The Three Devils: Luther's, Milton's, and Goethe's; With Other Essays

Part 2

Chapter 24,124 wordsPublic domain

Among all the vast angelic population three or four individuals stood pre-eminent and unapproachable. These were the Archangels. Satan was one of these: if not the highest Archangel in Heaven, he was one of the four highest. After God, he could feel conscious of being the greatest being in the Universe. But, although the relation between the Deity and the angelic population was so close that we can only express it by having recourse to the conception of physical nearness, yet even to the Angels the Deity was so shrouded in clouds and mystery that the highest Archangel might proceed on a wrong notion of his character, and, just as human beings do, might believe the Divine omnipotence as a theological proposition, and yet, in going about his enterprises, might not carry a working consciousness of it along with him. There is something in the exercise of power, in the mere feeling of existence, in the stretching out of a limb, in the resisting of an obstacle, in being active in any way, which generates a conviction that our powers are self-contained, hostile to the recollection of inferiority or accountability. A messenger, employed in his master's business, becomes, in the very act of serving him, forgetful of him. As the feeling of enjoyment in action grows strong, the feeling of a dependent state of being, the feeling of being a messenger, grows weak. Repose and physical weakness are favourable to the recognition of a derived existence: hence the beauty of the feebleness of old age preceding the approach of death. The feebleness of the body weakens the self-sufficient feeling, and disposes to piety. The young man, rejoicing in his strength, cannot believe that his breath is in his nostrils. In some such way the Archangel fell. Rejoicing in his strength, walking colossal through Heaven, gigantic in his conceptions, incessant in his working, ever scheming, ever imagining new enterprises, Satan was in his very nature the most active of God's Archangels. He was ever doing some great thing, and ever thirsting for some greater thing to do. And, alas! his very wisdom became his folly. His notion of the Deity was higher and grander than that of any other Angel: but, then, he was not a contemplative spirit; and his feeling of derived existence grew weak in the glow and excitement of constant occupation. As the feeling of enjoyment in action grew strong, the feeling of being an Angel grew weak. Thus the mere duration of his existence had undermined his strength and prepared him for sin. Although the greatest Angel in Heaven--nay, just because he was such--he was the readiest to fall.

At last an occasion came. When the intimation was made by the Almighty in the Congregation of the Angels that he had anointed his only-begotten Son King on the holy hill of Zion, the Archangel frowned and became a rebel: not because he had weighed the enterprise to which he was committing himself, but because he was hurried on by the impetus of an over-wrought nature. Even had he weighed the enterprise, and found it wanting, he would have been a rebel nevertheless; he would have rushed into ruin on the wheels of his old impulses. He could not have said to himself "It is useless to rebel, and I will not;" and, if he could, what a hypocrite to have remained in Heaven! His revolt was the natural issue of the thoughts to which he had accustomed himself; and his crime lay in having acquired a rebellious constitution, in having pursued action too much, and spurned worship and contemplation. Herein lay the difference between him and the other Archangels, Raphael, Gabriel, and Michael.

Satan in his revolt carried a third part of the Angels with him. He had accustomed many of the Angels to his mode of thinking. One of the ways in which he gratified his desire for activity had been that of exerting a moral and intellectual influence over the inferior Angels. A few of these he had liked to associate with, discoursing with them, and observing how they imbibed his ideas. His chief associate, almost his bosom-companion, had been Beelzebub, a princely Angel. Moloch, Belial, and Mammon, had likewise been admitted to his confidence. These five had constituted a kind of clique in Heaven, giving the word to a whole multitude of inferior Angels, all of them resembling their leader in being fonder of action than of contemplation. Thus, in addition to the mere hankering after action, there had grown up in Satan's mind a love of power. This feeling that it was a glorious thing to be a leader seems to have had much to do with his voluntary sacrifice of happiness. We may conceive it to have been voluntary. Foreseeing never so much misery would not have prevented such a spirit from rebelling. Having a third of the Angels away with him in some dark, howling region, where he might rule over them alone, would have seemed, even if he had foreseen it, infinitely preferable to the puny sovereignty of an Archangel in that world of gold and emerald: "better to reign in Hell than serve in Heaven." Thus we conceive him to have faced the anticipation of the future. It required little persuasion to gain over the kindred spirit of Beelzebub. These two appear to have conceived the enterprise from the beginning in a different light from that in which they represented it to their followers. Happiness with the inferior Spirits was a more important consideration than with such Spirits as Satan and Beelzebub; and to have hinted the possibility of losing happiness in the enterprise would have been to terrify them away. Satan and Beelzebub were losing happiness to gain something which they thought better; to the inferior Angels nothing could be mentioned that would appear better. Again, the inferior Angels, judging from narrower premises, might indulge in enthusiastic expectations which the greater knowledge of the leaders would prevent them from entertaining. At all events, the effect of the intercourse with the Angels was that a third of their number joined the standard of Satan. Then began the wars in Heaven, related in the poem.

It may be remarked that the carrying on those wars by Satan with the hope of victory is not inconsistent with what has been said as to the possibility of his not having proceeded on a false calculation. We are apt to imagine those wars as wars between the rebel Angels and the armies of God. Now this is true; but it is scarcely the proper idea in the circumstances. How could Satan have hoped for victory in that case? You can only suppose that he did so by lessening his intellect, by making him a mere blundering Fury, and not a keen, far-seeing Intelligence. But in warring with Michael and his followers he was, until the contrary should be proved, warring merely against his fellow-beings of the same Heaven, whose strength he knew and feared not. The idea of physical nearness between the Almighty and the Angels confuses us here. Satan had heard the threat which had accompanied the proclamation of the Messiah's sovereignty; but it may have been problematical in his mind whether the way in which God would fulfil the threat would be to make Michael conquer him. So he made war against Michael and his Angels. At last, when all Heaven was in confusion, the Divine omnipotence interfered. On the third day the Messiah rode forth in his strength, to end the wars and expel the rebel host from Heaven. They fled, driven before his thunder. The crystal wall of Heaven opened wide, and the two lips, rolling inward, disclosed a spacious gap yawning into the wasteful Deep. The reeling Angels saw down, and hung back affrighted; but the terror of the Lord was behind them: headlong they threw themselves from the verge of Heaven into the fathomless abyss, eternal wrath burning after them down through the blackness like a hissing fiery funnel.

And now the Almighty determined to create a new kind of World, and to people it with a race of beings different from that already existing, inferior in the meantime to the Angels, but with the power of working themselves up into the Angelic mode of being. The Messiah, girt with omnipotence, rode out on this creating errand. Heaven opened her everlasting gates, moving on their golden hinges, and the King of Glory, uplifted on the wings of Cherubim, rode on and on into Chaos. At last he stayed his fervid wheels and took the golden compasses in his hand. Centering one point where he stood, he turned the other silently and slowly round through the profound obscurity. Thus were the limits of _our_ Universe marked out--that azure region in which the stars were to shine, and the planets were to wheel. On the huge fragment of Chaos thus marked out the Creating Spirit brooded, and the light gushed down. In six days the work of creation was completed. In the centre of the new Universe hung a silvery star. That was the Earth. Thereon, in a paradise of trees and flowers, walked Adam and Eve, the last and the fairest of all God's creatures.

Meanwhile the rebel host lay rolling in the fiery gulf underneath Chaos. The bottom of Chaos was Hell. Above it was Chaos proper, a thick, black, sweltering confusion. Above it again was the new experimental World, cut out of it like a mine, and brilliant with stars and galaxies. And high over all, behind the stars and galaxies, was Heaven itself. Satan and his crew lay rolling in Hell, the fiery element underneath Chaos. Chaos lay between them and the new World. Satan was the first to awake out of stupor and realize the whole state of the case--what had occurred, what was to be their future condition of being, and what remained to be attempted. In the first dialogue between him and Beelzebub we see that, even thus early, he had ascertained what his function was to be for the future, and decided in what precise mode of being he could make his existence most pungent and perceptible.

"Of this be sure, To do aught good never will be our task, But ever to do evil our sole delight, As being the contrary to His high will Whom we resist."

Here the ruined Archangel first strikes out the idea of existing for ever after as the Devil. It is important to observe that his becoming a Devil was not the mere inevitable consequence of his being a ruined Archangel. Beelzebub, for instance, could see in the future nothing but a prospect of continued suffering, until Satan communicated to him his conception of a way of enjoying action in the midst of suffering. Again, some of the Angels appear to have been ruminating the possibility of retrieving their former condition by patient enduring. The gigantic scheme of becoming a Devil was Satan's. At first it existed in his mind only as a vague perception that the way in which he would be most likely to get the full worth of his existence was to employ himself thenceforward in doing evil. The idea afterwards became more definite. After glancing round their new domain, Beelzebub and he aroused their abject followers. In the speech which Satan addresses to them after they had all mustered in order we find him hint an opening into a new career, as if the idea had just occurred to him:--

"Space may produce new worlds; whereof so rife There went a fame in Heaven that He ere long Intended to create, and therein plant A generation whom His choice regard Should favour equal to the sons of Heaven: Thither, if but to pry, shall be perhaps Our first eruption."

Here is an advance in definiteness upon the first proposal--that, namely, of determining to spend the rest of existence in doing evil. Casting about in his mind for some specific opening, Satan had recollected the talk they used to have in Heaven about the new World that was to be cut out of Chaos, and the new race of beings that was to be created to inhabit it; and it instantly struck his scheming fancy that _this_ would be the weak point of the Universe. If he could but insert the wedge here! He did not, however, announce the scheme fully at the moment, but went on thinking. In the council of gods which was summoned some advised one thing, some another. Moloch was for open war; Belial had great faith in the force of circumstances; and Mammon was for organizing their new kingdom so as to make it as comfortable as possible. No one, however, could say the exact thing that was wanted. At last Beelzebub, prompted by Satan, rose and detailed the project of their great leader:--

"There is a place (If ancient and prophetic fame in Heaven Err not), another world, the happy seat Of some new race called Man, about this time To be created, like to us, though less In power and excellence, but favoured more Of Him who rules above. So was His will Pronounced among the gods, and by an oath That shook Heaven's whole circumference confirmed. Thither let us bend all our thoughts, and learn What creatures there inhabit, of what mould Or substance, how endued, and what their power And where their weakness: how attempted best; By force or subtlety."

This was Satan's scheme. The more he had thought on it the more did it recommend itself to him. It was more feasible than any other. It held out an indefinite prospect of action. Success in it would be the addition of another fragment of the Universe to Satan's kingdom, mingling and confounding the new World with Hell, and dragging down the new race of beings to share the perdition of the old. The scheme was universally applauded by the Angels; who seem to have differed from their leaders in this, that they were sanguine of being able to better their condition, whereas their leaders sought only the gratification of their desire of action.

The question next was, Who would venture out of Hell to explore the way to the new World? Satan volunteered the perilous excursion. Immediately, putting on his swiftest wings, he directs his solitary flight towards Hell-gate, where sat Sin and Death. When, at length, the gate was opened to give him exit, it was like a huge furnace-mouth, vomiting forth smoke and flames into the womb of Chaos. Issuing thence, Satan spread his sail-broad wings for flight, and began his toilsome way upward, half on foot, half on wing, swimming, sinking, wading, climbing, flying, through the thick and turbid element. At last he emerged out of Chaos into the glimmer surrounding the new Universe. Winging at leisure now through the balmier ether, and still ascending, he could discern at last the whole empyrean Heaven, his former home, with its opal towers and sapphire battlements, and, depending thence by a golden chain, our little World or Universe, like a star of smallest magnitude on the full moon's edge. At the point of suspension of this World from Heaven was an opening, and by that opening Satan entered.

When Satan thus arrived in the new Creation the whole phenomenon was strange to him, and he had no idea what kind of a being Man was. He asked Uriel, whom he found on the sun fulfilling some Divine errand, in which of all the shining orbs round him Man had fixed his seat, or whether he had a fixed seat at all, and was not at liberty to shift his residence, and dwell now in one star, now in another. Uriel, deceived by the appearance which Satan had assumed, pointed out the way to Paradise.

Alighting on the surface of the Earth, Satan walks about immersed in thought. Heaven's gate was in view. Overhead and round him were the quiet hills and the green fields. Oh, what an errand he had come upon! His thoughts were sad and noble. Fallen as he was, all the Archangel stirred within him. Oh, had he not been made so high, should he ever have fallen so low? Is there no hope even now, no room for repentance? Such were his first thoughts. But he roused himself and shook them off. "The past is gone and away; it is to the future that I must look. Perish the days of my Archangelship! perish the name of Archangel! Such is my name no longer. My future, if less happy, shall be more glorious. Ah, and this is the World I have singled out for my experiment! Formerly, in the days of my Archangelship, I ranged at will through infinity, doing one thing here and another there. Now I must contract the sphere of my activity, and labour nowhere but here. But it is better to apply myself to the task of thoroughly impregnating one point of space with my presence than henceforth to beat my wings vaguely all through infinitude. Ah, but may not my nature suffer by the change? In thus selecting a specific aim, in thus concerning myself exclusively with one point of space, and forswearing all interest in the innumerable glorious things that may be happening out of it, shall I not run the risk of degenerating into a smaller and meaner being? In the course of ages of dealing with the puny offspring of these new beings, may I not dwindle into a mere pungent, pettifogging Spirit? What would Raphael, Gabriel, and Michael say, were they to see their old co-mate changed into such a being? But be it so. If I cannot cope with the Almighty on the grand scale of infinitude, I shall at least make my existence felt by opposing His plans respecting this new race of beings. Besides, by beginning with this, may I not worm my way to a more effective position even in infinitude? At all events, I shall have a scheme on hand, and be incessantly occupied. And, as time makes the occupation more congenial, if I do become less magnanimous, I shall, at the same time, become happier. And, whether my fears on this point are visionary or not, it will, at least, be a noble thing to be able to say that I have caused a whirlpool that shall suck down generation after generation of these new beings, before their Maker's eyes, into the same wretched condition of being to which He has doomed us. It will be something so to vitiate the Universe that, let Him create, create on, as He chooses, it will be like pouring water into a broken vessel."

In the very course of this train of thinking Satan begins to degenerate into a meaner being. He is on the very threshold of that career in which he will cease for ever to be the Archangel and become irrevocably the Devil. The very manner in which he tempts the first pair is devil-like. It is in the shape of a cormorant on a tree that he sits watching his victims. He sat at the ear of Eve "squat like a toad." It was in the shape of a serpent that he tempted her. And, when the evil was done, he slunk away through the brushwood. In the very act of ruining Man he committed himself to a life of ignominious activity: he was to go on his belly and eat dust all his days.

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Such is the story of Milton's Satan. It will be easy to express more precisely the idea which we have acquired of him when we come to contrast him with Goethe's Mephistopheles. Meanwhile, we shall be much assisted in our efforts to conceive Goethe's Mephistopheles by keeping in mind what we have been saying about Milton's Satan.

We do not think it possible to sum up in a single expression all that Goethe meant to signify by his Mephistopheles. For one thing, it is questionable whether Goethe kept strictly working out one specific meaning and making it clearer all through Mephistopheles's gambols and devilries, or whether, having once for all allegorized the Spirit of Evil into a living personage, he did not treat him just as he would have treated any other of his characters, making him always consistent, always diabolic, but not intent upon making his actions run parallel to any under-current of exposition. It may be best, therefore, to take Mephistopheles as a character in a drama which we wish to study. On the whole, perhaps, we shall be on the right track if, in the first place, we establish a relation between Satan and Mephistopheles by adopting the notion which we have imagined Satan himself to have entertained when engaged in scheming out his future life, _i.e._ if we suppose Mephistopheles to be what Satan has become after six thousand years. Milton's Satan, then, is the ruined Archangel deciding his future function, and forswearing all interest in other regions of the universe, in order that he may more thoroughly possess and impregnate this. Goethe's Mephistopheles is this same being after the toils and vicissitudes of six thousand years in his new vocation: smaller, meaner, ignobler, but a million times sharper and cleverer. By way of corroboration of this view, we may refer, in passing, to the Satan of the _Paradise Regained_; who, though still a sublime and Miltonic being, dealing in high thoughts and high arguments, yet seems to betray, in his demeanour, the effects of four thousand years spent in a new walk. Is there not something Mephistopheles-like, for instance, in the description of the Fiend's appearance when he approached Christ to begin his temptation? Christ was walking alone and thoughtful one evening in the thick of the forest where he had lived fasting forty days, when he heard the dry twigs behind him snapping beneath approaching footsteps. He turned round, and

"An aged man in rural weeds, Following as seemed the quest of some stray ewe, Or withered sticks to gather, which might serve Against a winter's day when winds blow keen To warm him, wet returned from field at eve, He saw approach; who first with curious eye Perused him, then with words thus uttered spake."

Observe how all the particulars of this description are drawn out of the very thick of the civilization of the past four thousand years, and how the whole effect of the picture is to suggest a Mephistophelic-looking man, whom it would be disagreeable to meet alone. Indeed, if one had space, one could make more use of the _Paradise Regained_ as exhibiting the transition of Satan into Mephistopheles. But we must pass at once to Goethe.

Viewing Mephistopheles in the proposed light (of course it is not pretended that Goethe himself had any such idea about his Mephistopheles), we obtain a good deal of insight from the "Prologue in Heaven." For here we have Mephistopheles out of his element, and contrasted with his old co-equals. The scene is Miltonic. The Heavenly Hosts are assembled round the throne, and the three Archangels, Raphael, Gabriel, and Michael, come forward to praise the Lord. The theme of their song is Creation--not, as it would have been in Milton, as an event about to take place, and which would vary the monotony of the universe, but as a thing existing and grandly going on. It is to be noted too that, while Milton appeals chiefly to the sight, and is clear and coherent in his imagery, Goethe produces a similar effect in his own manner by appealing to sight and hearing simultaneously, making sounds and metaphors dance and whirl through each other, as in a wild, indistinct, but overpowering dream. Raphael describes the Sun rolling on in thunder through the heavens, singing in chorus with the kindred stars. Gabriel describes the Earth revolving on her axis, one hemisphere glittering in the light, the other dipped in shadow. Michael in continuation sings of the ensphering atmosphere and the storms that rage in it, darting forth tongues of lightning, and howling in gusts over land and sea. And then the three burst forth in symphony, exulting in their nature as beings deriving strength from serene contemplation, and proclaiming all God's works to be as bright and glorious as on the day they were created. Suddenly, while Heaven is still thrilling to the grand undulation, another voice breaks in:

"Da du, O Herr, dich einmal wieder nahst, Und fragst wie alles sich bei uns befinde, Und du mich sonst gewoehnlich gerne sahst, So siehst du mich auch unter dem Gesinde."