The Triumph of Death

Part 20

Chapter 204,077 wordsPublic domain

She awoke frightened, agitated, no longer recognizing the surrounding spot; the strong light annoyed her, and she covered her eyes with her hands, groaning.

"My God, how I'm suffering!"

She complained of a pain in her temples.

"Where are we? Oh! what an awful dream it was."

"I should not have brought you," said George, uneasy. "How sorry I am!"

"I have not strength enough to rise. Help me."

He raised her up by the arms. She tottered, and, seized by vertigo, clung to him.

"What's the matter? Where do you suffer?" he cried in a changed voice, seized by a panicky terror, believing that she was about to be taken with a fit, there, in the open country, far from all help. "What's the matter? What's the matter?"

He clasped her closely to him, pressing her to his heart, which beat with horrible violence.

"No, no, it is nothing," stammered Hippolyte, who had all at once understood his terror, and who had grown pale. "It is nothing. My head is giddy. The sun has made me dizzy. It is nothing."

Her lips were almost white, and she avoided looking her lover in the eyes. He could not yet succeed in dominating his anguish, and poignantly regretted having awakened in her the fearful and shameful preoccupation. His memory recalled this passage in a letter: "What if the malady should seize me while in your arms? No, no, I will never see you again; I do not wish to see you any more!"

She said, in a feeble voice:

"It's over. I'm better. But I'm thirsty. Where can I get a drink?"

"Over there, near the church, where the tents are," said George.

She refused vigorously, with a motion of her head.

"I will go. Wait for me here!"

She was obstinate in her refusal.

"Let us send Colas. He must be near by; I'll call him."

"Yes, call him, so we may return to Casalbordino. I will drink there. I can wait. Let us go."

She leaned on George's arm. They remounted the hill. Arrived at the top, they saw once more the plain swarming with people, the white huts, the reddish edifice. Around the twisted trunks of the olive-trees still stood, ever motionless, the melancholy forms of the beasts of burden. Near them, in the same shade where they had previously sought a refuge, an old woman was seated, who, to all appearances, seemed to be a centenarian; she, also, was motionless, her hands placed on her knees, the fleshless limbs only partly covered by her petticoat. Her white hair hung down the sides of her waxen cheeks; the mouth, without lips, resembled a deep furrow; her eyes were sealed forever beneath the corroded eyelids; her entire air expressed a reminiscence of innumerable pains.

"Is she dead?" asked Hippolyte in a whisper, stopping, seized by fear and respect.

The multitude was pushing about the Sanctuary. The processions whirled around chanting, beneath the cruel sun. One of these processions came from under the great portal and turned towards the open space, preceded by its cross-bearer. Arrived at the edge of the esplanade, men and women stopped and turned towards the church in a half-circle, the women squatting, the men upright, the cross-bearer in the centre. They prayed and crossed themselves. Then they sent towards the church a great, simultaneous cry--the last salutation. And they resumed then way, intoning the hymn:

_Viva Maria!_ _Viva Maria!_

The old woman did not change her attitude. Something great, terrible, and indefinitely supernatural emanated from her solitary old age in the shadow of the arid and almost petrified olive-tree whose cleft trunk seemed marked by a bolt from heaven. If she still lived, her eyes at least did not see, her ears no longer heard, all her senses were obliterated. Yet she had the appearance of a Witness who was looking towards the invisible region of eternity. "Death is not as mysterious as this remnant of life in this human ruin," thought George. And at the same time there arose in his mind, accompanied by an extraordinary emotion, the vague image of a very ancient myth. "_Why dost thou not awaken the Mother secular who sleeps on the threshold of Death? In her slumber resides the first Science. Why dost thou not interrogate the wise earthly Mother?_" Vague words, the obscure fragments of ancient epics, awoke in his memory; indefinite lines and symbols swayed and enveloped him.

"Let us go, George," said Hippolyte, shaking him lightly, after an interval of pensive silence. "How sad everything is here!"

Her voice was weak, and in her eyes was that sad shadow in which her lover read an inexpressible horror and disgust. He dared not encourage her, for fear she would feel in his encouragements the preoccupation of the horrible menace that seemed to hang over her, since the moment that she had seen the epileptic fall in the crowd.

But, a few steps farther on, she stopped again, choked by incoercible anguish, strangled by a knot of sobs that she could not untie. She looked at her lover, then gazed about her, distracted.

"My God, my God! What sorrow!"

It was a sorrow entirely corporeal, a brutal sorrow that arose from the depths of her being like a compact and heavy thing, crushing her with an insupportable weight. She would have liked to sink to the ground as if beneath an enormous burden, never to arise again; she would have liked to lose consciousness, to become an inert mass, to expire.

"Tell me, tell me, what can I do? What can I do to ease you?" stammered George, pressing her hand, prey to a mad terror.

Was not this sadness perhaps the chrysalis of the illness?

For a few seconds, she remained with her eyes fixed and rather haggard. She shivered beneath the shock caused by the clamor raised in the vicinity by a procession which saluted the church on leaving.

"Take me away somewhere. Perhaps there is a hotel at Casalbordino. Where can Colas be?"

George looked anxiously around, in the hope of discovering the old man. He said:

"Perhaps he is looking for us in the crowd; or perhaps he has gone to Casalbordino, thinking he will find us there."

"Let us go alone, then. Down below, yonder, I see some carriages."

"Let us go, if you like. But lean on me."

They directed their steps towards the highroad, which lay like a long white ribbon on the other side of the esplanade. It seemed as if the tumult followed them. The trumpet of a mountebank sent after them its piercing notes. The always even cadence of the hymn, persistently dominated all other sounds by its exasperating continuity.

_Viva Maria!_ _Viva Maria!_

A beggar unexpectedly appeared, as if he had sprung from below ground; and he stretched out his hand.

"Charity, for the love of the Madonna!"

It was a young man, with his head bound in a red handkerchief, one corner of which covered his eye. He raised this corner and showed an enormous eye, swollen like a pocket, purulent, on which the winking of the upper eyelids forced a shudder horrible to see.

"Charity, for the love of the Madonna!"

George gave him money; and the beggar again hid his deformity. But, a little farther on, a man of gigantic stature, with an empty sleeve, half-raised his shirt in order to show the red and furrowed cicatrice of the amputation.

"A bite--a horse's bite! Look!"

And he threw himself on the ground, thus uncovered, and he kissed the ground several times, crying each time, in a harsh voice:

"For pity's sake!"

Under a tree was another beggar, a bandy-legged fellow, on a kind of seat composed of a pack-saddle, a goat-skin, an empty petroleum can and large stones. Wrapped in a sordid covering from which protruded two hairy legs, soiled with dry mud, he wildly shook his hand, twisted like a root, to chase away the flies that assailed him in clouds.

"Charity! Charity! Have pity on a poor man! The Madonna will pardon you. Have pity on a poor man!"

At the sight of other beggars who came running up, Hippolyte hastened her steps. George made a sign to the nearest coachman. When they were in the carriage, Hippolyte uttered a cry of relief:

"At last!"

George questioned the coachman:

"Is there a hotel at Casalbordino?"

"Yes, signor, there is one."

"How long will it take to get there?"

"A short half-hour."

"Let us go on, then!"

He took Hippolyte's hands, tried to cheer her up.

"Courage, courage! We will take a room; we can rest. We will see nothing, hear nothing more. I, too, am exhausted with fatigue and my head feels tired."

He added, smiling:

"Aren't you a little hungry?"

She responded to his smile. He added again, evoking the remembrance of the old hotel of Ludovic Togni:

"It will be as it was at Albano. Do you remember?"

It seemed to him that she was becoming a little calmer. He wanted to bring her to a state of light and joyous thoughts. He said:

"What has become of Pancrace? Ah! if we had one of his oranges. Do you remember? I do not know what I would give for an orange. Are you very thirsty? Are you suffering?"

"No.... I feel better.... I can hardly believe that the torture is over.... My God! I shall never forget this day, never--never!"

"Poor soul!"

He tenderly kissed her hands. Then, pointing to the vegetation that bordered the road:

"Look!" he exclaimed, "see how beautiful the corn is. Let us purify our eyes."

To right and left the harvest stretched immaculate, already ripe for the sickle, high and vigorous, breathing in the light by the slender points of their innumerable ears, that, at certain moments, seemed to wave and become converted into a volatile gold. Alone beneath the limpid arch of heaven, they exhaled a spirit of purity by which both their hearts, sad and tired, were refreshed.

"How strong the reflection is?" said Hippolyte, half lowering her long lashes.

"You have your curtains."

She smiled. It seemed that the shadow of her sadness was about to be dissipated.

Many carriages came in a long line from the opposite direction, descending towards the Sanctuary. For a few minutes the road, the bushes, the fields, all disappeared from around them in the dust.

"Charity, for the love of the Madonna! Charity! Charity!"

"Charity! In the name of the Virgin of Miracles!"

"Have pity on a poor, unfortunate man!"

"Charity! Charity!"

"Give me a piece of bread!"

"Charity!"

One, two, three, four, five voices, more and still more voices, the voices of beings still invisible, burst forth in the midst of the cloud, hoarse, penetrating, sharp, cavernous, humble, angry, plaintive, all different and discordant.

"Charity!"

"Charity!"

"Stop! Stop!"

"Charity, in the name of the most holy Mary of Miracles!"

"Charity! Charity!"

"Stop!"

And through the dust appeared confusedly a growling mob of monsters. One shook the stumps of his amputated hands, bleeding as if the mutilation were fresh or badly cicatrized. Another had on his palms disks of leather, that he used painfully to drag along the weight of his inert body. Another had an enormous goitre, wrinkled and violet-hued, that dangled like a pendant. Another, on account of an excrescence on his lip, seemed to hold between his teeth the remains of a raw liver. Another displayed a face devastated by a deep erosion that showed his nasal cavities and upper jaw. Others exhibited similar horrors, freely, with violent gestures, with almost menacing attitudes, as though to enforce a right.

"Stop! Stop!"

"Charity!"

"Look! Look! Look!"

"Help me! Help me!"

"Charity!"

"Charity!"

"Help me!"

It was an assault--almost an extortion. They all seemed resolved to demand a mite, even if they had to seize the wheels and hang on the limbs of the horses.

"Stop! Stop!"

While George sought for some money in his pockets in order to throw it among the horde, Hippolyte pressed close to him, seized at the throat by a feeling of disgust, powerless henceforth to master the fantastic terror which invaded her in this powerful white light in this unknown land where swarmed so lugubrious a life.

"Stop! Stop!"

"Charity!"

"Pity! Pity!"

But the coachman, becoming angry, rose suddenly on his seat, shook his whip vigorously, and began to beat the beggars with all his might; and he accompanied every blow with invectives. The lash whistled. Beneath his blows the beggars howled maledictions, but did not retreat. Each wished his share.

"Give me some! Give me some!"

Then George threw a handful of coins in the dust; and the dust covered the scuffle of the monsters, choked their blasphemies. The man with the amputated hands and the fellow with the inert limbs still essayed to follow the carriage for a moment; but, menaced by the whip, they stopped.

"Don't be afraid, signora," said the coachman. "Nobody will get near us now, I promise you."

New voices arose, groaning, yelling, invoking the Virgin and Jesus, announcing the nature of their deformities and sores, recounting the malady or misfortune. On the other side of the ambush prepared by the first bandits, a second army in tatters stretched along in a double chain on the borders of the road as far as the houses of the distant market town.

"My God, my God! What a cursed country!" murmured Hippolyte, exhausted, feeling herself fainting. "Let us get away from here. Let us go away! Please, George, let us go back."

Nothing--not the whirlwind of madness that drove the fanatic bands around the temple, nor the hopeless cries that seemed to issue from a place on fire, from a shipwreck or a massacre, nor the inanimate and bloody old men who lay in heaps along the court of the votive hall, nor the convulsed women who crawled towards the altar tearing their tongues against the stone, nor the supreme clamor that issued from the entrails of the multitude confounded in an unique anguish and in an unique hope--nothing, nothing, was as terrible as the spectacle of that great dusty hillside blinding in the glare of the sun, where all these monsters of human misery, all this debris of a ruined race, these bodies vilified to the level of the unclean beast and excremental matter, opened their rags to expose their impurities and proclaim them. The innumerable horde occupied the slope and the ditches; they had with them their family, their progeniture, their relatives, their household goods. One saw women half-naked and as lean as bitches who have just littered, children green as lizards, emaciated, with rapacious eyes, their mouths already withered, taciturn, breeding in the blood the hereditary disease. Each tribe possessed its monster: one-armed, bandy-legged, subject to goitre, blindness, leprosy, epilepsy. Each had as a patrimony his ulcer to cultivate, from which to derive an income. Urged on by his own people, the monster left the group, advanced in the dust, gesticulated and implored, for the common benefit:

"Charity, charity, if you hope for mercy! Charity! Take pity on me! Take pity on me!"

A monomere, black and flat-nosed as a mulatto, with a long leonine mane, picked up the dust in the curls of his hair, then shook his head, enveloping himself in a cloud. A woman afflicted with hernia, of no age, having no longer a human face, squatted on a post, raised her apron to show her hernia, enormous and yellowish like a bladder full of suet. Seated on the ground, a man afflicted with elephantiasis pointed with his finger to his leg, massive as the trunk of an oak, covered with warts and yellow crusts, dotted with black or hardened spots, so voluminous that one would have said it did not belong to him. A blind man, on his knees, his hands stretched towards heaven in the attitude of an ecstatic, had under his high and bald brow two little blood-stained holes. Others and still others showed themselves in the dazzling glare of the sun, as far as the view could carry. All the great hillside was infested by them without an interval. Their supplications continued uninterruptedly, rising and falling in chorus, in discord, with a thousand accents. The vast extent of the solitary country, the deserted and silent sky, the hallucinating reverberation of the fiery road, the immobility of the vegetable forms--all these environments rendered the hour tragic, evoked the biblical image of a road of desolation conducting to the gates of a cursed city.

"Let's go! Let's go back! Please, George, let's go back!" repeated Hippolyte, with a shudder of horror, dominated by the superstitious idea of a divine punishment, fearing other spectacles and more atrocious ones, under this burning and empty sky in which there began to be heard a metallic rumbling.

"But where can we go? Where shall we go?"

"No matter where. No matter where. Let us go back over there, near the sea. We'll wait there until it's time to leave. Please!"

The fast, the torture of thirst, the hot, oppressive atmosphere, had increased in both their uneasiness of mind.

"Do you see? Do you see?" she cried, as if in front of a supernatural apparition. "Do you see? Will it then never end?"

In the light, the glaring and implacable light, advanced towards them a band of tattered men and women, and in front of the band marched a sort of crier who vociferated while agitating a copper tray. These men and women bore upon their shoulders a trestle covered with a mattress on which lay an invalid of cadaverous appearance, a yellowish-looking creature, thin as a skeleton, tightly wrapped in bands of cloth like a mummy, the feet bare. And the crier--an olive-colored and serpentine man with the eyes of a madman--pointed to the dying woman, and related in a high key that this woman, who had been ill from hemorrhage for years, had obtained the miracle from the Virgin at the very dawn of that day, and he begged for alms so that, cured of her disease, she could gain fresh blood. And he shook the copper tray, on which tinkled a few coins.

"The Madonna has performed the miracle! The miracle! The miracle! Charity! In the name of the Very Holy and the Very Merciful Mary, charity!"

The men, the women, all together, contracted their faces as if about to weep. And the invalid, with a vague gesture, slightly raised her bony hands, the fingers of which moved as if to seize something in the air; while her bare feet, as yellow as her hands and face, shiny at the ankles, had the rigidity of death. And all that was exposed in the glaring and implacable light--near, near, always nearer.

"Turn back! Turn back!" cried George to the driver. "Turn back, and whip up your horses."

"We're there, signor. What alarms you?"

"Turn back!"

The injunction was so imperative that the driver turned round his horses amidst the deafening cries.

"Whip them up! Whip them up!"

From the top to the bottom of the hill the carriage seemed, among the clouds of thick dust, pierced every now and then by a hoarse yell.

"Where are we going?" asked the driver, bending down.

"Over there, over there, near the sea! Whip them up!"

George was supporting Hippolyte, who had almost fainted, without trying to revive her. He had but a confused sensation of all that was going on. Real images, and fantastic images, whirled around his brain and gave him hallucinations. A continual buzzing filled his ears, and prevented him from hearing any other sound distinctly. His heart was oppressed with a keen anguish, as in the nightmare--the anguish to emerge from the zone of this horrible dream, the anguish to recover his first lucidity, to feel the loved creature palpitate on his breast, and to see once more the tender smile.

_Viva Maria!_

Once more the undulation of the hymn reached him; once more the House of the Virgin appeared to him on the left amid the immense human swarm, reddish in the solar conflagration, throned on the summits of the profane tents, irradiating a formidable power.

_Viva Maria!_ _Viva Maria!_

The undulation faded away; and at a bend of the hill the Sanctuary disappeared. And, suddenly, a cool breath glided over the vast, waving harvests. And a long blue band cut the horizon.

"The sea! There's the sea!" cried George, as if he had just attained salvation.

And his heart dilated.

"Courage, my soul! Contemplate the sea!"

*V.*

*TEMPUS DESTRUENDI.*

*CHAPTER I.*

The table, laid in the loggia, presented a gay appearance, with its transparent porcelain, its bluish glassware, its crimson pinks, under the golden light of a fixed, large lamp, which attracted the nocturnal moths scattered in the twilight.

"Look, George, look! A devil moth! It has the eyes of a demon. Do you see them shine?"

Hippolyte pointed to a moth larger than the others, strange in appearance, covered with a thick red flush, with projecting eyes which, under the light, glittered like two carbuncles.

"It's coming on you! It's coming on you! Take care!"

She laughed heartily, making fun of the instinctive alarm that George exhibited, in spite of himself, when one of these insects threatened to alight on him. "I must have it!" she cried, with the rapture of a childish caprice.

And she tried to capture the diabolical moth, which, without settling, flew around the lamp. Her attempts, abrupt and violent, were unsuccessful. She upset a glass, knocked over a pyramid of fruit, almost smashed the lamp-shade.

"What fury!" said George, who wanted to excite her. "But you won't succeed."

"I shall succeed," replied Hippolyte obstinately, and looking fixedly at him. "Will you make a bet?"

"What shall we bet?"

"Anything you like."

"Well, then, a love game."

"Very well, a love game."

In the warm light her face was colored with its softest and richest tints, that ideal coloring, "a compound of pale amber and dull gold in which were mingled, perhaps, a few tints of faded roses," in which formerly George had thought he had found all the mystery and all the beauty of the antique Venetian soul emigrated to the kingdom of Cyprus. She wore in her hair a pink, ardent as desire. And her eyes, shaded by the lashes, shone like lakes between the willows in the twilight.

At that instant she appeared the woman of delights, the strong and delicate instrument of pleasure, the voluptuous and magnificent animal destined to ornament a banquet, to enliven a bed, to provoke equivocal phantasies of an aesthetic sensuality. She appeared in the supreme splendor of her animalism--joyous, active, supple, lascivious, cruel.

George observed her with attentive curiosity, and he thought: "What different appearances she assumes in my eyes! Her form is sketched by my desire; her shadows are produced by my thought. Such as she appears to me each instant, she is only the effect of my continual inner creation. She exists only in me. Her appearances change like the dreams of an invalid. _Gravis dum suavis_! When was that?" He retained but a very confused recollection of the time when he had kissed her brow and decorated her with this title of ideal nobility. Now, this glorification of the loved one had become almost inconceivable to him. He remembered vaguely certain words that she had uttered and that seemed to reveal a depth of soul. "What spoke in her then? Was it not my own soul? It was one of my ambitions to offer to my sad soul those sinuous lips, so she might exhale her sorrow from an instrument of signal beauty."

He looked at those lips. They were slightly contracted, not ungracefully, participating in the intense attention with which Hippolyte waited for an opportunity to seize the night-moth.

She watched for it with sly prudence; she wanted, with one killing blow, to shut up in the palm of her hand the winged prey that was whirling restlessly around the light. She contracted her eyebrows and seemed to be prepared for a spring, ready to jump. She leaped forward two or three times, but without success. The moth was unseizable.

"Confess that you've lost," said George. "I won't abuse my privilege."

"No."

"Confess that you've lost."

"No! Woe to him and to you, if I catch him."

And she resumed her hunt with trembling impatience.