Chapter 6

"Good!" It was some minutes before Guion spoke again. "If I remember rightly," he observed then, "I said I would sell my soul for half a million dollars. I didn't say I wanted to borrow that amount."

"You may put it in any way you like," Davenant smiled. "I've come with the offer of the money. I want you to have it. The terms on which you'd take it don't matter to me."

"But they do to me. Don't you see? I'd borrow the money if I could. I couldn't accept it in any other way. And I can't borrow it. I couldn't pay the interest on it if I did. But I've exhausted my credit. I can't borrow any more."

"You can borrow what I'm willing to lend, can't you?"

"No; because Tory Hill is mortgaged for all it will stand. I've nothing else to offer as collateral--"

"I'm not asking for collateral. I'm ready to hand you over the money on any terms you like or on no terms at all."

"Do you mean that you'd be willing to--to--to _give_ it to me?"

"I mean, sir," he explained, reddening a little, "that I want you to have the money to _use_--now. We could talk about the conditions afterward and call them what you please. If I understood you correctly last night, you're in a tight place--a confoundedly tight place--"

"I am; but--don't be offended!--it seems to me you'd put me in a tighter."

"How's that?"

"It's a little difficult to explain." He leaned forward, with one of his nervous, jerky movements, and fingered the glass containing the three chrysanthemums, but without taking his eyes from Davenant. So far he was quite satisfied with himself. "You see, it's this way. I've done wrong--very wrong. We needn't go into that, because you know it as well as I. But I'm willing to pay the penalty. That is, I'm _ready_ to pay the penalty. I've made up my mind to it. I've had to--of course. But if I accepted your offer, you'd be paying it, not I."

"Well, why shouldn't I? I've paid other people's debts before now--once or twice--when I didn't want to. Why shouldn't I pay yours, when I should like the job?"

Davenant attempted, by taking something like a jovial tone, to carry the thing off lightly.

"There's no reason why you shouldn't do it; there's only a reason why I shouldn't let you."

"I don't see why you shouldn't let me. It mayn't be just what you'd like, but it's surely better than--than what you wouldn't like at all."

Taking in the significance of these words, Guion colored, not with the healthy young flush that came so readily to Davenant's face, but in dabbled, hectic spots. His hand trembled, too, so that some of the water from the vase he was holding spilled over on the desk. It was probably this small accident, making him forget the importance of his rôle, that caused him to jump up nervously and begin pacing about the room.

Davenant noticed then what he had not yet had time for--the change that had taken place in Guion in less than twenty hours. It could not be defined as looking older or haggard or ill. It could hardly be said to be a difference in complexion or feature or anything outward. As far as Davenant was able to judge, it was probably due, not to the loss of self-respect, but to the loss of the pretense at self-respect; it was due to that desolation of the personality that comes when the soul has no more reason to keep up its defenses against the world outside it, when the Beautiful Gate is battered down and the Veil of the Temple rent, while the Holy of Holies lies open for any eye to rifle. It was probably because this was so that Guion, on coming back to his seat, began at once to be more explanatory than there was any need for.

"I haven't tried to thank you for your kind suggestion, but we'll come to that when I see more clearly just what you want."

"I've told you that. I'm not asking for anything else."

"So far you haven't asked for anything at all; but I don't imagine you'll be content with that. In any case," he hurried on, as Davenant seemed about to speak, "I don't want you to be under any misapprehension about the affair. There's nothing extenuating in it whatever--that is, nothing but the intention to 'put it back' that goes with practically every instance of"--he hesitated long--"every instance of embezzlement," he finished, bravely. "It began this way--"

"I don't want to know how it began," Davenant said, hastily. "I'm satisfied with knowing the situation as it is."

"But I want to tell you. In proportion as I'm open with you I shall expect you to be frank with me."

"I don't promise to be frank with you."

"Anyhow, I mean to set you the example."

He went on to speak rapidly, feverishly, with that half-hysterical impulse toward confession from the signs of which Davenant had shrunk on the previous evening. As Guion himself had forewarned, there was nothing new or unusual in the tale. The situations were entirely the conventional ones in the drama of this kind of unfaithfulness. The only element to make it appealing, an element forcibly present to Davenant's protective instincts, was the contrast between what Guion had been and what he was to-day.

"And so," Guion concluded, "I don't see how I could accept this money from you. Any honorable man--that is," he corrected, in some confusion, "any _sane_ man--would tell you as much."

"I've already considered what the sane man and the honorable man would tell me. I guess I can let them stick to their opinion so long as I have my own."

"And what _is_ your opinion? Do you mind telling me? You understand that what you're proposing is immoral, don't you?"

"Yes--in a way."

Guion frowned. He had hoped for some pretense at contradiction.

"I didn't know whether you'd thought of that."

"Oh yes, I've thought of it. That is, I see what you mean."

"It's compounding a felony and outwitting the ends of justice and--"

"I guess I'll do it just the same. It doesn't seem to be my special job to look after the ends of justice; and as for compounding a felony--well, it'll be something new."

Guion made a show of looking at him sharply. The effort, or the pretended effort, to see through Davenant's game disguised for the moment his sense of humiliation at this prompt acceptance of his own statement of the case.

"All the same," he observed, trying to take a detached, judicial tone, "your offer is so amazing that I presume you wouldn't make it unless you had some unusual reason."

"I don't know that I have. In fact, I know I haven't."

"Well, whatever its nature, I should like to know what it is."

"Is that necessary?"

"Doesn't it strike you that it would be--in order? If I were to let you do this for me you'd be rendering me an extraordinary service. We're both men of business, men of the world; and we know that something for nothing is not according to Hoyle."

Davenant looked at him pensively. "That is, you want to know what I should be pulling off for myself?"

"That's about it."

"I don't see why that should worry you. If you get the money--"

"If I get the money I put myself in your power."

"What of that? Isn't it just as well to be in my power as in the power of other people?"

Again Guion winced inwardly, but kept his self-control. He was not yet accustomed to doing without the formulas of respect from those whom he considered his inferiors.

"Possibly," he said, not caring to conceal a certain irritation; "but even so I should like to know in case I _were_ in your power what you'd expect of me."

"I can answer that question right away. I shouldn't expect anything at all."

"Then you leave me more in the dark than ever."

Davenant still eyed him pensively. "Do I understand you to be suspicious of my motives?"

"Suspicious might not be the right word. Suppose we said curious."

Davenant reflected. Perhaps it was his mastery of the situation that gave him unconsciously a rock-like air of nonchalance. When he spoke it was with a little smile, which Guion took to be one of condescension. Condescension in the circumstances was synonymous with insolence.

"Well, sir, suppose I allowed you to remain curious? What then?"

They were the wrong words. It was the wrong manner. Guion looked up with a start. His next words were uttered in the blind instinct of the haughty-headed gentleman who thinks highly of himself to save the moment's dignity.

"In that case I think we must call the bargain off."

Davenant shot out of his seat. He, too, was not without a current of hot blood.

"All right, sir. It's for you to decide. Only, I'm sorry. Good-by!" He held out his hand, which Guion, who was now leaning forward, toying with the pens and pencils on the desk, affected not to see. A certain lack of ease that often came over Davenant at moments of leave-taking or greeting kept him on the spot. "I hoped," he stammered, "that I might have been of some use to you, and that Miss Guion--"

Guion looked up sharply. "Has _she_ got anything to do with it?"

"Nothing," Davenant said, quickly, "nothing whatever."

"I didn't see how she _could_ have--" Guion was going on, when Davenant interrupted.

"She has nothing to do with it whatever," he repeated. "I was only going to say that I hoped she might have got through her wedding without hearing anything about--all this--all this fuss."

In uttering the last words he had moved toward the door. His hand was on the knob and he was about to make some repetition of his farewells when Guion spoke again. He was leaning once more over the desk, his fingers playing nervously with the pens and pencils. He made no further effort to keep up his rôle of keen-sighted man of business. His head was bent, so that Davenant could scarcely see his face, and when he spoke his words were muffled and sullen.

"Half a million would be too much. Four hundred and fifty thousand would cover everything."

"That would be all the same to me," Davenant said, in a matter-of-fact tone.

But he went back to the desk and took his seat again.

VI

Having watched through the window her father pass down the avenue on his way to town, Miss Guion reseated herself mechanically in her place at the breakfast-table in order to think. Not that her thought could be active or coherent as yet; but a certain absorption of the facts was possible by the simple process of sitting still and letting them sink in. As the minutes went by, it became with her a matter of sensation rather than of mental effort--of odd, dream-like sensation, in which all the protecting walls and clearly defined boundary-lines of life and conduct appeared to be melting away, leaving an immeasurable outlook on vacancy. To pass abruptly from the command of means, dignity, and consideration out into a state in which she could claim nothing at all was not unlike what she had often supposed it might be to go from the pomp and circumstance of earth as a disembodied spirit into space. The analogy was rendered the more exact by her sense, stunned and yet conscious, of the survival of her own personality amid what seemed a universal wreckage. This persistence of the ego in conditions so vast and vague and empty as to be almost no conditions at all was the one point on which she could concentrate her faculties.

It was, too, the one point on which she could form an articulated thought. She was Olivia Guion still! In this slipping of the world from beneath her feet she got a certain assurance from the affirmation of her identity. She was still that character, compounded of many elements, which recognized as its most active energies insistence of will and tenacity of pride. She could still call these resources to her aid to render her indestructible. Sitting slightly crouched, her hands clasped between her knees, her face drawn and momentarily older, her lips set, her eyes tracing absently the arabesques chased on the coffee-urn, she was inwardly urging her spirit to the buoyancy that cannot sink, to the vitality that rides on chaos. She was not actively or consciously doing this; in the strictest sense she was not doing it at all; it was doing itself, obscurely and spontaneously, by the operation of subliminal forces of which she knew almost nothing, and to which her personality bore no more than the relation of a mountain range to unrecordable volcanic fusions deep down in the earth.

When, after long withdrawal within herself, she changed her position, sighed, and glanced about her, she had a curious feeling of having traveled far, of looking back on the old familiar things from a long way off. The richly wrought silver, the cheerful Minton, the splendidly toned mahogany, the Goya etchings on the walls, things of no great value, but long ago acquired, treasured, loved, had suddenly become useless and irrelevant. She had not lost Tory Hill so much as passed beyond it--out into a condition where nothing that preceded it could count, and in which, so far as she was concerned, existence would have to be a new creation, called afresh out of that which was without form and void.

She experienced the same sensation, if it _was_ a sensation, when, a half-hour later, she found herself roaming dreamily rather than restlessly about the house. She was not anticipating her farewell of it; it had only ceased to be a background, to have a meaning; it was like the scenery, painted and set, after the play is done. She herself had been removed elsewhere, projected into a sphere where the signs and seasons were so different from anything she had ever known as to afford no indications--where day did not necessarily induce light, nor night darkness, nor past experience knowledge. In the confounding of the perceptive powers and the reeling of the judgment which the new circumstances produced, she clung to her capacity to survive and dominate like a staggered man to a stanchion.

In the mean time she was not positively suffering from either shock or sorrow. From her personal point of view the loss of money was not of itself an overpowering calamity. It might entail the disruption of lifelong habits, but she was young enough not to be afraid of that. In spite of a way of living that might be said to have given her the best of everything, she had always known that her father's income was a small one for his position in the world. As a family they had been in the habit of associating on both sides of the Atlantic, with people whose revenues were twice and thrice and ten times their own. The obligation to keep the pace set by their equals had been recognized as a domestic hardship ever since she could remember, though it was a mitigating circumstance that in one way or another the money had always been found. Guion, Maxwell & Guion was a well which, while often threatening to run dry, had never failed to respond to a sufficiently energetic pumping. She had known the thought, however--fugitive, speculatory, not dwelt upon as a real possibility--that a day might come when it would do so no more.

It was a thought that went as quickly as it came, its only importance being that it never caused her a shudder. If it sometimes brought matter for reflection, it was in showing her to herself in a light in which, she was tolerably sure, she never appeared to anybody else--as the true child of the line of frugal forebears, of sea-scouring men and cheese-paring women, who, during nearly two hundred years of thrift, had put penny to penny to save the Guion competence. Standing in the cheerful "Colonial" hall which their stinting of themselves had made it possible to build, and which was still furnished chiefly with the objects--a settle, a pair of cupboards, a Copley portrait, a few chairs, some old decorative pottery--they had lived with, it afforded one more steadying element for her bewilderment to grasp at, to feel herself their daughter.

There was, indeed, in the very type of her beauty a hint of a carefully calculated, unwasteful adaptation of means to ends quite in the spirit of their sparing ways. It was a beauty achieved by nature apparently with the surest, and yet with the slightest, expenditure of energy--a beauty of poise, of line, of delicacy, of reserve--with nothing of the superfluous, and little even of color, beyond a gleam of chrysoprase in fine, gray eyes and a coppery, metallic luster in hair that otherwise would have passed as chestnut brown. It was a beauty that came as much from repose in inaction as from grace in movement, but of which a noticeable trait was that it required no more to produce it in the way of effort than in that of artifice. Through the transparent whiteness of the skin the blue of each clearly articulated vein and the rose of each hurrying flush counted for its utmost in the general economy of values.

It was in keeping with this restraint that in all her ways, her manners, her dress, her speech, her pride, there should be a meticulous simplicity. It was not the simplicity of the hedge-row any more than of the hothouse; it was rather that of some classic flower, lavender or crown-imperial, growing from an ancient stock in some dignified, long-tended garden. It was thus a simplicity closely allied to sturdiness--the inner sturdiness not inconsistent with an outward semblance of fragility--the tenacity of strength by which the lavender scents the summer and the crown-imperial adorns the spring, after the severest snows.

It was doubtless, this vitality, drawn from deep down in her native soil, that braced her now, to simply holding fast intuitively and almost blindly till the first force of the shock should have so spent itself that the normal working of the faculties might begin again. It was the something of which she had just spoken to her father--the something that might be pride but that was not wholly pride, which had never been taxed nor called on. She could not have defined it in a more positive degree; but even now, when all was confusion and disintegration, she was conscious of its being there, an untouched treasure of resources.

In what it supplied her with, however, there was no answer to the question that had been silently making itself urgent from the first word of her father's revelations: What was to happen with regard to her wedding? It took the practical form of dealing with the mere outward paraphernalia--the service, the bridesmaids, the guests, the feast. Would it be reasonable, would it be decent, to carry out rich and elaborate plans in a ruined house? Further than that she dared not inquire, though she knew very well there was still a greater question to be met. When, during the course of the morning, Drusilla Fane came to see her, Olivia broached it timidly, though the conversation brought her little in the way of help.

Knowing all she knew through the gossip of servants, Drusilla felt the necessity of being on her guard. She accepted Olivia's information that her father had met with losses as so much news, and gave utterance to sentiments of sympathy and encouragement. Beyond that she could not go. She was obliged to cast her condolences in the form of bald generalities, since she could make but a limited use of the name of Rupert Ashley as a source of comfort. More clearly than any one in their little group she could see what marriage with Olivia in her new conditions--the horrible, tragic conditions that would arise if Peter could do nothing--would mean for him. She weighed her words, therefore, with an exactness such as she had not displayed since her early days among the Sussex Rangers, measuring the little more and the little less as in an apothecary's balances.

"You see," Olivia said, trying to sound her friend's ideas, "from one point of view I scarcely know him."

"You know him well enough to be in love with him." Drusilla felt that that committed her to nothing.

"That doesn't imply much--not necessarily, that is. You can be in love with people and scarcely know them at all. And it often happens that if you knew them better you wouldn't be in love with them."

"And you know him well enough to be sure that he'll want to do everything right."

"Oh yes; I'm quite sure of that. I'm only uncertain that--everything right--would satisfy me."

Drusilla reflected. "I see what you mean. And, of course, you want to do--everything right--yourself."

Olivia glanced up obliquely under her lashes.

"I see what _you_ mean, too."

"You mustn't see too much." Drusilla spoke hastily. She waited in some anxiety to see just what significance Olivia had taken from her words; but when the latter spoke it was to pass on to another point.

"You see, he didn't want to marry an American, in the first place."

"Well, no one forced him into that. That's one thing he did with his eyes open, at any rate."

"His doing it was a sort of--concession."

Drusilla looked at her with big, indignant eyes.

"Concession to what, for pity's sake?"

"Concession to his own heart, I suppose." Olivia smiled, faintly. "You see, all other things being equal, he would have preferred to marry one of his own countrywomen."

"It's six of one and half a dozen of the other. If he'd married one of his own countrywomen, the other things wouldn't have been equal. So there you are."

"But the other things aren't equal now. Don't you see? They're changed."

"_You're_ not changed." Drusilla felt these words to be dangerous. It was a relief to her that Olivia should contradict them promptly.

"Oh yes, I am. I'm changed--in value. With papa's troubles there's a depreciation in everything we are."

Drusilla repeated these words to her father and mother at table when she went home to luncheon. "If she feels like that now," she commented, "what _will_ she say when she knows all?--if she ever has to know it."

"But she hasn't changed," Mrs. Temple argued.

"It doesn't make any difference in _her_."

Drusilla shook her head. "Yes, it does, mother dear. You don't know anything about it."

"I know enough about it," Mrs. Temple declared, with some asperity, "to see that she will be the same Olivia Guion after her father has gone to prison as she was in the days of her happiness. If there's any change, it will be to make her a better and nobler character. She's just the type to be--to be perfected through suffering."

"Y-y-es," Drusilla admitted, her head inclined to one side. "That might be quite true in one way; but it wouldn't help Rupert Ashley to keep his place in the Sussex Rangers."

"Do you mean to say they'd make him give it up?"

"They wouldn't make him, mother dear. He'd only have to."

"Well, I never did! If that's the British army--"

"The British army is a very complicated institution. It fills a lot of different functions, and it's a lot of different things. It's one thing from the point of view of the regiment, and another from that of the War Office. It's one thing on the official side, and another on the military, and another on the social. You can't decide anything about it in an abstract, offhand way. Rupert Ashley might be a capital officer, and every one might say he'd done the honorable thing in standing by Olivia; and yet he'd find it impossible to go on as colonel of the Rangers when his father-in-law was in penal servitude. There it is in a nutshell. You can't argue about it, because that's the way it is."

Rodney Temple said nothing; but he probably had these words in his mind when he, too, early in the afternoon, made his way to Tory Hill. Olivia spoke to him of her father's losses, though her allusions to Colonel Ashley were necessarily more veiled than they had been with Mrs. Fane.

"The future may be quite different from what I expected. I can't tell yet for sure. I must see how things--work out."

"That's a very good way, my dear," the old man commended. "It's a large part of knowledge to know how to leave well enough alone. Nine times out of ten life works out better by itself than we can make it."

"I know I've got to feel my way," she said, meaning to agree with him.

"I don't see why."

She raised her eyebrows in some surprise. "You don't see--?"