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The True Benjamin Franklin

By Sydney George Fisher

Author of "Men, Women, and Manners in Colonial Times," "The Making of Pennsylvania," "The Evolution of the Constitution," etc.

"If rigid moral analysis be not the purpose of historical writing, there is no more value in it than in the fictions of mythological antiquity."--CHARLES FRANCIS ADAMS, SR.

FIFTH EDITION

WITH AN APPENDIX

Philadelphia J. B. Lippincott Company 1903

J. B. LIPPINCOTT COMPANY

Preface to the Third Edition

Since the appearance of the first edition there has been some discussion of the question whether Mrs. Foxcroft was really Franklin's daughter. In the present edition I have added an appendix going fully into this question.

Franklin's plain language about love and marriage and his very frank descriptions of his own shortcomings in these matters seem to have surprised many people. I might have explained this more fully in the first edition, but to any one who knows the age in which Franklin lived there is nothing that need cause surprise.

It was an age of frank autobiographies and plain, detailed, introspective statements about love affairs. Rousseau flourished in those days, also Gozzi and Madame Roland; and Casanova began writing his most extraordinary memoirs just about the time of Franklin's death. Anyone who is at all familiar with these authors will readily understand why Franklin wrote his "Advice on the Choice of a Mistress." His "Speech of Polly Baker" was of the same sort. It had a most extraordinary circulation because people were then looking at these matters from that point of view. The philosophic thought of that age was somewhat inclining to the opinion, since then much developed by German theorists like Nietzche, that religion had made love impure. Franklin, as at page 106, was also inclining that way.

Such things must be mentioned and given their proper position and importance in a book calling itself "The True Benjamin Franklin." There are many books describing the false Franklin, the impossible Franklin, the Franklin that never existed, and could not in the nature of things exist, and to these books those who do not like the truth are referred.

Preface

This analysis of the life and character of Franklin has in view a similar object to that of the volume entitled "The True George Washington," which was prepared for the publishers by Mr. Paul Leicester Ford and issued a year or two ago.

Washington sadly needed to be humanized, to be rescued from the myth-making process which had been destroying all that was lovable in his character and turning him into a mere bundle of abstract qualities which it was piously supposed would be wholesome examples for the American people. This assumption that our people are children who must not be told the eternal truths of human nature, but deceived into goodness by wooden heroes and lay figures, seems, fortunately, to be passing away, and in a few years it will be a strange phase to look back upon.

So thorough and systematic has been the expurgating during the last century that some of its details are very curious. It is astonishing how easily an otherwise respectable editor or biographer can get himself into a state of complete intellectual dishonesty. It is interesting to follow one of these literary criminals and see the minute care with which he manufactures an entirely new and imaginary being out of the real man who has been placed in his hands. He will not allow his victim to say even a single word which he considers unbecoming. The story is told that Washington wrote in one of his letters that a certain movement of the enemy would not amount to a flea-bite; but one of his editors struck out the passage as unfit to be printed. He thought, I suppose, that Washington could not take care of his own dignity.

Franklin in his Autobiography tells us that when working as a journeyman printer in London he drank nothing but water, and his fellow-workmen, in consequence, called him the "Water-American;" but Weems in his version of the Autobiography makes him say that they called him the "American Aquatic," an expression which the vile taste of that time was pleased to consider elegant diction. In the same way Temple Franklin made alterations in his grandfather's writings, changing their vigorous Anglo-Saxon into stilted Latin phrases.

It is curious that American myth-making is so unlike the ancient myth-making which as time went on made its gods and goddesses more and more human with mortal loves and passions. Our process is just the reverse. Out of a man who actually lived among us and of whose life we have many truthful details we make an impossible abstraction of idealized virtues. It may be said that this could never happen among a people of strong artistic instincts, and we have certainly in our conceptions of art been theatrical and imitative rather than dramatic and real. Possibly the check which is being given to our peculiar myth-making is a favorable sign for our art.

The myth-makers could not work with Franklin in quite the same way that they worked with Washington. With Washington they ignored his personal traits and habits, building him up into a cold military and political wonder. But Franklin's human side would not down so easily. The human in him was so interlaced with the divine that the one dragged the other into light. His dramatic and artistic sense was very strong, far stronger than in most distinguished Americans; and he made so many plain statements about his own shortcomings, and followed pleasure and natural instincts so sympathetically, broadly, and openly, that the efforts to prepare him for exhibition are usually ludicrous failures.

But the eulogists soon found an effective way to handle him. Although they could ignore certain phases of his character only so far as the genial old fellow would let them, they could exaggerate the other phases to an almost unlimited extent; for his career was in many ways peculiarly open to exaggeration. It was longer, more varied, and more full of controversy than Washington's. Washington was twenty-six years younger than Franklin and died at the age of sixty-seven, while Franklin lived to be eighty-four. Washington's important public life was all covered by the twenty-two years from 1775 to 1797, and during more than three of those years he was in retirement at Mount Vernon. But Franklin was an active politician, philosopher, man of science, author, philanthropist, reformer, and diplomat for the forty-odd years from 1745 to 1788.

Almost every event of his life has been distorted until, from the great and accomplished man he really was, he has been magnified into an impossible prodigy. Almost everything he wrote about in science has been put down as a discovery. His wonderful ability in expressing himself has assisted in this; for if ten men wrote on a subject and Franklin was one of them, his statement is the one most likely to be preserved, because the others, being inferior in language, are soon forgotten and lost.

Every scrap of paper he wrote upon is now considered a precious relic and a great deal of it is printed, so that statements which were but memoranda or merely his way of formulating other men's knowledge for his own convenience or for the sake of writing a pleasant letter to a friend, are given undue importance. Indeed, when we read one of these letters or memoranda it is so clearly and beautifully expressed and put in such a captivating form that, as the editor craftily forbears to comment on it, we instinctively conclude that it must have been a gift of new knowledge to mankind.

The persistency with which people have tried to magnify Franklin is curiously shown in the peculiar way in which James Logan's translation of Cicero's essay on old age was attributed to him. This translation with notes and a preface was made by Logan and printed in 1744 by Franklin in his Philadelphia printing-office, and at the foot of the title-page Franklin's name appeared as the printer. In 1778 the book was reprinted in London, with Franklin's name on the title-page as the translator. In 1809 one of his editors, William Duane, actually had this translation printed in his edition of Franklin's works. The editor was afterwards accused of having done this with full knowledge that the translation had not been made by Franklin; but, under the code of literary morals which has so long prevailed, I suppose he would be held excusable.

One of Franklin's claims to renown is that he was a self-made man, the first distinguished American who was created in that way; and it would seem, therefore, all the more necessary that he should be allowed to remain as he made himself. I have endeavored to act upon this principle and so far as possible to let Franklin speak for himself. The analytical method of writing a man's life is well suited to this purpose. There are already chronological biographies of Franklin in two volumes or more giving the events in order with very full details from his birth to his death. The present single volume is more in the way of an estimate of his position, worth, and work, and yet gives, I believe, every essential fact of his career with enough detail to enable the reader to appreciate it. At the same time the chapters have been arranged with such regard to chronological order as to show the development of character and achievement from youth to age.

Contents

CHAPTER PAGE

I.--PHYSICAL CHARACTERISTICS 17

II.--EDUCATION 41

III.--RELIGION AND MORALS 78

IV.--BUSINESS AND LITERATURE 132

V.--SCIENCE 167

VI.--THE PENNSYLVANIA POLITICIAN 192

VII.--DIFFICULTIES AND FAILURE IN ENGLAND 231

VIII.--AT HOME AGAIN 265

IX.--THE EMBASSY TO FRANCE AND ITS SCANDALS 270

X.--PLEASURES AND DIPLOMACY IN FRANCE 314

XI.--THE CONSTITUTION-MAKER 349

APPENDIX

FRANKLIN'S DAUGHTER, MRS. FOXCROFT 365

List of Illustrations with Notes

PAGE

THE DUPLESSIS PORTRAIT OF FRANKLIN _Frontispiece._

Painted from life by Duplessis in Paris in 1778, and believed to be the best likeness of Franklin. The reproduction is from the original in the Academy of Fine Arts, Philadelphia, by permission of the owner. Duplessis also made a pastel drawing of Franklin in 1783, which has often been reproduced.

FRANKLIN TOWED BY HIS KITE 19

This picture is copied from an engraving on the title-page of the old English edition of Franklin's Works, published in 1806 by J. Johnson & Co., London.

THE SUMNER PORTRAIT OF FRANKLIN 29

Painted, as is supposed, in London in 1726, when he was twenty years old, and now in the possession of Harvard University. Its history and the doubts as to its authenticity are given in the text.

THE MARTIN PORTRAIT OF FRANKLIN 32

Painted by Martin in England in 1765, at the request of Mr. Robert Alexander, for whom Franklin had performed a service in examining some documents and giving his opinion.

THE GRUNDMANN IDEAL PORTRAIT OF FRANKLIN 34

Painted by Otto Grundmann, a German artist in America, after a careful study of Franklin's career and of the portraits of him taken from life. The original is now in the Boston Art Museum.

HOUSE IN WHICH FRANKLIN WAS BORN 42

Franklin's parents lived in this house, which stood on Milk Street, Boston, until 1810, when it was destroyed by fire.

PRINTING-PRESS AT WHICH FRANKLIN WORKED WHEN A BOY IN BOSTON 45

From a photograph kindly furnished by the Mechanics' Institute of Boston, in whose rooms the press is exhibited.

THE BOOK OF COMMON PRAYER AS ABRIDGED BY LORD DESPENCER AND FRANKLIN 101

The changes in the Venite on the left-hand page are by Franklin, and perhaps also those in the Te Deum. The changes in the rubrics are by Lord Despencer, and possibly he also made the changes in the Te Deum. The copy of the prayer-book from which this reproduction is made is in the collection of Mr. Howard Edwards, of Philadelphia.

JOHN FOXCROFT 105

Reproduced by permission of the Historical Society of Pennsylvania from the painting in their possession. It has been supposed by some to be a portrait of Franklin; but it has not the slightest resemblance to his other portraits, and the letter held in the hand is addressed to John Foxcroft.

WILLIAM FRANKLIN, ROYAL GOVERNOR OF NEW JERSEY 108

Born 1730, died 1813; son of Benjamin Franklin; was Governor of New Jersey from 1762 to 1776, when he became a Tory. The reproduction is from an etching by Albert Rosenthal of the portrait once temporarily in the Philadelphia Library and owned by Dr. T. Hewson Bache, of Philadelphia.

WILLIAM TEMPLE FRANKLIN 113

Born 1760, died 1823, son of William Franklin, Governor of New Jersey. He was brought up principally by his grandfather, for whom he acted as secretary in Paris, during the Revolution, and by whom he was saved from following his father to Toryism. The reproduction is from an etching by Albert Rosenthal of the portrait in the Trumbull Collection, Yale School of Art.

MRS. FRANKLIN 116

This reproduction is from the portrait painted by Matthew Pratt, and now in the possession of Rev. F. B. Hodge, of Wilkesbarre, Pennsylvania.

MRS. SARAH BACHE 119

This picture is copied from an engraved reproduction which has often appeared in books relating to Franklin; but none of these reproductions are faithful copies of the original painting, which represents an older and less handsome woman, with more rugged features and more resemblance to Franklin. Permission to reproduce the painting could not be secured.

FRONT PAGE OF THE FIRST NUMBER OF THE "PENNSYLVANIA GAZETTE" 135

Reproduced by permission from the collection of the Historical Society of Pennsylvania.

TITLE-PAGE OF POOR RICHARD'S ALMANAC FOR 1733 144

Reproduced by permission from the collection of the Historical Society of Pennsylvania.

FRANKLIN'S MARITIME SUGGESTIONS 188

These figures accompanied Franklin's letter to Alphonsus Le Roy on maritime improvements.

FRANKLIN'S LETTER TO STRAHAN 267

William Strahan was Franklin's intimate friend, although they differed on the subject of the Revolution. The letter was half jest, half earnest, and in this tone Franklin always wrote to him on political subjects. In 1784 he wrote him an affectionate, but teasing and sarcastic letter on the success of the Revolution.

FRANKLIN CANNOT DIE 275

From an old French engraving in the collection of Mr. Clarence S. Bement, of Philadelphia. Death has seized Franklin and is dragging him to the lower world. The figure half kneeling is America, with her bow and arrows and the skin of a wild beast, imploring Death to spare her deliverer. Fame is flying in the air, with a crape on her arm and a trumpet, announcing that _le grand_ Franklin has saved his country and given her liberty in spite of tyrants. The spirit of Philosophy and a warrior are weeping at the foot of the monument, on which is a lightning-rod; while France, a fair, soft woman, seizes Franklin in her arms to bear him to the sky.

AMERICA SET FREE BY FRANKLIN 309

From an old French engraving in the collection of Mr. Clarence S. Bement, of Philadelphia. Like the preceding one, from the same collection, it represents America as a savage, in accordance with the French ideas of that time.

FRANKLIN TEARS THE LIGHTNING FROM THE SKY AND THE SCEPTRE FROM THE TYRANTS 312

From an old French engraving in the collection of Mr. Clarence S. Bement, of Philadelphia. The figure with her arm on Franklin's lap is America.

FRANKLIN RELICS IN THE POSSESSION OF THE HISTORICAL SOCIETY OF PENNSYLVANIA 330

The cups and saucers are Dresden china, given him by Madame Helvetius. The china punch-barrel was given him by Count d'Artois; the wine-glass is one of the heavy kind then in use; the picture-frame contains a printed dinner invitation sent by him to the members of the Constitutional Convention of 1787.

PORTRAIT OF LOUIS XVI. 346

The kings of France at that time usually gave their portrait to a foreign ambassador on his return to his country. This one, by Sicardi, which was given to Franklin, was formerly surrounded by two rows of four hundred and eight diamonds, and was probably worth from ten to fifteen thousand dollars. It is now in the possession of Mr. J. May Duane, of Philadelphia, by whose permission it is reproduced.

FRANKLIN PORTRAIT IN WEST COLLECTION 350

A pencil drawing with Benjamin West's name on the back, now the property of Hon. S. W. Pennypacker, of Philadelphia. It is supposed by some authorities to be merely a copy of the bust by Ceracchi; others believe it to be a drawing from life by West.

FRANKLIN'S GRAVE IN CHRIST CHURCH GRAVEYARD, PHILADELPHIA 360

The flat stone marks the grave of Franklin and his wife. The larger upright stone is in memory of John Read, Mrs. Franklin's father, and the smaller one is in memory of Franklin's son, Francis, who died in infancy.

The True Benjamin Franklin

PHYSICAL CHARACTERISTICS

Franklin was a rather large man, and is supposed to have been about five feet ten inches in height. In his youth he was stout, and in old age corpulent and heavy, with rounded shoulders. The portraits of him reveal a very vigorous-looking man, with a thick upper arm and a figure which, even in old age, was full and rounded. In fact, this rounded contour is his most striking characteristic, as the angular outline is the characteristic of Lincoln. Franklin's figure was a series of harmonious curves, which make pictures of him always pleasing. These curves extended over his head and even to the lines of his face, softening the expression, slightly veiling the iron resolution, and entirely consistent with the wide sympathies, varied powers, infinite shrewdness, and vast experience which we know he possessed.

In his earliest portrait as a youth of twenty he looks as if his bones were large; but in later portraits this largeness of bone which he might have had from his Massachusetts origin is not so evident. He was, however, very muscular, and prided himself on it. When he was a young printer, as he tells us in his Autobiography, he could carry with ease a large form of letters in each hand up and down stairs. In his old age, when past eighty, he is described as insisting on lifting unaided heavy books and dictionaries to show the strength he still retained.

He was not brought up on fox-hunting and other sports, like Washington, and there are no amusements of this sort to record of him, except his swimming, in which he took great delight and continued until long after he had ceased to be a youth. He appears, when a boy, to have been fond of sailing in Boston Harbor, but has told us little about it. In swimming he excelled. He could perform all the ordinary feats in the water which were described in the swimming-books of his day, and on one occasion tied himself to the string of his kite and was towed by it across a pond a mile wide. In after-years he believed that he could in this way cross the English Channel from Dover to Calais, but he admitted that the packet-boat was preferable.

His natural fondness for experiment led him to try the effect of fastening oval paddles to his hands, which gave him greater speed in swimming, but were too fatiguing to his wrists. Paddles or large sandals fastened to his feet he soon found altered the stroke, which the observant boy had discovered was made with the inside of the feet and ankles as well as with the flat part of the foot.

While in London, as a wandering young journeyman printer, he taught an acquaintance, Wygate, to swim in two lessons. Returning from Chelsea with a party of Wygate's friends, he gave them an exhibition of his skill, going through all the usual tricks in the water, to their great amazement and admiration, and swimming from near Chelsea to Blackfriars, a distance of four miles. Wygate proposed that they should travel through Europe, maintaining themselves by giving swimming-lessons, and Franklin was at first inclined to adopt the suggestion.

Just as he was on the eve of returning to Pennsylvania, Sir William Wyndham, at one time Chancellor of the Exchequer, having heard of his swimming feats, wanted to engage him to teach his sons; but his ship being about to sail, Franklin was obliged to decline. If he had remained in England, he tells us, he would probably have started a swimming-school.

When forty-three years old, retired from active business, and deep in scientific researches, he lived in a house at Second and Race Streets, Philadelphia. His garden is supposed to have extended to the river, where every warm summer evening he used to spend an hour or two swimming and sporting in the water.

This skill in swimming and the agility and grace which Franklin displayed in performing feats in the water are good tests of general strength of muscles, lungs, and heart. So far as can be discovered, only one instance is recorded of his using his physical power to do violence to his fellow-man.

He had a friend named Collins, rather inclined to drink, who, being in a boat with Franklin and some other youths, on the Delaware, refused to take his turn at rowing. He announced that the others should row him home. Franklin, already much provoked at him for not returning money which he had lent him, and for other misconduct, insisted that he row his share. Collins replied that Franklin should row or he would throw him overboard, and, as he was approaching him for that purpose, Franklin seized him by the collar and breeches and threw him into the river, where they kept him till his strength was exhausted and his temper cooled.