Chapter 29
CONCLUSION.
After he had accompanied his cousin to the depot, where he took the cars for home, Frank met Victor Dupont, on Madison avenue.
"Where's your uniform?" he asked.
"I have taken it off."
"Aint you a telegraph boy any longer?"
"No, I have left the office."
"They turned you off, I suppose," said Victor, with a sneer.
"They would like to have had me stay longer," said Frank, with a smile.
Victor shrugged his shoulders incredulously.
"Are you going back to your old business of selling papers?" he asked.
"I think not."
"What are you going to do for a living?"
"I am much obliged to you for your interest in my affairs, Victor; I don't mean to go to work at all at present,--I am going to school."
"How are you going to pay your expenses, then?" asked Victor, in surprise.
"I have had some money left me."
"Is that so? How much?"
"Some thousands of dollars,--enough to support me while I am getting an education."
"Who left it to you?"
"My father left it, but I have only just received it."
"You are awfully lucky," said Victor, evidently annoyed. "Are you going to live with the Vivians?"
"I don't know."
"I shouldn't think you would. It would be imposing upon them."
"Thank you for your kind advice. Won't you take me to board at your house?"
"We don't take boarders," said Victor, haughtily.
It so happened that Frank entered himself as a scholar at the school where Victor was a student, and was put in the same class. Frank at once took a higher place, and in time graduated with the highest honors, while Victor came out nearly at the foot.
Frank did remain with the Vivians; they would not hear of his leaving them, nor would they permit him to pay any board.
"You are a companion for Fred," said Mrs. Vivian, "and you exert a good influence over him. Having your company, he does not wish to seek society outside. You must let me look upon you as one of my boys, and accept a home with us."
Against this, Frank could urge no objection. He was offered a home far more attractive than a boarding-house, which his presence made more social and attractive. Having no board to provide for, the income of his little property was abundant to supply his other wants, and, when he left school, it was unimpaired.
It was a serious question with our hero whether he would continue his studies through a collegiate course. He finally decided in the negative, and accepted a good position in the mercantile establishment of Mr. Hartley. Here he displayed such intelligence and aptitude for business that he rose rapidly, and in time acquired an interest in the firm, and will in time obtain a junior partnership. It must not be supposed that all this came without hard work. It had always been Frank's custom to discharge to the utmost of his ability the duties of any position in which he was placed. To this special trait of our hero, most of his success was owing.
Our hero had the satisfaction of giving a place to his companion in the telegraph office, Tom Brady, who was in time able to earn such a salary as raised his mother and sister above want. Frank did not forget his old street comrade, Dick Rafferty, but gave him a position as porter, Dick's education not being sufficient to qualify him for a clerkship. He even sought out old Mills, the blind man, to whom he had small reason to feel grateful; but found that the old man had suddenly died, leaving behind him, to the surprise of every one who knew him, several hundred dollars in gold and silver, which were claimed by a sister of the deceased, to whom they were most acceptable.
Here end the experiences of the Telegraph Boy. He has been favored above most of his class; but the qualities which helped him achieve success are within the reach of all. Among the busy little messengers who flit about the city, in all directions, there are some, no doubt, who will in years to come command a success and prosperity as great as our hero has attained. In a republic like our own, the boy who begins at the bottom of the ladder may in time reach the highest round.
THE END.
HORATIO ALGER, JR.
The enormous sales of the books of Horatio Alger, Jr., show the greatness of his popularity among the boys, and prove that he is one of their most favored writers. I am told that more than half a million copies altogether have been sold, and that all the large circulating libraries in the country have several complete sets, of which only two or three volumes are ever on the shelves at one time. If this is true, what thousands and thousands of boys have read and are reading Mr. Alger's books! His peculiar style of stories, often imitated but never equaled, have taken a hold upon the young people, and, despite their similarity, are eagerly read as soon as they appear.
Mr. Alger became famous with the publication of that undying book, "Ragged Dick, or Street Life in New York." It was his first book for young people, and its success was so great that he immediately devoted himself to that kind of writing. It was a new and fertile field for a writer then, and Mr. Alger's treatment of it at once caught the fancy of the boys. "Ragged Dick" first appeared in 1868, and ever since then it has been selling steadily, until now it is estimated that about 200,000 copies of the series have been sold.--"Pleasant Hours for Boys and Girls."
* * * * *
A writer for boys should have an abundant sympathy with them. He should be able to enter into their plans, hopes, and aspirations. He should learn to look upon life as they do. Boys object to be written down to. A boy's heart opens to the man or writer who understands him.--From "Writing Stories for Boys," by Horatio Alger, Jr.
FAMOUS ALGER BOOKS.
RAGGED DICK SERIES.
RAGGED DICK. FAME AND FORTUNE. MARK THE MATCH BOY. ROUGH AND READY. BEN THE LUGGAGE BOY. RUFUS AND ROSE.
TATTERED TOM SERIES.
TATTERED TOM. PAUL THE PEDDLER. PHIL THE FIDDLER. SLOW AND SURE.
TATTERED TOM SERIES. SECOND SERIES.
JULIUS. THE YOUNG OUTLAW. SAM'S CHANCE. THE TELEGRAPH BOY.
CAMPAIGN SERIES.
FRANK'S CAMPAIGN. PAUL PRESCOTT'S CHARGE. CHARLIE CODMAN'S CRUISE.
LUCK AND PLUCK SERIES. FIRST SERIES.
LUCK AND PLUCK. SINK OR SWIM. STRONG AND STEADY. STRIVE AND SUCCEED.
LUCK AND PLUCK SERIES. SECOND SERIES.
TRY AND TRUST. BOUND TO RISE. RISEN FROM THE RANKS. HERBERT CARTER'S LEGACY.
BRAVE AND BOLD SERIES.
BRAVE AND BOLD. JACK'S WARD. SHIFTING FOR HIMSELF. WAIT AND HOPE.
PACIFIC SERIES.
THE YOUNG ADVENTURER. THE YOUNG MINER. THE YOUNG EXPLORERS. BEN'S NUGGET.
ATLANTIC SERIES.
THE YOUNG CIRCUS RIDER. DO AND DARE. HECTOR'S INHERITANCE. HELPING HIMSELF.
WAY TO SUCCESS SERIES.
BOB BURTON. THE STORE BOY. LUKE WALTON. STRUGGLING UPWARD.
NEW WORLD SERIES.
DIGGING FOR GOLD. FACING THE WORLD. IN A NEW WORLD.
VICTORY SERIES.
ONLY AN IRISH BOY. ADRIFT IN THE CITY. VICTOR VANE, OR THE YOUNG SECRETARY.
FRANK AND FEARLESS SERIES.
FRANK HUNTER'S PERIL. FRANK AND FEARLESS. THE YOUNG SALESMAN.
GOOD FORTUNE LIBRARY.
WALTER SHERWOOD'S PROBATION. A BOY'S FORTUNE. THE YOUNG BANK MESSENGER.
HOW TO RISE LIBRARY.
JED, THE POORHOUSE BOY. RUPERT'S AMBITION. LESTER'S LUCK.
THE JOHN C. WINSTON CO.'S POPULAR JUVENILES: HARRY CASTLEMON BOOKS
HOW I CAME TO WRITE MY FIRST BOOK.
When I was sixteen years old I belonged to a composition class. It was our custom to go on the recitation seat every day with clean slates, and we were allowed ten minutes to write seventy words on any subject the teacher thought suited to our capacity. One day he gave out "What a Man Would See if He Went to Greenland." My heart was in the matter, and before the ten minutes were up I had one side of my slate filled. The teacher listened to the reading of our compositions, and when they were all over he simply said: "Some of you will make your living by writing one of these days." That gave me something to ponder upon. I did not say so out loud, but I knew that my composition was as good as the best of them. By the way, there was another thing that came in my way just then. I was reading at that time one of Mayne Reid's works which I had drawn from the library, and I pondered upon it as much as I did upon what the teacher said to me. In introducing Swartboy to his readers he made use of this expression: "No visible change was observable in Swartboy's countenance." Now, it occurred to me that if a man of his education could make such a blunder as that and still write a book, I ought to be able to do it, too. I went home that very day and began a story, "The Old Guide's Narrative," which was sent to the _New York Weekly_, and came back, respectfully declined. It was written on both sides of the sheets but I didn't know that this was against the rules. Nothing abashed, I began another, and receiving some instruction, from a friend of mine who was a clerk in a book store, I wrote it on only one side of the paper. But mind you, he didn't know what I was doing. Nobody knew it; but one day, after a hard Saturday's work--the other boys had been out skating on the brick-pond--I shyly broached the subject to my mother. I felt the need of some sympathy. She listened in amazement, and then said: "Why, do you think you could write a book like that?" That settled the matter, and from that day no one knew what I was up to until I sent the first four volumes of Gunboat Series to my father. Was it work? Well, yes; it was hard work, but each week I had the satisfaction of seeing the manuscript grow until the "Young Naturalist" was all complete.--_Harry Castlemon in the Writer._
GUNBOAT SERIES.
Frank the Young Naturalist. Frank on a Gunboat. Frank in the Woods. Frank before Vicksburg. Frank on the Lower Mississippi. Frank on the Prairie.
ROCKY MOUNTAIN SERIES.
Frank Among the Rancheros. Frank in the Mountains. Frank at Don Carlos' Rancho.
SPORTSMAN'S CLUB SERIES.
The Sportsman's Club in the Saddle. The Sportsman's Club Among the Trappers. The Sportsman's Club Afloat.
FRANK NELSON SERIES.
Snowed up. Frank in the Forecastle. The Boy Traders.
ROUGHING IT SERIES.
George in Camp. George at the Fort. George at the Wheel.
ROD AND GUN SERIES.
Don Gordon's Shooting Box. The Young Wild Fowlers. Rod and Gun Club.
GO-AHEAD SERIES.
Tom Newcombe. Go-Ahead. No Moss.
WAR SERIES.
True to His Colors. Rodney the Partisan. Rodney the Overseer. Marcy the Blockade-Runner. Marcy the Refugee. Sailor Jack the Trader.
HOUSEBOAT SERIES.
The Houseboat Boys. The Mystery of Lost River Cañon. The Young Game Warden.
AFLOAT AND ASHORE SERIES.
Rebellion in Dixie. A Sailor in Spite of Himself. The Ten-Ton Cutter.
THE JOHN C. WINSTON CO.'S POPULAR JUVENILES: J. T. TROWBRIDGE.
Neither as a writer does he stand apart from the great currents of life and select some exceptional phase or odd combination of circumstances. He stands on the common level and appeals to the universal heart, and all that he suggests or achieves is on the plane and in the line of march of the great body of humanity.
The Jack Hazard series of stories, published in the late _Our Young Folks_, and continued in the first volume of _St. Nicholas_, under the title of "Fast Friends," is no doubt destined to hold a high place in this class of literature. The delight of the boys in them (and of their seniors, too) is well founded. They go to the right spot every time. Trowbridge knows the heart of a boy like a book, and the heart of a man, too, and he has laid them both open in these books in a most successful manner. Apart from the qualities that render the series so attractive to all young readers, they have great value on account of their portraitures of American country life and character. The drawing is wonderfully accurate, and as spirited as it is true. The constable, Sellick, is an original character, and as minor figures where will we find anything better than Miss Wansey, and Mr. P. Pipkin, Esq. The picture of Mr. Dink's school, too, is capital, and where else in fiction is there a better nick-name than that the boys gave to poor little Stephen Treadwell, "Step Hen," as he himself pronounced his name in an unfortunate moment when he saw it in print for the first time in his lesson in school.
On the whole, these books are very satisfactory, and afford the critical reader the rare pleasure of the works that are just adequate, that easily fulfill themselves and accomplish all they set out to do.--_Scribner's Monthly_.
JACK HAZARD SERIES.
Jack Hazard and His Fortunes. The Young Surveyor. Fast Friends. Doing His Best. A Chance for Himself. Lawrence's Adventures.
CHARLES ASBURY STEPHENS.
This author wrote his "Camping Out Series" at the very height of his mental and physical powers.
"We do not wonder at the popularity of these books; there is a freshness and variety about them, and an enthusiasm in the description of sport and adventure, which even the older folk can hardly fail to share."--_Worcester Spy._
"The author of the Camping Out Series is entitled to rank as decidedly at the head of what may be called boys' literature."--_Buffalo Courier._
CAMPING OUT SERIES.
CAMPING OUT. As Recorded by "Kit."
"This book is bright, breezy, wholesome, instructive, and stands above the ordinary boys' books of the day by a whole head and shoulders."--_The Christian Register, Boston_.
LEFT ON LABRADOR; OR, THE CRUISE OF THE SCHOONER YACHT "CURLEW." As Recorded by "Wash."
"The perils of the voyagers, the narrow escapes, their strange expedients, and the fun and jollity when danger had passed, will make boys even unconscious of hunger."--_New Bedford Mercury._
OFF TO THE GEYSERS; OR THE YOUNG YACHTERS IN ICELAND. AS RECORDED BY "WADE."
"It is difficult to believe that Wade and Raed and Kit and Wash were not live boys, sailing up Hudson Straits, and reigning temporarily over an Esquimaux tribe."--_The Independent, New York._
LYNX HUNTING: From Notes by the Author of "Camping Out."
"Of first quality as a boys' book, and fit to take its place beside the best."--_Richmond Enquirer._
FOX HUNTING. As Recorded by "Raed."
"The most spirited and entertaining book that has as yet appeared. It overflows with incident, and is characterized by dash and brilliancy throughout."--_Boston Gazette._
ON THE AMAZON; OR, THE CRUISE OF THE "RAMBLER." As Recorded by "Wash."
"Gives vivid pictures of Brazilian adventure and scenery."--_Buffalo Courier._
FAMOUS STANDARD JUVENILES FOR GIRLS
A GOOD GIRL'S BOOK IS HARD TO FIND!
One often hears the above quoted. _These_ books have stood the tests of time and careful mothers, and will be of the greatest interest to girls of all ages. Free from any unhealthy sensationalism, yet full of incident and romance, they are the cream of the best girls' books published.
WAYS AND MEANS LIBRARY. By Margaret Vandegrift.
Queen's Body Guard. Rose Raymond's Wards. Doris and Theodora. Ways and Means.
STORIES FOR GIRLS.
Dr. Gilbert's Daughters. Marion Berkley. Hartwell Farm.
HONEST ENDEAVOR LIBRARY. By Lucy C. Lillie.
The Family Dilemma. Allison's Adventures. Ruth Endicott's Way.
MILBROOK LIBRARY. By Lucy C. Lillie.
Helen Glenn. The Squire's Daughter. Esther's Fortune. For Honor's Sake.
RECENT SUCCESSES
The following, though of recent date, have at once reached such a height of popularity that they can already be classified as standards.
Lady Green Satin. By Baroness Deschesney. Marion Berkley. By Elizabeth B. Comins. Lenny, the Orphan. By Margaret Hosmer. Family Dilemma. By Lucy C. Lillie. Question of Honor. By Lynde Palmer Girl's Ordeal, A. By Lucy C. Lillie. Elinor Belden; or The Step Brothers. By Lucy C. Lillie. Where Honor Leads. By Lynde Palmer. Under the Holly. By Margaret Hosmer. Two Bequests. The; or, Heavenward Led. By Jane R. Sommere. The Thistles of Mount Cedar. By Ursula Tannenforst.
HURLBUT'S STORY OF THE BIBLE told for YOUNG AND OLD
by Rev. Jesse Lyman Hurlbut, D.D.
A Veritable "Arabian Nights" of Entertainment Containing 168 Complete Illustrated Stories
THE BIBLE MADE FASCINATING TO CHILDREN.--The heroes and the noble men and women of the Bible are made to appear as living, acting people. The book is an original work, and in no sense an imitation. It has been in preparation for a number of years.
THE DISTINGUISHED AUTHOR.--Dr. Hurlbut has long been associated with, and director of, the Sunday School work of one of the largest denominations, and he has been more closely associated with the detail work of the Chautauqua movement than has any other man. He is also well known as a writer.
REMARKABLE FOR THE BEAUTY AND NUMBER OF ITS ILLUSTRATIONS.--There are sixteen pictures in color prepared for this work by the distinguished artist, W. H. Margetson, and reproduced with the beauty and attractiveness of the artist's original work. There are also nearly 300 half-tone engravings in this remarkable book, which is as original in the selection of its illustrations as it is in its stories.
WHAT OTHERS THINK OF IT
"It is a needed and original work. Not an imitation."--_Christian Advocate_, New York.
"Written in such a style as to fascinate and hold the interest of child or man."--REV. F. E. CLARK, Pres. Society of Christian Endeavor.
"It is a beautiful book. I hope every family in the land will secure 'Hurlbut's Story of the Bible,'"--GENERAL O. O. HOWARD.
"The best book of its kind, and that kind the most important."--REV. JAMES A. WORDEN, Presbyterian B'd of Pub. and S. S. Work.
"I like very much the vocabulary you have used, and I can see how careful you have been in choosing understandable words."--MR. PHILIP E. HOWARD, _Sunday-School Times_, Philadelphia.
"It is the completest and best thing of the kind I have seen. The book is splendidly illustrated." MARIAN LAWRANCE, General Secretary International Sunday-School Association.
"Many will be drawn to the Bible who otherwise might look upon it as only adapted for older people."--HON. DAVID J. BREWER, Justice of the Supreme Court of the United States.