Chapter 8

_The Conquest of England and the Fall of Normandy_

"En Normandie a gent molt fiere Jo ne sai gent de tel maniere; Chevaliers sont proz é vaillanz Par totes terres conquéranz.... ... Orguillos sunt Normant è fier. E vanteor è bombancier; Toz tems les devreit l'en plaisier Kar mult sunt fort à justisier."

ROBERT WACE.

It is time to look more closely at the personality of the greatest Duke of Rouen. William the Bastard has been described[16] as tall and very stout, fierce of visage, with a high, bald forehead, and, in spite of his great corpulence, of extreme dignity, whether on his throne or in the field. The strength of his arms, for which he was famous, was proved very early, when the chivalry of France went down before his boyish lance at Val-ès-Dunes. He evidently possessed all the true Viking attributes of physical power derived from Rollo, his great ancestor. In mental type he reproduced much of that Norman cunning which we have noticed as a characteristic of the race. Both Maine and England he conquered by fraud as much as force. If he was a great soldier, he was a consummate statesman too. For as he used France to conquer Normandy, so he used Normandy to conquer France, and both to conquer England. Kindly to submissive foes, he was pitiless to stubborn opposition, and very dangerous to taunt. The town which hung tanners' hides upon its walls was answered by the sight of bleeding hands, and feet, and eyes, which had been torn from its prisoners and hurled across the battlements. The king who jested of the candles for a woman's churching, was answered by the blaze of a whole town. A comet flamed across the sky of Europe in the year of the great Duke's conquest. Amid fire and tumult he was crowned at Westminster. Upon the glowing ashes of Mantes he met his death-wound. Through burning streets he was borne to his burial. He was not only the strongest of the dukes of Normandy, he was also one of the world's greatest men, whose work was not only thorough at the moment, but effective for all time; whose purpose was fixed, and whose iron will none could gainsay. He rose above the coarse, laughter-loving, brutal, treacherous, Norman barons of his time, by the force of his own personal genius, and the acuteness of his own strong intellect. If it had necessitated a web of the subtlest intrigue to get together the vast host that was to conquer England, it needed a vigorous and dauntless personality no less amazing to keep together the fleet and army while they waited wearily for the wind, until Harold's own fleet (the one safety of England then, as ever) had dispersed, until the right moment came, and all his barons and their men-at-arms rushed eagerly on board, carrying their barrels of wine, their coats of mail, and helmets, and lines of spears, and spits of meat, and stacks of swords, as is recorded in the Bayeux Tapestry. With him went twenty ships and a hundred knights sent by the Abbot of St. Ouen. Another ship that must have carried especial prayers with her from Rouen was the "Mora," given by his wife Matilda, with a boy carved upon her stern-post, blowing his horn towards the cliffs of Pevensey.[17] By the lantern on her mast the seven hundred transport galleys sailed at night, and early in the next dawn they landed, archers first, then knights and horses, and marched on to Hastings.

[Footnote 16: "Justae fuit staturae, immensae corpulentiae; facie fera, fronte capillis nuda, roboris ingentis in lacertis, magnae dignitatis sedens et stans, quanquam obesitas ventris nimium protensa."--Will. Malms: lib: iii.]

[Footnote 17: With the Bayeux Tapestry _cf._ Wace's description. R. de R., 11588, &c.:

"Une lanterne fist li Dus Metre en sa nef el mast de sus ... Une wire-wire dorée Ont de coivre en somet levée...."]

How the Duke of Rouen conquered England, and how he wrote it in his Domesday Book, is no immediate concern of ours. By March in the next year he was back in his own capital, bringing with him, through the cheering streets, the Prince Edgar, Stigand the Primate, and three of his greatest earls. There his beloved wife met him, and gave account of the Duchy she had guarded with Roger of Beaumont in his absence. There he at once dealt out rewards to the regular and secular clergy of the city, among which were the lordships of Ottery and of Rovrige in Devonshire. Meanwhile the Normans were crowding to admire the trophies of victory. The banners from the battlefield, embroidered with the Raven of Ragnar, or the Fighting-Man of the dead Harold, and booty that brought wonder to the eyes even of citizens who had seen the spoils of Sicily. Nor did the Duke forget in the hour of triumph to be politic. He sent Lanfranc to the Pope at once, no doubt with news that Stigand would shortly be supplanted, and that England had been brought into the fold of Rome. For the warriors that Normandy had sent to the lands of the south, she was richly repaid in the learned doctors sent by Italy to the northern countries. Calabria and Sicily were counterbalanced by the archbishoprics of Lanfranc and of Anselm. At a synod held in Rouen some six years after his great conquest, William insisted upon reform in the morals of the Church, upon strict rules of marriage, on an exact profession of the orthodox faith. He was not behindhand in performing his part of the profitable bargain that had been made with Rome.

In 1073 Maine started into revolt under Fulk Rechin,[18] nephew of Geoffrey of Anjou, and William punished it by reducing Le Mans from a sovereign commonwealth to a mere privileged municipality. After this the King of England was constantly in his Duchy, where Robert "Short Hose," his unruly son, was giving perpetual trouble in Rouen and elsewhere, as Regent. So imperious were his demands for independence and immediate provision, that his father's stern refusal roused an attempt at open rebellion in which Robert attacked the Castle of Rouen, with the help of a few turbulent young nobles of his own unquiet persuasion. But the Conqueror grimly took their revenues and with them paid the mercenaries that warred them down. His son was compelled to fly, but came back again unwisely to the quarrel, with help from the French King behind him. At Gerberoi he actually wounded his father, without recognising him, and the Conqueror was only saved by the swiftness of a Wallingford man who sprang to his assistance.

[Footnote 18: This was the prince who, according to Orderic Vital (Hist. Eccl. vii.) introduced the long turned-up boots called "pigaces" which were one sign of effeminacy among the dandies of the Red King's Court, where men wore long hair, shaved off in front, wide sleeves, and the narrow and flowing robes which were a very characteristic change from the short tunic of the Conqueror's men, which permitted them to run or ride, or fight in freedom.]

The truce that followed did not last. About this time occurred the marriage of William's daughter, Adela, to Stephen of Blois and Chartres, who became the mother of Stephen of England. The Conqueror's second son had died in the fatal New Forest, and in 1083 died his faithful wife, Matilda, and was buried at Caen. The next years were very heavy in both parts of King William's dominions, and by 1087 the strain seems to have told even upon his iron frame. For in that year he stayed for treatment at Rouen, just as he had done before in Abingdon, and while he lay in bed King Philip jested at the candles that should be lighted when this bulky invalid arose from child-bed. Then William swore one of those terrific oaths which came naturally to his strong temperament--"Per resurrectionem et splendorem Dei pronuntians"--that he would indeed light a hundred thousand candles, and at the expense of Philip, too.[19] In August he devastated the Vexin with fire and sword, and as he rode across the hot embers of the burning city of Mantes, his horse stumbled, and he was wounded mortally by the high, iron pommel of the saddle.

[Footnote 19:

"Qant jo, dist-il, releverai Dedeiz sa terre à messe irai Riche offrende li porterai Mille chandeles li ofrerai."

ROBERT WACE, _ib._]

He came back dying to his castle of Rouen, and was there borne from the noisy streets of the city to the Priory of St. Gervais, where we have already visited the ancient crypt of St. Mellon. Here for some days he lay in pain, though without losing speech or consciousness, and sent for Anselm from Bec. But the prior himself was too ill to get further than St. Sever on his journey to his master. So the Conqueror disposed himself to death, giving much treasure to the rebuilding of churches both in France and England, bequeathing Normandy and Maine to Robert, and with a last strange movement of apparent compunction, leaving the throne of England in the hands of God:

"Non enim tantum decus hereditario jure possedi."

As to the crowning of his son William, he gave the final decision to Lanfranc. His youngest son, Henri Beauclerc, the truest Norman of them all, was given five thousand pounds in silver and the prophecy of future greatness. After releasing all the prisoners in his dungeons, the Conqueror lay on his couch in St. Gervais and heard the great bell of the Cathedral of Rouen ringing for prime on the morning of Thursday the ninth of September 1087. Upon the sound he offered up a prayer and died.

Within an hour his death-chamber was desolate and bare, and the corpse lay well-nigh naked. But the citizens of Rouen were sore troubled. "Malignus quippe spiritus oppido tripudiavit." The news travelled from Normandy to Sicily in the same day. The archbishop ordered that the body should be taken to Caen, and by the care of Herlwin this was done, and the dead Conqueror was floated down the Seine to burial. As the funeral procession passed through the town the streets burst into flame, and through the fire and smoke the monks walked with the bier, chanting the office of the dead. When the corpse reached the abbey, a knight objected to the burial, because the land had forcibly been taken from him. So the seven feet of the Conqueror's grave was bought, and, not without more hideous mishaps, the body of Rouen's greatest duke was at last laid to rest. In 1793 both the tomb and its contents were utterly destroyed.

Among the prisoners who were released at William's death was that half-brother, Odo of Bayeux,[20] to whose skill and knowledge is due the marvellous pictorial record of the Bayeux Tapestry. Its inscriptions are in the Latin letters of the time, and its eleventh-century costumes, the short clothes easy to ride or run or fight, the arms depicted, the clean-shaved faces, are all very different to those which Orderic Vital describes as usual in the twelfth century. Neither Matilda the Queen, nor Matilda the Empress, could have embroidered the details on the border, and neither could have known so many facts as the Odo who was on the Council that advised invasion, who rallied the troops at Senlac when William was supposed to have been dead, who was made Regent of England, Count of Kent, and Bishop of Bayeux. It was to the advice of this rich, powerful, and intelligent prelate, that the new and feeble Duke Robert had to trust in the first year of his reign in Rouen. With all the vices of the Conqueror, Robert had neither his virtues nor his strength. The difficulties which met him first came from a cause too deep-seated for him to recognise either its value or its far-reaching issues.

[Footnote 20: According to Wace, Odo had been taken in the Isle of Wight and imprisoned in the "Tower of Rouen" for four years. See "Roman de Rou," v. 14,298.]

I have already described how the first attempts of Norman peasants to found a "commune" had been crushed with horrible brutality. The movement now began again. It is perhaps possible that the very pre-eminence of the Conqueror over all his barons helped to emphasise the fact that the feudality which he employed for his own uses only, and threw away when he had done with, was not to be an order of things fixed by any eternal providence. When the King rose at one end of the social framework the people naturally came into greater prominence at the other.

The truce of God, insisted upon by William himself, had helped to the same end. For every male of twelve years old swore to help the Bishop to keep that truce, and by degrees his parishioners combined to organise the safety of their town, "_ex consensu parochianorum_." They used the resources for which all subscribed, and placed them under the control of a "gardien de la Confrèrie," or "_fraternarum rerum custos_." While these associations preserved the peace of the towns, the King was responsible for the peace of France. But the feeling of independence and the strength of union grew steadily among the citizens year by year. The rise of commerce, which has been already noticed in Rouen, also contributed to this. As cities grew in wealth, they became more and more desirous of escaping from feudal rapacity and of regulating their own affairs by magistrates chosen by themselves. In 1066 Le Mans had already done this. Ten years afterwards Cambrai followed the example. Noyon, Beauvais, Laon, Soissons, and many more clamoured for the charter of their liberty. In the absence of so many overlords at the Crusades the towns beneath the shadow of their castles seized the opportunity of strengthening their position. The same spirit of revolt began to work in Rouen as soon as the strong hand of the Conqueror was taken from the helm of government. But Rouen did not win her civic liberty until she had changed her own Norman dukes for the kings of France. The descendants of Duke William, feeble as they were, were still too near the feudal overlord to admit of rapid change. Yet the leaven was working already, and the disputes of the Conqueror's children fostered the unruly elements in the town.

Scarcely three years after Robert had attained the Duchy he quarrelled openly with his brother, the Red King of England; and Rouen was instantly in an uproar under Conan, a rich bourgeois, who probably sided with William Rufus, because he saw more chance of a commune under a distant king than in the presence of a duke at Rouen. In the days of the Conqueror there had been no tyrants or demagogues in the city, no armies in civic pay, no dealings of the citizens with other princes. But now the chance for an independent commonwealth seemed really to have come. However, the youngest brother, Henri Beauclerc, came from Côtentin to assist Robert in his difficulty, but not before the debauched and treacherous duke had been obliged to fly by the eastern gate of Robec into the faubourg of Malpalu, where he was cordially welcomed, and passed on to safety in St. Sever. Then Henri Beauclerc, "The Lion of Justice," took up the fighting for himself, swiftly beat back the soldiers of the Red King, threw Conan, the leader of the revolt, into the Tower of the Dukes by the Seine, and finally cast him down headlong from the battlements to die upon the stones beneath. The place preserved the name of "Saut de Conan" for many years, in the south-east corner of the Halles. So this first Artevelde of Rouen came to an untimely end. Henri Beauclerc, helped by Robert of Bellesme, one of the de Warrens (whose tomb is in the church of Wantage), and by the Count of Evreux, proved far too strong for him and for his companion in revolt, William, the son of Ansgar, who had to pay a vast ransom as the price of disobedience, while many of the rebellious citizens were massacred, and this immature attempt to form a commune ended.

The three brothers continued to quarrel, and to make it up again for some years. First, Robert and Rufus combine against Henry. Then Robert sends over troops to help the barons who were rebelling against his brother in England. Finally he went off with his Uncle Odo on the first crusade in 1096, pledging the Duchy in his absence to his brother the Red King, who, of course, seized it, and the real quarrel between England and France began. For when Normandy had been independent, Rouen blocked the road from Winchester to Paris. But as soon as it belonged outright either to one or to the other, the ancestral strife of French against English was certain to begin, and to go on. The revolt of Elias, Count of Maine, against the English King was repressed by his imprisonment--by Robert of Bellesme again--in the same Tour de Rouen that had seen the death of Conan. But Rufus never used his great gifts and power of ruling for anything but evil, and his brother Henry followed him, the husband of that descendant of Edmund and of Alfred who called herself Matilda at his coronation.

When the weak and incompetent Robert Short Hose returned from his crusading, he had the temerity to lay claim not merely to his Duchy but to the throne of England with it. He naturally lost both, at the battle of Tinchebray, where Henri Beauclerc won Normandy, and beat the Normans with his English soldiers. For many years Robert languished in English prisons until he died at Gloucester. And the Duchy he had lost throve infinitely under his brother's wise and prosperous rule, which gradually repressed more and more of the remnants of feudal anarchy and misrule. In 1114, his daughter Matilda gained her title of Empress by marriage with Henry V., but won her greatest fame by her second match--after this first husband's death with Geoffrey Plantagenet, Count of Anjou, in 1125, from which Henry II. of England was to be born. But Henri Beauclerc was unfortunate in his other children. For in 1119 his sons, William and Richard, were drowned in the White Ship on their way to England. The occurrence caused a very painful and widespread sensation, for besides the brilliant young nobles of the suite, eighteen high-born ladies, many of them of royal blood, perished in the wreck. In Orderic Vital, in William of Malmesbury, in Henry of Huntingdon, the story is fully set forth. The captain was the son of that pilot who had steered William the Conqueror to Pevensey in the good ship "Mora" built at Rouen. The weather was calm and bright with moonlight, and as the young princes urged their captain to row harder after their father's ship, he took a short cut along the treacherous coast, and the boat split open on a rock on the night of the 25th of November. The only survivor was a butcher of Rouen, called Bérold, or Gueroult as Robert Wace gives the name,

"Cil Gueroult de Roem esteit Machecrier ert, la char vendeit"....

and he was only preserved because of the thick clothes he wore through the frost of the night, to be rescued by some fishermen next morning.

"Un peliçon avit vestu Ki del grant freit l'ont defendu; Iver esteit, grant freit faiseit,"

says the "Roman de Rou" (15,319), so that in the Rue Massacre (close to the Rue Grosse Horloge) at Rouen, one home was gladdened with good news after a catastrophe that threw at least three courts into mourning, and gave the succession of the English throne to the great house of the Plantagenets of Maine.

Rouen had not remained entirely submissive to the Lion of Justice. In 1109 the King of France encouraged yet another rising of the citizens in Rouen and elsewhere against feudal power. And after the wreck of the White Ship, Fulk of Anjou took the opportunity to push the claims of Duke Robert's son both in England and Normandy, but the rebels were badly beaten at Bourgtheroulde (between Seine and Rille), and the Lion of Justice held a court in Rouen to judge them. Some were imprisoned in his Tower by the Seine, and some in Gloucester, while a satiric poet, named Luke of Barre, paid the penalty of being a pioneer in scoffing politics by having his eyes put out. At Henry's death in 1135, Matilda's infant heir was still very young at Le Mans, and the usual anarchy followed both in England and in Normandy that was inevitable when the direct male line of Norman Dukes died out. Of the two countries Normandy had perhaps the fate that was hardest to bear, for it was better to be ruled by any one than a Count of that Maine, with whom, as with an equal, so many centuries of battles had been fought. But the strong stock of Anjou and Maine soon took advantage of the weakness of the Northern Duchy, and in 1144 Geoffrey Plantagenet entered Rouen in triumph.

"Ceu fulmen ab alto,"

sings the poet,

"Neustria concutitur fulgure tacta novo."

To an inheritance so rich already, the boy Henry Plantagenet added all the dominions of Eleanor of Poitou by marriage, and after the anarchy of Stephen's reign in England had passed over, the Angevin Empire began from the Pyrenees to the Firth of Forth. At ten years old the second Henry had been recognised by Rouen as her duke, and it can be easily understood that the citizens used every advantage it was possible to win from the years of his minority, and from the days of uncertain authority before it. Already under Henri Beauclerc the municipality of Rouen had obtained ampler recognition than before. Its population increased accordingly, and was augmented by the extension of freedom to a considerable number of serfs. The bounds of the city itself were enlarged, and from the fact that a fire is recorded (in November 1131) to have destroyed the Hôtel de Ville, near the Porte Massacre, in the Rue de la Grosse Horloge, we may gather that the municipality, whose rights in property were recognised, had been able to secure a common meeting-place for the discussion of its civic business. By 1150 these meetings had resulted in a league, definitely made by the burgesses, to defend their rights against all feudal encroachments, a league which very nearly deserves that name of "Commune" at last, which was apparently first given in Normandy to Eu and to St. Quentin. Geoffrey Plantagenet, during his government of the Duchy for his son, had recognised the strength of this civic movement, by confirming the privileges of the citizens, and favouring the growth of this industrial corporation. In May of that same year the first law court of the town, as opposed to feudal or ecclesiastical justice, was also established, and called the Vicomté de l'Eau. It had the charge of all civil and criminal cases by river and by land, and kept the standard of the weights and measures. Its importance may be judged from the fact that in the hands of the merchants of Rouen was the monopoly of all wines sent by Seine or sea towards the north. The Confrèrie of these "Marchands de l'eau" had been accorded a special port, known as Dunegate, at Thames' mouth, by Edward the Confessor, and their monopoly extended also to the whole trade between Normandy and Ireland, a trade they kept until the reign of Philip Augustus.

Other corporations were also rapidly increasing in strength and importance. The tanners, whose especial church was St. Martin Sur Renelle, received the charter of their privileges from Henry II. of England. The "savetiers" and "cordonniers" enjoyed privileges that were more ancient still, which were confirmed in 1371, in 1660, and in 1715. The "cordonniers" were united in the confrèrie of St. Crepin at the Church of St. Laurent. The "savetiers" joined the confrèrie of the Holy Trinity at the Abbey of St. Amand. The Church of St. Croix des Pelletiers still preserves the traditions of another confrèrie, that of the "Pelletiers-fourreurs," whose statutes dated from Henri Beauclerc. By 1171 the "Marchands de l'eau" secured a still further extension of their privileges through the French King Louis VII. They were allowed to come up as far as Pecq to load their barges without interference from the Parisian confrèrie, whose commerce was limited to the same point. Forty years afterwards the two confrèries united to make the best possible for each out of the commerce of the Seine; and the effects of reciprocity became evident so soon, that even in 1180 the merchants of Rouen and of Paris had already come to an agreement as to the transport of the salt from the mouth of the river which formed so important a part of every Norman landowner's revenue.

This gradual increase in self-confidence and power in Rouen soon proved of direct importance to the King of England in a somewhat curious way. For when the King of France had roused one of the English royal princes to revolt, and Henry Plantagenet himself was obliged to come to Normandy to the rescue of his besieged capital, it was by the ringing of the bell that hung in the town belfry that the city was saved from a sudden attack by the French forces that must have proved successful. This was the famous bell known as "Rouvel," which rings the alarum henceforth at every crisis in the history of the town, and its first public service to the municipality, which had hung it where the Grosse Horloge stands, was richly rewarded by King Henry. He freed the citizens of all duty on their goods on both sides of the Channel, he freed them from taxation and from forced labour, he confirmed their ancient privileges, and--most important of all--he gave them an established court of law, composed of burgesses, and presided over by a "Bailli."

When once the impulse had been given in the right direction, it is astonishing to notice how fast were the developments of civic freedom and of commerce which go henceforth hand-in-hand throughout the story of the town. When the last sad years of Henry's perpetual struggle with his sons were over, neither of them dared to infringe the privileges he had so solemnly granted or confirmed to the municipality of Rouen. The accession of the Lionheart was signalised in the Cathedral chapterhouse by the characteristic gift of three hundred barrels of wine, which the canons and the archbishops were to claim from the Vicomté de l'Eau, and this privilege the good ecclesiastics thoroughly enjoyed until the middle of the sixteenth century. The jurisdiction of the Vicomté de l'Eau itself, and of the new "Baillage" and the "Maire," was further developed and established in 1192; and the quarrels that are so persistent throughout the history of Rouen, between the civil and ecclesiastical authorities, found their expression two years later in a renewed and fiercely contested struggle about the rights over the Parvis of the Cathedral. The canons, as usual, held their own, and in the same year asserted their still more extraordinary right of releasing a prisoner by virtue of the Privilege of the Fierte of St. Romain, by giving their freedom to two men, on the return of Richard from the Holy Land, because the privilege had not been exercised during his imprisonment abroad. There is an extremely fine impression in wax of one of Richard Coeur de Lion's seals in the archives of Rouen, which is one of the few still existing in which he is represented on one side as the King sitting upon the throne of England, and on the other as the Duke of Normandy riding in full armour against his foes. His is a character that gains from the mystery of romance cast over it. His career in France shows little that is creditable either to his head or heart.

In 1197 the same spirit of assertive independence was evidenced in the building of stone crosses in all parts of the city, which lasted until 1562, and recorded that their Duke, Richard had bought the manor of Andelys and the rock for his Château Gaillard from the Archbishop of Rouen, at the price of two of the town's public mills, the manor of Louviers, the towns of Dieppe and Bouteilles, and the forest of Aliermont. The bargain had not been struck without great agitation, interdicts on the town, and outcries from laymen and ecclesiastics alike. But it was well worth any trouble and treasure, and the Lionheart's "saucy castle" became the key of Normandy. His miserable brother John would never have lost the Duchy had he kept the fort. But his reign was ever destined to failure and discredit, and after the murder of Prince Arthur, which is said to have taken place within the Tower of Rouen by the Seine, had added gross impolicy to unpardonable crime, the last descendant of Rollo, who was both a King of England and a Duke of Normandy, fell before the power of the King of France. Rouen surrendered to Philip Augustus, and Normandy became a French province. The change had been an easy one, for John was far more Angevin and English than he was Norman, and his Duchy was no longer the home that William the Conqueror had made a terror to his neighbours.

Englishmen might indeed regret the loss of that motherland of heroes which had conquered Sicily and England too, and mourn to see her seven great cities, her strong castles, her stately minsters, and her Teutonic people in a Roman land, all under the yoke of kings whom Duke William had beaten at Varaville, and King Henry had conquered at Noyon. But the loss was England's gain. It meant not only that England was united under a really English king, but that her Norman nobles had become her own Englishmen. Far more had resulted from the immigration from the Continent, led by the Conqueror, than is usually appreciated. Its results were not merely such tangible documents as that charter of the liberties of London, signed by the great Duke of Rouen, which is still the most cherished possession of the archives of the City. William's soldiers were swiftly followed by peaceful invaders far more numerous, whose influence was far more widespreading. Not only did every Norman baron and abbot bring his own company of chosen artists and craftsmen with him from France, but "many of the citizens and merchants of Rouen," says the chronicler, "passed over, preferring to be dwellers in London, inasmuch as it was fitter for their trading, and better stored with the merchandise in which they were wont to traffic." One concrete example of the resulting growth of trade may be quoted. Before the Conquest, weaving had not been practised in England as a separate craft for the market. By 1165 we find a kind of corporation of weavers at Winchester, who preserved their own customs almost as closely as the Jews, contributed independently (like other aliens) to fiscal demands, and even chose their own aldermen. Almost the only name that remains to us of those ancient "portreeves" of London, who were the predecessors of its mayors, is that of Gilbert Beket, a burgher of Rouen, whose son Thomas was afterwards the martyr of Canterbury. No doubt these wealthy immigrants assisted in the growth of the English towns, both in commerce and in freedom. The army, the navy, the universities, trade, and education, as we know them, had no real existence in England before the Conquest. The Normans brought in not only the most permanent, but the most important invasion of alien immigrants, who affected and directed the development of English habits and character, and of the English constitution. There is little wonder that William had no lack of followers in his attempt, for the England of the eleventh century must have appealed to the Normans, the Picards, and Burgundians, of his mingled company, much as South Africa still calls our younger sons to-day, as a land of the promise of indefinite success.

But a still further, and an even less recognised source of wealth that was a direct result of Duke William's invasion, may be found in the settlement of Jewish traders who followed him from Normandy, and especially from Rouen. These were the capitalists, who helped the King of England to collect his revenue in money rather than in kind. Though liable to special fiscal exactions, they were protected by the King from many of the taxes imposed upon their neighbours. They were established, as they had been elsewhere in Europe, in separate "Jewries," or places kept apart for them in every city. Never having been allowed to possess either land or the rights of citizenship, their wealth was nearly always in gold. The Jews, indeed, were already the capitalists of Europe. Many a castle and cathedral alike owed its existence to their loans. Everyone at once abhorred yet could not do without them. In Rouen their history is soon marked by massacre and crime. As soon as Duke Robert had gone to the Crusades in 1096, the townsmen rose against the inhabitants of the Rue aux Juifs, and murdered numbers of men with their wives and children. The great fire that took place in the Parish of St. Lô, between 1116 and 1126, may very likely have been caused by another attack of the same kind. In any case, it was the unhappy Jews who paid the penalty; and still more trouble must have been caused by the fire already mentioned in 1131 which raged round the Porte Massacre, close to their quarter. When Philip Augustus drove them all out of France in 1182, the town of Rouen seized the opportunity to take possession of the synagogue and houses in the Rue aux Juifs, and the Jews were only allowed to return sixteen years afterwards, on the payment of large sums of money. In 1202 they were again mercilessly "bled" by King John, and the protection naturally accorded by this needy prince to their usurious practices was bitterly resented by the burghers.

The fires that were of such continual occurrence even in the small space of the Jews' quarter were by no means confined, unfortunately, to that part of the city. I have had to notice several times already the repeated devastation caused in this way to a town that was still chiefly built of wood, and in the last days of the Norman Dukes the ravages of fire were exceptionally widespread and pitiless. The year 1116 was a peculiarly fatal one, and only ten years afterwards flames broke out in the Rue des Carmes, and devoured both the Abbey of St. Amand and the Abbey of St. Ouen, while the Cathedral itself only just escaped, and an earthquake that immediately followed the fire completed the destruction of what little had been left standing within its area. But the Metropolitan Church which had been struck by lightning and injured in 1117, was not spared by the soldiers of Geoffrey of Anjou in 1136; and before the end of the century the whole of the building that William the Conqueror had seen consecrated before the invasion of England was destroyed by the flames on Easter Eve, and of the Cathedral built by his Bishop Maurilius where the Lion Heart received his crusading sword and banner from the Archbishop Gautier, nothing now remains except the lower part of the Tour St. Romain. In that same terrible year of 1200 the first shrine of St. Maclou was also burnt to the ground with several other churches, and the fire swept through the southern parts of the city to the river itself, and even set alight some buildings of the Tour de Rouen which the Norman dukes had built, though the chapel must have been saved, for it is recorded that in 1203 this building was given to his chancellor by John Lackland. But the ancient donjon to which Henri Beauclerc had added the palace standing where the Halles are now, and the fortifications which were erected near the spot by the same Duke, whose walls were strong enough to resist for three months a close siege by Geoffrey Plantagenet after the faubourg of St. Sever had been ruined, all this was utterly destroyed by Philip Augustus in 1204, and the Château of the French Kings was built near the Porte Bouvreuil where the donjon still remains that preserves the most shameful record in the story of the town. Rouen has kept no memory of its native dukes.

All this will explain how it was that the French King began his rule in a Rouen that was almost as stripped of buildings as the Rotomagus that Rollo took. But there was the vital difference that the "unarmed crowd" had been replaced by burgesses conscious of their strength, by confrèries whose privileges and statutes did not depend on bricks and mortar, and by citizens who had just begun to realise the value of their civic independence. The Knights Templars had of course their own commanderie in so important a centre of industry and wealth, but all vestiges of their habitation were swept away when the order was so mercilessly suppressed by Philippe-le-Bel. I have shown elsewhere that by 1312 this order had become as much the bankers of Europe as were the Jews of a century before, and that the charges of witchcraft had merely been trumped up by royal debtors who preferred hanging their creditors to paying their bills. The sign of the Barde or Barge Royale, now in the Musée des Antiquités is the only remnant of the Templars left in Rouen. A "Commanderie" that lasted far longer in the town was that of St. Antoine, which was established in 1095 to care for those suffering from the horrible disease known as St. Anthony's Fire. It continued its good work until 1790. Another foundation that had its origin in the same charitable instincts was the Hospital of the Mont-aux-Malades, founded to care for cases of the terrible leprosy brought back by the Crusaders from the East. This was first instituted by the citizens themselves in 1131, and a few years afterwards was placed under the care of a priory of Augustinian monks. The Church of St. Gilles was then founded on the same spot, and the hospital's funds were increased by Guillaume Baril of St. Maclou. In 1162, Henry II. of England still further added to the revenues of the priory and hospital by giving it the rent and privileges of the Foire de St. Gilles with half of the octroi duty. It was to be held for a week on the first of September every year, and fourteen years afterwards the same king rebuilt the hospital entirely and placed the new church under the patronage of St. Thomas of Canterbury.

This church is one of the few buildings of the time before Philip Augustus that you may still see. To reach it you go up the Rue Cauchoise, along the Rue St. Gervais, past the Abbey of St. Gervais, where the Conqueror died, and where the old crypt of St. Mellon still exists, then up a long and steep hill, on whose very summit is a village street with a broad iron railing that opens to your right into a pretty avenue of limes, with the worn steps of an old stone cross or fountain to the left of the church inside. At first you will be shocked and disappointed by the hideous modern restoration of the west front, with its side aisles, that are but poor specimens of pointed architecture. But go boldly inside and you will see the church of good, plain Norman work, dedicated by King Henry to the memory of the murdered English archbishop, and built by his chamberlain, Roscelin. The original building had the simple nave with its apse beyond, that we shall see on the other side of the town of St. Julien. There is a further disappointment in store when you find the incongruous windows inserted in the chancel and the aisles that were added later on to the original nave. To understand what has happened you must go to the outside of the east end, and there you will see how the old round Norman apse was cut off, and a squared end was stuck on instead with a large pointed window, and how a new outside roof was clumsily fitted on to cover both the aisles and the nave as well, a job so badly calculated that the tops of the eastern aisle-windows on both sides show above the line of roof, and the openings themselves are blocked. When I saw it in 1897 the church was in process of being joined on to the religious buildings which surround it, and the closed eastern openings had been altered, in the north aisle to a round-headed recess, and in the south aisle to the altar of a chapel. But the five round-headed Norman arches of the nave remain, with the four smaller ones in the choir. Above the nave arches are five narrow round-arched windows which do not correspond with the pillars beneath, but are merely holes in a thick wall instead of spaces between vaulting-shafts, as they are in the perfect Gothic of St. Ouen. But even so these windows are far better than the incongruous pointed work in the newer aisles. There is no transept, and the roof is a plain vault. The round columns, too, are quite plain, with slight carving here and there upon the capitals. And this is all that is left of the church which Henry II. ordered to be built in 1176.

Twenty-one parishes used to send their lepers to this hospital, and those who could not pay their fees were helped to do so from the parish purse. In 1478 each leper was obliged to bring with him (among other things), a bed with its sheets, all his body-linen and towels, his cooking pots and table ware, and various articles of clothing, besides 62 sous 1 denier for the prior, 5 sous for the servants,[21] and three "hanaps" or drinking vessels, one of silver. Evidently all this was not what a poor patient could often afford, and we find, without surprise, the parish St. John objecting to the rule in case of one Perrecte Deshays, who had been sent there by order of the officials, and could not possibly afford the list of necessaries claimed by the prior. So a compromise was made that for all lepers in the twenty-one parishes who could not give what the rules required, a sum of twenty livres from the parish authorities would be accepted as an equivalent. The treasurers of every parish were bound, in the public safety, to report to the proper town official every case of leprosy within their bounds. This official then took medical advice about the sick person, and if the leprosy was certified ordered the sequestration of the invalid. The acts in which these orders were carried out continue very frequent, even in the first half of the sixteenth century, and especially in the parish of Octeville. The leper was conducted to the hospital with exactly the same ceremony as was used for the interment of the dead, and was followed by all the members of the confrèrie to which he belonged, and preceded by a mourner ringing a dirge. One of the statutes of a confrèrie ordaining this procession has been preserved (Arch. de la Seine Inférieure, G. 5,238):--"Le seroient tenus convoier jusques à sa malladerie le maistre et varlets portans leurs sourplis et capperons vestus à toult la croix et banniere et clochette, et sy luy feroit l'en semblable service comme à ung trespassé en l'église où il seroit demourant en lad. ville et sy seroit led. varlet tenu crier par les carfours comme pour ung trespassé."

[Footnote 21: The complete list has been printed from the archives of Rouen by M. Ch. de Beaurepaire.]

Another of these charitable refuges for lepers was built for Rouen by an English king in 1183 at Petit-Quévilly, outside the town on the south side of the Seine. The Hospital of St. Julien was placed by King Henry II. under the protection of the older Priory of Grammont, which is now a powder magazine. It was called the "Salle aux Pucelles," or "Nobles Lepreuses," because its patients were at first limited to royal or nobles families. In 1366 the "Maladrerie" appears to have outlived its original objects, and was changed into a priory, which retained the old chapel, and seems to have kept up a public hospital of wider scope under the patronage of Charles V. of France. It was then known as the Prieuré St. Julien. Later on it got the name of "Chartreux," which still remains, because the besieging army of Henri Quatre wrecked the abbey on St. Catherine's hill, above the town, and the monks came to Quévilly, where the Carthusians had already settled themselves when the English turned them out of the Chartreuse de la Rose, which was the headquarters of our Henry the Fifth during his siege of Rouen early in the fifteenth century. Something of all this changing history is perceived in the names that the traveller sees on his way to the little church to-day. For he can either go there from the Pont Boieldieu in an electric car marked "Place Chartreux," or he may tell his coachman to drive him to the "Chapelle St. Julien, Rue de l'Hospice, Petit-Quévilly." Unless he enjoys hunting on foot for two small gabled roofs and a round apse, hidden away in the corner of some ancient and twisting streets among deserted fields, driving there will be far more satisfactory, and the visit is well worth his while.

The little building, whose very isolation has perhaps helped to preserve it, is now very justly classed among the best of the "Monuments Historiques de France" in Normandy. There is no tower. On the line beneath the roof round apse and nave, the corbels are carved with the heads of hairy Franks and Saxons, according to the tradition of the older Norman architecture at the Church of St. Paul's, which we shall next visit, near the river. Near the western end, on the northern exterior, is a dilapidated Madonna, and an old bricked-up doorway. But it is the inside that will chiefly repay you for your trouble. Through the triple portal of the west entrance, with plain round arches set on slightly carved Norman capitals, you pass at once into the nave. The whole effect is that which can be only given by simple, honest, and good workmanship. The restoration was carried out with a reverential conscientiousness that is far too rare, by M. Guillaume Lecointe, and by him this precious relic of twelfth-century architecture and art was given to the Commune of Petit-Quévilly. A small arcade of engaged colonnettes goes right round the whole church; the larger pillars have carved capitals, and there is the usual conventional Norman moulding on the round arches.

In the apse are four round-headed windows, all slightly smaller than the four in the choir and the six in the nave. In the chancel-arch there are two clustered columns, and also in the nave and apse. The others have plain round shafts. The simple vaulting of the choir and apse is excellently done, and on the roof above the choir you see the frescoes that are the chief treasure of the place, representing scenes from the Annunciation, the Wise Men, the Flight into Egypt, and other Biblical subjects. These paintings are boldly and well executed, and are of the highest interest. Indeed, their workmanship is such, that many antiquaries refused to believe that they were contemporary with the building itself. As if the little chapel had not suffered vicissitudes enough, it was put up to public auction at the Revolution in 1789, and used by its new proprietors as a stable and granary. They were careful to cover the whole of their ceiling with a thick coat of whitewash, and it is only in the last few years that the patriotic work of M. Lecointe has been completed by the careful recovery of these ancient paintings from beneath their bed of whitewash. Even then their value was not fully appreciated, and only when M. LeRoy had submitted certain detached portions to a chemical analysis was it proved that frescoes of the twelfth century had really been preserved.

By this careful observer it has been shown that a couch of sandy mortar was first laid on the stones of the vault, then a second layer, rich in lime, and especially in white of egg, was applied, and the surface was ready for the application of the colours. These are blue, green, yellow ochre, reddish-brown, black, and white. Cobalt blue, or "azure," was only discovered in the sixteenth century by a German glass-maker. The blue used in these paintings is the true "outremer" of the twelfth century, the solid colour made from lapislazuli, which was worth its weight in gold. That it was employed at all, is one more evidence of the munificence of Henry II. in his foundation. The green is a mixture of this blue with the yellow ochre. The white was made of powdered egg shells, and the black is lamp black. From the fact that the colouring matter has in no case penetrated the prepared surface, but adheres to it, we may argue finally that the process in which white of egg is the chief constituent was used to lay on the colours.

Besides the heart of Richard Coeur de Lion, the Cathedral of Rouen contains another relic of the Norman days in the tomb of that Empress Matilda, who as Countess of Anjou, gave Henry Plantagenet to the throne of England, and died in 1167. Her rich sepulchre at Bec was pillaged by the English in 1421, and the restored monument was desecrated in 1793, but in 1846 the original casket was discovered by the fortunate stroke of a pickaxe, and now rests in the Cathedral. In 1124 the shrine containing the body of the famous St. Romain was opened in the presence of the King and Queen of England, and fifty-four years afterwards, as the decorations made for it by Guillaume Bonne Âme had been taken for alms to the poor, Archbishop Rotrou made a new and more magnificent covering for the venerated relics that play so large a part in the story of the town. This new and Norman shrine it must have been which was carried by the two prisoners, delivered by the Privilege of the Fierte in 1194, but it has long ago been replaced by later work.

There is but one more religious monument, the last building I can show you in this chapter, that has remained from these centuries until now. Walk along the riverside eastwards, and as the waters flow from Paris towards you on your right, stop where the chalk cliffs of St. Catherine's Mount begin to slope downwards from the left hand of the road. Just between it and the river is the Church of St. Paul, which stands where the first Christian altar replaced the Temple of Adonis, and watched with St. Gervais and St. Godard the infant town of Rothomagus arise.

It was no doubt at the time when St. Romain himself finally destroyed the Tarasque of idolatry that this first church arose above the ruins of the pagan shrine. But of Roman or Merovingian structures St. Paul can show no trace. It has, however, an extremely interesting early Norman apse, which is different to everything else in Rouen, and older than any other building, save St. Mellon's crypt at St. Gervais. By going round the outside you can see three apses, and as you stand there, the midmost apse is the Norman building, that on your left is of the ninth century, and that on the right of the fourteenth. This Norman flat-buttressed and round-arched apse is directed to the east of summer, while the new church in the same place points to the east of winter, and is almost at right angles to the older one. The corbels outside, beneath the roof, are carved with the hairy-bearded faces of conquered Franks and Saxons, who were thus set up to the perpetual derision of their clean-shaved Norman victors. The idea is as old as the Temple of Agrigentum in 600 B.C., where the conquered Africans hold up the weight of the building, and recalls the barbarity of the primitive Sagas, which relate how the bleeding heads of enemies themselves were placed around the temples of the Norsemen.

The nave goes back into some private property beyond the churchyard, in which a forgotten tomb lies mouldering behind the railings. In the grass to the right of the old apse you can see a pointed arch springing from a capital, which shows how the surrounding soil has risen since the thirteenth century. This old building is all used as the vestry of the new church, through which you must pass to see the interior of the ancient buildings. Once within them, you will find nearest to you the fourteenth-century work of which a fragment showed outside. Then comes the Norman chapel, that recalls the work in the abbey of St. George's de Boscherville. Beyond that again is the ninth-century "Saxon" buildings. The archaic quality of the decoration is very notable in the capital that represents the adoration of the Magi, and indicates the relative importance of the personages by the size in which each is carved, just as is done in the Egyptian sculptures.

With these few relics the tale of Norman architecture in Rouen is finished. From a short survey of this town alone, no one who had never seen Caen or Coutances would imagine that he was in the duchy which possessed a school of architecture that was developed into Notre Dame, on the one hand, in the Ile de France, and into Durham, on the other, in England. In our own island the architecture before the eleventh century, which it supplanted, known as the Anglo-Saxon, was a primitive Romanesque of purely Italian origin, as shown in Bradford-on-Avon Church, which was built by Ealdhelm in Wessex long before the Conquest. This is the only entire building of the earlier style that we have, though the towers of Earl's Barton, of Bywell, of St. Benets in Cambridge, remain to show its affinity to the styles of Italy and Western Europe, and of the Campaniles. Even when the Norman work first appears, it is not without a great deal of that Byzantine element which is expressed by a spreading cupola and a central lantern. But this early Norman building is very rare, and that is why the three churches I have just described in Rouen have a value that is scarcely realised by travellers who are in search for Gothic or Renaissance architecture only. They are somewhat difficult of access too, and little known, but they will repay a visit. They show the form of the Latin cross, with little in its eastern limb besides the apse, the choir beneath the central tower that replaced the Byzantine cupola, and a little vaulting in the aisles. Originally they had a flat ceiling for frescoes. This is a style that was neither that of Southern Italy nor that of Aquitaine. It may have been a distinctively national development of the Lombard schools of Pavia or Milan. But in any case, though purely local at first, it utterly supplanted the Primitive Romanesque that had hitherto been the common possession of Western Europe, just as, in later centuries, the pointed style utterly swept away the round arch in all its forms of expression. And in the coming chapters it is with the pointed arch that we shall have more and more to deal. To Italy, who imitated it helplessly, the Northern Gothic never became even remotely national in its expression. The native Southern Romanesque was there only appropriately replaced by the really Italian style developed in the Roman Renaissance. But in the North, where the early pointed arch had been at first only a memory of Paynim victories, or a trophy of early Saracenic work, the pointed style as a school of architecture was destined to triumph immediately it rose from the position of mere ornament to the necessity of a constructive feature. It was the problem of vaulting over a space that was not square, which gave the pointed arch its reason for absolute existence, its beauty of proved strength and adequate proportion. Some of the noblest forms of its development are to be found in the buildings we shall see later on in Rouen.