Chapter 14

From that moment on, his life was an endless career of honour and appreciation. He wrote the things which people wanted most to hear. They were tired of theological disputations. Poor Dante could wander through hell as much as he wanted. But Petrarch wrote of love and of nature and the sun and never mentioned those gloomy things which seemed to have been the stock in trade of the last generation. And when Petrarch came to a city, all the people flocked out to meet him and he was received like a conquering hero. If he happened to bring his young friend Boccaccio, the story teller, with him, so much the better. They were both men of their time, full of curiosity, willing to read everything once, digging in forgotten and musty libraries that they might find still another manuscript of Virgil or Ovid or Lucrece or any of the other old Latin poets. They were good Christians. Of course they were! Everyone was. But no need of going around with a long face and wearing a dirty coat just because some day or other you were going to die. Life was good. People were meant to be happy. You desired proof of this? Very well. Take a spade and dig into the soil. What did you find? Beautiful old statues. Beautiful old vases. Ruins of ancient buildings. All these things were made by the people of the greatest empire that ever existed. They ruled all the world for a thousand years. They were strong and rich and handsome (just look at that bust of the Emperor Augustus!). Of course, they were not Christians and they would never be able to enter Heaven. At best they would spend their days in purgatory, where Dante had just paid them a visit.

But who cared? To have lived in a world like that of ancient Rome was heaven enough for any mortal being. And anyway, we live but once. Let us be happy and cheerful for the mere joy of existence.

Such, in short, was the spirit that had begun to fill the narrow and crooked streets of the many little Italian cities.

You know what we mean by the "bicycle craze" or the "automobile craze." Some one invents a bicycle. People who for hundreds of thousands of years have moved slowly and painfully from one place to another go "crazy" over the prospect of rolling rapidly and easily over hill and dale. Then a clever mechanic makes the first automobile. No longer is it necessary to pedal and pedal and pedal. You just sit and let little drops of gasoline do the work for you. Then everybody wants an automobile. Everybody talks about Rolls-Royces and Flivvers and carburetors and mileage and oil. Explorers penetrate into the hearts of unknown countries that they may find new supplies of gas. Forests arise in Sumatra and in the Congo to supply us with rubber. Rubber and oil become so valuable that people fight wars for their possession. The whole world is "automobile mad" and little children can say "car" before they learn to whisper "papa" and "mamma."

In the fourteenth century, the Italian people went crazy about the newly discovered beauties of the buried world of Rome. Soon their enthusiasm was shared by all the people of western Europe. The finding of an unknown manuscript became the excuse for a civic holiday. The man who wrote a grammar became as popular as the fellow who nowadays invents a new spark-plug. The humanist, the scholar who devoted his time and his energies to a study of "homo" or mankind (instead of wasting his hours upon fruitless theological investigations), that man was regarded with greater honour and a deeper respect than was ever bestowed upon a hero who had just conquered all the Cannibal Islands.

In the midst of this intellectual upheaval, an event occurred which greatly favoured the study of the ancient philosophers and authors. The Turks were renewing their attacks upon Europe. Constantinople, capital of the last remnant of the original Roman Empire, was hard pressed. In the year 1393 the Emperor, Manuel Paleologue, sent Emmanuel Chrysoloras to western Europe to explain the desperate state of old Byzantium and to ask for aid. This aid never came. The Roman Catholic world was more than willing to see the Greek Catholic world go to the punishment that awaited such wicked heretics. But however indifferent western Europe might be to the fate of the Byzantines, they were greatly interested in the ancient Greeks whose colonists had founded the city on the Bosphorus ten centuries after the Trojan war. They wanted to learn Greek that they might read Aristotle and Homer and Plato. They wanted to learn it very badly, but they had no books and no grammars and no teachers. The magistrates of Florence heard of the visit of Chrysoloras. The people of their city were "crazy to learn Greek." Would he please come and teach them? He would, and behold! the first professor of Greek teaching alpha, beta, gamma to hundreds of eager young men, begging their way to the city of the Arno, living in stables and in dingy attics that they night learn how to decline the verb [gr paidenw paideneis paidenei] and enter into the companionship of Sophocles and Homer.

Meanwhile in the universities, the old schoolmen, teaching their ancient theology and their antiquated logic; explaining the hidden mysteries of the old Testament and discussing the strange science of their Greek-Arabic-Spanish-Latin edition of Aristotle, looked on in dismay and horror. Next, they turned angry. This thing was going too far. The young men were deserting the lecture halls of the established universities to go and listen to some wild-eyed "humanist" with his newfangled notions about a "reborn civilization."

They went to the authorities. They complained. But one cannot force an unwilling horse to drink and one cannot make unwilling ears listen to something which does not really interest them. The schoolmen were losing ground rapidly. Here and there they scored a short victory. They combined forces with those fanatics who hated to see other people enjoy a happiness which was foreign to their own souls. In Florence, the centre of the Great Rebirth, a terrible fight was fought between the old order and the new. A Dominican monk, sour of face and bitter in his hatred of beauty, was the leader of the mediaeval rear-guard. He fought a valiant battle. Day after day he thundered his warnings of God's holy wrath through the wide halls of Santa Maria del Fiore. "Repent," he cried, "repent of your godlessness, of your joy in things that are not holy!" He began to hear voices and to see flaming swords that flashed through the sky. He preached to the little children that they might not fall into the errors of these ways which were leading their fathers to perdition. He organised companies of boy-scouts, devoted to the service of the great God whose prophet he claimed to be. In a sudden moment of frenzy, the frightened people promised to do penance for their wicked love of beauty and pleasure. They carried their books and their statues and their paintings to the market place and celebrated a wild "carnival of the vanities" with holy singing and most unholy dancing, while Savonarola applied his torch to the accumulated treasures.

But when the ashes cooled down, the people began to realise what they had lost. This terrible fanatic had made them destroy that which they had come to love above all things. They turned against him, Savonarola was thrown into jail. He was tortured. But he refused to repent for anything he had done. He was an honest man. He had tried to live a holy life. He had willingly destroyed those who deliberately refused to share his own point of view. It had been his duty to eradicate evil wherever he found it. A love of heathenish books and heathenish beauty in the eyes of this faithful son of the Church, had been an evil. But he stood alone. He had fought the battle of a time that was dead and gone. The Pope in Rome never moved a finger to save him. On the contrary, he approved of his "faithful Florentines" when they dragged Savonarola to the gallows, hanged him and burned his body amidst the cheerful howling and yelling of the mob.

It was a sad ending, but quite inevitable. Savonarola would have been a great man in the eleventh century. In the fifteenth century he was merely the leader of a lost cause. For better or worse, the Middle Ages had come to an end when the Pope had turned humanist and when the Vatican became the most important museum of Roman and Greek antiquities.

THE AGE OF EXPRESSION

THE PEOPLE BEGAN TO FEEL THE NEED OF GIVING EXPRESSION TO THEIR NEWLY DISCOVERED JOY OF LIVING. THEY EXPRESSED THEIR HAPPINESS IN POETRY AND IN SCULPTURE AND IN ARCHITECTURE AND IN PAINTING AND IN THE BOOKS THEY PRINTED

IN the year 1471 there died a pious old man who had spent seventy-two of his ninety-one years behind the sheltering walls of the cloister of Mount St. Agnes near the good town of Zwolle, the old Dutch Hanseatic city on the river Ysel. He was known as Brother Thomas and because he had been born in the village of Kempen, he was called Thomas a Kempis. At the age of twelve he had been sent to Deventer, where Gerhard Groot, a brilliant graduate of the universities of Paris, Cologne and Prague, and famous as a wandering preacher, had founded the Society of the Brothers of the Common Life. The good brothers were humble laymen who tried to live the simple life of the early Apostles of Christ while working at their regular jobs as carpenters and house-painters and stone masons. They maintained an excellent school, that deserving boys of poor parents might be taught the wisdom of the Fathers of the church. At this school, little Thomas had learned how to conjugate Latin verbs and how to copy manuscripts. Then he had taken his vows, had put his little bundle of books upon his back, had wandered to Zwolle and with a sigh of relief he had closed the door upon a turbulent world which did not attract him.

Thomas lived in an age of turmoil, pestilence and sudden death. In central Europe, in Bohemia, the devoted disciples of Johannus Huss, the friend and follower of John Wycliffe, the English reformer, were avenging with a terrible warfare the death of their beloved leader who had been burned at the stake by order of that same Council of Constance, which had promised him a safe-conduct if he would come to Switzerland and explain his doctrines to the Pope, the Emperor, twenty-three cardinals, thirty-three archbishops and bishops, one hundred and fifty abbots and more than a hundred princes and dukes who had gathered together to reform their church.

In the west, France had been fighting for a hundred years that she might drive the English from her territories and just then was saved from utter defeat by the fortunate appearance of Joan of Arc. And no sooner had this struggle come to an end than France and Burgundy were at each other's throats, engaged upon a struggle of life and death for the supremacy of western Europe.

In the south, a Pope at Rome was calling the curses of Heaven down upon a second Pope who resided at Avignon, in southern France, and who retaliated in kind. In the far east the Turks were destroying the last remnants of the Roman Empire and the Russians had started upon a final crusade to crush the power of their Tartar masters.

But of all this, Brother Thomas in his quiet cell never heard. He had his manuscripts and his own thoughts and he was contented. He poured his love of God into a little volume. He called it the Imitation of Christ. It has since been translated into more languages than any other book save the Bible. It has been read by quite as many people as ever studied the Holy Scriptures. It has influenced the lives of countless millions. And it was the work of a man whose highest ideal of existence was expressed in the simple wish that "he might quietly spend his days sitting in a little corner with a little book."

Good Brother Thomas represented the purest ideals of the Middle Ages. Surrounded on all sides by the forces of the victorious Renaissance, with the humanists loudly proclaiming the coming of modern times, the Middle Ages gathered strength for a last sally. Monasteries were reformed. Monks gave up the habits of riches and vice. Simple, straightforward and honest men, by the example of their blameless and devout lives, tried to bring the people back to the ways of righteousness and humble resignation to the will of God. But all to no avail. The new world rushed past these good people. The days of quiet meditation were gone. The great era of "expression" had begun.

Here and now let me say that I am sorry that I must use so many "big words." I wish that I could write this history in words of one syllable. But it cannot be done. You cannot write a text-book of geometry without reference to a hypotenuse and triangles and a rectangular parallelopiped. You simply have to learn what those words mean or do without mathematics. In history (and in all life) you will eventually be obliged to learn the meaning of many strange words of Latin and Greek origin. Why not do it now?

When I say that the Renaissance was an era of expression, I mean this: People were no longer contented to be the audience and sit still while the emperor and the pope told them what to do and what to think. They wanted to be actors upon the stage of life. They insisted upon giving "expression" to their own individual ideas. If a man happened to be interested in statesmanship like the Florentine historian, Niccolo Macchiavelli, then he "expressed" himself in his books which revealed his own idea of a successful state and an efficient ruler. If on the other hand he had a liking for painting, he "expressed" his love for beautiful lines and lovely colours in the pictures which have made the names of Giotto, Fra Angelico, Rafael and a thousand others household words wherever people have learned to care for those things which express a true and lasting beauty.

If this love for colour and line happened to be combined with an interest in mechanics and hydraulics, the result was a Leonardo da Vinci, who painted his pictures, experimented with his balloons and flying machines, drained the marshes of the Lombardian plains and "expressed" his joy and interest in all things between Heaven and Earth in prose, in painting, in sculpture and in curiously conceived engines. When a man of gigantic strength, like Michael Angelo, found the brush and the palette too soft for his strong hands, he turned to sculpture and to architecture, and hacked the most terrific creatures out of heavy blocks of marble and drew the plans for the church of St. Peter, the most concrete "expression" of the glories of the triumphant church. And so it went.

All Italy (and very soon all of Europe) was filled with men and women who lived that they might add their mite to the sum total of our accumulated treasures of knowledge and beauty and wisdom. In Germany, in the city of Mainz, Johann zum Gansefleisch, commonly known as Johann Gutenberg, had just invented a new method of copying books. He had studied the old woodcuts and had perfected a system by which individual letters of soft lead could be placed in such a way that they formed words and whole pages. It is true, he soon lost all his money in a law-suit which had to do with the original invention of the press. He died in poverty, but the "expression" of his particular inventive genius lived after him.

Soon Aldus in Venice and Etienne in Paris and Plantin in Antwerp and Froben in Basel were flooding the world with carefully edited editions of the classics printed in the Gothic letters of the Gutenberg Bible, or printed in the Italian type which we use in this book, or printed in Greek letters, or in Hebrew.

Then the whole world became the eager audience of those who had something to say. The day when learning had been a monopoly of a privileged few came to an end. And the last excuse for ignorance was removed from this world, when Elzevier of Haarlem began to print his cheap and popular editions. Then Aristotle and Plato, Virgil and Horace and Pliny, all the goodly company of the ancient authors and philosophers and scientists, offered to become man's faithful friend in exchange for a few paltry pennies. Humanism had made all men free and equal before the printed word.

THE GREAT DISCOVERIES

BUT NOW THAT PEOPLE HAD BROKEN THROUGH THE BONDS OF THEIR NARROW MEDIAEVAL LIMITATIONS, THEY HAD TO HAVE MORE ROOM FOR THEIR WANDERINGS. THE EUROPEAN WORLD HAD GROWN TOO SMALL FOR THEIR AMBITIONS. IT WAS THE TIME OF THE GREAT VOYAGES OF DISCOVERY

THE Crusades had been a lesson in the liberal art of travelling. But very few people had ever ventured beyond the well-known beaten track which led from Venice to Jaffe. In the thirteenth century the Polo brothers, merchants of Venice, had wandered across the great Mongolian desert and after climbing mountains as high as the moon, they had found their way to the court of the great Khan of Cathay, the mighty emperor of China. The son of one of the Polos, by the name of Marco, had written a book about their adventures, which covered a period of more than twenty years. The astonished world had gaped at his descriptions of the golden towers of the strange island of Zipangu, which was his Italian way of spelling Japan. Many people had wanted to go east, that they might find this gold-land and grow rich. But the trip was too far and too dangerous and so they stayed at home.

Of course, there was always the possibility of making the voyage by sea. But the sea was very unpopular in the Middle Ages and for many very good reasons. In the first place, ships were very small. The vessels on which Magellan made his famous trip around the world, which lasted many years, were not as large as a modern ferryboat. They carried from twenty to fifty men, who lived in dingy quarters (too low to allow any of them to stand up straight) and the sailors were obliged to eat poorly cooked food as the kitchen arrangements were very bad and no fire could be made whenever the weather was the least bit rough. The mediaeval world knew how to pickle herring and how to dry fish. But there were no canned goods and fresh vegetables were never seen on the bill of fare as soon as the coast had been left behind. Water was carried in small barrels. It soon became stale and then tasted of rotten wood and iron rust and was full of slimy growing things. As the people of the Middle Ages knew nothing about microbes (Roger Bacon, the learned monk of the thirteenth century seems to have suspected their existence, but he wisely kept his discovery to himself) they often drank unclean water and sometimes the whole crew died of typhoid fever. Indeed the mortality on board the ships of the earliest navigators was terrible. Of the two hundred sailors who in the year 1519 left Seville to accompany Magellan on his famous voyage around the world, only eighteen returned. As late as the seventeenth century when there was a brisk trade between western Europe and the Indies, a mortality of 40 percent was nothing unusual for a trip from Amsterdam to Batavia and back. The greater part of these victims died of scurvy, a disease which is caused by lack of fresh vegetables and which affects the gums and poisons the blood until the patient dies of sheer exhaustion.

Under those circumstances you will understand that the sea did not attract the best elements of the population. Famous discoverers like Magellan and Columbus and Vasco da Gama travelled at the head of crews that were almost entirely composed of ex-jailbirds, future murderers and pickpockets out of a Job.

These navigators certainly deserve our admiration for the courage and the pluck with which they accomplished their hopeless tasks in the face of difficulties of which the people of our own comfortable world can have no conception. Their ships were leaky. The rigging was clumsy. Since the middle of the thirteenth century they had possessed some sort of a compass (which had come to Europe from China by way of Arabia and the Crusades) but they had very bad and incorrect maps. They set their course by God and by guess. If luck was with them they returned after one or two or three years. In the other case, their bleeched bones remained behind on some lonely beach. But they were true pioneers. They gambled with luck. Life to them was a glorious adventure. And all the suffering, the thirst and the hunger and the pain were forgotten when their eyes beheld the dim outlines of a new coast or the placid waters of an ocean that had lain forgotten since the beginning of time.

Again I wish that I could make this book a thousand pages long. The subject of the early discoveries is so fascinating. But history, to give you a true idea of past times, should be like those etchings which Rembrandt used to make. It should cast a vivid light on certain important causes, on those which are best and greatest. All the rest should be left in the shadow or should be indicated by a few lines. And in this chapter I can only give you a short list of the most important discoveries.

Keep in mind that all during the fourteenth and fifteenth centuries the navigators were trying to accomplish just ONE THING--they wanted to find a comfortable and safe road to the empire of Cathay (China), to the island of Zipangu (Japan) and to those mysterious islands, where grew the spices which the mediaeval world had come to like since the days of the Crusades, and which people needed in those days before the introduction of cold storage, when meat and fish spoiled very quickly and could only be eaten after a liberal sprinkling of pepper or nutmeg.

The Venetians and the Genoese had been the great navigators of the Mediterranean, but the honour for exploring the coast of the Atlantic goes to the Portuguese. Spain and Portugal were full of that patriotic energy which their age-old struggle against the Moorish invaders had developed. Such energy, once it exists, can easily be forced into new channels. In the thirteenth century, King Alphonso III had conquered the kingdom of Algarve in the southwestern corner of the Spanish peninsula and had added it to his dominions. In the next century, the Portuguese had turned the tables on the Mohammedans, had crossed the straits of Gibraltar and had taken possession of Ceuta, opposite the Arabic city of Ta'Rifa (a word which in Arabic means "inventory" and which by way of the Spanish language has come down to us as "tariff,") and Tangiers, which became the capital of an African addition to Algarve.

They were ready to begin their career as explorers.

In the year 1415, Prince Henry, known as Henry the Navigator, the son of John I of Portugal and Philippa, the daughter of John of Gaunt (about whom you can read in Richard II, a play by William Shakespeare) began to make preparations for the systematic exploration of northwestern Africa. Before this, that hot and sandy coast had been visited by the Phoenicians and by the Norsemen, who remembered it as the home of the hairy "wild man" whom we have come to know as the gorilla. One after another, Prince Henry and his captains discovered the Canary Islands--re-discovered the island of Madeira which a century before had been visited by a Genoese ship, carefully charted the Azores which had been vaguely known to both the Portuguese and the Spaniards, and caught a glimpse of the mouth of the Senegal River on the west coast of Africa, which they supposed to be the western mouth of the Nile. At last, by the middle of the Fifteenth Century, they saw Cape Verde, or the Green Cape, and the Cape Verde Islands, which lie almost halfway between the coast of Africa and Brazil.