The Thread of Flame

Part 5

Chapter 54,290 wordsPublic domain

Bewilderment was my first reaction now; the second was amazement. Reading the papers with no preparation from the day before, or from the day before that--with no preparation at all but the vague memory of horrors from which my mind retreated the minute they were suggested--reading the papers thus, the world seemed to me to have been turned upside down. Hindus were in France, Canadians in Belgium, the French in the Dobrudja, the Australians in Turkey, the British and Germans in East Africa, and New-Zealanders on the peninsula of Sinai. What madness was this? How had the race of men got into such a tragi-comic topsy-turvydom? A long crooked line slashed all across Europe showed the main body of the opponents locked in a mutual death embrace.

I had hardly grasped the meaning of it when, looking up, I saw a figure of light standing in the lobby before me. It was all in white serge, with a green sash about the waist, and the head wreathed in a white motor veil.

"Hello, kid!" The husky, comic, Third Avenue laugh was Lydia Blair's. I had just time to rehearse the series of irritations I knew I should feel at being tracked down, and to regret my folly for having gone back to Drinkwater on the previous evening. Then I saw the heavenly eyes surveying me with an air of approval. "Well, you look like a nice tailor's dummy at last. Takes me back to Seattle or Boston or Salt Lake City--and the lady." As she rattled on, a pair of dark eyes began to flash on me from the air. "We haven't got _her_ to-day, but there's some one else who perhaps will fill the bill. Come on out."

Wondering what she could mean, and whether or not the longed-for clue might not be at hand, I suffered myself to be led by the arm to the door of the hotel.

At first I saw nothing but a large and handsome touring-car drawn up against the curb. Then I saw Drinkwater snuggled in a corner--and then a brown veil. I couldn't help crossing the pavement, since Lydia did the same, and the brown veil seemed to expect me.

"Miss Blair thought you might like a drive, Mr. Soames, so we came round to see if we could find you."

"Come on in, Jasper," Drinkwater urged; "the water's fine."

"Come on. Don't be silly," Miss Blair insisted, as I began to make excuses.

Before I knew what I was doing I had stumbled into the seat opposite Miss Averill. She sat in the right-hand corner, Drinkwater in the left, Miss Blair between the two. I occupied one of the small folding armchairs, going backward. In another minute we were on our way through one of the cross-streets to Fifth Avenue.

Having grasped the situation, I was annoyed. Miss Averill was taking the less fortunate of her acquaintance for an airing. Though I could do justice to her kindliness, I resented being forced again into a position from which I was trying to struggle out.

Then I saw something that diverted my attention even from my wrongs. The pavements in Fifth Avenue were thronged with a slowly moving crowd of men and women, but mostly men, that made progress up or down impossible. Looking closely, I saw that they were all of the nations which people like myself are apt to consider most alien to the average American. Of true Caucasian blood there was hardly a streak among them. Dark, stunted, oddly hatted, oddly dressed, abject and yet eager, submissive and yet hostile, they poured up and up and up from all the side-streets, as runlets from a mountain-side into a great stream. For the pedestrian, the shopper, the _flaneur_, there was not an inch of foot room. These surging multitudes monopolized everything. From Fourteenth Street to Forty-second Street, a distance of more than a mile along the most extravagantly showy thoroughfare in the world, these two dense lines of humanity took absolute possession, driving clerks back into their shops and customers from trade by the sheer weight of numbers.

"Good heavens! What's up?" I cried, in amazement.

Miss Averill, who was doubtless used to the phenomenon, looked mildly surprised.

"Why, it's always this way!" she smiled. "It's their lunch-hour. They come from shops and workshops in the side-streets to see the sights and get the air."

"But is it like this every day?"

"Sure it is!" laughed Miss Blair. "Did you never see the Avenue before?"

"I've never seen this before. I'm sure they didn't do it a few years ago."

Miss Averill agreed to this. It was a new manifestation, due to the changes this part of New York had undergone in recent years.

"But how do the people get in and out of the shops?"

Miss Blair explained that they couldn't, which was the reason why so many businesses were being driven up-town. There was an hour in the day when everything was at a standstill.

"And if during that hour this inflammable stuff were to be set ablaze--"

Miss Averill's comment did not make the situation better. "Oh, the same thing goes on in every city in the country, only you don't see it. New York is unfortunate in having only one street. Any other street is just a byway. Here the whole city, for every purpose of its life, has to pour itself into Fifth Avenue, so that if anything is going on you get it there."

We did not continue the subject, for none of us really wanted to talk of it. In its way it went beyond whatever we were prepared to say. It was disquieting; it might be menacing. We preferred to watch, to study, to wonder, as, in the press of vehicles, we slowly made our way between these banks of outlandish faces, every one of which was like a slumbering fire. If our American civilization were ever to be blown violently from one basis to another, as I had sometimes thought might happen, the social TNT was concentrated here.

But we were soon in the Park. Soon after that we were running along the river-bank. Soon after that we came to an inn by a stream in a dimple of a dell, and here Miss Averill had ordered lunch by telephone. It was a nice little lunch, in a sort of rude pavilion that simulated eating in the open air. I noticed that all the arrangements had been made with as much foresight as if we had been people of distinction.

So I began to examine my hostess with more attention than I had ever given her, coming to the conclusion that she belonged to the new variety of rich American whom I had somewhere had occasion to observe.

Sensible and sympathetic were the first words you applied to her, and you could see she was of the type to seek nothing for herself. Brown was her color, as it so often is that of self-renouncing characters--the brown of woodland brooks in her eyes, the brown of nuts in her hair, and all about her an air of conscientiousness that left no place for coquetry.

Conscientiousness was her aura, and among the shades of conscientiousness that in spending money easily came first. I was sure she had studied the whole question of financial inequality from books, and as much as she could from observation. Zeal to make the best use of her income had probably held her back from marriage and dictated her occupations. It had drawn her to working-girls like Lydia Blair, to struggling men like Harry Drinkwater, and now indirectly to me. It had suggested the drive of this morning, and had bidden her gather us round her table as if we were her equals. She knew we were not her equals, but she was doing her best to forget the fact, and to have us forget it, too. With Harry and Lydia I think she was successful. But with me...

She herself knew she was not successful with me, and when, after the coffee, the working-girl had taken the blind man and strayed with him for a few hundred yards into the woods, Miss Averill grew embarrassed. The more she tried to keep me from seeing it the more she betrayed it--not in words, or glances, or any trick of color, but in inner hesitations which only mind-reading could detect.

As we still sat at the table, but each a little away from it, she gathered all her resources together to be the lady in authority.

"I'm glad of a word alone with you because--" Apparently she could get no farther in this direction, and so took another line. "I think you said your business was with carpets, didn't you?"

"Somebody may have said it for me--especially after our little talk about the rug--but it didn't come from me."

Her hazel eyes rested on me frankly. "And it's not?"

"No, it's not."

"Oh, then--" Her tone was slightly that of disappointment.

"Did you want it to be?" I smiled.

"It isn't that; but my brother thought it was--"

"I'm sure I don't know why--except for the rug. But one can know about rugs and not have to sell them, can't one?"

"It's not a usual branch of knowledge, except among connoisseurs and artists--"

"Oh, well!"

"So my brother thought if you were in that kind of work he'd give you a note to a friend of his---at the head of one of the big carpet establishments in New York--"

"It's awfully kind of him," I broke in, as she drew a letter from the bag she carried, "and if I needed it I'd take it; but--but I don't need it. It--it wouldn't be any good to me. I thank him none the less sincerely--and you, too, Miss Averill--"

She looked at the ground, her long black lashes almost resting on her cheek.

"I must seem to you very officious, but--"

"Not in the slightest. I'm extremely grateful. If I required help there's nobody--"

"You don't live in New York?"

"I'm going to stay here for--for the present."

"But not--not to work?"

"That I shall have to see."

"I suppose you're a--a writer--or one of those things."

"No, I'm not any of those things," I said, gravely; and at that we laughed.

*CHAPTER IX*

We got back to New York in time for me to begin the parade of the hotels. Taking this task seriously, I selected the biggest and made myself conspicuous by keeping on my feet.

For three days nothing happened except within myself. This focusing of men and women into vast assemblies from four to seven every afternoon began to strike me as the counterpart of the gatherings I was watching each day between twelve and one on the pavements of Fifth Avenue. Though the activities were different, the same obscure set of motives seemed to lie behind both. In both there was the impulse to crowd densely together, as if promiscuity was a source of excitement. In both there was a vacuity that was not purposeless. In both there was a suggestion of the sleeping wild beast. While in the one case the accompaniment was the inchoate uproar of the streets, in the other it was an orchestra that jazzed with the monotonous incitement of Oriental tom-toms, nagging, teasing, tormenting the wild beast to get up and show his wildness. Across tea-rooms or between arcades one could see couples dancing in a languorous semi-paralysis of which the fascination lay in a hint of barbaric shamelessness. Barbaric shamelessness marked the huge shaven faces of most of the men and the kilts of most of the women. I mention these details only to point out that to me, after my mysterious absence, they indicated a socially new America.

It was the fourth afternoon when, drifting with the crowd through a corridor lined with tables at which small parties were having tea, I felt the long-expected tap on my shoulder.

In the interval too brief to reckon before turning round two possibilities were clear in my mind. The unknown crime from which I was running away might have found me out--or some friend had come to my deliverance. Either event would be welcome, for even if it were arrest I should learn my name and history.

"Hello, old chap! Come and have some tea."

I was disappointed. It was only Boyd Averill. Behind him his wife and sister were seated at one of the little tables. It was the sort of invitation one couldn't refuse, especially as they saw I was strolling without purpose.

It was Mrs. Averill who talked, in the bored _voix trainante_ of one who has everything the world can give, except what she wants most. I had seen before that she was a beautiful woman, but never so plainly as now--a woman all softness and dimpling curves, with the same suggestions of the honeyed and melting and fatigued in her glances that you got from the inflection of her sentences.

She explained that they had come from a song recital in the great hall up-stairs. It was given at this unusual time of the year by a well-known singer who was passing through New York on her way to Australia. With this interruption she continued the criticism she had been making when I sat down, and which dealt with certain phrases in a song--Goethe's "_Ueber allen Gipfeln_."

"The Schubert setting?" I asked, after informing Miss Averill as to how I should have my tea.

"No, the Hugo Wolff."

I began to hum in an undertone: "'_Ueber allen Gipfeln ist Ruh; in allem Wipfeln hoerest du kaum einen Hauch_.' Is that the one?"

The ladies exchanged glances; Averill kept his eyes on my face.

"Yes, that's the one," Mrs. Averill said, as if nothing unusual had happened. "So you sing."

"No; I--I just know the song. I've--I've heard a good deal of music at one time and another."

"Abroad?"

"Yes--abroad--and here."

"Where especially here?"

"Oh, New York--Boston--Chicago--different places." I did my best to be vague.

I noticed for the first time then a shade of wistfulness in Mildred Averill's brown eyes as she said:

"You seem to have moved about a good deal."

"Oh yes. I wanted--I wanted to see what was happening."

"And you saw it?"

Averill asked me that, his gaze still fixed on me thoughtfully.

"Enough for the present."

There was a pause of some seconds during which I could hear the unuttered question of all three, "Why don't you tell us who you are?" It was a kindly question, with nothing but sympathy behind it. It was, in fact, a tacit offer of friendship, if I would only take it up. More plainly than they could have expressed themselves in words, it said: "We like you. We are ready to be your friends. Only give us the least little bit of encouragement. Link yourself up with something we know. Don't be such a mystery, because mystery breeds suspicion."

When I let it go by Mildred Averill began to talk somewhat at random. She didn't want that significant silence to be repeated. I had had my chance and I hadn't taken it. Very well, my reasons would be respected, but I couldn't keep people from wondering. That was what I knew she was saying, though her actual words referred to our expedition of a few days previously.

And of that she spoke with an intonation that associated me with herself. She and I had taken two nice young people of the working-classes for an outing. Let me hasten to say that there was no condescension in what she said; condescension wasn't in her; there was only the implication that whatever the ground she stood on, I stood on that ground, too. She threw out a hint that as New York in these September days was barely waking from its summer lethargy, and there was little to fill time, we might all four do the same again.

In this she was reserved, nunlike, yet--what shall I say? What is there to say when a woman betrays what very few people perceive and one isn't supposed to know to be there? There is a decoration on certain old Chinese porcelains which you can only see in special lights. A vase or a bowl may be of, let us say, a rich green monochrome. You may look at the thing a thousand times and nothing but the monochrome will be visible. Then one day the sun will strike it at a special angle, or the light may otherwise be what the artist did his work for, and beneath the green you will discern dragons or chrysanthemums in gold. Somewhat in that way the real Mildred Averill came out and withdrew, withdrew and came out, not so much according to changes in her as according to changes in the person observing her. When you saw her from one point of view she was diffident, demure, not colorless, but all of one color like a rare piece of monochrome. When you looked at her from another you saw the golden dragons and chrysanthemums. You might not have understood what they symbolized, but this much at least you would have known--that the gold was the gold of fire, all the more dangerous, perhaps, because it was banked down.

That in this company, with its batteries of tacit inquiry turned on me all the while I took my tea, I was uneasy will go without saying, and so I took the earliest possible opportunity to get up and slip away. I did not slip away, however, before Mrs. Averill had asked me to lunch on the following Sunday, and I had been forced into accepting the invitation. I had been forced because she wouldn't take no for an answer. She wanted to talk about music; she wanted to sing to me; in reality, as I guessed then, and soon came to know, she was determined to wring from me, out of sheer curiosity, the facts I wouldn't confide of my own accord.

But having accepted the invitation, I saw that there were advantages in doing so. Once back in the current to which I belonged, I should have more chances of the recognition for which I was working. The social life of any country runs in streams like those we see pictured on isothermal charts. The same kind of people move in the same kind of medium from north to south, and from east to west. If you know one man there you will soon know another, till you have a chain of acquaintances, all socially similar, right across the continent. That I had such a chain I didn't doubt for an instant; my only difficulty was to get in touch with it. As soon as I did that each name would bring up a kindred name, till I found myself swimming in my native channel, wherever it was, like a fish in the Gulf Stream, whether off the coast of Norway or off that of Mexico.

So I came to the conclusion that I had done right in ceding to Mrs. Averill's insistence, though it occurred to me on second thoughts that I should need another suit of clothes. That I had was well enough for knockabout purposes, especially when carried off with some amount of bluff; but the poverty of its origin would become too evident if worn on all occasions. I had seen at the emporium that by spending more money and putting on only a slightly enhanced swagger I could make a much better appearance in the eyes of those who didn't examine me too closely. I decided that the gain would warrant the extravagance.

Within ten days of my landing, therefore, my nearly four hundred dollars had come down to nearly two, though I had the consolation of knowing that my chances of soon getting at my bank-account were better. At any minute now my promenades in the hotels might be rewarded, while conversation with the Averills would sooner or later bring up names with which I should have associations.

It was disconcerting then, on the following Sunday, to be received with some constraint. It was the more disconcerting in that the coldness came from Averill himself. He strolled into the hall while I was putting down my hat and stick, shaking hands with the peculiar listlessness of a man who disapproves of what is happening. As hitherto I had found him interested and cordial, I couldn't help being struck by the change.

"You see how we are," he observed, pointing to an open packing-case. "Not up to the point of having guests; but Mrs. Averill--"

"Mrs. Averill was too kind to me to think of inconveniences to herself."

"Just come up to the library, will you, and I'll tell her you're here."

It was a way of getting rid of me till his wife could come and assume her own responsibilities.

So long a time had passed since I had seen the interior of an American house of this order that I took notes as I made my way up-stairs. Out of the unsuspected resources of my being came the capacity to do it. Most people on entering a house see nothing but its size. A background more or less elaborately furnished may be in their minds, but they have not the knowledge to enable them to seize details. The careful arrangement of taste is all one to them with some nondescript, haphazard jumble.

In this dwelling, in one of the streets off Fifth Avenue, on the eastern side of Central Park, I found the typical home of the average wealthy American. Money had been spent on it, but with a kind of helplessness. Helplessness had designed the house, as it had planned, or hadn't planned, the street outside.

A square hall contained a few monumental pieces of furniture because they were monumental. A dining-room behind it was full of high-backed Italian chairs because they were high-backed and Italian. The stairs were built as they were because the architect had not been able to avoid a dark spot in the middle of the house and the stairs filled it. On the floor above a glacial drawing-room in white and gold, with the furniture still in bags, ran the width of the back of the house, while across the front was the library into which I was shown, spacious, cheerful, with plenty of books, magazines, and easy-chairs. In the way of pictures there were but two--modern portraits of a man and a woman, whom I had no difficulty in setting down as the father and mother of Averill. Of the mother I knew nothing except that she had been a school-teacher; of the father Miss Blair had given me the detailed history as told in _Men Who Have Made New Jersey_.

Hubbard Averill was the son of a shoemaker in Elizabeth. On leaving school at fifteen he had the choice of going into a grocery store as clerk or as office-boy into a bank. He chose the bank. Ten years later he was teller. Five years after that he was cashier. Five years after that he had the same position in a bank of importance in Jersey City. Five years after that he was recognized as one of the able young financiers in the neighborhood of New York. Before he was fifty his name was honored by those who count in Wall Street. It was the history of most of the successful American bankers I had ever heard of.

There was no packing-case in the library, but a number of objects recently unpacked stood round about on tables, waiting to be disposed of. There was a little Irish glass, with much old porcelain and pottery, both Chinese and European. I had not the time to appraise the things with the eye before Miss Averill slipped in.

She wore a hat, and, dressed in what I suppose was tan-colored linens, she seemed just to have come in from the street.

"My sister will be down in a minute. She's generally late on Sunday. I've been good and have been to church."

We sat down together on a window-seat, with some self-consciousness on both sides. I noticed again that, though her hair was brown, her eyebrows and long curving lashes were black, striking the same discreet yet obscurely dangerous note as the rest of her personality. In the topaz of her eyes there were little specks of gold like those in her chain of amber beads.

After a little introductory talk she began telling me of the help Miss Blair was giving Drinkwater. She had begun to teach him what she called "big stenography." Shorthand and the touch system were included in it, as well as the knack of transcribing from the dictaphone. Boyd had bought a machine on purpose for them to practise with, looking forward to the day when Harry should resume his old job connected with laboratory work.

"And what's to become of Miss Blair?"

My companion lowered her fine lashes, speaking with the seeming shyness that was her charm.

"I'm thinking of asking her to come and live with me. You see, if I take a house of my own I shall need some one; and she suits me. She understands the kind of people I like to work among--"

"Oh, then you're not going to keep on living here."

"I've lived with my brother and sister ever since my father died; but one comes to a time when one needs a home of one's own. Don't you think so?"

"Oh, of course!"