quaking with excitement. I have seen her go among the ruins of her dwelling, take a poor little squeaking young one in her mouth, and hurry away with it to the gloomy refuge in the roots of the oak. I have watched her return again and again, each time taking in her careful teeth the tiny body of a babe, until five mouthfuls of precious pink were safely lodged within the fortress of the oak. And I could as soon believe that woman, when she saves her children from some fearful harm, is a soulless machine as think that that brave little wood-mother, out there alone under the trees, snatching her darlings from the jaws of death, was a heroine without sense or feeling. That little hairy mother with four feet and bead-like eyes loved her young ones in just the same way and for just the same reason as a human mother loves her young ones. She looked upon her babies, in all probability, with the same mother-love and tenderness as a human mother looks upon hers, and felt in miniature, with evil hovering above them, the same consternation a woman feels when destruction reaches out after those that are nearest and dearest. And when it was all over, when the good angel of deliverance had finally spread its healing white wings over that afflicted family, the heart of that little rodent was doubtless soothed by the same joy as that which, in the hour of deliverance, calms the hearts of humankind.