The Standard Operas Their Plots Their Music And Their Composers

The last act opens in a rocky glen filled with the Valkyres calling to each other from summit to summit with wild cries as they come riding through the clouds after the combat,...

The music of the opera is light and sparkling, the principal interest centring in the charming nature of the story and its humorous situations, which afford capital opportunitie...

The scene changes to the great hall of the castle and the celebration of the feast of the Grail. The scene is introduced with a solemn march by full orchestra, including trombon...

The first act opens with the brilliant chorus of the revellers ("Piacer della mensa"), which is full of courtly grace. Raoul tells the story of the unknown fair one he has encou...

The period of the opera is 1534. The first act transpires in Dordrecht and Leyden, in Holland, and the other three in Munster, Germany. The text closely follows the historical n...

Hermann Goetz, to whose life attaches a mournful interest, was born at Koenigsberg, Dec. 17, 1840. He had no regular instruction in music until his seventeenth year. At that per...

The opera opens with a charming, playful love-scene between Jacquino and Marcellina, whom the former is teasing to marry him. She puts him off, and as he sorrowfully departs, si...

The second act also opens in the palace, with an aria by the Duke ("Parmi veder le lagrime"), in which he laments the loss of Gilda. Another fine chorus ("Scorrendo uniti remota...

The first act opens with a spirited chorus of villagers, followed by a lively march and a comic song by Kilian, in which he rallies Max upon his bad luck. The next number is a t...

The second act opens in the public square of Ferrara, with the palace of the Borgias on the right. The Duke Alphonso, Lucrezia's husband, who has been observant of Lucrezia's at...

After a short prelude, consisting of a beautiful pianissimo movement, mainly for the violins, and very Wagnerish in its general style, the first act opens in a hall of the King'...

The third act opens with a duet ("Crudel, perche finora") for the Count and Countess, followed by a very dramatic scena for the Count, beginning with the recitative, "Hai già vi...

The scene of the opera is laid at Seville, Spain. Count Almaviva has fallen in love with Rosina, the ward of Dr. Bartolo, with whom she resides, and who wishes to marry her hims...

The third act is entitled "The Witch's House." The children are still sleeping, but the angels have vanished. The Dawn-Fairy steps forward and shakes dewdrops from a bluebell ov...

The third act opens in the bridal chamber. The seeds of curiosity and distrust which Ortrud has sown in Elsa's mind have ripened, and in spite of her conviction that it will end...

Carmen is the largest and best-considered of all Bizet's works, and one of the best in the modern French repertory. The overture is short but very brilliant. After some characte...

The overture of "Rienzi" is in the accepted form, for the opera was written before Wagner had made his new departure in music, and takes its principal themes, notably Rienzi's p...

The last act opens in the anteroom of the royal palace at Lisbon, where Diana is waiting for an audience with the Queen. She sings another interpolated air, originally written f...

Charles Ambroise Thomas was born at Metz, Aug. 5, 1811, and entered the Paris Conservatory in 1828, where he carried off the Grand Prize in 1832, which entitled him to go to Ita...

He also made an eloquent address, setting forth the details of the plans and the purposes of the new temple of art. The undertaking was now fairly inaugurated. The erratic King...

The object of the compiler of this Handbook is to present to the reader a brief but comprehensive sketch of each of the operas contained in the modern repertory which are likely...

The fourth act is known as the Cathedral act, and established Gounod's reputation as a writer of serious music. It opens with a scena for Marguerite, who has been taunted by the...