Category: History - European

The Story of Spanish Painting

In 1492 the Catholic Sovereigns, Ferdinand and Isabella, entered Granada in triumph. The last stronghold of Moorish dominion, undermined by the dissensions of Islam, fell before the united Christian kingdoms of Léon, Castile and Aragón. Spain became a united country and, in vi...

Chapters

12. CHAPTER XII

From the death of Velasquez, in 1661, more than a hundred years had elapsed when Goya made his début in Madrid. He is the unexpected phenomenon of the Spanish School; coming as...

6. CHAPTER VI

While El Greco gave expression to the soul of Spanish chivalry and religion, Velasquez embodied in its highest form the racial love of naturalism. More than this, he stands abov...

5. CHAPTER V

Domenco Theotocopuli was born in Crete; hence the nickname by which he was known: El Greco. He arrived in Spain by way of Venice and Rome; therefore in the catalogue of the Prad...

1. CHAPTER I

In 1492 the Catholic Sovereigns, Ferdinand and Isabella, entered Granada in triumph. The last stronghold of Moorish dominion, undermined by the dissensions of Islam, fell before...

2. CHAPTER II

Spanish Painting, so far as it represents a school, is singularly limited in scope and rigidly circumscribed. This is due partly to the racial character, self-centered and conse...

3. CHAPTER III

To the student who is in pursuit of æsthetic enjoyment rather than critical research the art of Spain resolves itself into the works of a comparatively small number of painters....

10. CHAPTER X

The most popular artist of the Spanish School is unquestionably Murillo. He was the idol of his contemporaries in Andalusia; most admired by connoisseurs and public in the eight...

9. CHAPTER IX

Though recognised as the leader of the School of Valencia, José or, as he is sometimes called, Jusepe de Ribera spent most of his life in Naples, where his Spanish pride, combin...

4. CHAPTER IV

The seventeenth century was the golden age of Spanish art, as it was of the art of Holland; product in the one case of national decline, in the other of national growth. While S...

7. CHAPTER VII

A twofold interest attaches to Juan Bautista de Mazo, the pupil and son-in-law of Velasquez. In the first place, he was employed by his master to copy many of the latter’s pictu...

11. CHAPTER XI

Alonzo Cano was born in Granada in 1601. He belongs, however, to the School of Andalusia, for he studied in Seville and lived there until his thirty-sixth year. His teachers in...

8. CHAPTER VIII

Among the painters who were contemporaries of Velasquez and after his death helped to stem for a little while the decline of the School of Madrid, special notice is due to Juan...