Part 10

“Impossible!” The man at the table jumped up. “This is only a waste of time.”

He caught up the lantern and went out. The others, pushing Wedge before them, followed. They passed through a long stone corridor, down some narrow steps, and stopped before an iron door. Wedge heard the fumbling of keys, the creak of a rusty lock, and the door swung open. The interior was dark.

Dance stood by the door, holding the lantern aloft. In obedience to a brief command Wedge’s hands were released.

“Hand him the club.”

A stout cudgel of twisted wood, with a heavy nobbed end, was thrust into his hands. But Wedge was a man of action, and he saw in a flash that if he was to escape from his unknown fate the opportunity had come. They were trying to push him through the door into the dark interior.

“_Vite! Il est dangereux!_” exclaimed the man with the lantern.

But Wedge was too quick. He swung the club swiftly round, and the lantern fell, smashed to atoms. In a moment he was seized by half a dozen hands. He fought powerfully, but they hung on to him grimly, and little by little he was thrust forward. He had not enough space to use the club. He dropped it and used his fists, and more than once struck the stone walls in the confusion of the struggle in the dark. Then someone got hold of his throat, while the others fastened on his arms, and he was thrown backwards. He heard the clang of the iron door and lay gasping on the floor.

A blinding white light suddenly shone down on him. He staggered to his feet and looked round, shading his eyes with his hands from the dazzling glare. He was in a circular space bounded by smooth white walls. The floor was sanded. Above him burned half a dozen arc-lamps, whose brilliant rays were reflected directly downwards by polished metal discs. The upper part of the place was in shadow, but he could make out an iron balcony running partly round the wall, about fifteen feet above the sanded floor.

Colonel Wedge went to the wall and began to examine its surface. It was smooth, and seemed made of painted iron. The outline of the door through which he had been flung was visible on one side, but directly opposite there was the outline of another door. He went towards it. It was also made of iron like the surrounding structure, and apparently opened outwards. He pushed at it, but it was shut.

A sound of something falling on the floor made him turn. The wooden cudgel had been thrown down from the iron platform above. Looking up, he could dimly see a number of faces staring down at him, and also a couple of box-like instruments, one at either end of the platform. It was difficult to see clearly, for the light of the arc-lamps was intense. He stared up, shielding his eyes, and then suddenly he saw what they were. A couple of cinematograph machines were trained on the floor below!

It was not until then that Wedge fully realised his position. The picture of the man fighting the rattlesnakes was suddenly explained. He remembered the pit. He walked to the centre and stood with clenched fists. Here was the pit. _Extremely life-like!_

He stooped and picked up the cudgel. At any rate, whatever he had to face, he would make a fight for it.

Mechanically he found himself watching the second door. It was through that door that the menace of death would come.

Up on the platform they were whispering together.

His brain was clear, and he felt calm. He knew that whatever came out from behind that door would have the intention to kill. And he knew, also, that it was not the wish of the onlookers that he should triumph. It would not be a fair fight. In the moments of suspense he wondered in a kind of deliberate, leisurely way what was coming. They would not repeat the rattlesnake picture. That had already had its victim. In this arena one man had acted the part of fear with marvellous realism—perhaps others as well.

Cudgel in hand, ready and braced, with his free hand at his moustache, Colonel Wedge waited, his eyes fixed on the door.

“Ah, I think you understand now,” said a voice out of the shadows above. “We hope that this will make a fine film, the finest of this series that we have done yet.”

Wedge did not move a muscle.

“We rely on you to do your best for us.”

Somewhere at the bottom of his heart the Colonel registered a vow that if he ever got out of that place alive he would kill Dance.

A chuckle followed and then silence, except for the sizzling of the arc-lamps.

Then he heard a sound of clicking. The cinematograph machines had begun.

“Ready?”

Wedge took his breath slowly. The door was opening.

He saw a gap of blackness widening in the white circular wall. The hand that was at his moustache fell to his side. The cudgel rose a trifle, and the muscles of his right arm stiffened. Inch by inch, without a creak, the door swung outwards until it stood widely open.

For a few seconds nothing appeared. The suspense was becoming unendurable, and Wedge had just made up his mind to approach when he saw an indistinct form moving in the background of the shadowy interior, and next moment a big yellow beast slipped out and stood blinking in the strong light. He recognised the flat diamond head and tufted ears in a moment. The door clanged behind it.

“Puma,” he muttered, with his eyes on the brute, and a spark of hope glowed in his heart. There were worse brutes to face single-handed than pumas, and he knew something of the capriciousness of the animal. It was just possible——

His thoughts ceased abruptly. The beast was moving. It slunk on its belly to the wall, and began to walk slowly round and round. Wedge, turning as it moved, always faced it. It quickened its pace into a trot, and as it ran it looked only occasionally at the man in the centre. It seemed more interested in the wall. At times it stretched its head and peered upwards.

In its lean white jaw and yellow eyes there was no message of hatred for the moment. Suddenly it stopped and listened. The clicking of the cinematograph had attracted it. It stood up against the wall, clawing at the paint. Then it squatted on its haunches, with its back to Wedge, and blinked up at the platform overhead.

The heavy fetid odour of the beast filled the air. Wedge relaxed himself a little, but the puma heard the movement, for it looked round swiftly. It behaved as if it had seen him for the first time, and began to pace round and round again, eyeing him. It came to a halt near the door from which it had emerged, and lay down flat, with its paws outstretched, watching Wedge. He caught the sheen of its eyes. He remained still, for at the slightest movement the brute quivered.

As yet he could read nothing vindictive in its look, but he knew that at any moment it might change into a raging, snarling demon and spring. Being a believer in the idea that animals are in some way conscious of the emotional state in others and act accordingly, he tried to banish all sense of fear and all sense of ill-will from his mind, and look at it calmly and indifferently.

The puma, with its fore-paws extended on the sand and its head raised, blinked lazily at him. It seemed half asleep by its attitude. Sometimes the brilliant eyes were almost shut.

“Mordieu!” said a voice above. “He wants rousing.”

In a flash the animal was on its feet, rigid and glaring up. Apparently the platform overhead roused its anger. Its tail began to whip from side to side, and its lip lifted at one corner in a vicious snarl, uncovering the white fang.

A clamour of voices broke out. The whole aspect of the beast changed. Its eyes blazed. It stooped on its belly, glaring upwards. Was it possible it recognised an old enemy amongst the spectators?

Wedge waited anxiously, and the sweat began to break out on his brow.

With bared claws, the animal crouched, still looking upwards. It seemed to have forgotten Wedge. The men were shouting at it and stamping with their feet on the iron floor of the platform. The beast put one paw out and crept forward. The muscles rippled and bulged under the skin.

“It’s going to spring,” thought Wedge. “But it’s not looking at me.”

Slowly step by step the beast advanced. It passed scarcely two feet away from Wedge, and went on without looking at him. When it was almost directly under the platform it stopped and snarled upwards.

Then someone threw a lighted match on its back, and straightway it became transformed into the devil-cat of tradition.

Wedge was never quite clear as to its movements after that, for it flashed round the arena like a streak of yellow lightning He raised his club, but the brute was not after him. It went twice, and then a third time, round the white walls, and stopped for an instant, taut and low on the sandy floor. And then it shot up in a magnificent leap towards the shadows above the arc-lamps.

The shouts from the platform ceased suddenly, and then a wild hubbub broke out.

Wedge heard the rattling and scraping of the beast’s claws against the railings above and a shriek of terror. There was a stampede of feet. A loud series of snarls followed and the sound of a body falling heavily.

Wedge stood for a moment dazed. Then he dashed across to the door through which the beast had entered, and flung all his weight against it. He tried again and again with all the weight of his powerful shoulders. It yielded with a crash, and he fell flat into the cage on the other side, amongst the foul straw.

He was up in an instant. By the light of the arc-lamps in the arena he could make out that the cage had an iron grating on one side closed by a bolt. He thrust his hand through the bars and worked back the bolt. Next moment he was out of the cage and running down a dark stone corridor, cudgel in hand, and determined to brain anyone who stood in his path. At the top of a flight of steps he came to a door barred from the inside. He flung aside the fastenings and staggered out into the sweet night air.

When the police raided the cellars under the cinematograph show a few hours later, led by Wedge, they found the puma asleep in its open cage, and above, on the iron platform, all that was left of Mr. Dance, inventor and producer of life-like films.

It was not until daylight came that Wedge discovered they had blackened his eyebrows and drawn disfiguring lines across his face.

Lame Dogs

_By_ Cosmo Hamilton

_Royal Naval Air Service_

The sun fell straightly upon a great golden cornfield. Already the sickle had been at work upon its edges, and tall bundles, among whose feet the vermilion poppy peeped, stood head-to-head at regular distances. Among the ripe heads of the uncut corn the intermittent puffs of a soft August breeze whispered, offering congratulations and perhaps condolences—congratulations mostly, because what is there more beautiful and right in all the year’s usefulness than the glorious fulfilment of the spring’s green promise?

All the hours of a busy morning had been marked off melodiously by the old clock of an older church which stood with maternal dignity among gravestones several fields away. It wanted only a few moments to the hour of one. A brawny son of the soil, tanned of face, neck, and arms, who had been working in the angle of the field nearest the road, had just laid down his sickle and his crooked stick.

He was hot, but satisfied. He was also sharp-set, and very ready for the dinner that awaited him, with beer, at his cottage on the outskirts of the village. He sang, quietly and monotonously, in a typical burring way, a song which was written in praise of boiled beef and carrots. And while he sang he dabbed his face and neck with a startling handkerchief of red and yellow.

Swallows, flying high, skimmed the air playfully. Flocks of sparrows moved quickly among the standing corn, no longer frightened by the tin with stones in it, that was rattled by a slow-footed boy in the distance. They were eager to get their fill of stolen fruits before their natural enemies removed it from their beaks. The air was alive with the glimmering heat, and the shadows of the trees were almost straight.

One sounded, and before the bell’s reverberations had blown away, a note of discord in the delicious harmony was struck by the sudden appearance of a man, who leaned on the white gate which divided the field from the road.

He was a short, slight, odd-looking creature, dressed in clothes that were rather too smart, and a green dump hat a little the worse for wear. His clean-shaven face, mobile and curiously lined, was pale and a little pinched, and the whole limp appearance of the man showed that he was only just recovering from an illness. Across one shoulder a knapsack was slung, and behind his left ear there rested a cigarette. A pearl was stuck in a rather loud tie, and there was a large ring on one of his little fingers.

There was something both comic and pathetic In the figure, and everything that was peculiarly the very antithesis of the exquisite rural surroundings. The initials “R. D.” were stencilled on the knapsack, and they stood for Richard Danby, a name that was well known in towns, but wholly unknown among cornfields and under the blue, unsmoked sky.

Danby, who had gladly leaned on the gate to rest, watched the big, muscular man for a moment, with eyes in which there was admiration, and listened to the unmusical rendering of a song which had trickled, note by note, into the country from London, with amusement. He then adopted an air of forced cheerfulness and clapped his hands.

“Bravo!” he said. “Bravo!”

Peter Pippard turned slowly, antagonistically.

“Eh?” he said.

The little man waved his ringed hand.

“I said ’Bravo’—well rendered. What is it? An aria from _Faust_, or a little thing of your own?”

The big man was puzzled and surprised.

“Eh?” he said again.

Danby was not to be beaten. There was something in his manner which showed that he was in the habit of addressing himself to audiences and talking for effect.

“How delightful,” he continued, with fluent insincerity, “to find a peasant in song! A merry heart wags all the day. Who wouldn’t be happy among the golden corn, in touch with Nature, with the field-bugs gambolling over one’s back!”

“Eh?”

Danby laughed.

“You find me a little flowery; I am flying too high for you. I am indulging in aeroplanics. I’ll come down to the good red earth. Marnin’, matey. How’s t’crops?”

The imitation of the country accent was ridiculously exaggerated. The farm-hand examined the town man searchingly and suspiciously.

“Eh?” he said again.

“Beat again!” said Danby, with a shriek of laughter.

Pippard went closer, but slowly.

“Want onythin’, mister?” he asked.

“No. Oh Lord, no! I only want to get some other word out of you than ‘eh.’”

“Oh,” said Pippard.

“Thanks. Thanks most awfully. Now we’re moving.... Well, how’s the corn? It looks fine and fat.”

“Ah,” said Pippard, grinning broadly and affectionately.

The little man bowed. He seemed to be saying things which would arouse laughter among an invisible audience.

“Again I thank you. Yes, very fine and fat. You’ve been punching out and giving them thick ears. What?”

The examination was continued.

“You doan’t seem ter be talkin’ sense, mister.”

Another shriek of laughter disturbed the characteristic peacefulness.

“Congratulations! You’ve discovered me. How can I talk sense when I’m trying to be sociable? You don’t object to a little bright conversation, do you?”

“Noa.”

“Well, we’ll cut generalities and come to facts. How’s the twins?”

“Ain’t got no twins.”

“Nonsense! I don’t believe it. A great, big, brawny fellow like you. I take it you’ve got some nippers?”

Pippard chuckled. “Three girls and two boys.”

“Ah, that’s something like! Again congratulations! It’s very kind of you to ask me to come over. Since you’re so pressing, I think I will.” He climbed over the gate a little painfully and walked jauntily into the field.

The farm-hand broke into a laugh. “Ah reckon as ’ow you’re a funny man, ain’t you?”

The little man became suddenly serious, so suddenly and so eagerly serious, that if Pippard had been endowed with the first glimmerings of psychology, he would have been startled and a little nervous. “Are you joking, or do you mean it? Is it possible that I make you laugh? Is it possible?”

“The very sight o’ you gives me a ticklin’ inside,” was the reply.

Danby seized the brawny and surprised hand and wrung it warmly. “God bless you, dear old Hodge!” he said hoarsely. “God bless you!” Then he laughed merrily. “You make me feel like an attack of bronchitis.”

The feeble joke went home. Pippard roared. “There you goes agin,” he said. “What _are_ yer, mister? A hartist?”

“An artist? Oh, dear no. Oh, God bless me, no! I’m an artiste.”

“What’s the difference, any’ow?”

If the little man had asked for his cue, he could not have got it more readily. “An artist earns his bread-and-butter by putting paint on canvas, and an artiste gets an occasional dish of tripe and onions by putting paint on his face.”

“Ah reckon as ’ow you’re an artiste, mister, although Ah can’t see no paint on yer face.”

“I washed over twelve months ago,” said Danby sadly. “Oh, by the way, am I trespassing?”

“Well, it all depends on wot ye’re a-goin’ ter do.”

“Eat, old boy. If you’ve no objection I’m going to spread out my _hors d’œuvres_ and _pâté de foie gras_, and lunch al-fresco.”

“Don’t onderstand a blame wurd,” said Pippard, grinning.

“Putting it in plain English, I’m going to wrestle with half a loaf of bread and two slices of cold ham. Will you join me? Do.” The invitation was made eagerly. “Stay here and let me hear you laugh. It does me more good than a whole side of streaky bacon.”

Pippard scratched his head doubtfully. “Well, Ah told th’ old ’ooman as ’ow Ah’d be wome for dinner,” he said.

“The old woman must not be disappointed. Do you pass a pub on your way home?”

“Can’t go anywhere from ’ere without passin’ a poob.”

Danby squeezed a shilling into the great sun-tanned fist.

“Well, call in and get a drink.”

“Thankee, Ah doan’t mind if Ah do.”

“Drink to my health. I don’t suppose you want a drink more than I want health.” He walked round the farm-labourer admiringly. He looked like a smooth-haired terrier who had suddenly met a St. Bernard. “My word, I’d give something to be a man like you. What muscle, what bones, what a back! What a hand! It’s as big as a leg of mutton. Do you ever get tired of being healthy? Do you ever wake up in the morning and say: ‘O Lord, I’m still as strong as an ox—why can’t I get a nice thumping headache to keep me in bed?’”

It was altogether too much for the man who rose with the sun and went to bed with the sun and worked out in the fields all day long; the big, simple, healthy, natural man, whose life was a series of seasons, to whom there was no tragedy except bad weather, and a lack of work and wages. This odd little creature, who said unexpected things as though he meant them, and asked funny questions seriously, was “a comic”—such a man as the clown who came with the circus twice a year, and played the fool in the big tent which was pitched on the green and lighted with flares of gas. Pippard laughed so loudly that he scared the eager sparrows.

“There you go,” he said. “Ah reckon as ’ow you was born funny.”

Danby eyed him keenly and wistfully. “Are you laughing at me?” he asked. “_Me?_”

“Laffin’? Why, you’d make an old sow laff.”

“You amaze me,” said Danby. He gave the man another shilling. “Get further drinks on your way back. You’re—you’re a pink pill for pale people, old boy.”

“Ah _must_ go,” said Pippard reluctantly.

“Yes, you trudge off to the old woman and get your dinner. I’ll drink your health in a glass of water and a tabloid.”

Pippard got into his coat and re-lit a short black clay.

“Well, good day, and thankee.”

“Good day, and thank _you_.” Danby held out his hand. It was thin and pale. It was grasped and shaken monstrously. “That’s right—hurt it. Go on; hurt it. You make me feel almost manly.... Good day and good luck! My love to the old woman and the kids, and the rabbit, and the old dog, and granny.”

Laughing again, the big man marched off, made small work of the gate, and trudged away. Danby followed him up to the gate, and stood watching him curiously and admiringly, and as he watched he spoke his thoughts aloud.

“Good day, giant,” he said. “Good day, simple son of the soil, who eats hearty, drinks like a fish, and digests everything. Good-bye, man who knows nothing, and doesn’t want to know anything. I’d give ten years of my life for five of yours any day. Well, well.”

He turned with a sigh, took off his hat and hung it on a twig of the hedge, and then divested himself of his knapsack. This he unstrapped, and, taking out a napkin, spread it with a certain neatness on the grass, and set upon it a loaf, a piece of Cheddar cheese, a lettuce, and several slices of ham wrapped in paper, a knife and fork. To this not unappetising meal he added a large green bottle of water.

“Ah!” he said. A sudden thought struck him. He put his finger and thumb into a waistcoat pocket, and brought out a small bottle of tabloids. He swallowed one with many grimaces and much effort. He sighed again and sat down. He looked with feigned interest at the eatables in front of him for several minutes. He then shook his head and gave an expressive gesture. “No,” he said aloud, in order that he might not feel quite so lonely. “No, not hungry. Beautiful food, clean napkin, lettuce washed in the brook, no appetite—not one faint semblance of a twist!”

It appeared from the startled flight of a thrush from the hedge that R. D. was not to be lonely after all. Another person bent over the gate, and looked into the cornfield, seemed perfectly satisfied, and climbed over. “This is all right,” she said. “Carlton, S.W. Oh!”

The exclamation was involuntary. The girl caught sight of the man and pulled up short.

Danby sprang to his feet. The girl was pretty; and although her once smart clothes were shabby, and her shoes very much the worse for wear, she looked a nice, honest, frank creature, aglow with health and youth and optimism. Danby caught up his hat, put it on, and took it off again in his best society manner.

“No intrusion,” he said. “Just a little al-fresco lunch, nothing more.”

The girl smiled. Her teeth were very small and white and regular. “That was my idea,” she said. “Not in the way, I hope?”

“Oh, please,” replied Danby. “The sight of some one eating may inspire me and give me the much-desired appetite.”

A ringing laugh was caught up by the gentle breeze.

“I should like to be able to eat enough to starve mine. Good morning!”

“Good morning!” said Danby. He bowed again, and hung his hat back on the twig. He was not a little disappointed. He had hoped for conversation and companionship. He sat down, but with interested eyes watched the girl unpack her luncheon quickly and deftly. She had no napkin. She spread her bread and meat on a sheet of newspaper, and cleaned her knife by thrusting it into the earth and wiping it on the grass. He noticed that her shoes were very dusty, and came to the conclusion that she had walked some distance. He was right. He caught her eye and looked away quickly.

“I beg pardon!” he said.

“Granted, I’m sure.” Danby’s manners were excellent.

“You haven’t got such a thing as a pinch of salt, I suppose?”

“I can oblige you with all the condiments, including a little A1 sauce.”

The girl laughed again. It was a charming laugh. “Oh, I can do without that,” she said.

Danby, only too glad of an excuse to be of use, scrambled to his feet and made his way across the golden stubble to the girl’s side. In his hand he held a small tobacco-tin. He opened it and held it out.

“Navy-cut?” she said, with wide-eyed surprise.

“An old ‘Dreadnought’ turned into a merchant ship. It’s quite clean.”

“Oh, thanks most awfully!” She helped herself to salt.