Chapter 3

THE CYCLE OF LIFE

_Birth_.--The natural cause of pregnancy is understood by the Tinguian, but coupled with this knowledge is a belief in its close relationship to the spirit world. Supernatural conception and unnatural births are frequently mentioned in the traditions, and are accepted as true by the mass of people; while the possibility of increasing the fertility of the husband and wife by magical acts, performed in connection with the marriage ceremony, is unquestioned. Likewise, the wife may be affected if she eats peculiar articles of food, [40] and unappeased desires for fruits and the like may result disastrously both for the expectant mother and the child. [41] The close relationship which exists between the father and the unborn babe is clearly brought out by various facts; for instance, the husband of a pregnant woman is never whipped at a funeral, as are the other guests, lest it result in injury to the child.

The fact that these mythical happenings and magical practices do not agree with his actual knowledge in no way disturbs the Tinguian. It is doubtful if he is conscious of a conflict; and should it be brought to his attention, he would explain it by reference to the tales of former times, or to the activities of superior beings. Like man in civilized society, he seldom rationalizes about the well-known facts--religious or otherwise--generally held by his group to be true.

It is thought that, when a mortal woman conceives, an _anito_ woman likewise becomes pregnant, and the two give birth at the same time. Otherwise, the lives of the two children do not seem to be closely related, though, as we shall see later, the mothers follow the same procedure for a time after delivery (cf. p. 268).

According to common belief, supernatural beings have become possessed at times, with menstrual blood or the afterbirth which under their care developed into human offspring, some of whom occupy a prominent place in the tribal mythology. [42] In the tales we are told that a frog became pregnant, and gave birth to a child after having lapped up the spittle of Aponitolau, [43] a maid conceived when the head-band of her lover rested on her skirt, [44] while the customary delivery of children during the mythical period seems to have been from between the fingers of the expectant mother. [45] _Anitos_ and, in a few cases, the shades of the dead have had intercourse with Tinguian women, [46] but children of such unions are always born prematurely. As a rule, a miscarriage is thought to be the result of union with the inhabitants of the spirit realm, though an expectant woman is often warned not to become angry or sorrowful lest her "blood become strong and the child be born." Abortion is said to be practised occasionally by unmarried women; but such instances are exceedingly rare, as offspring is much desired, and the chance of making a satisfactory match would be in no way injured by the possession of an illegitimate child. [47]

Except for the district about Manabo, it is not customary to make any offerings or to cause any changes in the daily life of the pregnant woman until the time of her delivery is near at hand. In Manabo a family gathering is held about a month before the anticipated event, at which time the woman eats a small chicken, while her relatives look on. After completing this meal, she places two bundles of grass, some bark and beads in a small basket and ties it beside the window. The significance of the act is not clear to the people, but it is "an old custom, and is pleasing to the spirits."

Shortly before the child is expected, two or three mediums are summoned to the dwelling. Spreading a mat in the center of the room, they place on it their outfits (cf. p. 302) and gifts [48] for all the spirits who are apt to attend the ceremony. Nine small jars covered with _alin_ leaves are distributed about the house and yard; one sits on a head-axe placed upon an inverted rice-mortar near the dwelling, another stands near by in a winnower, and is covered with a bundle of rice; four go to a corner of the room; while the balance is placed on either side of the doorway. These jars are later used to hold the cooked rice which is offered to the _Inginlaod_, spirits of the west. At the foot of the house ladder a spear is planted, and to it is attached a long narrow cloth of many colors. Last of all, a bound pig is laid just outside the door with its head toward the east.

When all is ready, the mediums bid the men to play on the _tong-a-tong_ (cf. p. 314); then, squatting beside the pig, they stroke its side with oiled fingers, meanwhile chanting appropriate _diams_ (cf. p. 296). This done, they begin to summon spirits into their bodies, and from them learn what must be done to insure the health and happiness of the child. Later, water is poured into the pig's ear, that "as it shakes out the water, so may the evil spirits be thrown out of the place." [49] Then an old man cuts open the body of the animal and, thrusting in his hand, draws out the still palpitating heart, which he gives to the medium. With this she strokes the body of the expectant woman, "so that the birth may be easy, and as a protection against harm," and also touches the other members of the family. [50] She next directs her attention to the liver, for by its condition it is possible to foretell the child's future (cf. p. 307).

While the medium has been busy with the immediate family, friends and relatives have been preparing the flesh for food, which is now served. No part is reserved, except the boiled entrails which are placed in a wooden dish and set among other gifts intended for the superior beings.

Following the meal, the mediums continue summoning spirits until late afternoon when the ceremony known as _Gipas_--the dividing--is held. [51] The chief medium, who is now possessed by a powerful spirit, covers her shoulder with a sacred blanket, [52] and in company with the oldest male relative of the expectant woman goes to the middle of the room, where a bound pig lies with a narrow cloth extending along its body from head to tail. After much debating they decide on the exact center of the animal, and then with her left hand each seizes a leg. They lift the victim from the floor, and with the head-axes, which they hold in their free hands, they cut it in two. In this way the mortals pay the spirits for their share in the child, and henceforth they have no claims to it. The spirit and the old man drink _basi_, to cement their friendship; and the ceremony is at an end.

The small pots and other objects used as offerings are placed on the sacred blanket in one corner of the room, where they remain until the child is born, "so that all the spirits may know that _Gipas_ has been held." A portion of the slaughtered animals and some small present are given to the mediums, who then depart.

In San Juan a cloth is placed on the floor, and on it are laid betel-nuts, four beads, and a lead sinker. These are divided with the head-axe in the same manner as the pig, but the medium retains for her own use the share given to the spirits.

In the better class of dwellings, constructed of boards, there is generally a small section in one corner, where the flooring is of bamboo; and it is here that the delivery takes place, but in the ordinary dwellings there is no specified location.

The patient is in a kneeling or squatting position with her hands on a rope or bamboo rod, which is suspended from a rafter about the height of her shoulders. [53] She draws on this, while one or more old women, skilled in matters pertaining to childbirth, knead and press down on the abdomen, and finally remove the child. The naval cord is cut with a bamboo knife, [54] and is tied with bark cloth. Should the delivery be hard, a pig will be killed beneath the house, and its blood and flesh offered to the spirits, in order to gain their aid.

If the child is apparently still-born, the midwife places a Chinese dish close to its ear, and strikes against it several times with a lead sinker. If this fails to gain a response, the body is wrapped in a cloth, and is soon buried beneath the house. There is no belief here, as is common in many other parts of the Philippines, that the spirits of unborn or still-born children form the chief recruits for the army of evil spirits.

The after-birth is placed in a small jar together with bamboo leaves, "so that the child will grow like that lusty plant," and is then intrusted to an old man, usually a relative. He must exercise the greatest care in his mission, for should he squint, while the jar is in his possession, the child will be likewise afflicted. If it is desired that the infant shall become a great hunter, the jar is hung in the jungle; if he is to be an expert swimmer and a successful fisherman, it is placed in the river; but ill fortune is in store for the baby if the pot is buried, for he will always be afraid to climb a tree or to ascend a mountain.

These close ties between the infant and the after-birth are easily comprehended by a people who also believe in the close relationship between a person and any object recently handled by him (cf. p. 305). In general it is thought that the after-birth soon disappears and no longer influences the child; yet certain of the folk-tales reflect a firm conviction that a group of spirits, known as _alan_, sometimes take the placenta, and transform it into a real child, who is then more powerful than ordinary mortals. [55]

Immediately following the birth the father constructs a shallow bamboo framework (_baitken_), [56] which he fills with ashes, and places in the room close to the mother. On this a fire is kept burning constantly for twenty-nine days [57] For this fire he must carefully prepare each stick of wood, for should it have rough places on it, the baby would have lumps on its head. A double explanation is offered for this fire; firstly, "to keep the mother warm;" secondly, as a protection against evil spirits. The idea of protection is evidently the original and dominant one; for, as we shall see, evil spirits are wont to frequent a house, where a birth or death has occurred, and a fire is always kept burning below the house or beside the ladder at such a time. [58]

When the child has been washed, it is placed on an inverted rice-winnower, and an old man or woman gives it the name it is to bear. The winnower is raised a few inches above the ground, and the woman asks the child its name, then drops it. Again she raises it, pronounces the name, and lets it fall. A third time it is raised and dropped, with the injunction, "When your mother sends you, you go," or "You must not be lazy." If it is a boy, it may be instructed, "When your father sends you to plow, you go."

Among the Tinguian of Ilocos Norte it is customary for the person who is giving the name to wave a burning torch beneath the winnower, meanwhile saying, if to a boy, "Here is your light when you go to fight. Here is your light when you go to other towns." If the child is a girl, she says, "Here is your light when you go to sell things."

In the San Juan district, the fire is made of pine sticks; for "the burning pine gives a bright light, and thus makes it clear to the spirits that the child is born. The heat and smoke make the child hard and sturdy." Just before the naming, the rice winnower is circled above the fire and the person officiating calls to the spirits, saying, "Come and take this child, or I shall take it." Then, as the infant still remains alive, she proceeds to give it its name. [59]

A Tinguian child is nearly always named after a dead ancestor; often it receives two names--one for a relative in the father's family, and one in the mother's. A third name commemorating the day or some event, or perhaps the name of a spirit, is frequently added. [60] Certain names, such as Abacas ("worthless"), Inaknam ("taken up"), and Dolso ("rice-chaff") are common. If the infant is ailing, or if the family has been unfortunate in raising children, the newborn is named in the regular way, then is placed on an old rice winnower, and is carried to a refuse heap and left. Evil spirits witnessing this will think that the child is dead, and will pay no more heed to it. After a time, a woman from another house will pick the child up and carry it back to the dwelling, where it is renamed. In such a case it is probable that the new name will recall the event. [61]

If a former child has died, it is possible that the infant will receive its name, but if so, it will be renamed within a few days. In this manner, respect is shown both for the deceased child and the ancestor for which it was named; yet the newborn is not forced to bear a title which is apparently displeasing to the spirits. Continued sickness may also result in the giving of a new name. [62] In such a case a small plot of rice is planted as an offering to the spirits, which have caused the illness.

According to Reyes, the child to be named is carried to a tree, and the medium says, "Your name is ----;" at the same time she strikes the tree with a knife. If the tree "sweats," the name is satisfactory; otherwise, other names are mentioned until a favorable sign is obtained. [63] The writer found no trace of such procedure in any part of the Tinguian belt.

For a month succeeding the birth, the mother must follow a very strict set of rules. Each day she is bathed with water in which certain herbs and leaves, distasteful to evil spirits, are boiled. [64] Beginning with the second day and until the tenth she must add one bath each day, at least one of which is in cold water. From the tenth to the twenty-fourth day she takes one hot and one cold bath, and from then to the end of the month she continues the one hot bath. Until these are completed, the family must keep a strip of _ayabong_ bark burning beneath the house, in order to protect the baby from evil spirits. As an additional defence, a miniature bow and arrow, and a bamboo shield, with a leaf attached, as hung above the infant's head (Fig. 4, No. 1).

On the fifth day the mother makes a ring out of old cloth, rice stalks, and a vine, and puts it on her head; over her shoulders is an old blanket, while in one hand she holds a reed staff, which "helps her in her weakness, and protects her from evil beings." She carries a coconut shell filled with ashes, a basket and a jar, and thus equipped she goes to the village spring. Arriving there, she cleans the dishes "as a sign that her weakness has passed, and that she can now care for herself;" then she sets fire to a piece of bark, and leaves it burning beside the water, as a further sign of her recovery. When she returns to the dwelling, the cleansed dishes and the staff are placed above the spot, where she and the baby sleep.

On the 29th day the fire is extinguished, and the bamboo frame is fastened under the floor of the house, below the mother's mat, "so that all can see that the family has followed the custom." As the frame is carried out, the mother calls to the _anito_ mother (cf. p. 261) to throw out her fire.

In the mountain districts about Lakub, a ceremony in which the spirits are besought to look to the child's welfare is held about the third day after the birth. The mediums summon several spirits; a chicken or a pig is killed, and its blood mixed with rice is offered up. At the conclusion a small _saloko_ [65] containing an egg is attached to one end of the roof. In Ba-ak this is generally a three to six day event attended by all the friends and relatives of the family. Here, in place of the egg, a jar containing pine-sticks is attached to the roof, for the pine which burns brightly makes it plain to the spirits what the people are doing.

In the light of the extended and rather complex procedure just related, it is interesting to note that the Tinguian woman is one of those mythical beings whom careless or uninformed writers have been wont to describe as giving birth to her children without bodily discomfort. _Reyes_ [66] tells us that she cuts the umbilical cord, after which she proceeds to the nearest brook, and washes the clothing soiled during the birth. _Lerena_ likewise credits her with delivering herself without aid, at whatever spot she may then chance to be; then, without further ado or inconvenience, she continues her duties as before. If she happens to be near to a river, she bathes the child; or, if water is not handy, she cleans it with grass or leaves, and then gives it such a name as stone, rooster, or carabao. [67]

Throughout the greater part of the Tinguian territory, nothing further of importance takes place for about two years, providing the child progresses normally, but should it be ailing, a medium will be summoned to conduct the _Ibal_ ceremony. [68] For this a pig or rooster is prepared for sacrifice, but before it is killed, the medium squats before it and, stroking its side with oiled fingers, she chants the following _diam_.

"Those who live in the same town go to raid, to take heads. After they arrive, those who live in the same town, 'We go and dance with the heads,' said the people, who live in the same town, 'because they make a celebration, those who went to kill.' 'When the sun goes down, you come to join us,' said the mother and baby (to her husband who goes to the celebration). After that the sun truly went down; she went truly to join her husband; after that they were not (there), the mother and the baby (i.e., when the father arrived where they had agreed to meet, the mother and child were not there).

"He saw their hats lying on the ground. He looked down; the mother and the baby were in (the ground), which ground swallowed them. 'Why (are) the mother and the baby in the ground? How can I get them?' When he raises the mother and the baby, they go (back) into the ground. After that Kaboniyan above, looking down (said), 'What can you do? The spirits of Ibal in Daem are the cause of their trouble. It is better that you go to the home of your parents-in-law, and you go and prepare the things needed in Ibal,' said Kaboniyan.

"They went truly and prepared; after that they brought (the things) to the gate. After that the mother and child came out of the ground. 'After this when there is a happening like this, of which you Ipogau are in danger, you do like this (i. e., make the Ibal ceremony); and I alone, Kaboniyan am the one you summon,' said Kaboniyan.

"After that they got well because they came up, the mother and the baby."

When the chant is finished, the animal is slaughtered, and food is prepared both for guests and spirits. Following the instructions of Kaboniyan, the latter is placed at the entrance to the village; after which it is possible that this powerful spirit will visit the gathering in the person of the medium, and give further instructions for the care of the infant.

In the village of Lakub the writer witnessed a variation of this ceremony which, it is said, is also followed in case the pregnancy is not progressing favorably. A piece of banana stalk, wrought into the form of a child, and wearing a bark head-band, was placed on the mat beside the medium. She, acting for a spirit, seized the miniature shield and bow and arrow which hung above the baby, and attempted to shoot the figure. Immediately two old women came to the rescue of the image, and after a sharp tussel compelled the spirit to desist. They then secured the weapons, and in their turn tried to shoot the figure, which was now defended in vain by the medium. It was later explained that, in the first place, the figure represented the child, and had the spirit succeeded in shooting it, the babe would have died; later, it impersonated the child of the spirit, and when that being saw its own offspring in danger, it immediately departed from the village. Several other spirits then entered the body of the medium, and after receiving food and drink, gave friendly advice.

When the child is about two years old, a ceremony known as _Olog_ [69] is held. The mediums who are summoned prepare a spirit mat, [70] and at once begin to recite _diams_ over the body of a bound pig. As soon as the animal is killed, its heart is removed, and is rubbed against the breast of each member of the family. The medium then resumes her place at the mat, and soon is possessed by a spirit who takes charge of the proceedings. At his suggestion, the child is rubbed from head to foot with the thread from the medium's outfit, "so that it will not cry any more;" next, he orders that the intestines of the pig be cleaned, placed on a wooden dish, and be carried to the gate of the town. When they arrive at the designated spot, the mediums make a "stove" by driving three sticks into the ground, so as to outline a triangle, and within these they burn a bundle of rice-straw. Beside the "stove" is placed a branch, each leaf of which is pierced with a chicken feather. This completed, the child is brought up to the fire, and is crowned with the intestines; while one of the mediums strikes the ground vigorously with a split stick, [71] to attract the attention of the spirits. Next, she secures a rooster, and with this in one hand and a spear in the other, she marches five times around the fire meanwhile reciting a _diam_. At the conclusion of this performance the fowl is killed; and its blood, mixed with rice, is scattered on the ground. At the same time the medium calls to all the spirits to come and eat, to be satisfied, and not cause the child to become ill. The flesh and rice cakes are likewise offered, but after a few moments have elapsed, they are eaten by all the people.

At the conclusion of the meal, a wreath of vines is substituted for the intestines, which are hung beside the fire. This concludes the ceremony; but, as the mother and child reach the ladder of their home, the people above sprinkle them with water, meanwhile calling out eight times, "You are in a heavy storm." The significance of this sprinkling is not known, but the custom is widespread, and is evidently very ancient.

In the mountain village of Likuan, a man who wears a very large hat takes the child to a nearby _saloko_. As he returns, he is sprinkled by a medium, who says, "You are wet from the rain; in what place did you get wet?" He replies, "Yes, we are wet from the rain; we were wet in Inakban (a town of the spirits);" then placing two small baskets in the _saloko_, he carries the child into the dwelling. Soon the father appears and goes about inquiring for his wife and child; suddenly spying the baskets, he seizes them and takes them into the house, saying, "Here are the mother and the child."

The following morning, the women place rice cakes and betel-nuts, ready to chew, in leaves, and tie them to a bamboo stalk with many branches. This is then planted beside the spring, "so that the child will grow and be strong like the bamboo." The sight of all these good things is also pleasing to the spirits, and they will thus be inclined to grant to the child many favors.

When the women return to the house, they carry with them a coconut shell filled with water, and with this they wash the infant's face "to keep it from crying, and to keep it well." This done, they tie a knot of banana leaves to the house ladder as a sign that no person may enter the dwelling until after its removal the next day. [72]

A ceremony, not witnessed by the writer, is said to take place when evil spirits have persistently annoyed the mother and the child, when the delivery is long overdue, or when an _anito_ child [73] has been born to a human mother. The husband and his friends arm themselves with long knives or head-axes, and enter the dwelling, where they kill a rooster. The blood is mixed with rice; and this, together with nine coconut shells filled with _basi_, is placed beneath the house for the _anitos_ to eat. While the spirits are busy with this repast, the mother, wrapped in a blanket, is secretly passed out a window and taken to another house. Then the men begin shouting, and at the same time slash right and left against the house-posts with their weapons. In this way the evil spirits are not only kept from noticing the absence of the mother, but are also driven to a distance. This procedure is repeated under nine houses, after which they return to the dwelling with the woman. As soon as they reach the top of the ladder, an old woman throws down ashes "to blind the eyes of the _anitos_, so that they cannot see to come up." [74] She likewise breaks a number of small jars, "which look like heads," as a threat of the treatment which awaits them if they attempt to return to the house.

Within the dwelling food and presents are offered to the good spirits, and all who have participated in the _anito_ driving are feasted.

Next morning, a wash, said to be particularly distasteful to the evil _anito_, is prepared. It consists of water in which are placed lemon, bamboo, and _atis_ leaves, a cigar stub, and ashes from burned rice straw. The family wash in this mixture, and are then fully protected against any evil spirits, which may still remain after the terrifying events of the previous night.

_Childhood_.--When outside the house, small babies are always carried by their mothers or older sisters (Plate XV). The little one either sits astride its mother's hip or fits against the small of the back, and is held in place by her arm or by a blanket which passes over one shoulder. From this position the infant is readily shifted, so that it can nurse whenever it is hungry. There are no regular periods for feeding, neither is there a definite time for weaning. Most children continue to nurse until quite large, or until they are displaced by newcomers. However, they are given some solid food, such as rice, while very young, and soon they are allowed to suck sugar-cane and sweet potatoes. It is also a common thing to see a mother take the pipe from her mouth, and place it in that of her nursing infant. They thus acquire the habit of using tobacco at a very early age, and continue it through life, but apparently without evil effects. Weaning is accomplished by rubbing the breasts with powdered chile peppers, or plants with sour flavor.

A crib or sleeping basket is made out of bamboo or rattan, and this is attached to the center of a long bamboo pole, which is suspended across one corner of the room (Fig. 1, No. 2). The pole bends with each movement of the child, and thus it rocks itself to sleep. Another device in which small children are kept is known as _galong-galong_. This consists of a board seat attached to a strip of split rattan at each corner. Sliding up and down on these strips are vertical and horizontal pieces of reed or bamboo, which form an open box-like frame (Fig. 1, No. 1). The reeds are raised, the child is put in, and then they are slipped back in place. This device is suspended from a rafter, at such a height that it can serve either as a swing or walker, as desired.

When the mother goes to the village spring or to the river, she carries her baby with her, and invariably gives it a bath in the cold water. This she applies with her hand or a coconut shell, and frequently she ends the process by dipping the small body into the water. Apparently, the children do not enjoy the ordeal any more than European youngsters; but this early dislike for the water is soon overcome, and they go to the streams to paddle and play, and quickly become excellent swimmers. They learn that certain sluggish fish hide beneath large rocks; and oftentimes a whole troop of naked youngsters may be seen going up stream, carefully feeling under the stones, and occasionally shouting with glee, as a slippery trophy is drawn out with the bare hands. They also gather shell fish and shrimps, and their catch often adds variety to the family meal.

Children are seldom punished or scolded. All the family exhibit real affection for the youngsters, and find time to devote to them. A man is never too old or too busy to take up and amuse or caress the babies. Kissing seems to be unknown, but a similar sign of affection is given by placing the lips to the face and drawing the breath in suddenly. A mother is often heard singing to her babes, but the songs are usually improvised, and generally consist of a single sentence repeated over and over. Aside from the daily bath, the child has little to disturb it during the first five or six years of its life. It has no birthdays, its hair is never cut, unless it be that it is trimmed over the eyes to form bangs, and it wears clothing only on very special occasions. The children are by no means innocent in sexual matters; but absolute familiarity with nudity has removed all curiosity and false modesty, and the relations between the sexes are no freer than in civilized communities.

When garments are put on, they are identical with those worn by the elders. At all ages the people will discard their clothing without any sense of shame, whenever the occasion demands; as, for instance, the fording of a stream, or when a number of both sexes happen to be bathing at the same time in the village pool. This does not lead to immodesty or lewdness, and a person who is careless about the acts, which are not considered proper in Tinguian society, is an object of scorn quite as much as he would be in a more advanced community.

The first toys generally consist of pigs, carabao, or horses made by sticking bamboo legs into a sweet potato or mango. A more elaborate plaything is an imitation snake made of short bamboo strips fastened together with cords at top, center, and bottom. When this is held near the middle by the thumb and forefinger, it winds and curls about as if alive.

Stilts of bamboo, similar to those used in America, are sometimes used by the older children, but the more popular local variety is made by fastening cords through the tops of half coconut shells. The youth holds a cord in each hand, stands on the shells with the lines passing between the first two toes, and then walks.

Flat boards with cords attached become "carabao sleds," and in these immense loads of imaginary rice are hauled to the granaries. A similar device serves as a harrow, while a stick is converted into a "plough" or "horse," as is desired. Imitation carabao yokes are much prized, and the children pass many hours serving as draught animals or drivers. The bull-roarer, made by putting a thin piece of bamboo on a cord and whirling it about the head, makes a pleasing noise, and is excellent to use in frightening stray horses. Blow-guns, made out of bamboo or the hollow tubes of plants, vie in popularity with a pop-gun of similar construction. A wad of leaves is driven through with a plunger, and gives a sharp report, as it is expelled.

Tops are among the prized possessions of the boys. They are spun, or are wound with cord, and are thrown overhand at those of other players, with the intention of splitting or marking them.

Quite as popular, with the small girls, are tiny pestles with which they industriously pound rice chaff, in imitation of their mothers.

While still mere babies, the boys begin to play with toy knives made of wood, but by the time they are seven or eight years of age, they are permitted to carry long _bolos_, and before puberty they are expert with the weapons used by the tribe (Plate XI). In the mountain regions in particular, it is a common occurrence for groups of youngsters, armed with reed spears and palm-bark shields, to carry on mock battles. They also learn to make traps and nets, and oftentimes they return to the village with a good catch of small birds.

Full grown dogs are seldom friendly or considered as pets; but puppies, small chickens, parrakeets, pigs, and baby carabao make excellent playfellows, and suffer accordingly. From the day of its birth, the young carabao is taken possession of by the children, who will fondle and tease it, ride on its back, or slide off over its head or tail. Soon they gain confidence, and find similar amusements with the full grown animals. These huge beasts are often surly or vicious, especially around white men, but they recognize their masters in the little brown folk, and submit meekly to their antics. In fact, the greater part of the care of these animals is entrusted to young boys.

When not engaged in some of the amusements already mentioned, it is probable that the youngster is one of the group of naked little savages, which races through the village on the way to the swimming hole, or climbs tall trees from the top of which sleeping pigs can be easily bombarded. Should the children be so fortunate as to possess a tin can, secured from some visiting traveller, they quickly convert it into a drum or _gansa_, and forthwith start a celebration. All can dance and sing, play on nose flutes, bamboo guitars, or Jew's harps.

In addition to songs of their own composition, there are other songs, which are heard whenever the children are at play. They make a swing by tying ropes to a carabao yoke, and attach it to a limb; then, as they swing, they sing:

"Pull swing. My swing is a snake. Do not writhe like a snake. My swing is a big snake. Do not turn and twist. My swing is a lizard. Do not tremble or shake."

When a group gathers under a house to pop corn in the burning rice chaff, they chant:

"Pop, pop, become like the privates of a woman. Make a noise, make a noise, like the clay jar. Pop, pop, like the coconut shell dish. Sagai, sagai, [75] make a noise like the big jar."

When the smoke blows toward a part of the children, the others sing over and over:

"Deep water here; high land there."

A favorite game is played by a number of children. Part stand on the edge of a bank, part below. Those above sing, "Jump down, where the big stone is, the big stone which swallows people. Big stone, which swallows people, where are you?" To this the children below reply, "I am here. I am the big rock which swallows men. Come down here." As those on the bank jump down, they are piled upon, and a free-for-all tussel ensues. In the midst of this, one of the players suddenly sings out, "I am a deer in--, I am very fat." With this he starts off on a run, and the rest of the party, now suddenly transformed into dogs, take up the chase, yelping and barking. When the deer becomes tired, he makes for the water, where he is considered safe; but if he is caught, he is rolled and bitten by the dogs.

Another game played by both boys and girls is known as _maysansani_, and is much like hide-and-go-seek. One boy holds out an open hand, and the others lay their fingers in his palm, while the leader counts, _maysansani_, _duan-nani_, _mataltali_, [76] _ocop_. As _ocop_ ("four" or "ready") is pronounced, the boy quickly closes his hand in order to catch a finger. If he succeeds, the prisoner puts his hands over his eyes, and the leader holds him, while the others run and hide. When all are ready, he is released, and then must find all the players; or he is beaten on the forearm with the first and second fingers of all the participants, or they may pick him up by his head and feet, and whirl him about.

Like European children, they have a set of small sayings or acts for use on appropriate occasions. A youngster may come up to another who is eating a luscious mango; when requested for a bite, he is apt to draw down the lower lid of his eye and coolly answer, "I will make a sound like swallowing for you," and then go on with the feast. He may even hold out the tempting fruit, as if to comply with the request, then suddenly jerk it back and shout "kilat." [77] This is often the signal for a scuffle.

As the children grow older, they begin more and more to take their place in the village life. The little girl becomes the chief guardian of a new arrival in the family; and with the little one strapped on her back, she romps and plays, while the baby enjoys it all or sleeps serenely (Plate XII). The boy also assists his father and mother in the fields, but still he finds some time for games of a more definite character than those just described. Probably the most popular of these is known as _agbita_ or _lipi_.

This is played with the large disk-shaped seeds of the _lipi_ plant (Ilocano _lipai_). Each player puts two disks in line, then all go to a distance and shoot toward them. The shooter is held between the thumb and first finger of the left hand, and is propelled forward by the index finger of the right. The one whose seed goes the farthest gets first shot, and the others follow in order. All seeds knocked down belong to the player, and if any are still in line after each has had his turn, the leader shoots again. When each boy has had two shots, or when all the disks are down, a new line is made; and he whose seed lies at the greatest distance shoots first.

Another common game is _patpatinglad_, which has certain resemblances to cricket. A small cylinder-shaped missel, called _papa-anak_ ("little duck"), about four inches long, is set in a shallow groove, so that one end stands free; it is then struck and batted with a bamboo stock--_papa-ina_ ("mother duck"). The lad who has driven his missel the farthest is the winner, and hence has the privilege of batting away the _papa-anak_ of the other players, so that they will have to chase them. If he likes, he may take hold of the feet of a looser and compel him to walk on his hands to secure this missel. A loser is sometimes taken by the head and feet, and is swung in a circle,

A game frequently seen in the lowland valleys is also common to the Ilocano children, who call it San Pedro. Lines are drawn on the ground to enclose a space about thirty feet square (see diagram Fig. 2). The boys at d try to run between the lines, and at the same time evade the guards a, b, and c. Guard a can run along line 1, or 4 as far as 2. Guard b must stay on line 2; and c must keep on 3. When the runners are captured, they become the guards.

From the preceding paragraphs it may be surmized that the youth is quite untrained and untaught. It is true that he spends no time in a class-room; he passes through no initiation at the time of puberty, neither are there ceremonies or observances of any kind which reveal to him the secret knowledge of the tribe, yet he quickly learns his place in society, and at an early age begins to absorb its customs and beliefs. He sits about the village fires in the evenings, and listens to the tales of long ago, or hears the elders discuss the problems of their daily life. During the hot midday hours, he lounges in the field-houses, while his parents relate the fate of lazy children; or tell of punishments sent by the spirits on those who fail to follow the customs of the ancestors, or give heed to the omens. He attends the ceremonies, where he not only learns the details of these important events, but with his own eyes sees the bodies of the mediums possessed by superior beings, and thus the close relationship of the spirit world to his people is forcibly brought to his notice. He is never debarred from the dances or other activities; in fact, he is encouraged to take part in them or to imitate his elders. Soon custom gathers him into its net, and unless he is the exceptional individual, or comes in intimate contact with outsiders, he never escapes.

It has already been seen that he begins very early to take an active part in the village life, but it is many years before he assumes a position of importance in the group. It is only when age and experience have gained for him the respect of his fellows that he begins to have a voice in the more weighty affairs of Tinguian life.

_Engagement and Marriage_.--Since there are no clans or other groupings to limit the number of families in which unions may be contracted, the only impediments are former marriage ties or blood relationship. Cousins may not marry, neither is a man allowed to wed his step-sister, his wife's sister, or her mother.

Engagement takes place while the children are very young, sometimes while they are still babes-in-arms; but usually the contract is made when they are six or eight years of age.

The boy's parents take the initiative, and having selected a suitable girl, they broach the subject to her family. This is not done directly, but through an intermediary, generally a relative, "who can talk much and well." He carries with him three beads--one red, one yellow, and one agate, [78] which he offers "as an evidence of affection," and then proceeds to relate the many desirable qualities of the groom and his family, as well as the advantages to be gained by the union. If the suit is favored, the beads are attached to the girl's wrist as a sign of her engagement, and a day is set for the _pakálon_ [79] or price fixing.

On the appointed day, friends and relatives gather at the girl's home and, after several hours of feasting and drinking, settle down to the real business on hand. A large pig is slaughtered, and its liver is carefully examined; for, should the omens be unfavorable, it would be useless to continue the negotiations further at that time (cf. p. 307). If the signs are good, the happy crowd forms a circle, and then begins a long and noisy discussion of the price which the girl should bring. Theoretically, the payment is made in horses, carabao, jars, blankets, and rice, but as each article is considered as having a value of five pesos ($2.50), the money is frequently substituted, especially by people in poor circumstances.

A portion of the agreed price is paid at once, and is distributed between the girl's parents and her relatives, who thus become vitally interested in the successful termination of the match; for should it fail of consummation, they must return the gifts received. The balance of the payment is often delayed for a considerable time, and it not infrequently happens that there is still a balance due when the man dies. In such a case no division of his property can be made until the marriage agreement is settled in full.

The completion of the list is the signal for great rejoicing; liquor circulates freely, the men sing _daleng_ (cf. p. 440), and _tadek_ (cf. p. 440) is danced far into the night.

In the yard where the dancing takes place, three inverted rice-mortars are placed one above the other, "to serve as a table for the spirits who always attend." A dish of liquor is placed on it, while at its side is a spear decorated with a man's belt.

These engagement-parties are the great social affairs of the year, and friends will journey long distances to be present, but the betrothed couple is seldom in evidence, and in many instances the groom is absent.

Following their engagement the children live with their parents until such a time as they are considered old enough to maintain their own home. If the lad comes from a well-to-do family, it is probable that the final ceremony will take place before either of the couple reaches puberty; but, if the groom must earn a living, the marriage may be delayed until he is eighteen or nineteen years old (Plate XIII).

When the time for the fulfillment of the agreement arrives, the boy goes, in company, at night to the girl's house. He has a headaxe hanging from his belt, but he is the only one so armed. An earlier writer [80] has described a feigned attack on the house of the bride as a part of the marriage ceremony, but the present writer did not witness anything of the sort, nor could he learn of any such action.

The groom carries with him a small part of the marriage payment and a valuable jar; these he presents to his parents-in-law, and from that time on he may never call them or their near relatives by name. Should he do so, "he will have boils and the first child will be insane."

The bride's people have provided a coconut shell filled with water and a wooden dish [81] containing cooked rice. These are placed between the couple, as they sit in the center of the room (Plate XIV). The boy's mother drops two beads into the shell cup, and bids them drink; for, "as the two beads always go together at the bottom, so you will go together and will not part. The cool water will keep you from becoming angry."

Great care must be exercised in handling the cup; for should the contents be shaken the couple will become dizzy, and in old age their heads and hands will shake. After they have drunk, each takes a handful of rice, and squeezes it into a ball. The girl drops hers through the slits in the bamboo floor as an offering to the spirits, but the boy tosses his into the air. If it breaks or rolls, it is a bad sign, and the couple is apt to part, or their children die. In such a circumstance, the marriage is usually deferred, and tried again at a later date; but repeated scattering of the rice generally results in the annulling of the agreement. [82] Should anything in the dwelling fall or be broken during the ceremony, it is halted at once; to proceed further that night would be to court misfortune. However, it may be undertaken again a few days later.

The guests depart immediately after the rice ceremony. No food or drink is offered to them, nor is there any kind of celebration. [83]

That night the couple sleep with a pillow between them, [84] and under the groom's pillow is a head-axe. Early in the morning, the girl's mother or some other elderly female of her family awakens them, and leads the way to the village spring. Arriving there, she pours water in a coconut shell, which contains a cigar from which the couple have drawn smoke; [85] she adds leaves of bamboo and _agiwas_, and washes their faces with the liquid, "to show that they now have all in common; that the tobacco may keep them and their children from becoming insane; that the _agiwas_ will keep them in health; and the bamboo will make them strong and insure many children, the same as it has many sprouts." On their way home, the boy cuts a _dangla_ shrub (_Vitex negundo_ L.) with his head-axe, and later attaches it to the door of their home, "so that they may have many children."

Throughout that day the doors and windows are kept tightly closed; for should the young people see birds or chickens having intercourse, they are apt to become insane, and their first born have sore or crossed eyes.

The next morning is known as _sipsipot_ ("the watching"). Accompanied by the girl's parents, the couple goes to the father's fields. On the way they carefully observe any signs which animals, birds, or nature, may give them. When they reach the fields, the boy shows his respect for his elders by cutting the grass along the borders with his head-axe. This service also counteracts any bad sign which they may have received that morning. He next takes a little of the soil on his axe, and both he and his bride taste of it, "so that the ground will yield good harvests" for them, and they will become rich. [86]

Nowadays the couple goes to the home, prepared by the groom and his parents, as soon as it is ready, but the tales indicate [87] that in former times they lived for a time with the boy's parents. They are accompanied by the groom's mother, and go very early in the morning, as they are then less apt to receive bad signs from the birds. The girl carries her sleeping mat and two pillows; but before she has deposited these in her new dwelling, she seats herself on the bamboo floor with her legs stretched out in front. It then becomes necessary for the groom to present her with a string of agate beads equal in length to the combined width of the bamboo slats which she covers. Before she can eat of her husband's rice, he must give her a string of beads, or she will become ill; she may not open his granary until a like present has been given, or the resident spirit will make her blind; neither may she take food from the pots or water from the jars, until other beads have been presented to her.

If the girl comes from another village, it is customary to make a payment to her parents for each stream crossed on the journey to the new home; another is demanded before she goes up the house ladder, and still others when she enters the house, and her belongings are brought in. [88]

A common occurrence in Ba-ak and the San Juan district is for the parents of the girl to spread rows of baskets, Chinese plates or jars on the floor and to offer them to the groom. Before he can accept them, he must make a return gift of money, beads, and the like for each one. It is explained by the elders that, when the young people see all the gifts spread out on the floor, they will appreciate the expense involved, and will be less likely to separate.

If at any time the relatives of the girl have reason to doubt the husband's affection, they go to his home, and hold a gathering known as _nagkakaló-nan_. They place a pig, a jar, and a number of baskets on the floor; and the husband is obliged to exchange money and other gifts for them, if he desires to convince the people of his continued love. After the pig has been served as food, the old men deliberate; and should they decide that the relatives have erred, they assess the whole cost of the gathering to the plaintiffs, and return the gifts. If the charge is sustained, the relatives recover the price of the pig, and retain the articles received in exchange for the baskets and dishes.

Divorce is not uncommon, and is effected by a council similar to that just described. An attempt to reconcile the couple is made, but if that fails, the old men decide who is at fault, and assess the expenses of the gathering to that one. If blame attaches to the husband, he must complete any part of the marriage price still due; but if the woman is guilty, her parents and relatives must return the gifts distributed at the time of the engagement. The chief causes for divorce are cruelty or laziness on the part of the man, or unfaithfulness of the woman.

Small children are generally left with the mother, but when they are old enough to decide, they may choose between their parents. However, the father must aid in the support of his offspring, and they share in his property when he dies. Either party to a divorce may remarry at any time.

The Tinguian recognize only one wife, but a man may have as many concubines (_pota_), as he can secure. The _pota_ lives in a house of her own, but she is held somewhat in contempt by the other woman, and is seldom seen in the social gatherings or in other homes. Her children belong to the father, and she has no right of appeal to the old men, except in cases of cruelty. Men with concubines do not suffer in the estimation of their fellows, but are considered clever to have won two or three women.

The _pota_ is generally faithful to one man, and prostitution is almost unknown. Unfaithfulness on the part of a betrothed girl, or wife, or even a _pota_ is almost certain to cause serious trouble, and is likely to end in a murder.

The early pledging and marriage of the children has reduced illicit sexual intercourse to a minimum; nevertheless, it sometimes happens that an unbetrothed girl, not a _pota_, is found to be pregnant. In such a case the man is expected to make a gift of about one hundred pesos to the girl's people, and he must support the child when finally it comes into his keeping. Neither party to such an occurrence loses standing in the community unless the father should fail to redeem the child. Should this happen, he would be a subject of ridicule in the community, and a fine might also result. The usual outcome of such an illicit union is that the girl becomes the _pota_ of her child's father.

_Death and Burial_.--Sickness and death are usually caused by unfriendly spirits; [89] sometimes Kadaklan himself thus punishes those who refuse to obey the customs; sometimes they are brought about by mortals who practise magic, or by individuals themselves as punishment for violated taboos; and finally violent death is recognized as coming from human agency.

The methods of cajoling the spirits, of overcoming magic, and thwarting evil designs are discussed in another chapter (cf. pp. 295 _et seq_.). If all these fail, and the patient dies, the family and relatives at once don old garments, and enter on a period of mourning, while friends and relatives assist in the disposal of the corpse.

A funeral is a great event in a Tinguian village. The dead is bathed, "so that his spirit [90] may be clean," and is placed in a bamboo seat at the end of the house. This seat, which is known as _sangádel_, is constructed by placing three long bamboo poles against the wall and resting a frame of bamboo slats on them, to a height of about three feet. A mat is attached to the top, and is stretched onto the floor in front.

The corpse is dressed in its best garments, beads and silver wire surround its neck, while above and about it are many valuable blankets, belts, clouts, woven skirts, and the like, which the spirit is to take with him to the ancestors in Maglawa, his future home. A live chicken is placed behind the chair as an offering, but following the funeral it becomes the property of the friend, who removes the poles from the house. The flesh of a small pig is also offered to the spirits, while the intestines are hung just outside the door, until the body is buried. In the yard at the north-east corner of the house stands an inverted rice-mortar on which is a dish of _basi_,--an offering to the spirit Al-lot, who in return prevents the people from becoming angry.

The needs of the spirit of the deceased are looked after by the members of the family. It is their duty to place two small jars of liquor near to the corpse and to bring food to it, when the others are eating.

Up to this point only those spirits who attend the ceremony with friendly intent have been provided for, but the Tinguian realize that there are others who must be kept at a distance or at least be compelled to leave the body unharmed. The first of these evil beings to be guarded against is Kadongáyan, [91] who in former times used to attend each funeral and amuse himself by sliting the mouth of the corpse, so that it extended from ear to ear. Through the friendly instruction of Kaboniyan it was learned that, if a live chicken, with its mouth split down to its throat, were fastened to the door of the house, its suffering would be noticed by the evil spirit, who, fearing similar treatment, would not attempt to enter the dwelling. [92]

The spirit Ibwa is also much feared. [93] Long ago he used to mingle with the people in human form, without harming them, but the thoughtless act of a mourner started him on the evil course he has since pursued. In those times, it is said, the corpse was kept in the dwelling seven days; and, as the body decomposed, the liquid which came from it was caught in dishes, and was placed in the grave. On the occasion referred to, he was handed a cup of the "lard" to drink. He immediately acquired a great liking for this disgusting dish, and frequently even devoured the body as well. Since he fears iron, it is possible to drive him away by using metal weapons. It is also necessary to guard the grave against him and the spirit Selday, who demands blood or the corpse.

Akop is another evil spirit, who has a head, long slimy arms and legs, but no body. He is always near the place of death, awaiting an opportunity to embrace the spouse of the deceased, and once let the living feel his cold embrace, death is sure to follow. So a barricade of pillows is erected at one corner of the room, and behind this the wife is compelled to remain during the three days the body is kept in the house, while throughout the night she sleeps under a fish net, in the meshes of which the long fingers of the spirit are sure to become entangled. Meanwhile, two or three old women sit near the corpse fanning it and wailing continually, at the same time keeping close watch to prevent the spirits from approaching the body or the widow (Plate XVI). From time to time the wife may creep over to the corpse, and wailing and caressing it beg the spirit not to depart. [94] According to custom, she has already taken off her beads, has put on old garments and a bark head-band, and has placed over her head a large white blanket, which she wears until after the burial. [95] Likewise all the relatives don old garments, and are barred from all work. The immediate family is under still stricter rules. Corn is their only food; they may not touch anything bloody, neither can they swing their arms as they walk. They are prohibited from mounting a horse, and under no circumstances are they allowed to leave the village or join in merry-making. Failure to obey these rules is followed by swift punishment, generally meted out by the spirit of the dead. [96] Except for the wife, these restrictions are raised after the blood and oil ceremony (described in a later paragraph), but the widow continues in mourning until the Layog is celebrated, at the end of a year.

According to many informants among the older men, it was formerly necessary, following the death of an adult, for the men to put on white head-bands and go out on a head-hunt. Until their return it was impossible to hold the ceremony which released the relatives from the taboo. [97] During the first two days that the body is in the house, the friends and relatives gather to do honor to the dead and to partake of the food and drink, which are always freely given at such a time; but there is neither music, singing, or dancing. [98]

On the morning of the third day, the male guests assemble in the yard, and after drinking _basi_ they select one of their number and proceed to beat him across the wrist or thigh, with a light rod (Plate XVII). Two hundred blows are required, but since the stick is split at one end only, one hundred strokes are given. This whipping is not severe, but the repeated blows are sufficient to cause the flesh to swell. As soon as the first man is beaten, he takes the rod and then proceeds to apply one hundred and fifty strokes [99] to each man present, excepting only those whose wives are pregnant. Should one of the latter be punished, his wife would suffer a miscarriage. The avowed purpose of this whipping is "to make all the people feel as sorry as the relatives of the dead man."

Burial in most of the valley towns is beneath the house, "as it is much easier to defend the body against evil spirits, and the grave is also protected against the rain." In Manabo and many mountain villages, however, burial is in the yard. It is customary to open a grave already occupied by several of the relatives of the deceased.

Toward noon of the last day, some of the men begin clearing away the bamboo, which protects the old burial, and to remove the dirt.

The grave is generally of one of the forms indicated in Fig. 3, and when a depth of about three feet has been reached, the workers encounter stone slabs which protect a lower chamber. [100] When these are reached, the diggers make an opening and thrusting in burning pine-sticks, they call to the dead within, "You must light your pipes with these." As soon as the slabs are raised, the oldest female relative of the deceased goes into the grave, gathers up the bones of the last person interred, ties them into a bundle, and reburies them in one corner. There is at present no such type of burial chamber, as is described by _La Gironière_, [101] nor is there a memory or tradition of such an arrangement. As his visit took place less than a century ago, it is unlikely that all trace of it would have been lost. The heavy rainfall in this district would make the construction and maintenance of such a chamber almost impossible, while the dread of leaving the corpses thus exposed to hostile spirits and the raids of enemies in search of heads would also argue against such a practice. His description of the mummifying or drying of the corpse by means of fires built around it [102] is likewise denied by the old men of Manabo, who insist that they never had such a custom. It certainly does not exist to-day. In a culture, in which the influence of custom is as strong as it is here, it would seem that the care of the corpse, which is intimately related to the condition of the spirit in its final abode, would be one of the last things to change, while the proceedings following a death are to-day so uniform throughout the Tinguian belt, that they argue for a considerable antiquity.

When the grave is ready, the fact is announced in the dwelling, and is the signal for renewed lamentation. The wife and near relatives throw themselves on the corpse, caressing it and crying wildly. Whatever there may have been of duty or respect in the wailing of the first two days, this parting burst of sorrow is genuine. Tears stand in the eyes of many, while others cease their wailing and sob convulsively. After a time an old woman brings in some _oldot_ seeds, each strung on a thread, and fastens one on the wrist of each person, as a protection against the evil spirit Akop, who, having been defeated in his designs against the widow, may seek to vent his anger on others.

When this has been done, a medium seats herself in front of the body; and, covering her face with her hands, begins to chant and wail, bidding the spirit to enter her body. Suddenly she falls back in a faint, while suppressed excitement is manifested by all the onlookers. After a moment or two, fire and water are placed at her head and feet, "in order to frighten the spirit away," and then the medium gives the last message of the dead man to his family. This is, except for very rare exceptions, the only time that the spirits of the deceased communicate with mortals; and it is, so far as the writer has been able to learn, the only occasion when the medium repeats messages given to her. At other times she is possessed by natural spirits, [103] who then talk directly with mortals.

As a last preparation for the grave, a small hole is burned in each garment worn by the dead person, for otherwise the spirit Ibwa will envy him his clothing and attempt to steal them. The corpse is then wrapped in a mat, and is carried from the house. [104] The bearers go directly to the _balaua,_ [105] and rest the body in it for a moment. Unless this is done, the spirit will be poor in its future life and unable to build _balaua_.

The body is deposited full length in the grave, the stone slabs are relaid, the chinks between them filled in with damp clay, and the grave is refilled. [106] As the last earth is pushed in, a small pig is killed, and its blood is sprinkled on the loose soil. Meanwhile Selday is besought to respect the grave and leave it untouched. The animal is cut up, and a small piece is given to each guest, who will stop on the way to his home, and place the meat on the ground as an offering, meanwhile repeating a _diam_. Should he fail to do this, sickness or death is certain to visit his home or village.

As a further protection against evily disposed spirits, especially Ibwa, an iron plough-point is placed over the grave, "for most evil spirits fear iron;" and during this night and the nine succeeding, a fire is kept burning at the grave and at the foot of the house-ladder. [107]

That night the men spend about an hour in the house of mourning, singing _sang-sangit_, a song in which they praise the dead man, encourage the widow, and bespeak the welfare of the family. The wailers still remain in the dwelling to protect the widow, and a male relative is detailed to see that the fire at the foot of the ladder is kept burning brightly.

Early the next morning, the widow, closely guarded by the wailers, goes to the river, throws her headband into the water, and then goes in herself. As she sinks in the water, an old man throws a bundle of burning rice-straw on her. "The water will wash away some of the sorrow, and the fire will make her thoughts clear." Upon her return to the village, the grave is enclosed with a bamboo fence, and above it is hung a shallow box-like frame, known as _patay_, in which are placed the articles needed by the spirit. [108] Within the house the mat and pillow of the dead are laid ready for use, and at meal time food is placed beside it. The length of time that the mat is left spread out differs somewhat between towns and families. In some cases it is taken up at the end of the period of taboo, while in others it is not rolled up; nor are the windows of the house opened until after the celebration of the _Layog_ ceremony, a year later.

The taboo is usually strictly observed through ten days; but should there be some urgent reason, such as planting or reaping, it may be raised somewhat earlier. It is concluded by the blood and oil ceremony. The _lakay_, the other old men of the settlement, and all the relatives, gather in the house of mourning, while the mediums prepare for the ceremony. They kill a small pig and collect its blood in a dish; in another receptacle they place oil. A brush has been made out of a variety of leaves, and this the medium dips into the blood and oil, then draws it over the wrists or ankles of each person present, meanwhile saying, "Let the _lew-lew_ (_Fiscus hauili_ Blanco) leaves take the sickness and death to another town; let the _kawayan_ ("bamboo") make them grow fast and be strong as it is, and have many branches; let the _atilwag_ (_Breynia acuminata_ Nuell. Arg.) turn the sickness to other towns." A little oil is rubbed on the head of each person present; and all, except the widow, are then freed from restrictions. She must still refrain from wearing her beads, ornaments, or good clothing; and she is barred from taking part in any merry-making until after the _Layog_ ceremony. [109]

At the conclusion of the anointing, the old men discuss the disposal of the property and other matters of importance in connection with the death.

_The Layog_. [110]--Several months after the burial (generally after the lapse of a year), the friends and relatives are summoned in the _Layog_,--a ceremony held with the avowed intention "to show respect for the dead and to cause the family to forget their sorrow." Friends come from near and far; and rice, pigs, cows or carabaos are prepared for food, while _basi_ flows freely. It is said that the liquor served at this time is "like tears for the dead." A medium goes to the guardian stones of the village, and there offers rice mixed with blood; she oils the stones, places new yellow headbands on each one, and after dancing _tadek_, returns to the gathering. Often she is accompanied by a number of men, who shout on their return trip "to frighten away evil spirits."

Near the house a chair is made ready for the deceased, and in it are placed clothing and food. In the yard four crossed spears form the frame-work on which a shield rests (Plate XVIII) [111] and on this are beads, food, and garments--offerings for the spirits; while near the house ladder is the spirits' table made of inverted rice mortars.

The duration of this ceremony depends largely on the wealth of the family, for the relatives must furnish everything needed at this time. Games are played, and there is much drinking and singing; but before the members of the family may take part, they are dressed in good garments, and the blood and oil ceremony is repeated on them. At the conclusion of the dancing, they go into the house, roll up the mat used by the dead, open the doors and windows, and all are again free to do as they wish. Should they fail to roll up the mat at this time, it must remain until another _Layog_ is held; and during the interval all the former restrictions are in force. [112]

About twenty years ago, a great number of people in Patok died of cholera; and since then the people of that village have held a _Layog_ in their honor each November, to the expense of which all contribute. As this is just before the rice-harvest, a time when all the people wear their best garments, it is customary for the old men to allow bereaved families to participate in this ceremony and then release them from mourning.

_Beliefs Concerning the Spirit of the Dead_.--Direct questioning brings out some differences of opinion, in the various districts, concerning the spirit of the dead. In Manabo, a town influenced both by the Igorot of the Upit River valley and the Christianized Ilocano of San Jose, the spirit is said to go at once to the great spirit Kadaklan, and then to continue on "to the town where it lives." "It is like a person, but is so light that it can be carried along by the wind when it blows." [113] The people of Ba-ay, a mountain village partially made up of immigrants from the eastern side of the Cordillera Central, claim that the spirits of the dead go to a mountain called Singet, where they have a great town. Here, it is also stated, the good are rewarded with fine houses, while the bad have to be content with hovels. The general belief, however, is that the spirit (_kalading_) has a body like that of the living person, but is usually invisible, although spirits have appeared, and have even sought to injure living beings. Immediately following death, the spirit stays near to its old home, ready to take vengeance on any relative, who fails to show his body proper respect. After the blood and oil ceremony, he goes to his future home, Maglawa, carrying with him gifts for the ancestors, which the people have placed about his corpse. In Maglawa he finds conditions much the same as on earth; people are rich and poor; they need houses; they plant and reap; and they conduct ceremonies for the superior beings, just as they had done during their life on earth. Beyond this, the people do not pretend to be posted, "for Kaboniyan did not tell." With the exception of the people of Ba-ay and a few individuals influenced by Christianity, the Tinguian has no idea of reward or punishment in the future life, but he does believe that the position of the spirit in its new home can be affected by the acts of the living (cf. p. 289). No trace of a belief in re-incarnation was found in any district inhabited by this tribe.

_Life and Death_.--The foregoing details concerning birth, childhood, sickness, and death, seem to give us an insight into the Tinguian conception of life and death. For him life and death do not appear to be but incidents in an endless cycle of birth, death, and re-incarnation ad infinitum, such as pictured by _Lévy-Bruhl_; [114] yet, in many instances, his acts and beliefs fit in closely with the theory outlined by that author. In this society, there is only a weak line of demarcation between the living and the dead, and the dead for a time at least participate more or less in the life of the living. This is equally true of the unborn child, whose future condition, physical and mental, may be largely moulded by the acts of others. According to _Lévy-Bruhl_, this would indicate that the child at delivery is not fully born, is not as yet a member of the group; and the succeeding ceremonies are necessary to its full participation in life. Death is likewise of long duration. Following the last breath, the spirit remains near by until the magic power of the funeral severs, to an extent, his participation with society. The purpose of the final ceremony is to complete the rupture between the living and the dead.

To the writer, the facts of Tinguian life and beliefs suggest a somewhat different explanation. We have seen how strong individuals may be affected by magical practices. The close connection between an individual, his garments, or even his name, must be considered to apply with quite as much force to the helpless infant and the afterbirth. So strong is this bond, that even unintentional acts may injure the babe. Evil spirits are always near; and, unless great precautions are taken, they will injure adults if they can get them at a disadvantage, particularly when they are asleep. The child is not able to protect itself from these beings; therefore the adults perform such acts, as they think will secure the good will and help of friendly spirits, while they bribe or buy up those who might otherwise be hostile; and lastly they make use of such magical objects and ceremonies, as will compel the evil spirits to leave the infant alone. As the child grows in size and strength, he is less in need of protection; and at an early age he is treated like the other younger members of the community. Naming follows almost immediately after birth, while puberty and initiation ceremonies are entirely lacking. Apparently then, a child is considered as being fully alive at birth, and at no time does he undergo any rites or ceremonies which make him more a part of the community than he was on the first day he saw the light.

When death occurs, the spirit remains near to the corpse until after the funeral, and even then is close by until the ten days of taboo are over. He still finds need of nourishment, and hence food is placed near to his mat. As at birth, he is not in a position to protect his body from the designs of evil spirits, and if his relatives fail to give the corpse proper care, it is certain to be mutilated; likewise certain acts of the living towards the corpse can affect the position of the spirit in Maglawa. Hence it is of supreme importance that the former owner guards against any possible neglect or injury to the body, and it seems plausible that the presence of the spirit near its old haunts may be for the purpose of seeing that its body is carefully attended to. The folktales tell of several instances, in which the spirits took vengeance on relatives who neglected their bodies, or violated the period of taboo. [115]

When the danger period is past, the spirit at once leaves its old home, and returns again only at the time of the _Layog_. From that time on, he continues his existence in the upper world, neither troubling, nor being troubled by mortals on earth. [116] Ancestor worship does not occur here, nor are offerings made to the dead, other than those described above.